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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFCAA9 it is the complementary color #403556. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFCAA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFCAA9 shade: #C4CAA4, #D5DCB7, #E6EECA, #F7FFDD and #FFFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFCAA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFCAA9 shade: #BFCAA9, #AEB896, #9DA683, #8C9470 and #7B825D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFCAA9 shade: #BFCAA9, #C8CAA9, #CAC3A9, #CABAA9 and #CAB2A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFCAA9 shade: #BFCAA9, #B6CAA9, #ADCAA9, #A9CAAE and #A9CAB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFCAA9 shade matches the following richer shades: #BFCAA9, #C3D59E, #C7E093, #CAEC88 and #CEF77D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFCAA9 shade: #BFCAA9, #BBBFB4, #B8B4BF, #B4A9CB and #B09ED6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFCAA9 shade: #CAC4A9, #C8CAA9, #BFCAA9, #B6CAA9 and #AECAA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFCAA9 shade: #99AB76, #ACBA90, #BFCAA9, #D2DAC3 and #E5EADC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFCAA9 shade: #BFCAA9, #A9CABB and #C8A9CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFCAA9 shade: #BFCAA9, #A9BFCA and #CAA9BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFCAA9 shade: #BFCAA9, #A9CABB, #B4A9CA and #CAA9B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFCAA9 shade: #BFCAA9, #A9CAC5, #B4A9CA and #CAA9AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 16 / 21

HEX #BFCAA9

RGB 191 202 169

HSL 80, 0.24%, 0.73%

LAB 79.72, -9.57, 15.22

 

Complementary color

CMYK 26 / 38 / 0 / 66

HEX #403556

RGB 64 53 86

HSL 260, 0.24%, 0.27%

LAB 24.66, 12.9, -18.18

 

CMYK 3 / 0 / 19 / 21

HEX #C4CAA4

RGB 196 202 164

HSL 69.47, 0.26%, 0.72%

LAB 79.99, -8.54, 18.31

 

CMYK 3 / 0 / 17 / 14

HEX #D5DCB7

RGB 213 220 183

HSL 71.35, 0.35%, 0.79%

LAB 86.38, -8.64, 17.41

 

CMYK 3 / 0 / 15 / 7

HEX #E6EECA

RGB 230 238 202

HSL 73.33, 0.51%, 0.86%

LAB 92.68, -8.74, 16.54

 

CMYK 3 / 0 / 13 / 0

HEX #F7FFDD

RGB 247 255 221

HSL 74.12, 1%, 0.93%

LAB 98.64, -8.34, 15.36

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 5 / 0 / 16 / 21

HEX #BFCAA9

RGB 191 202 169

HSL 80, 0.24%, 0.73%

LAB 79.72, -9.57, 15.22

 

CMYK 5 / 0 / 18 / 28

HEX #AEB896

RGB 174 184 150

HSL 77.65, 0.19%, 0.65%

LAB 73.21, -9.51, 16.13

 

CMYK 5 / 0 / 21 / 35

HEX #9DA683

RGB 157 166 131

HSL 75.43, 0.16%, 0.58%

LAB 66.58, -9.43, 17.09

 

CMYK 5 / 0 / 24 / 42

HEX #8C9470

RGB 140 148 112

HSL 73.33, 0.14%, 0.51%

LAB 59.82, -9.34, 18.11

 

CMYK 5 / 0 / 28 / 49

HEX #7B825D

RGB 123 130 93

HSL 71.35, 0.17%, 0.44%

LAB 52.91, -9.23, 19.22

 

CMYK 5 / 0 / 16 / 21

HEX #BFCAA9

RGB 191 202 169

HSL 80, 0.24%, 0.73%

LAB 79.72, -9.57, 15.22

 

CMYK 1 / 0 / 16 / 21

HEX #C8CAA9

RGB 200 202 169

HSL 63.64, 0.24%, 0.73%

LAB 80.4, -6.29, 16.27

 

CMYK 0 / 3 / 16 / 21

HEX #CAC3A9

RGB 202 195 169

HSL 47.27, 0.24%, 0.73%

LAB 78.72, -1.9, 13.95

 

