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Color name
HEX #BFE38C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFE38C it is the complementary color #401C73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFE38C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFE38C shade: #C4E387, #D5F59A, #E6FFAD, #F7FFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFE38C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFE38C shade: #BFE38C, #AED179, #9DBF66, #8CAD53 and #7B9B40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFE38C shade: #BFE38C, #D6E38C, #E3D88C, #E3C08C and #E3A98C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFE38C shade: #BFE38C, #A7E38C, #90E38C, #8CE39F and #8CE3B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFE38C shade matches the following richer shades: #BFE38C, #C1EE80 and #C3FA74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFE38C shade: #BFE38C, #BDD797, #BBCCA3, #B9C0AE and #B7B4BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFE38C shade: #E3D78C, #D7E38C, #C0E38C, #A9E38C and #91E38C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFE38C shade: #9AD349, #ACDB6A, #BFE38C, #D1EBAD and #E4F3CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFE38C shade: #BFE38C, #8CE3C0 and #E38CE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFE38C shade: #BFE38C, #8CC0E3 and #E38CC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFE38C shade: #BFE38C, #8CE3C0, #AE8CE3 and #E38CAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFE38C shade: #BFE38C, #8CE3DA, #AE8CE3 and #E38C94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 38 / 11

HEX #BFE38C

RGB 191 227 140

HSL 84.83, 0.61%, 0.72%

LAB 85.96, -26.17, 38.67

 

Complementary color

CMYK 44 / 76 / 0 / 55

HEX #401C73

RGB 64 28 115

HSL 264.83, 0.61%, 0.28%

LAB 20.67, 36.79, -43.48

 

CMYK 14 / 0 / 41 / 11

HEX #C4E387

RGB 196 227 135

HSL 80.22, 0.62%, 0.71%

LAB 86.22, -24.93, 41.56

 

CMYK 13 / 0 / 37 / 4

HEX #D5F59A

RGB 213 245 154

HSL 81.1, 0.82%, 0.78%

LAB 92.48, -24.99, 40.43

 

CMYK 10 / 0 / 32 / 0

HEX #E6FFAD

RGB 230 255 173

HSL 78.29, 1%, 0.84%

LAB 96.56, -21.21, 36.57

 

CMYK 3 / 0 / 25 / 0

HEX #F7FFC0

RGB 247 255 192

HSL 67.62, 1%, 0.88%

LAB 98.07, -12.57, 29.3

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 16 / 0 / 38 / 11

HEX #BFE38C

RGB 191 227 140

HSL 84.83, 0.61%, 0.72%

LAB 85.96, -26.17, 38.67

 

CMYK 17 / 0 / 42 / 18

HEX #AED179

RGB 174 209 121

HSL 83.86, 0.49%, 0.65%

LAB 79.6, -26.15, 39.82

 

CMYK 18 / 0 / 47 / 25

HEX #9DBF66

RGB 157 191 102

HSL 82.92, 0.41%, 0.57%

LAB 73.15, -26.1, 40.99

 

CMYK 19 / 0 / 52 / 32

HEX #8CAD53

RGB 140 173 83

HSL 82, 0.35%, 0.5%

LAB 66.59, -26, 42.15

 

CMYK 21 / 0 / 59 / 39

HEX #7B9B40

RGB 123 155 64

HSL 81.1, 0.42%, 0.43%

LAB 59.91, -25.82, 43.24

 

CMYK 16 / 0 / 38 / 11

HEX #BFE38C

RGB 191 227 140

HSL 84.83, 0.61%, 0.72%

LAB 85.96, -26.17, 38.67

 

CMYK 6 / 0 / 38 / 11

HEX #D6E38C

RGB 214 227 140

HSL 68.97, 0.61%, 0.72%

LAB 87.55, -17.56, 41.03

 

CMYK 0 / 5 / 38 / 11

HEX #E3D88C

RGB 227 216 140

HSL 52.41, 0.61%, 0.72%

LAB 85.67, -7.03, 38.83

 

