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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFF8A8 it is the complementary color #400757. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFF8A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFF8A8 shade: #C4F8A3, #D5FFB6, #E6FFC9, #F7FFDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFF8A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFF8A8 shade: #BFF8A8, #AEE695, #9DD482, #8CC26F and #7BB05C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFF8A8 shade: #C0F8AA, #D5F8AA, #EAF8AA, #F8F0AA and #F8DBAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFF8A8 shade: #C0F8AA, #ABF8AA, #AAF8BD, #AAF8D2 and #AAF8E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFF8A8 shade matches the following richer shades: #C0F8AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFF8A8 shade: #C0F8AA, #C3F0B1, #C6E9B8, #C9E1C0 and #CDDAC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFF8A8 shade: #EBF8AA, #D6F8AA, #C1F8AA, #ACF8AA and #AAF8BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFF8A8 shade: #88F15D, #A4F583, #C0F8AA, #DCFBD0 and #F8FEF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFF8A8 shade: #BFF8A8, #AAF8F0 and #F8AAE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFF8A8 shade: #BFF8A8, #AAC1F8 and #F8AAC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFF8A8 shade: #BFF8A8, #AAF8F0, #E0AAF8 and #F8AAB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFF8A8 shade: #BFF8A8, #AAE8F8, #E0AAF8 and #F8B9AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 32 / 3

HEX #BFF8A8

RGB 191 248 168

HSL 102.75, 0.85%, 0.82%

LAB 92.15, -32.24, 32.77

 

Complementary color

CMYK 26 / 92 / 0 / 66

HEX #400757

RGB 64 7 87

HSL 282.75, 0.85%, 0.18%

LAB 15.12, 38.49, -34.06

 

CMYK 21 / 0 / 34 / 3

HEX #C4F8A3

RGB 196 248 163

HSL 96.71, 0.86%, 0.81%

LAB 92.36, -31.25, 35.61

 

CMYK 16 / 0 / 29 / 0

HEX #D5FFB6

RGB 213 255 182

HSL 94.52, 1%, 0.86%

LAB 95.6, -25.99, 30.6

 

CMYK 10 / 0 / 21 / 0

HEX #E6FFC9

RGB 230 255 201

HSL 87.78, 1%, 0.89%

LAB 97.05, -17.3, 23.15

 

CMYK 3 / 0 / 14 / 0

HEX #F7FFDC

RGB 247 255 220

HSL 73.71, 1%, 0.93%

LAB 98.62, -8.49, 15.84

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 23 / 0 / 32 / 3

HEX #BFF8A8

RGB 191 248 168

HSL 102.75, 0.85%, 0.82%

LAB 92.15, -32.24, 32.77

 

CMYK 24 / 0 / 35 / 10

HEX #AEE695

RGB 174 230 149

HSL 101.48, 0.62%, 0.74%

LAB 85.89, -32.4, 33.86

 

CMYK 26 / 0 / 39 / 17

HEX #9DD482

RGB 157 212 130

HSL 100.24, 0.49%, 0.67%

LAB 79.54, -32.55, 34.99

 

CMYK 28 / 0 / 43 / 24

HEX #8CC26F

RGB 140 194 111

HSL 99.04, 0.4%, 0.6%

LAB 73.09, -32.69, 36.17

 

CMYK 30 / 0 / 48 / 31

HEX #7BB05C

RGB 123 176 92

HSL 97.86, 0.35%, 0.53%

LAB 66.55, -32.79, 37.38

 

CMYK 23 / 0 / 31 / 3

HEX #C0F8AA

RGB 192 248 170

HSL 103.08, 0.85%, 0.82%

LAB 92.24, -31.62, 31.9

 

CMYK 14 / 0 / 31 / 3

HEX #D5F8AA

RGB 213 248 170

HSL 86.92, 0.85%, 0.82%

LAB 93.53, -24.34, 33.85

 

