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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFB7D6 it is the complementary color #404829. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFB7D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFB7D6 shade: #C4B7D1, #D5C9E4, #E6DBF7, #F7EDFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFB7D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFB7D6 shade: #BFB7D6, #AEA5C3, #9D93B0, #8C819D and #7B6F8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFB7D6 shade: #BFB7D6, #C7B7D6, #CFB7D6, #D6B7D4 and #D6B7CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFB7D6 shade: #BFB7D6 and #B7B7D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFB7D6 shade matches the following richer shades: #BFB7D6, #BBAEDF, #B6A5E8, #B29CF1 and #AD93FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFB7D6 shade: #BFB7D6, #C3C0CC, #C8C9C3, #CCD2BA and #D1DCB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFB7D6 shade: #B7C0D6, #B7B8D6, #BFB7D6, #C7B7D6 and #CFB7D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFB7D6 shade: #9083B7, #A89DC6, #BFB7D6, #D6D1E5 and #EEECF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFB7D6 shade: #BFB7D6, #D6B7C8 and #BCD6B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFB7D6 shade: #BFB7D6, #D6BFB7 and #B7D6BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFB7D6 shade: #BFB7D6, #D6B7C8, #CED6B7 and #B7D6C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFB7D6 shade: #BFB7D6, #D6B7BF, #CED6B7 and #B7D6CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 14 / 0 / 16

HEX #BFB7D6

RGB 191 183 214

HSL 255.48, 0.27%, 0.78%

LAB 75.95, 8.8, -14.55

 

Complementary color

CMYK 11 / 0 / 43 / 72

HEX #404829

RGB 64 72 41

HSL 75.48, 0.27%, 0.22%

LAB 29.12, -9.26, 17.53

 

CMYK 6 / 12 / 0 / 18

HEX #C4B7D1

RGB 196 183 209

HSL 270, 0.22%, 0.77%

LAB 76.2, 9.45, -11.42

 

CMYK 7 / 12 / 0 / 11

HEX #D5C9E4

RGB 213 201 228

HSL 266.67, 0.33%, 0.84%

LAB 82.66, 9.15, -11.85

 

CMYK 7 / 11 / 0 / 3

HEX #E6DBF7

RGB 230 219 247

HSL 263.57, 0.64%, 0.91%

LAB 89.02, 8.87, -12.28

 

CMYK 3 / 7 / 0 / 0

HEX #F7EDFF

RGB 247 237 255

HSL 273.33, 1%, 0.96%

LAB 94.98, 6.55, -7.46

 

CMYK 11 / 14 / 0 / 16

HEX #BFB7D6

RGB 191 183 214

HSL 255.48, 0.27%, 0.78%

LAB 75.95, 8.8, -14.55

 

CMYK 11 / 15 / 0 / 24

HEX #AEA5C3

RGB 174 165 195

HSL 258, 0.2%, 0.71%

LAB 69.36, 9.12, -14.18

 

CMYK 11 / 16 / 0 / 31

HEX #9D93B0

RGB 157 147 176

HSL 260.69, 0.16%, 0.63%

LAB 62.65, 9.45, -13.8

 

CMYK 11 / 18 / 0 / 38

HEX #8C819D

RGB 140 129 157

HSL 263.57, 0.13%, 0.56%

LAB 55.8, 9.83, -13.44

 

CMYK 11 / 20 / 0 / 46

HEX #7B6F8A

RGB 123 111 138

HSL 266.67, 0.11%, 0.49%

LAB 48.78, 10.24, -13.08

 

CMYK 11 / 14 / 0 / 16

HEX #BFB7D6

RGB 191 183 214

HSL 255.48, 0.27%, 0.78%

LAB 75.95, 8.8, -14.55

 

CMYK 7 / 14 / 0 / 16

HEX #C7B7D6

RGB 199 183 214

HSL 270.97, 0.27%, 0.78%

LAB 76.6, 11.45, -13.51

 

