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Color name
HEX #BFCC50

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFCC50 it is the complementary color #4033AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFCC50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFCC50 shade: #C4CC4B, #D5DE5E, #E6F071, #F7FF84 and #FFFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFCC50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFCC50 shade: #BFCC50, #AEBA3D, #9DA82A, #8C9617 and #7B8404

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFCC50 shade: #BFCC51, #CCB851, #CC9651, #CC7551 and #CC5451

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFCC50 shade: #BFCC51, #9ECC51, #7DCC51, #5BCC51 and #51CC67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFCC50 shade matches the following richer shades: #BFCC51, #CDDE3E and #DCF02C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFCC50 shade: #BFCC51, #B1BA63, #A2A875, #949687 and #868399

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFCC50 shade: #CC9751, #CCB751, #C0CC51, #9FCC51 and #7ECC51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFCC50 shade: #919D2D, #AFBD36, #BFCC51, #CBD571 and #D6DF91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFCC50 shade: #BFCC50, #51CC76 and #A751CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFCC50 shade: #BFCC50, #51C0CC and #CC51C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFCC50 shade: #BFCC50, #51CC76, #5D51CC and #CC51A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFCC50 shade: #BFCC50, #51CC9B, #5D51CC and #CC5182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 61 / 20

HEX #BFCC50

RGB 191 204 80

HSL 66.29, 0.55%, 0.56%

LAB 78.95, -20.94, 58.55

 

Complementary color

CMYK 63 / 71 / 0 / 31

HEX #4033AF

RGB 64 51 175

HSL 246.29, 0.55%, 0.44%

LAB 30.77, 42.35, -64.07

 

CMYK 4 / 0 / 63 / 20

HEX #C4CC4B

RGB 196 204 75

HSL 63.72, 0.56%, 0.55%

LAB 79.29, -19.22, 61.11

 

CMYK 4 / 0 / 58 / 13

HEX #D5DE5E

RGB 213 222 94

HSL 64.22, 0.66%, 0.62%

LAB 85.6, -19.82, 60.31

 

CMYK 4 / 0 / 53 / 6

HEX #E6F071

RGB 230 240 113

HSL 64.72, 0.81%, 0.69%

LAB 91.84, -20.32, 59.33

 

CMYK 3 / 0 / 48 / 0

HEX #F7FF84

RGB 247 255 132

HSL 63.9, 1%, 0.76%

LAB 97.21, -19.3, 57.35

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 6 / 0 / 61 / 20

HEX #BFCC50

RGB 191 204 80

HSL 66.29, 0.55%, 0.56%

LAB 78.95, -20.94, 58.55

 

CMYK 6 / 0 / 67 / 27

HEX #AEBA3D

RGB 174 186 61

HSL 65.76, 0.51%, 0.48%

LAB 72.53, -20.31, 59.19

 

CMYK 7 / 0 / 75 / 34

HEX #9DA82A

RGB 157 168 42

HSL 65.24, 0.6%, 0.41%

LAB 66.01, -19.53, 59.35

 

CMYK 7 / 0 / 85 / 41

HEX #8C9617

RGB 140 150 23

HSL 64.72, 0.73%, 0.34%

LAB 59.39, -18.53, 58.57

 

CMYK 7 / 0 / 97 / 48

HEX #7B8404

RGB 123 132 4

HSL 64.22, 0.94%, 0.27%

LAB 52.64, -17.29, 56.32

 

CMYK 6 / 0 / 60 / 20

HEX #BFCC51

RGB 191 204 81

HSL 66.34, 0.55%, 0.56%

LAB 78.96, -20.87, 58.13

 

CMYK 0 / 10 / 60 / 20

HEX #CCB851

RGB 204 184 81

HSL 50.24, 0.55%, 0.56%

LAB 74.64, -5.3, 53.68

 

CMYK 0 / 26 / 60 / 20

HEX #CC9651

RGB 204 150 81

HSL 33.66, 0.55%, 0.56%

LAB 65.94, 12.86, 43.76

 