CMYK 0 / 8 / 16 / 21

HEX #CABAA9

RGB 202 186 169

HSL 30.91, 0.24%, 0.73%

LAB 76.4, 2.86, 10.66

 

CMYK 0 / 12 / 16 / 21

HEX #CAB2A9

RGB 202 178 169

HSL 16.36, 0.24%, 0.73%

LAB 74.36, 7.14, 7.75

 

CMYK 5 / 0 / 16 / 21

HEX #BFCAA9

RGB 191 202 169

HSL 80, 0.24%, 0.73%

LAB 79.72, -9.57, 15.22

 

CMYK 10 / 0 / 16 / 21

HEX #B6CAA9

RGB 182 202 169

HSL 96.36, 0.24%, 0.73%

LAB 79.07, -12.8, 14.22

 

CMYK 14 / 0 / 16 / 21

HEX #ADCAA9

RGB 173 202 169

HSL 112.73, 0.24%, 0.73%

LAB 78.46, -15.96, 13.27

 

CMYK 16 / 0 / 14 / 21

HEX #A9CAAE

RGB 169 202 174

HSL 129.09, 0.24%, 0.73%

LAB 78.31, -16.44, 10.34

 

CMYK 16 / 0 / 9 / 21

HEX #A9CAB7

RGB 169 202 183

HSL 145.45, 0.24%, 0.73%

LAB 78.52, -14.75, 5.82

 

CMYK 5 / 0 / 16 / 21

HEX #BFCAA9

RGB 191 202 169

HSL 80, 0.24%, 0.73%

LAB 79.72, -9.57, 15.22

 

CMYK 8 / 0 / 26 / 16

HEX #C3D59E

RGB 195 213 158

HSL 79.64, 0.4%, 0.73%

LAB 82.73, -15.4, 25.24

 

CMYK 11 / 0 / 34 / 12

HEX #C7E093

RGB 199 224 147

HSL 79.48, 0.55%, 0.73%

LAB 85.79, -20.88, 35.03

 

CMYK 14 / 0 / 42 / 7

HEX #CAEC88

RGB 202 236 136

HSL 80.4, 0.72%, 0.73%

LAB 89.08, -26.88, 44.76

 

CMYK 17 / 0 / 49 / 3

HEX #CEF77D

RGB 206 247 125

HSL 80.16, 0.88%, 0.73%

LAB 92.19, -31.72, 53.88

 

CMYK 5 / 0 / 16 / 21

HEX #BFCAA9

RGB 191 202 169

HSL 80, 0.24%, 0.73%

LAB 79.72, -9.57, 15.22

 

CMYK 2 / 0 / 6 / 25

HEX #BBBFB4

RGB 187 191 180

HSL 81.82, 0.08%, 0.73%

LAB 76.75, -3.39, 5.05

 

CMYK 4 / 6 / 0 / 25

HEX #B8B4BF

RGB 184 180 191

HSL 261.82, 0.08%, 0.73%

LAB 73.93, 3.49, -5.08

 

CMYK 11 / 17 / 0 / 20

HEX #B4A9CB

RGB 180 169 203

HSL 259.41, 0.25%, 0.73%

LAB 71.14, 10.57, -15.86

 

CMYK 18 / 26 / 0 / 16

HEX #B09ED6

RGB 176 158 214

HSL 259.29, 0.41%, 0.73%

LAB 68.42, 17.79, -26.1

 

CMYK 0 / 3 / 16 / 21

HEX #CAC4A9

RGB 202 196 169

HSL 49.09, 0.24%, 0.73%

LAB 78.98, -2.43, 14.32

 

CMYK 1 / 0 / 16 / 21

HEX #C8CAA9

RGB 200 202 169

HSL 63.64, 0.24%, 0.73%

LAB 80.4, -6.29, 16.27

 

CMYK 5 / 0 / 16 / 21

HEX #BFCAA9

RGB 191 202 169

HSL 80, 0.24%, 0.73%

LAB 79.72, -9.57, 15.22

 

CMYK 10 / 0 / 16 / 21

HEX #B6CAA9

RGB 182 202 169

HSL 96.36, 0.24%, 0.73%

LAB 79.07, -12.8, 14.22

 

