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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFDD59 it is the complementary color #4022A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFDD59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFDD59 shade: #C4DD54, #D5EF67, #E6FF7A, #F7FF8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFDD59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFDD59 shade: #BFDD59, #AECB46, #9DB933, #8CA720 and #7B950D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFDD59 shade: #BFDD59, #DDD759, #DDB459, #DD9059 and #DD6D59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFDD59 shade: #BFDD59, #9BDD59, #78DD59, #59DD5E and #59DD82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFDD59 shade matches the following richer shades: #BFDD59, #C8ED49 and #D0FD39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFDD59 shade: #BFDD59, #B6CD6A, #ADBD7A, #A5AC8A and #9C9C9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFDD59 shade: #DDB359, #DDD659, #C0DD59, #9DDD59 and #7ADD59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFDD59 shade: #9BBD26, #B2D637, #BFDD59, #CCE47C and #D9EB9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFDD59 shade: #BFDD59, #59DD90 and #C559DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFDD59 shade: #BFDD59, #59C0DD and #DD59C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFDD59 shade: #BFDD59, #59DD90, #7659DD and #DD59A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFDD59 shade: #BFDD59, #59DDB7, #7659DD and #DD597F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 60 / 13

HEX #BFDD59

RGB 191 221 89

HSL 73.64, 0.66%, 0.61%

LAB 83.71, -28.47, 59.92

 

Complementary color

CMYK 61 / 80 / 0 / 35

HEX #4022A6

RGB 64 34 166

HSL 253.64, 0.66%, 0.39%

LAB 26.7, 48.56, -65.36

 

CMYK 11 / 0 / 62 / 13

HEX #C4DD54

RGB 196 221 84

HSL 70.95, 0.67%, 0.6%

LAB 84.01, -26.86, 62.44

 

CMYK 11 / 0 / 57 / 6

HEX #D5EF67

RGB 213 239 103

HSL 71.47, 0.81%, 0.67%

LAB 90.26, -27.29, 61.61

 

CMYK 10 / 0 / 52 / 0

HEX #E6FF7A

RGB 230 255 122

HSL 71.28, 1%, 0.74%

LAB 95.89, -26.7, 60.02

 

CMYK 3 / 0 / 45 / 0

HEX #F7FF8D

RGB 247 255 141

HSL 64.21, 1%, 0.78%

LAB 97.32, -18.47, 53.3

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 14 / 0 / 60 / 13

HEX #BFDD59

RGB 191 221 89

HSL 73.64, 0.66%, 0.61%

LAB 83.71, -28.47, 59.92

 

CMYK 14 / 0 / 66 / 20

HEX #AECB46

RGB 174 203 70

HSL 73.08, 0.56%, 0.54%

LAB 77.37, -28.03, 60.63

 

CMYK 15 / 0 / 72 / 27

HEX #9DB933

RGB 157 185 51

HSL 72.54, 0.57%, 0.46%

LAB 70.94, -27.46, 60.95

 

CMYK 16 / 0 / 81 / 35

HEX #8CA720

RGB 140 167 32

HSL 72, 0.68%, 0.39%

LAB 64.42, -26.72, 60.54

 

CMYK 17 / 0 / 91 / 42

HEX #7B950D

RGB 123 149 13

HSL 71.47, 0.84%, 0.32%

LAB 57.78, -25.74, 58.86

 

CMYK 14 / 0 / 60 / 13

HEX #BFDD59

RGB 191 221 89

HSL 73.64, 0.66%, 0.61%

LAB 83.71, -28.47, 59.92

 

CMYK 0 / 3 / 60 / 13

HEX #DDD759

RGB 221 215 89

HSL 57.27, 0.66%, 0.61%

LAB 84.33, -13.47, 61.23

 

CMYK 0 / 19 / 60 / 13

HEX #DDB459

RGB 221 180 89

HSL 41.36, 0.66%, 0.61%

LAB 75.29, 4.54, 51.13

 

