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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFF207 it is the complementary color #400DF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFF207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFF207 shade: #C4F202, #D5FF15, #E6FF28, #F7FF3B and #FFFF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFF207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFF207 shade: #BFF207, #AEE000, #9DCE00, #8CBC00 and #7BAA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFF207 shade: #BFF207, #F2E607, #F2A607, #F26707 and #F22707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFF207 shade: #BFF207, #80F207, #40F207, #07F20D and #07F24C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFF207 shade matches the following richer shades: #BFF207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFF207 shade: #BFF207, #B3DE1B, #A8C92F, #9DB544 and #91A158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFF207 shade: #F2A807, #F2E607, #BFF207, #80F207 and #42F207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFF207 shade: #80A205, #9FCA06, #BFF207, #CBF82A and #D5F952

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFF207 shade: #BFF207, #07F269 and #C707F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFF207 shade: #BFF207, #07BFF2 and #F207BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFF207 shade: #BFF207, #07F269, #3A07F2 and #F20790

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFF207 shade: #BFF207, #07F2AF, #3A07F2 and #F2074A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 97 / 5

HEX #BFF207

RGB 191 242 7

HSL 73.02, 0.94%, 0.49%

LAB 89.2, -41.21, 86.05

 

Complementary color

CMYK 74 / 95 / 0 / 3

HEX #400DF8

RGB 64 13 248

HSL 253.02, 0.94%, 0.51%

LAB 34.3, 76.56, -100.53

 

CMYK 19 / 0 / 99 / 5

HEX #C4F202

RGB 196 242 2

HSL 71.5, 0.98%, 0.48%

LAB 89.51, -39.31, 86.81

 

CMYK 16 / 0 / 92 / 0

HEX #D5FF15

RGB 213 255 21

HSL 70.77, 1%, 0.54%

LAB 94.19, -38.24, 89.24

 

CMYK 10 / 0 / 84 / 0

HEX #E6FF28

RGB 230 255 40

HSL 66.98, 1%, 0.58%

LAB 95.37, -31.15, 87.67

 

CMYK 3 / 0 / 77 / 0

HEX #F7FF3B

RGB 247 255 59

HSL 62.45, 1%, 0.62%

LAB 96.66, -23.76, 84.74

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 21 / 0 / 97 / 5

HEX #BFF207

RGB 191 242 7

HSL 73.02, 0.94%, 0.49%

LAB 89.2, -41.21, 86.05

 

CMYK 22 / 0 / 100 / 12

HEX #AEE000

RGB 174 224 0

HSL 73.39, 1%, 0.44%

LAB 83.08, -39.95, 81.49

 

CMYK 24 / 0 / 100 / 19

HEX #9DCE00

RGB 157 206 0

HSL 74.27, 1%, 0.4%

LAB 76.87, -38.61, 76.32

 

CMYK 26 / 0 / 100 / 26

HEX #8CBC00

RGB 140 188 0

HSL 75.32, 1%, 0.37%

LAB 70.55, -37.25, 71.06

 

CMYK 28 / 0 / 100 / 33

HEX #7BAA00

RGB 123 170 0

HSL 76.59, 1%, 0.33%

LAB 64.13, -35.88, 65.71

 

CMYK 21 / 0 / 97 / 5

HEX #BFF207

RGB 191 242 7

HSL 73.02, 0.94%, 0.49%

LAB 89.2, -41.21, 86.05

 

CMYK 0 / 5 / 97 / 5

HEX #F2E607

RGB 242 230 7

HSL 56.94, 0.94%, 0.49%

LAB 89.62, -14.85, 87.98

 

CMYK 0 / 31 / 97 / 5

HEX #F2A607

RGB 242 166 7

HSL 40.6, 0.94%, 0.49%

LAB 73.65, 17.98, 76.56

 

CMYK 0 / 57 / 97 / 5

HEX #F26707

RGB 242 103 7

HSL 24.51, 0.94%, 0.49%

LAB 60.42, 49.94, 67.97

 

CMYK 0 / 84 / 97 / 5

HEX #F22707

RGB 242 39 7

HSL 8.17, 0.94%, 0.49%

LAB 52.22, 72.27, 63.51

 

CMYK 21 / 0 / 97 / 5

HEX #BFF207

RGB 191 242 7

HSL 73.02, 0.94%, 0.49%

LAB 89.2, -41.21, 86.05

 

CMYK 47 / 0 / 97 / 5

HEX #80F207

RGB 128 242 7

HSL 89.11, 0.94%, 0.49%

LAB 86.06, -63.07, 82.25

 

CMYK 74 / 0 / 97 / 5

HEX #40F207

RGB 64 242 7

HSL 105.45, 0.94%, 0.49%

LAB 84.28, -77.65, 80.08

 

CMYK 97 / 0 / 95 / 5

HEX #07F20D

RGB 7 242 13

HSL 121.53, 0.94%, 0.49%

LAB 83.75, -82.42, 78.91

 

CMYK 97 / 0 / 69 / 5

HEX #07F24C

RGB 7 242 76

HSL 137.62, 0.94%, 0.49%

LAB 84, -79.11, 63.77

 

CMYK 21 / 0 / 97 / 5

HEX #BFF207

RGB 191 242 7

HSL 73.02, 0.94%, 0.49%

LAB 89.2, -41.21, 86.05

 

CMYK 21 / 0 / 97 / 5

HEX #BFF207

RGB 191 242 7

HSL 73.02, 0.94%, 0.49%

LAB 89.2, -41.21, 86.05

 