CMYK 0 / 15 / 38 / 11

HEX #E3C08C

RGB 227 192 140

HSL 35.86, 0.61%, 0.72%

LAB 79.57, 5.38, 30.85

 

CMYK 0 / 26 / 38 / 11

HEX #E3A98C

RGB 227 169 140

HSL 20, 0.61%, 0.72%

LAB 73.93, 17.59, 23.29

 

CMYK 16 / 0 / 38 / 11

HEX #BFE38C

RGB 191 227 140

HSL 84.83, 0.61%, 0.72%

LAB 85.96, -26.17, 38.67

 

CMYK 26 / 0 / 38 / 11

HEX #A7E38C

RGB 167 227 140

HSL 101.38, 0.61%, 0.72%

LAB 84.51, -34.67, 36.51

 

CMYK 37 / 0 / 38 / 11

HEX #90E38C

RGB 144 227 140

HSL 117.24, 0.61%, 0.72%

LAB 83.32, -42.17, 34.73

 

CMYK 38 / 0 / 30 / 11

HEX #8CE39F

RGB 140 227 159

HSL 133.1, 0.61%, 0.72%

LAB 83.45, -40.3, 25.17

 

CMYK 38 / 0 / 20 / 11

HEX #8CE3B6

RGB 140 227 182

HSL 148.97, 0.61%, 0.72%

LAB 83.91, -36.02, 13.82

 

CMYK 16 / 0 / 38 / 11

HEX #BFE38C

RGB 191 227 140

HSL 84.83, 0.61%, 0.72%

LAB 85.96, -26.17, 38.67

 

CMYK 19 / 0 / 46 / 7

HEX #C1EE80

RGB 193 238 128

HSL 84.55, 0.76%, 0.72%

LAB 88.94, -32.02, 48.33

 

CMYK 22 / 0 / 54 / 2

HEX #C3FA74

RGB 195 250 116

HSL 84.63, 0.93%, 0.72%

LAB 92.24, -37.99, 57.86

 

CMYK 16 / 0 / 38 / 11

HEX #BFE38C

RGB 191 227 140

HSL 84.83, 0.61%, 0.72%

LAB 85.96, -26.17, 38.67

 

CMYK 12 / 0 / 30 / 16

HEX #BDD797

RGB 189 215 151

HSL 84.38, 0.44%, 0.72%

LAB 82.73, -19.59, 28.8

 

CMYK 8 / 0 / 20 / 20

HEX #BBCCA3

RGB 187 204 163

HSL 84.88, 0.29%, 0.72%

LAB 79.84, -13, 18.54

 

CMYK 4 / 0 / 9 / 25

HEX #B9C0AE

RGB 185 192 174

HSL 83.33, 0.13%, 0.72%

LAB 76.72, -5.69, 8.23

 

CMYK 2 / 3 / 0 / 27

HEX #B7B4BA

RGB 183 180 186

HSL 270, 0.04%, 0.72%

LAB 73.71, 2.18, -2.68

 

CMYK 0 / 5 / 38 / 11

HEX #E3D78C

RGB 227 215 140

HSL 51.72, 0.61%, 0.72%

LAB 85.42, -6.53, 38.49

 

CMYK 5 / 0 / 38 / 11

HEX #D7E38C

RGB 215 227 140

HSL 68.28, 0.61%, 0.72%

LAB 87.62, -17.18, 41.14

 

CMYK 15 / 0 / 38 / 11

HEX #C0E38C

RGB 192 227 140

HSL 84.14, 0.61%, 0.72%

LAB 86.03, -25.8, 38.77

 

CMYK 26 / 0 / 38 / 11

HEX #A9E38C

RGB 169 227 140

HSL 100, 0.61%, 0.72%

LAB 84.62, -33.98, 36.68

 

CMYK 36 / 0 / 38 / 11

HEX #91E38C

RGB 145 227 140

HSL 116.55, 0.61%, 0.72%

LAB 83.36, -41.86, 34.8

 

