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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFDE25 it is the complementary color #4021DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFDE25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFDE25 shade: #C4DE20, #D5F033, #E6FF46, #F7FF59 and #FFFF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFDE25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFDE25 shade: #BFDE25, #AECC12, #9DBA00, #8CA800 and #7B9600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFDE25 shade: #BFDE25, #DECB25, #DE9925, #DE6725 and #DE3625

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFDE25 shade: #BFDE25, #8DDE25, #5BDE25, #29DE25 and #25DE53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFDE25 shade matches the following richer shades: #BFDE25 and #CCF211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFDE25 shade: #BFDE25, #B2CA39, #A4B64E, #97A162 and #898D76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFDE25 shade: #DE9A25, #DECC25, #BFDE25, #8EDE25 and #5DDE25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFDE25 shade: #849A17, #A3BE1C, #BFDE25, #CAE349 and #D4E96D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFDE25 shade: #BFDE25, #25DE69 and #B325DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFDE25 shade: #BFDE25, #25BFDE and #DE25BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFDE25 shade: #BFDE25, #25DE69, #4425DE and #DE259A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFDE25 shade: #BFDE25, #25DEA0, #4425DE and #DE2563

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 83 / 13

HEX #BFDE25

RGB 191 222 37

HSL 70.05, 0.74%, 0.51%

LAB 83.68, -31.65, 77.4

 

Complementary color

CMYK 71 / 85 / 0 / 15

HEX #4021DA

RGB 64 33 218

HSL 250.05, 0.74%, 0.49%

LAB 32.35, 63.68, -86.69

 

CMYK 12 / 0 / 86 / 13

HEX #C4DE20

RGB 196 222 32

HSL 68.21, 0.75%, 0.5%

LAB 84.01, -29.75, 78.87

 

CMYK 11 / 0 / 79 / 6

HEX #D5F033

RGB 213 240 51

HSL 68.57, 0.86%, 0.57%

LAB 90.19, -30.7, 80.21

 

CMYK 10 / 0 / 73 / 0

HEX #E6FF46

RGB 230 255 70

HSL 68.11, 1%, 0.64%

LAB 95.49, -30.11, 79.94

 

CMYK 3 / 0 / 65 / 0

HEX #F7FF59

RGB 247 255 89

HSL 62.89, 1%, 0.67%

LAB 96.83, -22.4, 75.06

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 14 / 0 / 83 / 13

HEX #BFDE25

RGB 191 222 37

HSL 70.05, 0.74%, 0.51%

LAB 83.68, -31.65, 77.4

 

CMYK 15 / 0 / 91 / 20

HEX #AECC12

RGB 174 204 18

HSL 69.68, 0.84%, 0.44%

LAB 77.42, -30.61, 75.29

 

CMYK 16 / 0 / 100 / 27

HEX #9DBA00

RGB 157 186 0

HSL 69.35, 1%, 0.36%

LAB 71.07, -29.41, 71.94

 

CMYK 17 / 0 / 100 / 34

HEX #8CA800

RGB 140 168 0

HSL 70, 1%, 0.33%

LAB 64.63, -27.96, 66.57

 

CMYK 18 / 0 / 100 / 41

HEX #7B9600

RGB 123 150 0

HSL 70.8, 1%, 0.29%

LAB 58.06, -26.49, 61.1

 

CMYK 14 / 0 / 83 / 13

HEX #BFDE25

RGB 191 222 37

HSL 70.05, 0.74%, 0.51%

LAB 83.68, -31.65, 77.4

 

CMYK 0 / 9 / 83 / 13

HEX #DECB25

RGB 222 203 37

HSL 53.84, 0.74%, 0.51%

LAB 80.95, -9.42, 76.06

 

CMYK 0 / 31 / 83 / 13

HEX #DE9925

RGB 222 153 37

HSL 37.62, 0.74%, 0.51%

LAB 68.35, 16.81, 65.44

 

CMYK 0 / 54 / 83 / 13

HEX #DE6725

RGB 222 103 37

HSL 21.41, 0.74%, 0.51%

LAB 57.43, 42.93, 56.02

 

CMYK 0 / 76 / 83 / 13

HEX #DE3625

RGB 222 54 37

HSL 5.51, 0.74%, 0.51%

LAB 49.86, 63.15, 49.31

 

CMYK 14 / 0 / 83 / 13

HEX #BFDE25

RGB 191 222 37

HSL 70.05, 0.74%, 0.51%

LAB 83.68, -31.65, 77.4

 

CMYK 36 / 0 / 83 / 13

HEX #8DDE25

RGB 141 222 37

HSL 86.27, 0.74%, 0.51%

LAB 80.76, -50.55, 73.74

 

CMYK 59 / 0 / 83 / 13

HEX #5BDE25

RGB 91 222 37

HSL 102.49, 0.74%, 0.51%

LAB 78.81, -65.35, 71.27

 

CMYK 82 / 0 / 83 / 13

HEX #29DE25

RGB 41 222 37

HSL 118.7, 0.74%, 0.51%

LAB 77.78, -74.07, 69.96

 

CMYK 83 / 0 / 63 / 13

HEX #25DE53

RGB 37 222 83

HSL 134.92, 0.74%, 0.51%

LAB 78.03, -70.85, 54.5

 

CMYK 14 / 0 / 83 / 13

HEX #BFDE25

RGB 191 222 37

HSL 70.05, 0.74%, 0.51%

LAB 83.68, -31.65, 77.4

 

CMYK 16 / 0 / 93 / 5

HEX #CCF211

RGB 204 242 17

HSL 70.13, 0.9%, 0.51%

LAB 90.04, -36.01, 86.19

 