CMYK 6 / 0 / 31 / 3

HEX #EAF8AA

RGB 234 248 170

HSL 70.77, 0.85%, 0.82%

LAB 94.96, -16.75, 36.01

 

CMYK 0 / 3 / 31 / 3

HEX #F8F0AA

RGB 248 240 170

HSL 53.85, 0.85%, 0.82%

LAB 93.96, -7.6, 34.87

 

CMYK 0 / 12 / 31 / 3

HEX #F8DBAA

RGB 248 219 170

HSL 37.69, 0.85%, 0.82%

LAB 88.7, 3.03, 27.81

 

CMYK 23 / 0 / 31 / 3

HEX #C0F8AA

RGB 192 248 170

HSL 103.08, 0.85%, 0.82%

LAB 92.24, -31.62, 31.9

 

CMYK 31 / 0 / 31 / 3

HEX #ABF8AA

RGB 171 248 170

HSL 119.23, 0.85%, 0.82%

LAB 91.1, -38.46, 30.16

 

CMYK 31 / 0 / 24 / 3

HEX #AAF8BD

RGB 170 248 189

HSL 134.62, 0.85%, 0.82%

LAB 91.39, -35.59, 20.89

 

CMYK 31 / 0 / 15 / 3

HEX #AAF8D2

RGB 170 248 210

HSL 150.77, 0.85%, 0.82%

LAB 91.83, -31.69, 10.7

 

CMYK 31 / 0 / 7 / 3

HEX #AAF8E7

RGB 170 248 231

HSL 166.92, 0.85%, 0.82%

LAB 92.33, -27.41, 0.54

 

CMYK 23 / 0 / 31 / 3

HEX #C0F8AA

RGB 192 248 170

HSL 103.08, 0.85%, 0.82%

LAB 92.24, -31.62, 31.9

 

CMYK 23 / 0 / 31 / 3

HEX #C0F8AA

RGB 192 248 170

HSL 103.08, 0.85%, 0.82%

LAB 92.24, -31.62, 31.9

 

CMYK 19 / 0 / 26 / 6

HEX #C3F0B1

RGB 195 240 177

HSL 102.86, 0.68%, 0.82%

LAB 90.37, -25.77, 25.84

 

CMYK 15 / 0 / 21 / 9

HEX #C6E9B8

RGB 198 233 184

HSL 102.86, 0.53%, 0.82%

LAB 88.8, -20.26, 20.11

 

CMYK 11 / 0 / 15 / 12

HEX #C9E1C0

RGB 201 225 192

HSL 103.64, 0.35%, 0.82%

LAB 87.03, -13.94, 13.49

 

CMYK 6 / 0 / 9 / 15

HEX #CDDAC7

RGB 205 218 199

HSL 101.05, 0.2%, 0.82%

LAB 85.63, -7.81, 7.84

 

CMYK 5 / 0 / 31 / 3

HEX #EBF8AA

RGB 235 248 170

HSL 70, 0.85%, 0.82%

LAB 95.03, -16.39, 36.12

 

CMYK 14 / 0 / 31 / 3

HEX #D6F8AA

RGB 214 248 170

HSL 86.15, 0.85%, 0.82%

LAB 93.6, -23.99, 33.95

 

CMYK 22 / 0 / 31 / 3

HEX #C1F8AA

RGB 193 248 170

HSL 102.31, 0.85%, 0.82%

LAB 92.3, -31.28, 31.98

 

CMYK 31 / 0 / 31 / 3

HEX #ACF8AA

RGB 172 248 170

HSL 118.46, 0.85%, 0.82%

LAB 91.15, -38.14, 30.24

 

CMYK 31 / 0 / 24 / 3

HEX #AAF8BC

RGB 170 248 188

HSL 133.85, 0.85%, 0.82%

LAB 91.38, -35.77, 21.38

 

