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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFF50B it is the complementary color #400AF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFF50B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFF50B shade: #C4F506, #D5FF19, #E6FF2C, #F7FF3F and #FFFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFF50B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFF50B shade: #BFF50B, #AEE300, #9DD100, #8CBF00 and #7BAD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFF50B shade: #BEF40A, #F4EB0A, #F4AC0A, #F46D0A and #F42D0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFF50B shade: #BEF40A, #7FF40A, #40F40A, #0AF413 and #0AF452

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFF50B shade matches the following richer shades: #BEF40A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFF50B shade: #BEF40A, #B3E01E, #A8CB33, #9DB648 and #92A25C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFF50B shade: #F4AA0A, #F4E90A, #C1F40A, #83F40A and #44F40A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFF50B shade: #80A506, #9FCD08, #BEF40A, #C9F631 and #D3F859

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFF50B shade: #BFF50B, #0AF46B and #C90AF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFF50B shade: #BFF50B, #0AC1F4 and #F40AC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFF50B shade: #BFF50B, #0AF46B, #3D0AF4 and #F40A93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFF50B shade: #BFF50B, #0AF4B2, #3D0AF4 and #F40A4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 96 / 4

HEX #BFF50B

RGB 191 245 11

HSL 73.85, 0.92%, 0.5%

LAB 90.05, -42.48, 86.4

 

Complementary color

CMYK 74 / 96 / 0 / 4

HEX #400AF4

RGB 64 10 244

HSL 253.85, 0.92%, 0.5%

LAB 33.64, 76.05, -99.37

 

CMYK 20 / 0 / 98 / 4

HEX #C4F506

RGB 196 245 6

HSL 72.3, 0.95%, 0.49%

LAB 90.35, -40.6, 87.14

 

CMYK 16 / 0 / 90 / 0

HEX #D5FF19

RGB 213 255 25

HSL 70.96, 1%, 0.55%

LAB 94.2, -38.18, 88.75

 

CMYK 10 / 0 / 83 / 0

HEX #E6FF2C

RGB 230 255 44

HSL 67.11, 1%, 0.59%

LAB 95.38, -31.05, 86.85

 

CMYK 3 / 0 / 75 / 0

HEX #F7FF3F

RGB 247 255 63

HSL 62.5, 1%, 0.62%

LAB 96.68, -23.61, 83.62

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 22 / 0 / 96 / 4

HEX #BFF50B

RGB 191 245 11

HSL 73.85, 0.92%, 0.5%

LAB 90.05, -42.48, 86.4

 

CMYK 23 / 0 / 100 / 11

HEX #AEE300

RGB 174 227 0

HSL 74.01, 1%, 0.45%

LAB 83.93, -41.26, 82.14

 

CMYK 25 / 0 / 100 / 18

HEX #9DD100

RGB 157 209 0

HSL 74.93, 1%, 0.41%

LAB 77.74, -39.93, 76.98

 

CMYK 27 / 0 / 100 / 25

HEX #8CBF00

RGB 140 191 0

HSL 76.02, 1%, 0.37%

LAB 71.44, -38.59, 71.74

 

CMYK 29 / 0 / 100 / 32

HEX #7BAD00

RGB 123 173 0

HSL 77.34, 1%, 0.34%

LAB 65.04, -37.23, 66.41

 

CMYK 22 / 0 / 96 / 4

HEX #BEF40A

RGB 190 244 10

HSL 73.85, 0.92%, 0.5%

LAB 89.71, -42.43, 86.19

 

CMYK 0 / 4 / 96 / 4

HEX #F4EB0A

RGB 244 235 10

HSL 57.69, 0.92%, 0.5%

LAB 91.09, -16.43, 88.91

 

CMYK 0 / 30 / 96 / 4

HEX #F4AC0A

RGB 244 172 10

HSL 41.54, 0.92%, 0.5%

LAB 75.3, 15.7, 77.48

 

CMYK 0 / 55 / 96 / 4

HEX #F46D0A

RGB 244 109 10

HSL 25.38, 0.92%, 0.5%

LAB 61.82, 47.91, 68.49

 

CMYK 0 / 82 / 96 / 4

HEX #F42D0A

RGB 244 45 10

HSL 8.97, 0.92%, 0.5%

LAB 53.09, 71.5, 63.46

 

CMYK 22 / 0 / 96 / 4

HEX #BEF40A

RGB 190 244 10

HSL 73.85, 0.92%, 0.5%

LAB 89.71, -42.43, 86.19

 

CMYK 48 / 0 / 96 / 4

HEX #7FF40A

RGB 127 244 10

HSL 90, 0.92%, 0.5%

LAB 86.62, -64.05, 82.44

 

CMYK 74 / 0 / 96 / 4

HEX #40F40A

RGB 64 244 10

HSL 106.15, 0.92%, 0.5%

LAB 84.9, -78.18, 80.34

 

CMYK 96 / 0 / 92 / 4

HEX #0AF413

RGB 10 244 19

HSL 122.31, 0.92%, 0.5%

LAB 84.39, -82.73, 78.79

 

CMYK 96 / 0 / 66 / 4

HEX #0AF452

RGB 10 244 82

HSL 138.46, 0.92%, 0.5%

LAB 84.68, -79.02, 62.19

 

CMYK 22 / 0 / 96 / 4

HEX #BEF40A

RGB 190 244 10

HSL 73.85, 0.92%, 0.5%

LAB 89.71, -42.43, 86.19

 

CMYK 22 / 0 / 96 / 4

HEX #BEF40A

RGB 190 244 10

HSL 73.85, 0.92%, 0.5%

LAB 89.71, -42.43, 86.19

 