CMYK 3 / 14 / 0 / 16

HEX #CFB7D6

RGB 207 183 214

HSL 286.45, 0.27%, 0.78%

LAB 77.27, 14.12, -12.42

 

CMYK 0 / 14 / 1 / 16

HEX #D6B7D4

RGB 214 183 212

HSL 303.87, 0.27%, 0.78%

LAB 77.83, 16.11, -10.45

 

CMYK 0 / 14 / 5 / 16

HEX #D6B7CB

RGB 214 183 203

HSL 321.29, 0.27%, 0.78%

LAB 77.56, 14.48, -5.96

 

CMYK 11 / 14 / 0 / 16

HEX #BFB7D6

RGB 191 183 214

HSL 255.48, 0.27%, 0.78%

LAB 75.95, 8.8, -14.55

 

CMYK 14 / 14 / 0 / 16

HEX #B7B7D6

RGB 183 183 214

HSL 240, 0.27%, 0.78%

LAB 75.32, 6.2, -15.55

 

CMYK 11 / 14 / 0 / 16

HEX #BFB7D6

RGB 191 183 214

HSL 255.48, 0.27%, 0.78%

LAB 75.95, 8.8, -14.55

 

CMYK 16 / 22 / 0 / 13

HEX #BBAEDF

RGB 187 174 223

HSL 255.92, 0.43%, 0.78%

LAB 73.65, 14.35, -22.95

 

CMYK 22 / 29 / 0 / 9

HEX #B6A5E8

RGB 182 165 232

HSL 255.22, 0.59%, 0.78%

LAB 71.34, 19.8, -31.44

 

CMYK 26 / 35 / 0 / 5

HEX #B29CF1

RGB 178 156 241

HSL 255.53, 0.75%, 0.78%

LAB 69.18, 25.77, -39.74

 

CMYK 31 / 41 / 0 / 2

HEX #AD93FA

RGB 173 147 250

HSL 255.15, 0.91%, 0.78%

LAB 67.02, 31.64, -48.08

 

CMYK 11 / 14 / 0 / 16

HEX #BFB7D6

RGB 191 183 214

HSL 255.48, 0.27%, 0.78%

LAB 75.95, 8.8, -14.55

 

CMYK 4 / 6 / 0 / 20

HEX #C3C0CC

RGB 195 192 204

HSL 255, 0.11%, 0.78%

LAB 78.26, 3.3, -5.65

 

CMYK 0 / 0 / 3 / 21

HEX #C8C9C3

RGB 200 201 195

HSL 70, 0.05%, 0.78%

LAB 80.73, -1.43, 2.86

 

CMYK 3 / 0 / 11 / 18

HEX #CCD2BA

RGB 204 210 186

HSL 75, 0.21%, 0.78%

LAB 83.17, -6.26, 11.19

 

CMYK 5 / 0 / 20 / 14

HEX #D1DCB1

RGB 209 220 177

HSL 75.35, 0.38%, 0.78%

LAB 85.96, -11, 19.92

 

CMYK 14 / 10 / 0 / 16

HEX #B7C0D6

RGB 183 192 214

HSL 222.58, 0.27%, 0.78%

LAB 77.65, 1.34, -12.06

 

CMYK 14 / 14 / 0 / 16

HEX #B7B8D6

RGB 183 184 214

HSL 238.06, 0.27%, 0.78%

LAB 75.58, 5.66, -15.17

 

CMYK 11 / 14 / 0 / 16

HEX #BFB7D6

RGB 191 183 214

HSL 255.48, 0.27%, 0.78%

LAB 75.95, 8.8, -14.55

 

CMYK 7 / 14 / 0 / 16

HEX #C7B7D6

RGB 199 183 214

HSL 270.97, 0.27%, 0.78%

LAB 76.6, 11.45, -13.51

 

CMYK 3 / 14 / 0 / 16

HEX #CFB7D6

RGB 207 183 214

HSL 286.45, 0.27%, 0.78%

LAB 77.27, 14.12, -12.42

 

