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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFCCEE it is the complementary color #403311. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFCCEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFCCEE shade: #C4CCE9, #D5DEFC, #E6F0FF and #F7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFCCEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFCCEE shade: #BFCCEE, #AEBADB, #9DA8C8, #8C96B5 and #7B84A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFCCEE shade: #BECBED, #BEBEED, #CABEED, #D7BEED and #E4BEED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFCCEE shade: #BECBED, #BEBEED and #BEBEED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFCCEE shade matches the following richer shades: #BECBED, #B7C8F4 and #B1C5FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFCCEE shade: #BECBED, #C5CEE7, #CBD1E0, #D2D4DA and #D8D7D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFCCEE shade: #BEE5ED, #BED8ED, #BECBED, #BEBFED and #CABEED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFCCEE shade: #7D97DC, #9DB1E5, #BECBED and #DFE5F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFCCEE shade: #BFCCEE, #E9BEED and #DEEDBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFCCEE shade: #BFCCEE, #EDBECB and #CBEDBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFCCEE shade: #BFCCEE, #E9BEED, #EDE0BE and #C2EDBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFCCEE shade: #BFCCEE, #EDBEE3, #EDE0BE and #BEEDC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 14 / 0 / 7

HEX #BFCCEE

RGB 191 204 238

HSL 223.4, 0.58%, 0.84%

LAB 82.07, 2.61, -18.23

 

Complementary color

CMYK 0 / 20 / 73 / 75

HEX #403311

RGB 64 51 17

HSL 43.4, 0.58%, 0.16%

LAB 21.94, 1.21, 23.16

 

CMYK 16 / 12 / 0 / 9

HEX #C4CCE9

RGB 196 204 233

HSL 227.03, 0.46%, 0.84%

LAB 82.27, 3.09, -15.23

 

CMYK 15 / 12 / 0 / 1

HEX #D5DEFC

RGB 213 222 252

HSL 226.15, 0.87%, 0.91%

LAB 88.65, 2.89, -15.6

 

CMYK 10 / 6 / 0 / 0

HEX #E6F0FF

RGB 230 240 255

HSL 216, 1%, 0.95%

LAB 94.47, -0.47, -8.36

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 20 / 14 / 0 / 7

HEX #BFCCEE

RGB 191 204 238

HSL 223.4, 0.58%, 0.84%

LAB 82.07, 2.61, -18.23

 

CMYK 21 / 15 / 0 / 14

HEX #AEBADB

RGB 174 186 219

HSL 224, 0.38%, 0.77%

LAB 75.59, 2.82, -17.92

 

CMYK 22 / 16 / 0 / 22

HEX #9DA8C8

RGB 157 168 200

HSL 224.65, 0.28%, 0.7%

LAB 69, 3.04, -17.62

 

CMYK 23 / 17 / 0 / 29

HEX #8C96B5

RGB 140 150 181

HSL 225.37, 0.22%, 0.63%

LAB 62.27, 3.28, -17.32

 

CMYK 24 / 19 / 0 / 36

HEX #7B84A2

RGB 123 132 162

HSL 226.15, 0.17%, 0.56%

LAB 55.4, 3.54, -17.05

 

CMYK 20 / 14 / 0 / 7

HEX #BECBED

RGB 190 203 237

HSL 223.4, 0.57%, 0.84%

LAB 81.71, 2.61, -18.25

 

CMYK 20 / 20 / 0 / 7

HEX #BEBEED

RGB 190 190 237

HSL 240, 0.57%, 0.84%

LAB 78.4, 9.61, -23.28

 

CMYK 15 / 20 / 0 / 7

HEX #CABEED

RGB 202 190 237

HSL 255.32, 0.57%, 0.84%

LAB 79.33, 13.34, -21.78

 

CMYK 9 / 20 / 0 / 7

HEX #D7BEED

RGB 215 190 237

HSL 271.91, 0.57%, 0.84%

LAB 80.4, 17.48, -20.05

 

CMYK 4 / 20 / 0 / 7

HEX #E4BEED

RGB 228 190 237

HSL 288.51, 0.57%, 0.84%

LAB 81.53, 21.69, -18.23

 

CMYK 20 / 14 / 0 / 7

HEX #BECBED

RGB 190 203 237

HSL 223.4, 0.57%, 0.84%

LAB 81.71, 2.61, -18.25

 

CMYK 20 / 20 / 0 / 7

HEX #BEBEED

RGB 190 190 237

HSL 240, 0.57%, 0.84%

LAB 78.4, 9.61, -23.28

 

CMYK 20 / 20 / 0 / 7

HEX #BEBEED

RGB 190 190 237

HSL 240, 0.57%, 0.84%

LAB 78.4, 9.61, -23.28

 

CMYK 20 / 14 / 0 / 7

HEX #BECBED

RGB 190 203 237

HSL 223.4, 0.57%, 0.84%

LAB 81.71, 2.61, -18.25

 

CMYK 25 / 18 / 0 / 4

HEX #B7C8F4

RGB 183 200 244

HSL 223.28, 0.73%, 0.84%

LAB 80.69, 3.68, -23.59

 

CMYK 29 / 22 / 0 / 2

HEX #B1C5FB

RGB 177 197 251

HSL 223.78, 0.9%, 0.84%

LAB 79.75, 5.21, -28.79

 

CMYK 20 / 14 / 0 / 7

HEX #BECBED

RGB 190 203 237

HSL 223.4, 0.57%, 0.84%

LAB 81.71, 2.61, -18.25

 