CMYK 0 / 43 / 60 / 20

HEX #CC7551

RGB 204 117 81

HSL 17.56, 0.55%, 0.56%

LAB 58.18, 30.77, 34.45

 

CMYK 0 / 59 / 60 / 20

HEX #CC5451

RGB 204 84 81

HSL 1.46, 0.55%, 0.56%

LAB 51.58, 47.46, 26.15

 

CMYK 6 / 0 / 60 / 20

HEX #BFCC51

RGB 191 204 81

HSL 66.34, 0.55%, 0.56%

LAB 78.96, -20.87, 58.13

 

CMYK 23 / 0 / 60 / 20

HEX #9ECC51

RGB 158 204 81

HSL 82.44, 0.55%, 0.56%

LAB 76.71, -33.94, 55.01

 

CMYK 39 / 0 / 60 / 20

HEX #7DCC51

RGB 125 204 81

HSL 98.54, 0.55%, 0.56%

LAB 74.91, -45.72, 52.51

 

CMYK 55 / 0 / 60 / 20

HEX #5BCC51

RGB 91 204 81

HSL 115.12, 0.55%, 0.56%

LAB 73.55, -55.71, 50.6

 

CMYK 60 / 0 / 50 / 20

HEX #51CC67

RGB 81 204 103

HSL 130.73, 0.55%, 0.56%

LAB 73.49, -55.3, 40.13

 

CMYK 6 / 0 / 60 / 20

HEX #BFCC51

RGB 191 204 81

HSL 66.34, 0.55%, 0.56%

LAB 78.96, -20.87, 58.13

 

CMYK 8 / 0 / 72 / 13

HEX #CDDE3E

RGB 205 222 62

HSL 66.38, 0.71%, 0.56%

LAB 84.78, -25, 71.7

 

CMYK 8 / 0 / 82 / 6

HEX #DCF02C

RGB 220 240 44

HSL 66.12, 0.87%, 0.56%

LAB 90.65, -28.11, 82.55

 

CMYK 6 / 0 / 60 / 20

HEX #BFCC51

RGB 191 204 81

HSL 66.34, 0.55%, 0.56%

LAB 78.96, -20.87, 58.13

 

CMYK 5 / 0 / 47 / 27

HEX #B1BA63

RGB 177 186 99

HSL 66.21, 0.39%, 0.56%

LAB 73.13, -16.03, 42.78

 

CMYK 4 / 0 / 30 / 34

HEX #A2A875

RGB 162 168 117

HSL 67.06, 0.23%, 0.56%

LAB 67.26, -10.61, 25.7

 

CMYK 1 / 0 / 10 / 41

HEX #949687

RGB 148 150 135

HSL 68, 0.07%, 0.56%

LAB 61.53, -3.52, 7.66

 

CMYK 12 / 14 / 0 / 40

HEX #868399

RGB 134 131 153

HSL 248.18, 0.1%, 0.56%

LAB 55.69, 5.71, -11.35

 

CMYK 0 / 26 / 60 / 20

HEX #CC9751

RGB 204 151 81

HSL 34.15, 0.55%, 0.56%

LAB 66.19, 12.32, 44.04

 

CMYK 0 / 10 / 60 / 20

HEX #CCB751

RGB 204 183 81

HSL 49.76, 0.55%, 0.56%

LAB 74.38, -4.78, 53.39

 

CMYK 6 / 0 / 60 / 20

HEX #C0CC51

RGB 192 204 81

HSL 65.85, 0.55%, 0.56%

LAB 79.03, -20.46, 58.23

 

CMYK 22 / 0 / 60 / 20

HEX #9FCC51

RGB 159 204 81

HSL 81.95, 0.55%, 0.56%

LAB 76.77, -33.56, 55.1

 

CMYK 38 / 0 / 60 / 20

HEX #7ECC51

RGB 126 204 81

HSL 98.05, 0.55%, 0.56%

LAB 74.96, -45.39, 52.58

 

