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Color name
HEX #BFF15B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFF15B it is the complementary color #400EA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFF15B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFF15B shade: #C4F156, #D5FF69, #E6FF7C, #F7FF8F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFF15B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFF15B shade: #BFF15B, #AEDF48, #9DCD35, #8CBB22 and #7BA90F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFF15B shade: #BEF05A, #E7F05A, #F0D15A, #F0A95A and #F0805A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFF15B shade: #BEF05A, #96F05A, #6DF05A, #5AF070 and #5AF098

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFF15B shade matches the following richer shades: #BEF05A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFF15B shade: #BEF05A, #B9E269, #B5D377, #B0C586 and #ABB694

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFF15B shade: #F0D25A, #E6F05A, #BEF05A, #96F05A and #6EF05A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFF15B shade: #9FE513, #AFED34, #BEF05A, #CDF480 and #DCF7A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFF15B shade: #BFF15B, #5AF0AA and #E65AF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFF15B shade: #BFF15B, #5ABEF0 and #F05ABE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFF15B shade: #BFF15B, #5AF0AA, #8C5AF0 and #F05AA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFF15B shade: #BFF15B, #5AF0D7, #8C5AF0 and #F05A73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 62 / 5

HEX #BFF15B

RGB 191 241 91

HSL 80, 0.84%, 0.65%

LAB 89.27, -37.53, 65.16

 

Complementary color

CMYK 61 / 91 / 0 / 36

HEX #400EA4

RGB 64 14 164

HSL 260, 0.84%, 0.35%

LAB 23.95, 55.47, -68.7

 

CMYK 19 / 0 / 64 / 5

HEX #C4F156

RGB 196 241 86

HSL 77.42, 0.85%, 0.64%

LAB 89.54, -36.01, 67.53

 

CMYK 16 / 0 / 59 / 0

HEX #D5FF69

RGB 213 255 105

HSL 76.8, 1%, 0.71%

LAB 94.6, -34.54, 65.62

 

CMYK 10 / 0 / 51 / 0

HEX #E6FF7C

RGB 230 255 124

HSL 71.45, 1%, 0.74%

LAB 95.91, -26.52, 59.15

 

CMYK 3 / 0 / 44 / 0

HEX #F7FF8F

RGB 247 255 143

HSL 64.29, 1%, 0.78%

LAB 97.34, -18.27, 52.39

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 21 / 0 / 62 / 5

HEX #BFF15B

RGB 191 241 91

HSL 80, 0.84%, 0.65%

LAB 89.27, -37.53, 65.16

 

CMYK 22 / 0 / 68 / 13

HEX #AEDF48

RGB 174 223 72

HSL 79.47, 0.7%, 0.58%

LAB 83.04, -37.17, 65.72

 

CMYK 23 / 0 / 74 / 20

HEX #9DCD35

RGB 157 205 53

HSL 78.95, 0.6%, 0.51%

LAB 76.73, -36.68, 65.86

 

CMYK 25 / 0 / 82 / 27

HEX #8CBB22

RGB 140 187 34

HSL 78.43, 0.69%, 0.43%

LAB 70.34, -36.03, 65.27

 

CMYK 27 / 0 / 91 / 34

HEX #7BA90F

RGB 123 169 15

HSL 77.92, 0.84%, 0.36%

LAB 63.85, -35.15, 63.45

 

CMYK 21 / 0 / 63 / 6

HEX #BEF05A

RGB 190 240 90

HSL 80, 0.83%, 0.65%

LAB 88.93, -37.53, 65.17

 

CMYK 4 / 0 / 63 / 6

HEX #E7F05A

RGB 231 240 90

HSL 63.6, 0.83%, 0.65%

LAB 91.71, -21.58, 68.97

 

CMYK 0 / 13 / 63 / 6

HEX #F0D15A

RGB 240 209 90

HSL 47.6, 0.83%, 0.65%

LAB 84.41, -2.52, 61.37

 

CMYK 0 / 30 / 63 / 6

HEX #F0A95A

RGB 240 169 90

HSL 31.6, 0.83%, 0.65%

LAB 74.6, 18.35, 50.38

 

CMYK 0 / 47 / 63 / 6

HEX #F0805A

RGB 240 128 90

HSL 15.2, 0.83%, 0.65%

LAB 65.52, 39.77, 39.66

 

CMYK 21 / 0 / 63 / 6

HEX #BEF05A

RGB 190 240 90

HSL 80, 0.83%, 0.65%

LAB 88.93, -37.53, 65.17

 

CMYK 38 / 0 / 63 / 6

HEX #96F05A

RGB 150 240 90

HSL 96, 0.83%, 0.65%

LAB 86.77, -51.61, 62.2

 

CMYK 55 / 0 / 63 / 6

HEX #6DF05A

RGB 109 240 90

HSL 112.4, 0.83%, 0.65%

LAB 85.15, -63.47, 59.96

 

CMYK 63 / 0 / 53 / 6

HEX #5AF070

RGB 90 240 112

HSL 128.8, 0.83%, 0.65%

LAB 84.82, -65.28, 49.78

 

CMYK 63 / 0 / 37 / 6

HEX #5AF098

RGB 90 240 152

HSL 144.8, 0.83%, 0.65%

LAB 85.38, -59.07, 31.05

 

CMYK 21 / 0 / 63 / 6

HEX #BEF05A

RGB 190 240 90

HSL 80, 0.83%, 0.65%

LAB 88.93, -37.53, 65.17

 

CMYK 21 / 0 / 63 / 6

HEX #BEF05A

RGB 190 240 90

HSL 80, 0.83%, 0.65%

LAB 88.93, -37.53, 65.17

 