CMYK 44 / 0 / 61 / 5

HEX #88F15D

RGB 136 241 93

HSL 102.57, 0.84%, 0.65%

LAB 86.47, -56.12, 60.46

 

CMYK 33 / 0 / 47 / 4

HEX #A4F583

RGB 164 245 131

HSL 102.63, 0.85%, 0.74%

LAB 89.32, -44.86, 47

 

CMYK 23 / 0 / 31 / 3

HEX #C0F8AA

RGB 192 248 170

HSL 103.08, 0.85%, 0.82%

LAB 92.24, -31.62, 31.9

 

CMYK 12 / 0 / 17 / 2

HEX #DCFBD0

RGB 220 251 208

HSL 103.26, 0.84%, 0.9%

LAB 95.48, -17.67, 17.3

 

CMYK 2 / 0 / 3 / 0

HEX #F8FEF6

RGB 248 254 246

HSL 105, 0.8%, 0.98%

LAB 99.02, -3.37, 3.12

 

CMYK 23 / 0 / 32 / 3

HEX #BFF8A8

RGB 191 248 168

HSL 102.75, 0.85%, 0.82%

LAB 92.15, -32.24, 32.77

 

CMYK 31 / 0 / 3 / 3

HEX #AAF8F0

RGB 170 248 240

HSL 173.85, 0.85%, 0.82%

LAB 92.56, -25.46, -3.79

 

CMYK 0 / 31 / 10 / 3

HEX #F8AAE0

RGB 248 170 224

HSL 318.46, 0.85%, 0.82%

LAB 78.51, 36.59, -15.58

 

CMYK 23 / 0 / 32 / 3

HEX #BFF8A8

RGB 191 248 168

HSL 102.75, 0.85%, 0.82%

LAB 92.15, -32.24, 32.77

 

CMYK 31 / 22 / 0 / 3

HEX #AAC1F8

RGB 170 193 248

HSL 222.31, 0.85%, 0.82%

LAB 78.15, 4.67, -29.69

 

CMYK 0 / 31 / 22 / 3

HEX #F8AAC1

RGB 248 170 193

HSL 342.31, 0.85%, 0.82%

LAB 77.61, 31.78, -0.06

 

CMYK 23 / 0 / 32 / 3

HEX #BFF8A8

RGB 191 248 168

HSL 102.75, 0.85%, 0.82%

LAB 92.15, -32.24, 32.77

 

CMYK 31 / 0 / 3 / 3

HEX #AAF8F0

RGB 170 248 240

HSL 173.85, 0.85%, 0.82%

LAB 92.56, -25.46, -3.79

 

CMYK 10 / 31 / 0 / 3

HEX #E0AAF8

RGB 224 170 248

HSL 281.54, 0.85%, 0.82%

LAB 76.91, 33.32, -31.23

 

CMYK 0 / 31 / 29 / 3

HEX #F8AAB1

RGB 248 170 177

HSL 354.62, 0.85%, 0.82%

LAB 77.21, 29.58, 8.08

 

CMYK 23 / 0 / 32 / 3

HEX #BFF8A8

RGB 191 248 168

HSL 102.75, 0.85%, 0.82%

LAB 92.15, -32.24, 32.77

 

CMYK 31 / 6 / 0 / 3

HEX #AAE8F8

RGB 170 232 248

HSL 192.31, 0.85%, 0.82%

LAB 88.47, -15.77, -14.05

 

CMYK 10 / 31 / 0 / 3

HEX #E0AAF8

RGB 224 170 248

HSL 281.54, 0.85%, 0.82%

LAB 76.91, 33.32, -31.23

 

CMYK 0 / 25 / 31 / 3

HEX #F8B9AA

RGB 248 185 170

HSL 11.54, 0.85%, 0.82%

LAB 80.49, 20.77, 16.51

 

Description

Color code: HEX #BFF8A8 | qconv.com Color code: HEX #BFF8A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 248 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 248 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 32 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 32% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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