CMYK 21 / 28 / 0 / 28

HEX #9083B7

RGB 144 131 183

HSL 255, 0.27%, 0.62%

LAB 57.64, 15.94, -25.52

 

CMYK 15 / 21 / 0 / 22

HEX #A89DC6

RGB 168 157 198

HSL 256.1, 0.26%, 0.7%

LAB 66.91, 12.24, -19.59

 

CMYK 11 / 14 / 0 / 16

HEX #BFB7D6

RGB 191 183 214

HSL 255.48, 0.27%, 0.78%

LAB 75.95, 8.8, -14.55

 

CMYK 7 / 9 / 0 / 10

HEX #D6D1E5

RGB 214 209 229

HSL 255, 0.28%, 0.86%

LAB 84.77, 5.43, -9.23

 

CMYK 2 / 3 / 0 / 4

HEX #EEECF4

RGB 238 236 244

HSL 255, 0.27%, 0.94%

LAB 93.75, 2.11, -3.63

 

CMYK 11 / 14 / 0 / 16

HEX #BFB7D6

RGB 191 183 214

HSL 255.48, 0.27%, 0.78%

LAB 75.95, 8.8, -14.55

 

CMYK 0 / 14 / 7 / 16

HEX #D6B7C8

RGB 214 183 200

HSL 327.1, 0.27%, 0.78%

LAB 77.48, 13.95, -4.46

 

CMYK 12 / 0 / 14 / 16

HEX #BCD6B7

RGB 188 214 183

HSL 110.32, 0.27%, 0.78%

LAB 83.02, -14.41, 12.42

 

CMYK 11 / 14 / 0 / 16

HEX #BFB7D6

RGB 191 183 214

HSL 255.48, 0.27%, 0.78%

LAB 75.95, 8.8, -14.55

 

CMYK 0 / 11 / 14 / 16

HEX #D6BFB7

RGB 214 191 183

HSL 15.48, 0.27%, 0.78%

LAB 79.03, 6.83, 6.99

 

CMYK 14 / 0 / 11 / 16

HEX #B7D6BF

RGB 183 214 191

HSL 135.48, 0.27%, 0.78%

LAB 82.87, -14.68, 7.92

 

CMYK 11 / 14 / 0 / 16

HEX #BFB7D6

RGB 191 183 214

HSL 255.48, 0.27%, 0.78%

LAB 75.95, 8.8, -14.55

 

CMYK 0 / 14 / 7 / 16

HEX #D6B7C8

RGB 214 183 200

HSL 327.1, 0.27%, 0.78%

LAB 77.48, 13.95, -4.46

 

CMYK 4 / 0 / 14 / 16

HEX #CED6B7

RGB 206 214 183

HSL 75.48, 0.27%, 0.78%

LAB 84.29, -8.09, 14.4

 

CMYK 14 / 0 / 8 / 16

HEX #B7D6C5

RGB 183 214 197

HSL 147.1, 0.27%, 0.78%

LAB 83.02, -13.56, 4.95

 

CMYK 11 / 14 / 0 / 16

HEX #BFB7D6

RGB 191 183 214

HSL 255.48, 0.27%, 0.78%

LAB 75.95, 8.8, -14.55

 

CMYK 0 / 14 / 11 / 16

HEX #D6B7BF

RGB 214 183 191

HSL 344.52, 0.27%, 0.78%

LAB 77.24, 12.41, 0.07

 

CMYK 4 / 0 / 14 / 16

HEX #CED6B7

RGB 206 214 183

HSL 75.48, 0.27%, 0.78%

LAB 84.29, -8.09, 14.4

 

CMYK 14 / 0 / 4 / 16

HEX #B7D6CE

RGB 183 214 206

HSL 164.52, 0.27%, 0.78%

LAB 83.24, -11.82, 0.49

 

Description

Color code: HEX #BFB7D6 | qconv.com Color code: HEX #BFB7D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 183 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 183 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 14 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 14% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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