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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFE8DD it is the complementary color #401722. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFE8DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFE8DD shade: #C4E8D8, #D5FAEB, #E6FFFE and #F7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFE8DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFE8DD shade: #BFE8DD, #AED6CA, #9DC4B7, #8CB2A4 and #7BA091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFE8DD shade: #BFE8DD, #BFE8D2, #BFE8C7, #C2E8BF and #CDE8BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFE8DD shade: #BFE8DD, #BFE7E8, #BFDCE8, #BFD1E8 and #BFC7E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFE8DD shade matches the following richer shades: #BFE8DD, #B8EFE0, #B1F6E3 and #AAFDE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFE8DD shade: #BFE8DD, #C6E1D9, #CDD9D6, #D4D2D3 and #DBCBD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFE8DD shade: #BFE8C6, #BFE8D1, #BFE8DC, #BFE8E7 and #BFDDE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFE8DD shade: #82D2BC, #A0DDCC, #BFE8DD, #DDF2ED and #FBFDFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFE8DD shade: #BFE8DD, #BFC2E8 and #E8CCBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFE8DD shade: #BFE8DD, #DCBFE8 and #E8DCBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFE8DD shade: #BFE8DD, #BFC2E8, #E8BFCA and #E8E4BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFE8DD shade: #BFE8DD, #C8BFE8, #E8BFCA and #DFE8BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 5 / 9

HEX #BFE8DD

RGB 191 232 221

HSL 163.9, 0.47%, 0.83%

LAB 88.93, -15.42, 0.93

 

Complementary color

CMYK 0 / 64 / 47 / 75

HEX #401722

RGB 64 23 34

HSL 343.9, 0.47%, 0.17%

LAB 14.5, 21.26, 2.39

 

CMYK 16 / 0 / 7 / 9

HEX #C4E8D8

RGB 196 232 216

HSL 153.33, 0.44%, 0.84%

LAB 89.11, -14.8, 3.86

 

CMYK 15 / 0 / 6 / 2

HEX #D5FAEB

RGB 213 250 235

HSL 155.68, 0.79%, 0.91%

LAB 95.38, -14.73, 3.2

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFE

RGB 230 255 254

HSL 177.6, 1%, 0.95%

LAB 98.23, -8.25, -2.29

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 18 / 0 / 5 / 9

HEX #BFE8DD

RGB 191 232 221

HSL 163.9, 0.47%, 0.83%

LAB 88.93, -15.42, 0.93

 

CMYK 19 / 0 / 6 / 16

HEX #AED6CA

RGB 174 214 202

HSL 162, 0.33%, 0.76%

LAB 82.57, -15.5, 1.57

 

CMYK 20 / 0 / 7 / 23

HEX #9DC4B7

RGB 157 196 183

HSL 160, 0.25%, 0.69%

LAB 76.11, -15.61, 2.24

 

CMYK 21 / 0 / 8 / 30

HEX #8CB2A4

RGB 140 178 164

HSL 157.89, 0.2%, 0.62%

LAB 69.54, -15.74, 2.94

 

CMYK 23 / 0 / 9 / 37

HEX #7BA091

RGB 123 160 145

HSL 155.68, 0.16%, 0.55%

LAB 62.84, -15.88, 3.68

 

CMYK 18 / 0 / 5 / 9

HEX #BFE8DD

RGB 191 232 221

HSL 163.9, 0.47%, 0.83%

LAB 88.93, -15.42, 0.93

 

CMYK 18 / 0 / 9 / 9

HEX #BFE8D2

RGB 191 232 210

HSL 147.8, 0.47%, 0.83%

LAB 88.66, -17.54, 6.3

 

CMYK 18 / 0 / 14 / 9

HEX #BFE8C7

RGB 191 232 199

HSL 131.71, 0.47%, 0.83%

LAB 88.41, -19.56, 11.69

 

CMYK 16 / 0 / 18 / 9

HEX #C2E8BF

RGB 194 232 191

HSL 115.61, 0.47%, 0.83%

LAB 88.42, -19.96, 15.9

 