CMYK 27 / 0 / 65 / 17

HEX #9AD349

RGB 154 211 73

HSL 84.78, 0.61%, 0.56%

LAB 78.43, -39.24, 60.15

 

CMYK 21 / 0 / 52 / 14

HEX #ACDB6A

RGB 172 219 106

HSL 84.96, 0.61%, 0.64%

LAB 82.1, -33.28, 50.12

 

CMYK 16 / 0 / 38 / 11

HEX #BFE38C

RGB 191 227 140

HSL 84.83, 0.61%, 0.72%

LAB 85.96, -26.17, 38.67

 

CMYK 11 / 0 / 26 / 8

HEX #D1EBAD

RGB 209 235 173

HSL 85.16, 0.61%, 0.8%

LAB 89.85, -19.06, 27.33

 

CMYK 6 / 0 / 15 / 5

HEX #E4F3CE

RGB 228 243 206

HSL 84.32, 0.61%, 0.88%

LAB 93.91, -11.31, 16.18

 

CMYK 16 / 0 / 38 / 11

HEX #BFE38C

RGB 191 227 140

HSL 84.83, 0.61%, 0.72%

LAB 85.96, -26.17, 38.67

 

CMYK 38 / 0 / 15 / 11

HEX #8CE3C0

RGB 140 227 192

HSL 155.86, 0.61%, 0.72%

LAB 84.13, -33.99, 8.89

 

CMYK 0 / 38 / 0 / 11

HEX #E38CE3

RGB 227 140 227

HSL 300, 0.61%, 0.72%

LAB 69.92, 46.12, -30.53

 

CMYK 16 / 0 / 38 / 11

HEX #BFE38C

RGB 191 227 140

HSL 84.83, 0.61%, 0.72%

LAB 85.96, -26.17, 38.67

 

CMYK 38 / 15 / 0 / 11

HEX #8CC0E3

RGB 140 192 227

HSL 204.14, 0.61%, 0.72%

LAB 75.34, -8.3, -22.84

 

CMYK 0 / 38 / 15 / 11

HEX #E38CC0

RGB 227 140 192

HSL 324.14, 0.61%, 0.72%

LAB 68.67, 40.19, -13.01

 

CMYK 16 / 0 / 38 / 11

HEX #BFE38C

RGB 191 227 140

HSL 84.83, 0.61%, 0.72%

LAB 85.96, -26.17, 38.67

 

CMYK 38 / 0 / 15 / 11

HEX #8CE3C0

RGB 140 227 192

HSL 155.86, 0.61%, 0.72%

LAB 84.13, -33.99, 8.89

 

CMYK 23 / 38 / 0 / 11

HEX #AE8CE3

RGB 174 140 227

HSL 263.45, 0.61%, 0.72%

LAB 64.4, 30.3, -39.52

 

CMYK 0 / 38 / 23 / 11

HEX #E38CAE

RGB 227 140 174

HSL 336.55, 0.61%, 0.72%

LAB 68.13, 37.48, -3.75

 

CMYK 16 / 0 / 38 / 11

HEX #BFE38C

RGB 191 227 140

HSL 84.83, 0.61%, 0.72%

LAB 85.96, -26.17, 38.67

 

CMYK 38 / 0 / 4 / 11

HEX #8CE3DA

RGB 140 227 218

HSL 173.79, 0.61%, 0.72%

LAB 84.78, -28.26, -3.89

 

CMYK 23 / 38 / 0 / 11

HEX #AE8CE3

RGB 174 140 227

HSL 263.45, 0.61%, 0.72%

LAB 64.4, 30.3, -39.52

 

CMYK 0 / 38 / 35 / 11

HEX #E38C94

RGB 227 140 148

HSL 354.48, 0.61%, 0.72%

LAB 67.45, 34.02, 9.86

 

Description

Color code: HEX #BFE38C | qconv.com Color code: HEX #BFE38C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 227 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 227 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 38 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 38% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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