CMYK 18 / 0 / 54 / 11

HEX #B9E269

RGB 185 226 105

HSL 80.33, 0.68%, 0.65%

LAB 84.86, -31.76, 54.04

 

CMYK 14 / 0 / 44 / 17

HEX #B5D377

RGB 181 211 119

HSL 79.57, 0.51%, 0.65%

LAB 80.6, -24.71, 42.16

 

CMYK 11 / 0 / 32 / 23

HEX #B0C586

RGB 176 197 134

HSL 80, 0.35%, 0.65%

LAB 76.61, -17.81, 29.31

 

CMYK 6 / 0 / 19 / 29

HEX #ABB694

RGB 171 182 148

HSL 79.41, 0.19%, 0.65%

LAB 72.4, -9.89, 16.05

 

CMYK 0 / 13 / 63 / 6

HEX #F0D25A

RGB 240 210 90

HSL 48, 0.83%, 0.65%

LAB 84.67, -3.03, 61.64

 

CMYK 4 / 0 / 63 / 6

HEX #E6F05A

RGB 230 240 90

HSL 64, 0.83%, 0.65%

LAB 91.63, -21.98, 68.87

 

CMYK 21 / 0 / 63 / 6

HEX #BEF05A

RGB 190 240 90

HSL 80, 0.83%, 0.65%

LAB 88.93, -37.53, 65.17

 

CMYK 38 / 0 / 63 / 6

HEX #96F05A

RGB 150 240 90

HSL 96, 0.83%, 0.65%

LAB 86.77, -51.61, 62.2

 

CMYK 54 / 0 / 63 / 6

HEX #6EF05A

RGB 110 240 90

HSL 112, 0.83%, 0.65%

LAB 85.19, -63.22, 60.01

 

CMYK 31 / 0 / 92 / 10

HEX #9FE513

RGB 159 229 19

HSL 80, 0.85%, 0.49%

LAB 83.68, -47.52, 79.78

 

CMYK 26 / 0 / 78 / 7

HEX #AFED34

RGB 175 237 52

HSL 80.11, 0.84%, 0.57%

LAB 86.96, -44.03, 76.13

 

CMYK 21 / 0 / 63 / 6

HEX #BEF05A

RGB 190 240 90

HSL 80, 0.83%, 0.65%

LAB 88.93, -37.53, 65.17

 

CMYK 16 / 0 / 48 / 4

HEX #CDF480

RGB 205 244 128

HSL 80.17, 0.84%, 0.73%

LAB 91.34, -30.4, 51.44

 

CMYK 11 / 0 / 33 / 3

HEX #DCF7A6

RGB 220 247 166

HSL 80, 0.84%, 0.81%

LAB 93.66, -21.89, 36.11

 

CMYK 21 / 0 / 62 / 5

HEX #BFF15B

RGB 191 241 91

HSL 80, 0.84%, 0.65%

LAB 89.27, -37.53, 65.16

 

CMYK 63 / 0 / 29 / 6

HEX #5AF0AA

RGB 90 240 170

HSL 152, 0.83%, 0.65%

LAB 85.7, -55.64, 22.3

 

CMYK 4 / 63 / 0 / 6

HEX #E65AF0

RGB 230 90 240

HSL 296, 0.83%, 0.65%

LAB 62.02, 72.69, -50.05

 

CMYK 21 / 0 / 62 / 5

HEX #BFF15B

RGB 191 241 91

HSL 80, 0.84%, 0.65%

LAB 89.27, -37.53, 65.16

 

CMYK 63 / 21 / 0 / 6

HEX #5ABEF0

RGB 90 190 240

HSL 200, 0.83%, 0.65%

LAB 73.08, -14.49, -33.52

 

CMYK 0 / 63 / 21 / 6

HEX #F05ABE

RGB 240 90 190

HSL 320, 0.83%, 0.65%

LAB 61.27, 67.55, -22.95

 

CMYK 21 / 0 / 62 / 5

HEX #BFF15B

RGB 191 241 91

HSL 80, 0.84%, 0.65%

LAB 89.27, -37.53, 65.16

 

CMYK 63 / 0 / 29 / 6

HEX #5AF0AA

RGB 90 240 170

HSL 152, 0.83%, 0.65%

LAB 85.7, -55.64, 22.3

 

CMYK 42 / 63 / 0 / 6

HEX #8C5AF0

RGB 140 90 240

HSL 260, 0.83%, 0.65%

LAB 50.9, 52.84, -68.49

 

CMYK 0 / 63 / 33 / 6

HEX #F05AA0

RGB 240 90 160

HSL 332, 0.83%, 0.65%

LAB 60.23, 63.82, -7.27

 

CMYK 21 / 0 / 62 / 5

HEX #BFF15B

RGB 191 241 91

HSL 80, 0.84%, 0.65%

LAB 89.27, -37.53, 65.16

 

CMYK 63 / 0 / 10 / 6

HEX #5AF0D7

RGB 90 240 215

HSL 170, 0.83%, 0.65%

LAB 86.7, -45.5, 0.31

 

CMYK 42 / 63 / 0 / 6

HEX #8C5AF0

RGB 140 90 240

HSL 260, 0.83%, 0.65%

LAB 50.9, 52.84, -68.49

 

CMYK 0 / 63 / 52 / 6

HEX #F05A73

RGB 240 90 115

HSL 350, 0.83%, 0.65%

LAB 59.04, 59.43, 17.24

 

Description

Color code: HEX #BFF15B | qconv.com Color code: HEX #BFF15B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 241 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 241 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 62 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 62% 5% C M Y K

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Provide designers and agencies with accurate color values.

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