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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFCD7D it is the complementary color #403282. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFCD7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFCD7D shade: #C4CD78, #D5DF8B, #E6F19E, #F7FFB1 and #FFFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFCD7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFCD7D shade: #BFCD7D, #AEBB6A, #9DA957, #8C9744 and #7B8531

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFCD7D shade: #BFCD7E, #CDC57E, #CDB07E, #CD9B7E and #CD867E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFCD7D shade: #BFCD7E, #AACD7E, #94CD7E, #7FCD7E and #7ECD92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFCD7D shade matches the following richer shades: #BFCD7E, #C8DB70, #D2E961 and #DBF853

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFCD7D shade: #BFCD7E, #B5BE8C, #ACB09B, #A3A1A9 and #9993B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFCD7D shade: #CDB07E, #CDC57E, #BFCD7E, #AACD7E and #96CD7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFCD7D shade: #A0B345, #B0C160, #BFCD7E, #CED89C and #DCE4B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFCD7D shade: #BFCD7D, #7ECD9B and #BA7ECD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFCD7D shade: #BFCD7D, #7EBFCD and #CD7EBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFCD7D shade: #BFCD7D, #7ECD9B, #8B7ECD and #CD7EB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFCD7D shade: #BFCD7D, #7ECDB2, #8B7ECD and #CD7E98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 39 / 20

HEX #BFCD7D

RGB 191 205 125

HSL 70.5, 0.44%, 0.65%

LAB 79.74, -17.23, 38.22

 

Complementary color

CMYK 51 / 62 / 0 / 49

HEX #403282

RGB 64 50 130

HSL 250.5, 0.44%, 0.35%

LAB 26.69, 28.39, -43.22

 

CMYK 4 / 0 / 41 / 20

HEX #C4CD78

RGB 196 205 120

HSL 66.35, 0.46%, 0.64%

LAB 80.04, -15.84, 41.2

 

CMYK 4 / 0 / 38 / 13

HEX #D5DF8B

RGB 213 223 139

HSL 67.14, 0.57%, 0.71%

LAB 86.4, -16.08, 40.04

 

CMYK 5 / 0 / 34 / 5

HEX #E6F19E

RGB 230 241 158

HSL 67.95, 0.75%, 0.78%

LAB 92.66, -16.29, 38.92

 

CMYK 3 / 0 / 31 / 0

HEX #F7FFB1

RGB 247 255 177

HSL 66.15, 1%, 0.85%

LAB 97.82, -14.51, 36.48

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 7 / 0 / 39 / 20

HEX #BFCD7D

RGB 191 205 125

HSL 70.5, 0.44%, 0.65%

LAB 79.74, -17.23, 38.22

 

CMYK 7 / 0 / 43 / 27

HEX #AEBB6A

RGB 174 187 106

HSL 69.63, 0.37%, 0.57%

LAB 73.27, -17.01, 39.4

 

CMYK 7 / 0 / 49 / 34

HEX #9DA957

RGB 157 169 87

HSL 68.78, 0.32%, 0.5%

LAB 66.7, -16.73, 40.59

 

CMYK 7 / 0 / 55 / 41

HEX #8C9744

RGB 140 151 68

HSL 67.95, 0.38%, 0.43%

LAB 60, -16.36, 41.75

 

CMYK 8 / 0 / 63 / 48

HEX #7B8531

RGB 123 133 49

HSL 67.14, 0.46%, 0.36%

LAB 53.18, -15.85, 42.75

 

CMYK 7 / 0 / 39 / 20

HEX #BFCD7E

RGB 191 205 126

HSL 70.63, 0.44%, 0.65%

LAB 79.75, -17.11, 37.74

 

CMYK 0 / 4 / 39 / 20

HEX #CDC57E

RGB 205 197 126

HSL 53.92, 0.44%, 0.65%

LAB 78.7, -7.54, 36.61

 

CMYK 0 / 14 / 39 / 20

HEX #CDB07E

RGB 205 176 126

HSL 37.97, 0.44%, 0.65%

LAB 73.24, 3.49, 29.5

 