CMYK 8 / 0 / 71 / 38

HEX #919D2D

RGB 145 157 45

HSL 66.43, 0.55%, 0.4%

LAB 61.93, -18.98, 54.02

 

CMYK 7 / 0 / 71 / 26

HEX #AFBD36

RGB 175 189 54

HSL 66.22, 0.56%, 0.48%

LAB 73.4, -21.77, 62.72

 

CMYK 6 / 0 / 60 / 20

HEX #BFCC51

RGB 191 204 81

HSL 66.34, 0.55%, 0.56%

LAB 78.96, -20.87, 58.13

 

CMYK 5 / 0 / 47 / 16

HEX #CBD571

RGB 203 213 113

HSL 66, 0.54%, 0.64%

LAB 82.63, -17.78, 47.95

 

CMYK 4 / 0 / 35 / 13

HEX #D6DF91

RGB 214 223 145

HSL 66.92, 0.55%, 0.72%

LAB 86.56, -15, 37.26

 

CMYK 6 / 0 / 61 / 20

HEX #BFCC50

RGB 191 204 80

HSL 66.29, 0.55%, 0.56%

LAB 78.95, -20.94, 58.55

 

CMYK 60 / 0 / 42 / 20

HEX #51CC76

RGB 81 204 118

HSL 138.05, 0.55%, 0.56%

LAB 73.7, -52.95, 32.89

 

CMYK 18 / 60 / 0 / 20

HEX #A751CC

RGB 167 81 204

HSL 281.95, 0.55%, 0.56%

LAB 50.05, 54.89, -49.29

 

CMYK 6 / 0 / 61 / 20

HEX #BFCC50

RGB 191 204 80

HSL 66.29, 0.55%, 0.56%

LAB 78.95, -20.94, 58.55

 

CMYK 60 / 6 / 0 / 20

HEX #51C0CC

RGB 81 192 204

HSL 185.85, 0.55%, 0.56%

LAB 72.1, -27.82, -15.49

 

CMYK 0 / 60 / 6 / 20

HEX #CC51C0

RGB 204 81 192

HSL 305.85, 0.55%, 0.56%

LAB 54.58, 62.02, -34.88

 

CMYK 6 / 0 / 61 / 20

HEX #BFCC50

RGB 191 204 80

HSL 66.29, 0.55%, 0.56%

LAB 78.95, -20.94, 58.55

 

CMYK 60 / 0 / 42 / 20

HEX #51CC76

RGB 81 204 118

HSL 138.05, 0.55%, 0.56%

LAB 73.7, -52.95, 32.89

 

CMYK 54 / 60 / 0 / 20

HEX #5D51CC

RGB 93 81 204

HSL 245.85, 0.55%, 0.56%

LAB 42.11, 38.53, -62.48

 

CMYK 0 / 60 / 18 / 20

HEX #CC51A7

RGB 204 81 167

HSL 318.05, 0.55%, 0.56%

LAB 53.51, 58.17, -22.05

 

CMYK 6 / 0 / 61 / 20

HEX #BFCC50

RGB 191 204 80

HSL 66.29, 0.55%, 0.56%

LAB 78.95, -20.94, 58.55

 

CMYK 60 / 0 / 24 / 20

HEX #51CC9B

RGB 81 204 155

HSL 156.1, 0.55%, 0.56%

LAB 74.38, -45.77, 14.39

 

CMYK 54 / 60 / 0 / 20

HEX #5D51CC

RGB 93 81 204

HSL 245.85, 0.55%, 0.56%

LAB 42.11, 38.53, -62.48

 

CMYK 0 / 60 / 36 / 20

HEX #CC5182

RGB 204 81 130

HSL 336.1, 0.55%, 0.56%

LAB 52.21, 53.36, -2.13

 

Description

Color code: HEX #BFCC50 | qconv.com Color code: HEX #BFCC50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 204 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 204 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 61 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 61% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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