CMYK 14 / 0 / 83 / 13

HEX #BFDE25

RGB 191 222 37

HSL 70.05, 0.74%, 0.51%

LAB 83.68, -31.65, 77.4

 

CMYK 12 / 0 / 72 / 21

HEX #B2CA39

RGB 178 202 57

HSL 69.93, 0.58%, 0.51%

LAB 77.28, -26.7, 65.51

 

CMYK 10 / 0 / 57 / 29

HEX #A4B64E

RGB 164 182 78

HSL 70.38, 0.42%, 0.51%

LAB 70.8, -21.26, 49.84

 

CMYK 6 / 0 / 39 / 37

HEX #97A162

RGB 151 161 98

HSL 69.52, 0.25%, 0.51%

LAB 64.12, -13.8, 31.61

 

CMYK 3 / 0 / 16 / 45

HEX #898D76

RGB 137 141 118

HSL 70.43, 0.09%, 0.51%

LAB 57.73, -5.71, 11.79

 

CMYK 0 / 31 / 83 / 13

HEX #DE9A25

RGB 222 154 37

HSL 37.95, 0.74%, 0.51%

LAB 68.59, 16.28, 65.64

 

CMYK 0 / 8 / 83 / 13

HEX #DECC25

RGB 222 204 37

HSL 54.16, 0.74%, 0.51%

LAB 81.21, -9.93, 76.28

 

CMYK 14 / 0 / 83 / 13

HEX #BFDE25

RGB 191 222 37

HSL 70.05, 0.74%, 0.51%

LAB 83.68, -31.65, 77.4

 

CMYK 36 / 0 / 83 / 13

HEX #8EDE25

RGB 142 222 37

HSL 85.95, 0.74%, 0.51%

LAB 80.81, -50.2, 73.8

 

CMYK 58 / 0 / 83 / 13

HEX #5DDE25

RGB 93 222 37

HSL 101.84, 0.74%, 0.51%

LAB 78.87, -64.86, 71.34

 

CMYK 14 / 0 / 85 / 40

HEX #849A17

RGB 132 154 23

HSL 70.08, 0.74%, 0.35%

LAB 59.96, -24.06, 58.82

 

CMYK 14 / 0 / 85 / 25

HEX #A3BE1C

RGB 163 190 28

HSL 70, 0.74%, 0.43%

LAB 72.69, -28.31, 69.33

 

CMYK 14 / 0 / 83 / 13

HEX #BFDE25

RGB 191 222 37

HSL 70.05, 0.74%, 0.51%

LAB 83.68, -31.65, 77.4

 

CMYK 11 / 0 / 68 / 11

HEX #CAE349

RGB 202 227 73

HSL 69.74, 0.73%, 0.59%

LAB 85.99, -28.01, 68.95

 

CMYK 9 / 0 / 53 / 9

HEX #D4E96D

RGB 212 233 109

HSL 70.16, 0.74%, 0.67%

LAB 88.63, -24.34, 57.08

 

CMYK 14 / 0 / 83 / 13

HEX #BFDE25

RGB 191 222 37

HSL 70.05, 0.74%, 0.51%

LAB 83.68, -31.65, 77.4

 

CMYK 83 / 0 / 53 / 13

HEX #25DE69

RGB 37 222 105

HSL 142.05, 0.74%, 0.51%

LAB 78.26, -68.02, 44.86

 

CMYK 19 / 83 / 0 / 13

HEX #B325DE

RGB 179 37 222

HSL 286.05, 0.74%, 0.51%

LAB 47.21, 76.95, -64.06

 

CMYK 14 / 0 / 83 / 13

HEX #BFDE25

RGB 191 222 37

HSL 70.05, 0.74%, 0.51%

LAB 83.68, -31.65, 77.4

 

CMYK 83 / 14 / 0 / 13

HEX #25BFDE

RGB 37 191 222

HSL 190.05, 0.74%, 0.51%

LAB 71.51, -27.26, -26.29

 

CMYK 0 / 83 / 14 / 13

HEX #DE25BF

RGB 222 37 191

HSL 310.05, 0.74%, 0.51%

LAB 52.52, 79.92, -37.33

 

CMYK 14 / 0 / 83 / 13

HEX #BFDE25

RGB 191 222 37

HSL 70.05, 0.74%, 0.51%

LAB 83.68, -31.65, 77.4

 

CMYK 83 / 0 / 53 / 13

HEX #25DE69

RGB 37 222 105

HSL 142.05, 0.74%, 0.51%

LAB 78.26, -68.02, 44.86

 

CMYK 69 / 83 / 0 / 13

HEX #4425DE

RGB 68 37 222

HSL 250.05, 0.74%, 0.51%

LAB 33.62, 63.53, -86.87

 

CMYK 0 / 83 / 31 / 13

HEX #DE259A

RGB 222 37 154

HSL 322.05, 0.74%, 0.51%

LAB 50.9, 75.44, -18.1

 

CMYK 14 / 0 / 83 / 13

HEX #BFDE25

RGB 191 222 37

HSL 70.05, 0.74%, 0.51%

LAB 83.68, -31.65, 77.4

 

CMYK 83 / 0 / 28 / 13

HEX #25DEA0

RGB 37 222 160

HSL 159.89, 0.74%, 0.51%

LAB 79.14, -57.86, 18.27

 

CMYK 69 / 83 / 0 / 13

HEX #4425DE

RGB 68 37 222

HSL 250.05, 0.74%, 0.51%

LAB 33.62, 63.53, -86.87

 

CMYK 0 / 83 / 55 / 13

HEX #DE2563

RGB 222 37 99

HSL 339.89, 0.74%, 0.51%

LAB 49.2, 70.54, 12.7

 

Description

Color code: HEX #BFDE25 | qconv.com Color code: HEX #BFDE25 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 222 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 222 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 83 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 83% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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