CMYK 0 / 35 / 60 / 13

HEX #DD9059

RGB 221 144 89

HSL 25, 0.66%, 0.61%

LAB 66.55, 23.79, 40.87

 

CMYK 0 / 51 / 60 / 13

HEX #DD6D59

RGB 221 109 89

HSL 9.09, 0.66%, 0.61%

LAB 59, 42.09, 31.56

 

CMYK 14 / 0 / 60 / 13

HEX #BFDD59

RGB 191 221 89

HSL 73.64, 0.66%, 0.61%

LAB 83.71, -28.47, 59.92

 

CMYK 30 / 0 / 60 / 13

HEX #9BDD59

RGB 155 221 89

HSL 90, 0.66%, 0.61%

LAB 81.51, -41.98, 56.86

 

CMYK 46 / 0 / 60 / 13

HEX #78DD59

RGB 120 221 89

HSL 105.91, 0.66%, 0.61%

LAB 79.86, -53.41, 54.54

 

CMYK 60 / 0 / 57 / 13

HEX #59DD5E

RGB 89 221 94

HSL 122.27, 0.66%, 0.61%

LAB 78.84, -60.95, 50.87

 

CMYK 60 / 0 / 41 / 13

HEX #59DD82

RGB 89 221 130

HSL 138.64, 0.66%, 0.61%

LAB 79.3, -55.82, 34.12

 

CMYK 14 / 0 / 60 / 13

HEX #BFDD59

RGB 191 221 89

HSL 73.64, 0.66%, 0.61%

LAB 83.71, -28.47, 59.92

 

CMYK 16 / 0 / 69 / 7

HEX #C8ED49

RGB 200 237 73

HSL 73.54, 0.82%, 0.61%

LAB 88.6, -33.45, 71.52

 

CMYK 18 / 0 / 77 / 1

HEX #D0FD39

RGB 208 253 57

HSL 73.78, 0.98%, 0.61%

LAB 93.43, -38.34, 81.37

 

CMYK 14 / 0 / 60 / 13

HEX #BFDD59

RGB 191 221 89

HSL 73.64, 0.66%, 0.61%

LAB 83.71, -28.47, 59.92

 

CMYK 11 / 0 / 48 / 20

HEX #B6CD6A

RGB 182 205 106

HSL 73.94, 0.5%, 0.61%

LAB 78.84, -22.81, 46.37

 

CMYK 8 / 0 / 35 / 26

HEX #ADBD7A

RGB 173 189 122

HSL 74.33, 0.34%, 0.61%

LAB 73.99, -16.51, 32.08

 

CMYK 4 / 0 / 20 / 33

HEX #A5AC8A

RGB 165 172 138

HSL 72.35, 0.17%, 0.61%

LAB 69, -8.47, 16.69

 

CMYK 0 / 0 / 1 / 39

HEX #9C9C9A

RGB 156 156 154

HSL 60, 0.01%, 0.61%

LAB 64.3, -0.38, 1.04

 

CMYK 0 / 19 / 60 / 13

HEX #DDB359

RGB 221 179 89

HSL 40.91, 0.66%, 0.61%

LAB 75.03, 5.07, 50.84

 

CMYK 0 / 3 / 60 / 13

HEX #DDD659

RGB 221 214 89

HSL 56.82, 0.66%, 0.61%

LAB 84.06, -12.97, 60.94

 

CMYK 13 / 0 / 60 / 13

HEX #C0DD59

RGB 192 221 89

HSL 73.18, 0.66%, 0.61%

LAB 83.78, -28.08, 60.01

 

CMYK 29 / 0 / 60 / 13

HEX #9DDD59

RGB 157 221 89

HSL 89.09, 0.66%, 0.61%

LAB 81.62, -41.27, 57.01

 

CMYK 45 / 0 / 60 / 13

HEX #7ADD59

RGB 122 221 89

HSL 105, 0.66%, 0.61%

LAB 79.94, -52.82, 54.66

 