CMYK 12 / 0 / 18 / 9

HEX #CDE8BF

RGB 205 232 191

HSL 99.51, 0.47%, 0.83%

LAB 89.14, -16.22, 17.01

 

CMYK 18 / 0 / 5 / 9

HEX #BFE8DD

RGB 191 232 221

HSL 163.9, 0.47%, 0.83%

LAB 88.93, -15.42, 0.93

 

CMYK 18 / 0 / 0 / 9

HEX #BFE7E8

RGB 191 231 232

HSL 181.46, 0.47%, 0.83%

LAB 88.95, -12.69, -4.81

 

CMYK 18 / 5 / 0 / 9

HEX #BFDCE8

RGB 191 220 232

HSL 197.56, 0.47%, 0.83%

LAB 86.05, -7.07, -9.09

 

CMYK 18 / 10 / 0 / 9

HEX #BFD1E8

RGB 191 209 232

HSL 213.66, 0.47%, 0.83%

LAB 83.18, -1.34, -13.38

 

CMYK 18 / 14 / 0 / 9

HEX #BFC7E8

RGB 191 199 232

HSL 228.29, 0.47%, 0.83%

LAB 80.6, 3.97, -17.25

 

CMYK 18 / 0 / 5 / 9

HEX #BFE8DD

RGB 191 232 221

HSL 163.9, 0.47%, 0.83%

LAB 88.93, -15.42, 0.93

 

CMYK 23 / 0 / 6 / 6

HEX #B8EFE0

RGB 184 239 224

HSL 163.64, 0.63%, 0.83%

LAB 90.46, -20.44, 1.54

 

CMYK 28 / 0 / 8 / 4

HEX #B1F6E3

RGB 177 246 227

HSL 163.48, 0.79%, 0.83%

LAB 92.04, -25.3, 2.24

 

CMYK 33 / 0 / 9 / 1

HEX #AAFDE6

RGB 170 253 230

HSL 163.37, 0.95%, 0.83%

LAB 93.67, -29.99, 3.01

 

CMYK 18 / 0 / 5 / 9

HEX #BFE8DD

RGB 191 232 221

HSL 163.9, 0.47%, 0.83%

LAB 88.93, -15.42, 0.93

 

CMYK 12 / 0 / 4 / 12

HEX #C6E1D9

RGB 198 225 217

HSL 162.22, 0.31%, 0.83%

LAB 87.42, -10.43, 0.89

 

CMYK 6 / 0 / 1 / 15

HEX #CDD9D6

RGB 205 217 214

HSL 165, 0.14%, 0.83%

LAB 85.74, -4.59, 0.07

 

CMYK 0 / 1 / 0 / 17

HEX #D4D2D3

RGB 212 210 211

HSL 330, 0.02%, 0.83%

LAB 84.38, 0.87, -0.26

 

CMYK 0 / 7 / 5 / 14

HEX #DBCBD0

RGB 219 203 208

HSL 341.25, 0.18%, 0.83%

LAB 83.09, 6.43, -0.48

 

CMYK 18 / 0 / 15 / 9

HEX #BFE8C6

RGB 191 232 198

HSL 130.24, 0.47%, 0.83%

LAB 88.38, -19.74, 12.18

 

CMYK 18 / 0 / 10 / 9

HEX #BFE8D1

RGB 191 232 209

HSL 146.34, 0.47%, 0.83%

LAB 88.63, -17.73, 6.79

 

CMYK 18 / 0 / 5 / 9

HEX #BFE8DC

RGB 191 232 220

HSL 162.44, 0.47%, 0.83%

LAB 88.9, -15.61, 1.42

 

CMYK 18 / 0 / 0 / 9

HEX #BFE8E7

RGB 191 232 231

HSL 178.54, 0.47%, 0.83%

LAB 89.19, -13.4, -3.93

 

CMYK 18 / 5 / 0 / 9

HEX #BFDDE8

RGB 191 221 232

HSL 196.1, 0.47%, 0.83%

LAB 86.31, -7.59, -8.7

 