CMYK 19 / 0 / 88 / 13

HEX #B3DE1B

RGB 179 222 27

HSL 73.23, 0.78%, 0.49%

LAB 82.86, -36.7, 78.39

 

CMYK 16 / 0 / 77 / 21

HEX #A8C92F

RGB 168 201 47

HSL 72.86, 0.62%, 0.49%

LAB 76.26, -30.77, 67.58

 

CMYK 13 / 0 / 62 / 29

HEX #9DB544

RGB 157 181 68

HSL 72.74, 0.45%, 0.49%

LAB 69.92, -24.43, 53.18

 

CMYK 10 / 0 / 45 / 37

HEX #91A158

RGB 145 161 88

HSL 73.15, 0.29%, 0.49%

LAB 63.52, -17.42, 35.99

 

CMYK 0 / 31 / 97 / 5

HEX #F2A807

RGB 242 168 7

HSL 41.11, 0.94%, 0.49%

LAB 74.12, 16.93, 76.89

 

CMYK 0 / 5 / 97 / 5

HEX #F2E607

RGB 242 230 7

HSL 56.94, 0.94%, 0.49%

LAB 89.62, -14.85, 87.98

 

CMYK 21 / 0 / 97 / 5

HEX #BFF207

RGB 191 242 7

HSL 73.02, 0.94%, 0.49%

LAB 89.2, -41.21, 86.05

 

CMYK 47 / 0 / 97 / 5

HEX #80F207

RGB 128 242 7

HSL 89.11, 0.94%, 0.49%

LAB 86.06, -63.07, 82.25

 

CMYK 73 / 0 / 97 / 5

HEX #42F207

RGB 66 242 7

HSL 104.94, 0.94%, 0.49%

LAB 84.32, -77.34, 80.12

 

CMYK 21 / 0 / 97 / 36

HEX #80A205

RGB 128 162 5

HSL 72.99, 0.94%, 0.33%

LAB 62.03, -30.05, 63.56

 

CMYK 21 / 0 / 97 / 21

HEX #9FCA06

RGB 159 202 6

HSL 73.16, 0.94%, 0.41%

LAB 75.84, -35.94, 74.99

 

CMYK 21 / 0 / 97 / 5

HEX #BFF207

RGB 191 242 7

HSL 73.02, 0.94%, 0.49%

LAB 89.2, -41.21, 86.05

 

CMYK 18 / 0 / 83 / 3

HEX #CBF82A

RGB 203 248 42

HSL 73.11, 0.94%, 0.57%

LAB 91.68, -38.57, 83.43

 

CMYK 14 / 0 / 67 / 2

HEX #D5F952

RGB 213 249 82

HSL 72.93, 0.93%, 0.65%

LAB 92.8, -33.38, 72.78

 

CMYK 21 / 0 / 97 / 5

HEX #BFF207

RGB 191 242 7

HSL 73.02, 0.94%, 0.49%

LAB 89.2, -41.21, 86.05

 

CMYK 97 / 0 / 57 / 5

HEX #07F269

RGB 7 242 105

HSL 145.02, 0.94%, 0.49%

LAB 84.26, -75.87, 52.03

 

CMYK 18 / 97 / 0 / 5

HEX #C707F2

RGB 199 7 242

HSL 289.02, 0.94%, 0.49%

LAB 50.34, 87.67, -70.15

 

CMYK 21 / 0 / 97 / 5

HEX #BFF207

RGB 191 242 7

HSL 73.02, 0.94%, 0.49%

LAB 89.2, -41.21, 86.05

 

CMYK 97 / 21 / 0 / 5

HEX #07BFF2

RGB 7 191 242

HSL 193.02, 0.94%, 0.49%

LAB 72.04, -21.97, -36.33

 

CMYK 0 / 97 / 21 / 5

HEX #F207BF

RGB 242 7 191

HSL 313.02, 0.94%, 0.49%

LAB 54.86, 87.43, -33.42

 

CMYK 21 / 0 / 97 / 5

HEX #BFF207

RGB 191 242 7

HSL 73.02, 0.94%, 0.49%

LAB 89.2, -41.21, 86.05

 

CMYK 97 / 0 / 57 / 5

HEX #07F269

RGB 7 242 105

HSL 145.02, 0.94%, 0.49%

LAB 84.26, -75.87, 52.03

 

CMYK 76 / 97 / 0 / 5

HEX #3A07F2

RGB 58 7 242

HSL 253.02, 0.94%, 0.49%

LAB 32.84, 75.82, -99.59

 

CMYK 0 / 97 / 40 / 5

HEX #F20790

RGB 242 7 144

HSL 325.02, 0.94%, 0.49%

LAB 53, 82.62, -8.6

 

CMYK 21 / 0 / 97 / 5

HEX #BFF207

RGB 191 242 7

HSL 73.02, 0.94%, 0.49%

LAB 89.2, -41.21, 86.05

 

CMYK 97 / 0 / 28 / 5

HEX #07F2AF

RGB 7 242 175

HSL 162.89, 0.94%, 0.49%

LAB 85.32, -63.37, 19.04

 

CMYK 76 / 97 / 0 / 5

HEX #3A07F2

RGB 58 7 242

HSL 253.02, 0.94%, 0.49%

LAB 32.84, 75.82, -99.59

 

CMYK 0 / 97 / 69 / 5

HEX #F2074A

RGB 242 7 74

HSL 342.89, 0.94%, 0.49%

LAB 51.29, 78.05, 31.4

 

Description

Color code: HEX #BFF207 | qconv.com Color code: HEX #BFF207 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 242 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 242 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 97 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 97% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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