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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFEE01 it is the complementary color #4011FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFEE01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFEE01 shade: #C4EE00, #D5FF0F, #E6FF22, #F7FF35 and #FFFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFEE01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFEE01 shade: #BFEE01, #AEDC00, #9DCA00, #8CB800 and #7BA600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFEE01 shade: #BFEE01, #EEDD01, #EE9D01, #EE5D01 and #EE1D01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFEE01 shade: #BFEE01, #7FEE01, #3FEE01, #01EE02 and #01EE42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFEE01 shade matches the following richer shades: #BFEE01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFEE01 shade: #BFEE01, #B3DB14, #A8C727, #9CB43B and #90A04E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFEE01 shade: #EE9B01, #EEDA01, #C2EE01, #83EE01 and #44EE01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFEE01 shade: #7D9C00, #9EC500, #BFEE01, #D0FD1B and #D9FE44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFEE01 shade: #BFEE01, #01EE5C and #BB01EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFEE01 shade: #BFEE01, #01C2EE and #EE01C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFEE01 shade: #BFEE01, #01EE5C, #2C01EE and #EE0193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFEE01 shade: #BFEE01, #01EEA3, #2C01EE and #EE014C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 100 / 7

HEX #BFEE01

RGB 191 238 1

HSL 71.9, 0.99%, 0.47%

LAB 88.08, -39.5, 85.66

 

Complementary color

CMYK 75 / 93 / 0 / 0

HEX #4011FE

RGB 64 17 254

HSL 251.9, 0.99%, 0.53%

LAB 35.29, 77.31, -102.25

 

CMYK 18 / 0 / 100 / 7

HEX #C4EE00

RGB 196 238 0

HSL 70.59, 1%, 0.47%

LAB 88.39, -37.55, 86.12

 

CMYK 16 / 0 / 94 / 0

HEX #D5FF0F

RGB 213 255 15

HSL 70.5, 1%, 0.53%

LAB 94.18, -38.32, 89.86

 

CMYK 10 / 0 / 87 / 0

HEX #E6FF22

RGB 230 255 34

HSL 66.79, 1%, 0.57%

LAB 95.35, -31.29, 88.77

 

CMYK 3 / 0 / 79 / 0

HEX #F7FF35

RGB 247 255 53

HSL 62.38, 1%, 0.6%

LAB 96.64, -23.96, 86.3

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF48

RGB 255 255 72

HSL 60, 1%, 0.64%

LAB 97.33, -20.03, 81.69

 

CMYK 20 / 0 / 100 / 7

HEX #BFEE01

RGB 191 238 1

HSL 71.9, 0.99%, 0.47%

LAB 88.08, -39.5, 85.66

 

CMYK 21 / 0 / 100 / 14

HEX #AEDC00

RGB 174 220 0

HSL 72.55, 1%, 0.43%

LAB 81.94, -38.17, 80.63

 

CMYK 22 / 0 / 100 / 21

HEX #9DCA00

RGB 157 202 0

HSL 73.37, 1%, 0.4%

LAB 75.71, -36.81, 75.44

 

CMYK 24 / 0 / 100 / 28

HEX #8CB800

RGB 140 184 0

HSL 74.35, 1%, 0.36%

LAB 69.37, -35.44, 70.16

 

CMYK 26 / 0 / 100 / 35

HEX #7BA600

RGB 123 166 0

HSL 75.54, 1%, 0.33%

LAB 62.91, -34.06, 64.79

 

CMYK 20 / 0 / 100 / 7

HEX #BFEE01

RGB 191 238 1

HSL 71.9, 0.99%, 0.47%

LAB 88.08, -39.5, 85.66

 

CMYK 0 / 7 / 100 / 7

HEX #EEDD01

RGB 238 221 1

HSL 55.7, 0.99%, 0.47%

LAB 86.94, -12.15, 86.37

 

CMYK 0 / 34 / 100 / 7

HEX #EE9D01

RGB 238 157 1

HSL 39.49, 0.99%, 0.47%

LAB 71.07, 20.98, 75.32

 

CMYK 0 / 61 / 100 / 7

HEX #EE5D01

RGB 238 93 1

HSL 23.29, 0.99%, 0.47%

LAB 58.04, 52.96, 67.37

 

CMYK 0 / 88 / 100 / 7

HEX #EE1D01

RGB 238 29 1

HSL 7.09, 0.99%, 0.47%

LAB 50.76, 73.03, 63.91

 

CMYK 20 / 0 / 100 / 7

HEX #BFEE01

RGB 191 238 1

HSL 71.9, 0.99%, 0.47%

LAB 88.08, -39.5, 85.66

 

CMYK 47 / 0 / 100 / 7

HEX #7FEE01

RGB 127 238 1

HSL 88.1, 0.99%, 0.47%

LAB 84.82, -61.99, 81.74

 

CMYK 74 / 0 / 100 / 7

HEX #3FEE01

RGB 63 238 1

HSL 104.3, 0.99%, 0.47%

LAB 83.02, -76.72, 79.55

 

CMYK 100 / 0 / 99 / 7

HEX #01EE02

RGB 1 238 2

HSL 120.25, 0.99%, 0.47%

LAB 82.46, -81.74, 78.79

 

CMYK 100 / 0 / 72 / 7

HEX #01EE42

RGB 1 238 66

HSL 136.46, 0.99%, 0.47%

LAB 82.67, -79.04, 65.99

 

CMYK 20 / 0 / 100 / 7

HEX #BFEE01

RGB 191 238 1

HSL 71.9, 0.99%, 0.47%

LAB 88.08, -39.5, 85.66

 

CMYK 20 / 0 / 100 / 7

HEX #BFEE01

RGB 191 238 1

HSL 71.9, 0.99%, 0.47%

LAB 88.08, -39.5, 85.66

 