CMYK 15 / 11 / 0 / 9

HEX #C5CEE7

RGB 197 206 231

HSL 224.12, 0.41%, 0.84%

LAB 82.8, 1.92, -13.37

 

CMYK 9 / 7 / 0 / 12

HEX #CBD1E0

RGB 203 209 224

HSL 222.86, 0.25%, 0.84%

LAB 83.8, 0.85, -8.11

 

CMYK 4 / 3 / 0 / 15

HEX #D2D4DA

RGB 210 212 218

HSL 225, 0.1%, 0.84%

LAB 84.92, 0.43, -3.2

 

CMYK 0 / 0 / 2 / 15

HEX #D8D7D3

RGB 216 215 211

HSL 48, 0.06%, 0.84%

LAB 85.96, -0.37, 2.08

 

CMYK 20 / 3 / 0 / 7

HEX #BEE5ED

RGB 190 229 237

HSL 190.21, 0.57%, 0.84%

LAB 88.5, -10.94, -8.11

 

CMYK 20 / 9 / 0 / 7

HEX #BED8ED

RGB 190 216 237

HSL 206.81, 0.57%, 0.84%

LAB 85.08, -4.24, -13.19

 

CMYK 20 / 14 / 0 / 7

HEX #BECBED

RGB 190 203 237

HSL 223.4, 0.57%, 0.84%

LAB 81.71, 2.61, -18.25

 

CMYK 20 / 19 / 0 / 7

HEX #BEBFED

RGB 190 191 237

HSL 238.72, 0.57%, 0.84%

LAB 78.65, 9.07, -22.89

 

CMYK 15 / 20 / 0 / 7

HEX #CABEED

RGB 202 190 237

HSL 255.32, 0.57%, 0.84%

LAB 79.33, 13.34, -21.78

 

CMYK 43 / 31 / 0 / 14

HEX #7D97DC

RGB 125 151 220

HSL 223.58, 0.58%, 0.68%

LAB 63.06, 8.65, -38.02

 

CMYK 31 / 23 / 0 / 10

HEX #9DB1E5

RGB 157 177 229

HSL 223.33, 0.58%, 0.76%

LAB 72.41, 5.04, -28.32

 

CMYK 20 / 14 / 0 / 7

HEX #BECBED

RGB 190 203 237

HSL 223.4, 0.57%, 0.84%

LAB 81.71, 2.61, -18.25

 

CMYK 9 / 7 / 0 / 4

HEX #DFE5F6

RGB 223 229 246

HSL 224.35, 0.56%, 0.92%

LAB 90.95, 1.21, -8.94

 

CMYK 20 / 14 / 0 / 7

HEX #BFCCEE

RGB 191 204 238

HSL 223.4, 0.58%, 0.84%

LAB 82.07, 2.61, -18.23

 

CMYK 2 / 20 / 0 / 7

HEX #E9BEED

RGB 233 190 237

HSL 294.89, 0.57%, 0.84%

LAB 81.98, 23.32, -17.51

 

CMYK 6 / 0 / 20 / 7

HEX #DEEDBE

RGB 222 237 190

HSL 79.15, 0.57%, 0.84%

LAB 91.6, -12.91, 21.15

 

CMYK 20 / 14 / 0 / 7

HEX #BFCCEE

RGB 191 204 238

HSL 223.4, 0.58%, 0.84%

LAB 82.07, 2.61, -18.23

 

CMYK 0 / 20 / 14 / 7

HEX #EDBECB

RGB 237 190 203

HSL 343.4, 0.57%, 0.84%

LAB 81.37, 18.81, -0.12

 

CMYK 14 / 0 / 20 / 7

HEX #CBEDBE

RGB 203 237 190

HSL 103.4, 0.57%, 0.84%

LAB 90.31, -19.53, 19.16

 

CMYK 20 / 14 / 0 / 7

HEX #BFCCEE

RGB 191 204 238

HSL 223.4, 0.58%, 0.84%

LAB 82.07, 2.61, -18.23

 

CMYK 2 / 20 / 0 / 7

HEX #E9BEED

RGB 233 190 237

HSL 294.89, 0.57%, 0.84%

LAB 81.98, 23.32, -17.51

 

CMYK 0 / 5 / 20 / 7

HEX #EDE0BE

RGB 237 224 190

HSL 43.4, 0.57%, 0.84%

LAB 89.41, -0.94, 18.26

 

CMYK 18 / 0 / 20 / 7

HEX #C2EDBE

RGB 194 237 190

HSL 114.89, 0.57%, 0.84%

LAB 89.75, -22.57, 18.28

 

CMYK 20 / 14 / 0 / 7

HEX #BFCCEE

RGB 191 204 238

HSL 223.4, 0.58%, 0.84%

LAB 82.07, 2.61, -18.23

 

CMYK 0 / 20 / 4 / 7

HEX #EDBEE3

RGB 237 190 227

HSL 312.77, 0.57%, 0.84%

LAB 82.04, 22.84, -12.02

 

CMYK 0 / 5 / 20 / 7

HEX #EDE0BE

RGB 237 224 190

HSL 43.4, 0.57%, 0.84%

LAB 89.41, -0.94, 18.26

 

CMYK 20 / 0 / 16 / 7

HEX #BEEDC8

RGB 190 237 200

HSL 132.77, 0.57%, 0.84%

LAB 89.71, -22.16, 13.01

 

Description

Color code: HEX #BFCCEE | qconv.com Color code: HEX #BFCCEE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 204 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 204 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 14 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 14% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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