CMYK 0 / 24 / 39 / 20

HEX #CD9B7E

RGB 205 155 126

HSL 22.03, 0.44%, 0.65%

LAB 67.97, 14.83, 22.44

 

CMYK 0 / 35 / 39 / 20

HEX #CD867E

RGB 205 134 126

HSL 6.08, 0.44%, 0.65%

LAB 62.96, 26.28, 15.57

 

CMYK 7 / 0 / 39 / 20

HEX #BFCD7E

RGB 191 205 126

HSL 70.63, 0.44%, 0.65%

LAB 79.75, -17.11, 37.74

 

CMYK 17 / 0 / 39 / 20

HEX #AACD7E

RGB 170 205 126

HSL 86.58, 0.44%, 0.65%

LAB 78.3, -25.08, 35.57

 

CMYK 28 / 0 / 39 / 20

HEX #94CD7E

RGB 148 205 126

HSL 103.29, 0.44%, 0.65%

LAB 76.96, -32.96, 33.58

 

CMYK 38 / 0 / 39 / 20

HEX #7FCD7E

RGB 127 205 126

HSL 119.24, 0.44%, 0.65%

LAB 75.87, -39.86, 31.95

 

CMYK 39 / 0 / 29 / 20

HEX #7ECD92

RGB 126 205 146

HSL 135.19, 0.44%, 0.65%

LAB 76.18, -36.81, 21.92

 

CMYK 7 / 0 / 39 / 20

HEX #BFCD7E

RGB 191 205 126

HSL 70.63, 0.44%, 0.65%

LAB 79.75, -17.11, 37.74

 

CMYK 9 / 0 / 49 / 14

HEX #C8DB70

RGB 200 219 112

HSL 70.65, 0.6%, 0.65%

LAB 84.02, -22, 50.05

 

CMYK 10 / 0 / 58 / 9

HEX #D2E961

RGB 210 233 97

HSL 70.15, 0.76%, 0.65%

LAB 88.37, -26.09, 62.03

 

CMYK 12 / 0 / 67 / 3

HEX #DBF853

RGB 219 248 83

HSL 70.55, 0.92%, 0.65%

LAB 92.94, -30.52, 72.67

 

CMYK 7 / 0 / 39 / 20

HEX #BFCD7E

RGB 191 205 126

HSL 70.63, 0.44%, 0.65%

LAB 79.75, -17.11, 37.74

 

CMYK 5 / 0 / 26 / 25

HEX #B5BE8C

RGB 181 190 140

HSL 70.8, 0.28%, 0.65%

LAB 75.17, -11.51, 24.27

 

CMYK 2 / 0 / 12 / 31

HEX #ACB09B

RGB 172 176 155

HSL 71.43, 0.12%, 0.65%

LAB 71, -5.19, 10.28

 

CMYK 4 / 5 / 0 / 34

HEX #A3A1A9

RGB 163 161 169

HSL 255, 0.04%, 0.65%

LAB 66.63, 2.27, -3.89

 

CMYK 17 / 20 / 0 / 28

HEX #9993B8

RGB 153 147 184

HSL 249.73, 0.21%, 0.65%

LAB 62.59, 9.88, -18.44

 

CMYK 0 / 14 / 39 / 20

HEX #CDB07E

RGB 205 176 126

HSL 37.97, 0.44%, 0.65%

LAB 73.24, 3.49, 29.5

 

CMYK 0 / 4 / 39 / 20

HEX #CDC57E

RGB 205 197 126

HSL 53.92, 0.44%, 0.65%

LAB 78.7, -7.54, 36.61

 

CMYK 7 / 0 / 39 / 20

HEX #BFCD7E

RGB 191 205 126

HSL 70.63, 0.44%, 0.65%

LAB 79.75, -17.11, 37.74

 

CMYK 17 / 0 / 39 / 20

HEX #AACD7E

RGB 170 205 126

HSL 86.58, 0.44%, 0.65%

LAB 78.3, -25.08, 35.57

 