CMYK 14 / 0 / 16 / 21

HEX #AECAA9

RGB 174 202 169

HSL 110.91, 0.24%, 0.73%

LAB 78.52, -15.61, 13.37

 

CMYK 11 / 0 / 31 / 33

HEX #99AB76

RGB 153 171 118

HSL 80.38, 0.24%, 0.57%

LAB 67.43, -15.56, 25.28

 

CMYK 8 / 0 / 23 / 27

HEX #ACBA90

RGB 172 186 144

HSL 80, 0.23%, 0.65%

LAB 73.48, -12.24, 19.72

 

CMYK 5 / 0 / 16 / 21

HEX #BFCAA9

RGB 191 202 169

HSL 80, 0.24%, 0.73%

LAB 79.72, -9.57, 15.22

 

CMYK 4 / 0 / 11 / 15

HEX #D2DAC3

RGB 210 218 195

HSL 80.87, 0.24%, 0.81%

LAB 85.9, -6.76, 10.39

 

CMYK 2 / 0 / 6 / 8

HEX #E5EADC

RGB 229 234 220

HSL 81.43, 0.25%, 0.89%

LAB 91.99, -4.13, 6.2

 

CMYK 5 / 0 / 16 / 21

HEX #BFCAA9

RGB 191 202 169

HSL 80, 0.24%, 0.73%

LAB 79.72, -9.57, 15.22

 

CMYK 16 / 0 / 7 / 21

HEX #A9CABB

RGB 169 202 187

HSL 152.73, 0.24%, 0.73%

LAB 78.62, -13.98, 3.81

 

CMYK 1 / 16 / 0 / 21

HEX #C8A9CA

RGB 200 169 202

HSL 296.36, 0.24%, 0.73%

LAB 72.84, 17.08, -12.58

 

CMYK 5 / 0 / 16 / 21

HEX #BFCAA9

RGB 191 202 169

HSL 80, 0.24%, 0.73%

LAB 79.72, -9.57, 15.22

 

CMYK 16 / 5 / 0 / 21

HEX #A9BFCA

RGB 169 191 202

HSL 200, 0.24%, 0.73%

LAB 76.05, -5.17, -8.06

 

CMYK 0 / 16 / 5 / 21

HEX #CAA9BF

RGB 202 169 191

HSL 320, 0.24%, 0.73%

LAB 72.69, 15.75, -6.74

 

CMYK 5 / 0 / 16 / 21

HEX #BFCAA9

RGB 191 202 169

HSL 80, 0.24%, 0.73%

LAB 79.72, -9.57, 15.22

 

CMYK 16 / 0 / 7 / 21

HEX #A9CABB

RGB 169 202 187

HSL 152.73, 0.24%, 0.73%

LAB 78.62, -13.98, 3.81

 

CMYK 11 / 16 / 0 / 21

HEX #B4A9CA

RGB 180 169 202

HSL 260, 0.24%, 0.73%

LAB 71.11, 10.36, -15.36

 

CMYK 0 / 16 / 8 / 21

HEX #CAA9B9

RGB 202 169 185

HSL 330.91, 0.24%, 0.73%

LAB 72.52, 14.69, -3.7

 

CMYK 5 / 0 / 16 / 21

HEX #BFCAA9

RGB 191 202 169

HSL 80, 0.24%, 0.73%

LAB 79.72, -9.57, 15.22

 

CMYK 16 / 0 / 2 / 21

HEX #A9CAC5

RGB 169 202 197

HSL 170.91, 0.24%, 0.73%

LAB 78.87, -11.98, -1.19

 

CMYK 11 / 16 / 0 / 21

HEX #B4A9CA

RGB 180 169 202

HSL 260, 0.24%, 0.73%

LAB 71.11, 10.36, -15.36

 

CMYK 0 / 16 / 13 / 21

HEX #CAA9AF

RGB 202 169 175

HSL 349.09, 0.24%, 0.73%

LAB 72.25, 12.99, 1.41

 

Description

Color code: HEX #BFCAA9 | qconv.com Color code: HEX #BFCAA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 202 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 202 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 16 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 16% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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