CMYK 38 / 0 / 10 / 18

HEX #82D2BC

RGB 130 210 188

HSL 163.5, 0.47%, 0.67%

LAB 78.73, -29.54, 3.18

 

CMYK 28 / 0 / 8 / 13

HEX #A0DDCC

RGB 160 221 204

HSL 163.28, 0.47%, 0.75%

LAB 83.73, -22.9, 2.1

 

CMYK 18 / 0 / 5 / 9

HEX #BFE8DD

RGB 191 232 221

HSL 163.9, 0.47%, 0.83%

LAB 88.93, -15.42, 0.93

 

CMYK 9 / 0 / 2 / 5

HEX #DDF2ED

RGB 221 242 237

HSL 165.71, 0.45%, 0.91%

LAB 93.88, -7.8, 0.04

 

CMYK 1 / 0 / 0 / 1

HEX #FBFDFD

RGB 251 253 253

HSL 180, 0.33%, 0.99%

LAB 99.16, -0.65, -0.24

 

CMYK 18 / 0 / 5 / 9

HEX #BFE8DD

RGB 191 232 221

HSL 163.9, 0.47%, 0.83%

LAB 88.93, -15.42, 0.93

 

CMYK 18 / 16 / 0 / 9

HEX #BFC2E8

RGB 191 194 232

HSL 235.61, 0.47%, 0.83%

LAB 79.32, 6.66, -19.18

 

CMYK 0 / 12 / 18 / 9

HEX #E8CCBF

RGB 232 204 191

HSL 19.02, 0.47%, 0.83%

LAB 84.02, 7.76, 10.06

 

CMYK 18 / 0 / 5 / 9

HEX #BFE8DD

RGB 191 232 221

HSL 163.9, 0.47%, 0.83%

LAB 88.93, -15.42, 0.93

 

CMYK 5 / 18 / 0 / 9

HEX #DCBFE8

RGB 220 191 232

HSL 282.44, 0.47%, 0.83%

LAB 80.91, 17.58, -16.56

 

CMYK 0 / 5 / 18 / 9

HEX #E8DCBF

RGB 232 220 191

HSL 42.44, 0.47%, 0.83%

LAB 88.02, -0.56, 15.73

 

CMYK 18 / 0 / 5 / 9

HEX #BFE8DD

RGB 191 232 221

HSL 163.9, 0.47%, 0.83%

LAB 88.93, -15.42, 0.93

 

CMYK 18 / 16 / 0 / 9

HEX #BFC2E8

RGB 191 194 232

HSL 235.61, 0.47%, 0.83%

LAB 79.32, 6.66, -19.18

 

CMYK 0 / 18 / 13 / 9

HEX #E8BFCA

RGB 232 191 202

HSL 343.9, 0.47%, 0.83%

LAB 81.12, 16.35, -0.01

 

CMYK 0 / 2 / 18 / 9

HEX #E8E4BF

RGB 232 228 191

HSL 54.15, 0.47%, 0.83%

LAB 90.05, -4.65, 18.57

 

CMYK 18 / 0 / 5 / 9

HEX #BFE8DD

RGB 191 232 221

HSL 163.9, 0.47%, 0.83%

LAB 88.93, -15.42, 0.93

 

CMYK 14 / 18 / 0 / 9

HEX #C8BFE8

RGB 200 191 232

HSL 253.17, 0.47%, 0.83%

LAB 79.25, 11.12, -19.22

 

CMYK 0 / 18 / 13 / 9

HEX #E8BFCA

RGB 232 191 202

HSL 343.9, 0.47%, 0.83%

LAB 81.12, 16.35, -0.01

 

CMYK 4 / 0 / 18 / 9

HEX #DFE8BF

RGB 223 232 191

HSL 73.17, 0.47%, 0.83%

LAB 90.4, -9.9, 18.96

 

Description

Color code: HEX #BFE8DD | qconv.com Color code: HEX #BFE8DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 232 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 232 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 5 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 5% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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