CMYK 20 / 0 / 87 / 12

HEX #B3E01E

RGB 179 224 30

HSL 73.92, 0.76%, 0.5%

LAB 83.44, -37.53, 78.32

 

CMYK 17 / 0 / 75 / 20

HEX #A8CB33

RGB 168 203 51

HSL 73.82, 0.6%, 0.5%

LAB 76.85, -31.53, 66.87

 

CMYK 14 / 0 / 60 / 29

HEX #9DB648

RGB 157 182 72

HSL 73.64, 0.43%, 0.5%

LAB 70.24, -24.61, 51.78

 

CMYK 10 / 0 / 43 / 36

HEX #92A25C

RGB 146 162 92

HSL 73.71, 0.28%, 0.5%

LAB 63.94, -17.07, 34.45

 

CMYK 0 / 30 / 96 / 4

HEX #F4AA0A

RGB 244 170 10

HSL 41.03, 0.92%, 0.5%

LAB 74.83, 16.75, 77.15

 

CMYK 0 / 5 / 96 / 4

HEX #F4E90A

RGB 244 233 10

HSL 57.18, 0.92%, 0.5%

LAB 90.57, -15.45, 88.52

 

CMYK 21 / 0 / 96 / 4

HEX #C1F40A

RGB 193 244 10

HSL 73.08, 0.92%, 0.5%

LAB 89.89, -41.28, 86.41

 

CMYK 46 / 0 / 96 / 4

HEX #83F40A

RGB 131 244 10

HSL 88.97, 0.92%, 0.5%

LAB 86.77, -62.87, 82.63

 

CMYK 72 / 0 / 96 / 4

HEX #44F40A

RGB 68 244 10

HSL 105.13, 0.92%, 0.5%

LAB 84.97, -77.56, 80.43

 

CMYK 22 / 0 / 96 / 35

HEX #80A506

RGB 128 165 6

HSL 73.96, 0.93%, 0.34%

LAB 62.94, -31.45, 64.12

 

CMYK 22 / 0 / 96 / 20

HEX #9FCD08

RGB 159 205 8

HSL 74.01, 0.92%, 0.42%

LAB 76.71, -37.27, 75.46

 

CMYK 22 / 0 / 96 / 4

HEX #BEF40A

RGB 190 244 10

HSL 73.85, 0.92%, 0.5%

LAB 89.71, -42.43, 86.19

 

CMYK 18 / 0 / 80 / 4

HEX #C9F631

RGB 201 246 49

HSL 73.71, 0.92%, 0.58%

LAB 91.03, -38.22, 81.17

 

CMYK 15 / 0 / 64 / 3

HEX #D3F859

RGB 211 248 89

HSL 73.96, 0.92%, 0.66%

LAB 92.44, -33.26, 69.72

 

CMYK 22 / 0 / 96 / 4

HEX #BFF50B

RGB 191 245 11

HSL 73.85, 0.92%, 0.5%

LAB 90.05, -42.48, 86.4

 

CMYK 96 / 0 / 56 / 4

HEX #0AF46B

RGB 10 244 107

HSL 144.87, 0.92%, 0.5%

LAB 84.91, -76.13, 51.9

 

CMYK 18 / 96 / 0 / 4

HEX #C90AF4

RGB 201 10 244

HSL 288.97, 0.92%, 0.5%

LAB 50.88, 88.05, -70.38

 

CMYK 22 / 0 / 96 / 4

HEX #BFF50B

RGB 191 245 11

HSL 73.85, 0.92%, 0.5%

LAB 90.05, -42.48, 86.4

 

CMYK 96 / 21 / 0 / 4

HEX #0AC1F4

RGB 10 193 244

HSL 193.08, 0.92%, 0.5%

LAB 72.72, -22.24, -36.36

 

CMYK 0 / 96 / 21 / 4

HEX #F40AC1

RGB 244 10 193

HSL 313.08, 0.92%, 0.5%

LAB 55.38, 87.83, -33.73

 

CMYK 22 / 0 / 96 / 4

HEX #BFF50B

RGB 191 245 11

HSL 73.85, 0.92%, 0.5%

LAB 90.05, -42.48, 86.4

 

CMYK 96 / 0 / 56 / 4

HEX #0AF46B

RGB 10 244 107

HSL 144.87, 0.92%, 0.5%

LAB 84.91, -76.13, 51.9

 

CMYK 75 / 96 / 0 / 4

HEX #3D0AF4

RGB 61 10 244

HSL 253.08, 0.92%, 0.5%

LAB 33.44, 75.95, -99.72

 

CMYK 0 / 96 / 40 / 4

HEX #F40A93

RGB 244 10 147

HSL 324.87, 0.92%, 0.5%

LAB 53.55, 83.09, -9.52

 

CMYK 22 / 0 / 96 / 4

HEX #BFF50B

RGB 191 245 11

HSL 73.85, 0.92%, 0.5%

LAB 90.05, -42.48, 86.4

 

CMYK 96 / 0 / 27 / 4

HEX #0AF4B2

RGB 10 244 178

HSL 163.08, 0.92%, 0.5%

LAB 86, -63.35, 18.43

 

CMYK 75 / 96 / 0 / 4

HEX #3D0AF4

RGB 61 10 244

HSL 253.08, 0.92%, 0.5%

LAB 33.44, 75.95, -99.72

 

CMYK 0 / 96 / 69 / 4

HEX #F40A4C

RGB 244 10 76

HSL 343.08, 0.92%, 0.5%

LAB 51.81, 78.39, 30.92

 

Description

Color code: HEX #BFF50B | qconv.com Color code: HEX #BFF50B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 245 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 245 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 96 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 96% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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