CMYK 27 / 0 / 39 / 20

HEX #96CD7E

RGB 150 205 126

HSL 101.77, 0.44%, 0.65%

LAB 77.07, -32.27, 33.75

 

CMYK 11 / 0 / 61 / 30

HEX #A0B345

RGB 160 179 69

HSL 70.36, 0.44%, 0.49%

LAB 69.57, -22.13, 52.43

 

CMYK 9 / 0 / 50 / 24

HEX #B0C160

RGB 176 193 96

HSL 70.52, 0.44%, 0.57%

LAB 74.96, -20.25, 46.43

 

CMYK 7 / 0 / 39 / 20

HEX #BFCD7E

RGB 191 205 126

HSL 70.63, 0.44%, 0.65%

LAB 79.75, -17.11, 37.74

 

CMYK 5 / 0 / 28 / 15

HEX #CED89C

RGB 206 216 156

HSL 70, 0.43%, 0.73%

LAB 84.29, -13.11, 28.53

 

CMYK 4 / 0 / 19 / 11

HEX #DCE4B9

RGB 220 228 185

HSL 71.16, 0.44%, 0.81%

LAB 89.02, -9.87, 20.12

 

CMYK 7 / 0 / 39 / 20

HEX #BFCD7D

RGB 191 205 125

HSL 70.5, 0.44%, 0.65%

LAB 79.74, -17.23, 38.22

 

CMYK 39 / 0 / 24 / 20

HEX #7ECD9B

RGB 126 205 155

HSL 142.03, 0.44%, 0.65%

LAB 76.35, -35.14, 17.4

 

CMYK 9 / 39 / 0 / 20

HEX #BA7ECD

RGB 186 126 205

HSL 285.57, 0.44%, 0.65%

LAB 61.45, 36.83, -31.75

 

CMYK 7 / 0 / 39 / 20

HEX #BFCD7D

RGB 191 205 125

HSL 70.5, 0.44%, 0.65%

LAB 79.74, -17.23, 38.22

 

CMYK 39 / 7 / 0 / 20

HEX #7EBFCD

RGB 126 191 205

HSL 190.63, 0.44%, 0.65%

LAB 73.61, -17.1, -13.58

 

CMYK 0 / 39 / 7 / 20

HEX #CD7EBF

RGB 205 126 191

HSL 310.63, 0.44%, 0.65%

LAB 63.06, 40.18, -21.19

 

CMYK 7 / 0 / 39 / 20

HEX #BFCD7D

RGB 191 205 125

HSL 70.5, 0.44%, 0.65%

LAB 79.74, -17.23, 38.22

 

CMYK 39 / 0 / 24 / 20

HEX #7ECD9B

RGB 126 205 155

HSL 142.03, 0.44%, 0.65%

LAB 76.35, -35.14, 17.4

 

CMYK 32 / 39 / 0 / 20

HEX #8B7ECD

RGB 139 126 205

HSL 249.87, 0.44%, 0.65%

LAB 56.9, 22.88, -39.2

 

CMYK 0 / 39 / 14 / 20

HEX #CD7EB0

RGB 205 126 176

HSL 322.03, 0.44%, 0.65%

LAB 62.54, 37.65, -13.49

 

CMYK 7 / 0 / 39 / 20

HEX #BFCD7D

RGB 191 205 125

HSL 70.5, 0.44%, 0.65%

LAB 79.74, -17.23, 38.22

 

CMYK 39 / 0 / 13 / 20

HEX #7ECDB2

RGB 126 205 178

HSL 159.49, 0.44%, 0.65%

LAB 76.87, -30.43, 5.82

 

CMYK 32 / 39 / 0 / 20

HEX #8B7ECD

RGB 139 126 205

HSL 249.87, 0.44%, 0.65%

LAB 56.9, 22.88, -39.2

 

CMYK 0 / 39 / 26 / 20

HEX #CD7E98

RGB 205 126 152

HSL 340.25, 0.44%, 0.65%

LAB 61.8, 33.99, -0.9

 

Description

Color code: HEX #BFCD7D | qconv.com Color code: HEX #BFCD7D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 205 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 205 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 39 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 39% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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