CMYK 18 / 0 / 91 / 14

HEX #B3DB14

RGB 179 219 20

HSL 72.06, 0.83%, 0.47%

LAB 82, -35.48, 78.79

 

CMYK 16 / 0 / 80 / 22

HEX #A8C727

RGB 168 199 39

HSL 71.63, 0.67%, 0.47%

LAB 75.65, -30.16, 69.33

 

CMYK 13 / 0 / 67 / 29

HEX #9CB43B

RGB 156 180 59

HSL 71.9, 0.51%, 0.47%

LAB 69.49, -24.97, 56.44

 

CMYK 10 / 0 / 51 / 37

HEX #90A04E

RGB 144 160 78

HSL 71.71, 0.34%, 0.47%

LAB 63.03, -18.38, 40.45

 

CMYK 0 / 35 / 100 / 7

HEX #EE9B01

RGB 238 155 1

HSL 38.99, 0.99%, 0.47%

LAB 70.61, 22.03, 75.01

 

CMYK 0 / 8 / 100 / 7

HEX #EEDA01

RGB 238 218 1

HSL 54.94, 0.99%, 0.47%

LAB 86.17, -10.66, 85.81

 

CMYK 18 / 0 / 100 / 7

HEX #C2EE01

RGB 194 238 1

HSL 71.14, 0.99%, 0.47%

LAB 88.27, -38.33, 85.89

 

CMYK 45 / 0 / 100 / 7

HEX #83EE01

RGB 131 238 1

HSL 87.09, 0.99%, 0.47%

LAB 84.98, -60.77, 81.94

 

CMYK 71 / 0 / 100 / 7

HEX #44EE01

RGB 68 238 1

HSL 103.04, 0.99%, 0.47%

LAB 83.12, -75.93, 79.67

 

CMYK 20 / 0 / 100 / 39

HEX #7D9C00

RGB 125 156 0

HSL 71.92, 1%, 0.31%

LAB 60.01, -28.54, 62.64

 

CMYK 20 / 0 / 100 / 23

HEX #9EC500

RGB 158 197 0

HSL 71.88, 1%, 0.39%

LAB 74.32, -34.14, 74.42

 

CMYK 20 / 0 / 100 / 7

HEX #BFEE01

RGB 191 238 1

HSL 71.9, 0.99%, 0.47%

LAB 88.08, -39.5, 85.66

 

CMYK 18 / 0 / 89 / 1

HEX #D0FD1B

RGB 208 253 27

HSL 71.95, 0.98%, 0.55%

LAB 93.34, -39.2, 87.65

 

CMYK 15 / 0 / 73 / 0

HEX #D9FE44

RGB 217 254 68

HSL 71.94, 0.99%, 0.63%

LAB 94.33, -34.84, 79.17

 

CMYK 20 / 0 / 100 / 7

HEX #BFEE01

RGB 191 238 1

HSL 71.9, 0.99%, 0.47%

LAB 88.08, -39.5, 85.66

 

CMYK 100 / 0 / 61 / 7

HEX #01EE5C

RGB 1 238 92

HSL 143.04, 0.99%, 0.47%

LAB 82.88, -76.48, 56.1

 

CMYK 21 / 100 / 0 / 7

HEX #BB01EE

RGB 187 1 238

HSL 287.09, 0.99%, 0.47%

LAB 47.96, 85.88, -71.86

 

CMYK 20 / 0 / 100 / 7

HEX #BFEE01

RGB 191 238 1

HSL 71.9, 0.99%, 0.47%

LAB 88.08, -39.5, 85.66

 

CMYK 100 / 18 / 0 / 7

HEX #01C2EE

RGB 1 194 238

HSL 191.14, 0.99%, 0.47%

LAB 72.74, -25, -33.09

 

CMYK 0 / 100 / 18 / 7

HEX #EE01C2

RGB 238 1 194

HSL 311.14, 0.99%, 0.47%

LAB 54.13, 87.45, -36.35

 

CMYK 20 / 0 / 100 / 7

HEX #BFEE01

RGB 191 238 1

HSL 71.9, 0.99%, 0.47%

LAB 88.08, -39.5, 85.66

 

CMYK 100 / 0 / 61 / 7

HEX #01EE5C

RGB 1 238 92

HSL 143.04, 0.99%, 0.47%

LAB 82.88, -76.48, 56.1

 

CMYK 82 / 100 / 0 / 7

HEX #2C01EE

RGB 44 1 238

HSL 250.89, 0.99%, 0.47%

LAB 31.18, 75.44, -100.1

 

CMYK 0 / 100 / 38 / 7

HEX #EE0193

RGB 238 1 147

HSL 323.04, 0.99%, 0.47%

LAB 52.18, 82.48, -11.7

 

CMYK 20 / 0 / 100 / 7

HEX #BFEE01

RGB 191 238 1

HSL 71.9, 0.99%, 0.47%

LAB 88.08, -39.5, 85.66

 

CMYK 100 / 0 / 32 / 7

HEX #01EEA3

RGB 1 238 163

HSL 161.01, 0.99%, 0.47%

LAB 83.86, -64.7, 23.19

 

CMYK 82 / 100 / 0 / 7

HEX #2C01EE

RGB 44 1 238

HSL 250.89, 0.99%, 0.47%

LAB 31.18, 75.44, -100.1

 

CMYK 0 / 100 / 68 / 7

HEX #EE014C

RGB 238 1 76

HSL 341.01, 0.99%, 0.47%

LAB 50.36, 77.65, 28.86

 

Description

Color code: HEX #BFEE01 | qconv.com Color code: HEX #BFEE01 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 238 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 238 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 100 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 100% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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