CMYK 18 / 0 / 80 / 26

HEX #9BBD26

RGB 155 189 38

HSL 73.51, 0.67%, 0.45%

LAB 71.9, -30.79, 65.93

 

CMYK 17 / 0 / 74 / 16

HEX #B2D637

RGB 178 214 55

HSL 73.58, 0.66%, 0.53%

LAB 80.65, -32.46, 69.41

 

CMYK 14 / 0 / 60 / 13

HEX #BFDD59

RGB 191 221 89

HSL 73.64, 0.66%, 0.61%

LAB 83.71, -28.47, 59.92

 

CMYK 11 / 0 / 46 / 11

HEX #CCE47C

RGB 204 228 124

HSL 73.85, 0.66%, 0.69%

LAB 86.89, -23.61, 47.88

 

CMYK 8 / 0 / 33 / 8

HEX #D9EB9E

RGB 217 235 158

HSL 74.03, 0.66%, 0.77%

LAB 90.15, -18.19, 35.45

 

CMYK 14 / 0 / 60 / 13

HEX #BFDD59

RGB 191 221 89

HSL 73.64, 0.66%, 0.61%

LAB 83.71, -28.47, 59.92

 

CMYK 60 / 0 / 35 / 13

HEX #59DD90

RGB 89 221 144

HSL 145, 0.66%, 0.61%

LAB 79.53, -53.34, 27.28

 

CMYK 11 / 60 / 0 / 13

HEX #C559DD

RGB 197 89 221

HSL 289.09, 0.66%, 0.61%

LAB 56.32, 61.86, -48.73

 

CMYK 14 / 0 / 60 / 13

HEX #BFDD59

RGB 191 221 89

HSL 73.64, 0.66%, 0.61%

LAB 83.71, -28.47, 59.92

 

CMYK 60 / 13 / 0 / 13

HEX #59C0DD

RGB 89 192 221

HSL 193.18, 0.66%, 0.61%

LAB 72.92, -21.45, -23.48

 

CMYK 0 / 60 / 13 / 13

HEX #DD59C0

RGB 221 89 192

HSL 313.18, 0.66%, 0.61%

LAB 58.34, 63.12, -28.84

 

CMYK 14 / 0 / 60 / 13

HEX #BFDD59

RGB 191 221 89

HSL 73.64, 0.66%, 0.61%

LAB 83.71, -28.47, 59.92

 

CMYK 60 / 0 / 35 / 13

HEX #59DD90

RGB 89 221 144

HSL 145, 0.66%, 0.61%

LAB 79.53, -53.34, 27.28

 

CMYK 47 / 60 / 0 / 13

HEX #7659DD

RGB 118 89 221

HSL 253.18, 0.66%, 0.61%

LAB 47.26, 43.78, -63.77

 

CMYK 0 / 60 / 25 / 13

HEX #DD59A6

RGB 221 89 166

HSL 325, 0.66%, 0.61%

LAB 57.34, 59.44, -15.39

 

CMYK 14 / 0 / 60 / 13

HEX #BFDD59

RGB 191 221 89

HSL 73.64, 0.66%, 0.61%

LAB 83.71, -28.47, 59.92

 

CMYK 60 / 0 / 17 / 13

HEX #59DDB7

RGB 89 221 183

HSL 162.73, 0.66%, 0.61%

LAB 80.32, -45.16, 7.94

 

CMYK 47 / 60 / 0 / 13

HEX #7659DD

RGB 118 89 221

HSL 253.18, 0.66%, 0.61%

LAB 47.26, 43.78, -63.77

 

CMYK 0 / 60 / 43 / 13

HEX #DD597F

RGB 221 89 127

HSL 342.73, 0.66%, 0.61%

LAB 56.14, 54.88, 5.68

 

Description

Color code: HEX #BFDD59 | qconv.com Color code: HEX #BFDD59 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 221 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 221 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 60 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 60% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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