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Color name
HEX #BFF216

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFF216 it is the complementary color #400DE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFF216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFF216 shade: #C4F211, #D5FF24, #E6FF37, #F7FF4A and #FFFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFF216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFF216 shade: #BFF216, #AEE003, #9DCE00, #8CBC00 and #7BAA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFF216 shade: #BFF117, #F1E917, #F1AE17, #F17317 and #F13917

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFF216 shade: #BFF117, #84F117, #49F117, #17F120 and #17F15B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFF216 shade matches the following richer shades: #BFF117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFF216 shade: #BFF117, #B4DD2B, #A9C93F, #9FB653 and #94A266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFF216 shade: #F1AC17, #F1E617, #C2F117, #88F117 and #4EF117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFF216 shade: #86AC0A, #A5D30C, #BFF117, #C9F33E and #D4F665

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFF216 shade: #BFF216, #17F172 and #C917F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFF216 shade: #BFF216, #17C2F1 and #F117C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFF216 shade: #BFF216, #17F172, #4617F1 and #F11796

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFF216 shade: #BFF216, #17F1B3, #4617F1 and #F11755

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 91 / 5

HEX #BFF216

RGB 191 242 22

HSL 73.91, 0.89%, 0.52%

LAB 89.22, -41.02, 84.6

 

Complementary color

CMYK 73 / 94 / 0 / 9

HEX #400DE9

RGB 64 13 233

HSL 253.91, 0.89%, 0.48%

LAB 32.39, 72.93, -95.21

 

CMYK 19 / 0 / 93 / 5

HEX #C4F211

RGB 196 242 17

HSL 72.27, 0.9%, 0.51%

LAB 89.52, -39.16, 85.57

 

CMYK 16 / 0 / 86 / 0

HEX #D5FF24

RGB 213 255 36

HSL 71.51, 1%, 0.57%

LAB 94.22, -37.96, 87.02

 

CMYK 10 / 0 / 78 / 0

HEX #E6FF37

RGB 230 255 55

HSL 67.5, 1%, 0.61%

LAB 95.42, -30.71, 84.25

 

CMYK 3 / 0 / 71 / 0

HEX #F7FF4A

RGB 247 255 74

HSL 62.65, 1%, 0.65%

LAB 96.73, -23.16, 80.26

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5D

RGB 255 255 93

HSL 60, 1%, 0.68%

LAB 97.46, -18.98, 74.38

 

CMYK 21 / 0 / 91 / 5

HEX #BFF216

RGB 191 242 22

HSL 73.91, 0.89%, 0.52%

LAB 89.22, -41.02, 84.6

 

CMYK 22 / 0 / 99 / 12

HEX #AEE003

RGB 174 224 3

HSL 73.57, 0.97%, 0.45%

LAB 83.08, -39.91, 81.23

 

CMYK 24 / 0 / 100 / 19

HEX #9DCE00

RGB 157 206 0

HSL 74.27, 1%, 0.4%

LAB 76.87, -38.61, 76.32

 

CMYK 26 / 0 / 100 / 26

HEX #8CBC00

RGB 140 188 0

HSL 75.32, 1%, 0.37%

LAB 70.55, -37.25, 71.06

 

CMYK 28 / 0 / 100 / 33

HEX #7BAA00

RGB 123 170 0

HSL 76.59, 1%, 0.33%

LAB 64.13, -35.88, 65.71

 

CMYK 21 / 0 / 90 / 5

HEX #BFF117

RGB 191 241 23

HSL 73.76, 0.89%, 0.52%

LAB 88.95, -40.56, 84.25

 

CMYK 0 / 3 / 90 / 5

HEX #F1E917

RGB 241 233 23

HSL 57.8, 0.89%, 0.52%

LAB 90.34, -16.57, 86.86

 

CMYK 0 / 28 / 90 / 5

HEX #F1AE17

RGB 241 174 23

HSL 41.56, 0.89%, 0.52%

LAB 75.47, 13.52, 75.52

 

CMYK 0 / 52 / 90 / 5

HEX #F17317

RGB 241 115 23

HSL 25.32, 0.89%, 0.52%

LAB 62.53, 44.04, 65.96

 

CMYK 0 / 76 / 90 / 5

HEX #F13917

RGB 241 57 23

HSL 9.36, 0.89%, 0.52%

LAB 53.7, 67.59, 59.76

 

CMYK 21 / 0 / 90 / 5

HEX #BFF117

RGB 191 241 23

HSL 73.76, 0.89%, 0.52%

LAB 88.95, -40.56, 84.25

 

CMYK 45 / 0 / 90 / 5

HEX #84F117

RGB 132 241 23

HSL 90, 0.89%, 0.52%

LAB 85.95, -61.24, 80.56

 

CMYK 70 / 0 / 90 / 5

HEX #49F117

RGB 73 241 23

HSL 106.24, 0.89%, 0.52%

LAB 84.17, -75.58, 78.36

 

CMYK 90 / 0 / 87 / 5

HEX #17F120

RGB 23 241 32

HSL 122.48, 0.89%, 0.52%

LAB 83.55, -80.99, 76.08

 

CMYK 90 / 0 / 62 / 5

HEX #17F15B

RGB 23 241 91

HSL 138.72, 0.89%, 0.52%

LAB 83.89, -76.67, 57.69

 

CMYK 21 / 0 / 90 / 5

HEX #BFF117

RGB 191 241 23

HSL 73.76, 0.89%, 0.52%

LAB 88.95, -40.56, 84.25

 

CMYK 21 / 0 / 90 / 5

HEX #BFF117

RGB 191 241 23

HSL 73.76, 0.89%, 0.52%

LAB 88.95, -40.56, 84.25

 

CMYK 19 / 0 / 81 / 13

HEX #B4DD2B

RGB 180 221 43

HSL 73.82, 0.72%, 0.52%

LAB 82.7, -35.38, 74.82

 

CMYK 16 / 0 / 69 / 21

HEX #A9C93F

RGB 169 201 63

HSL 73.91, 0.56%, 0.52%

LAB 76.42, -29.53, 62.26

 

CMYK 13 / 0 / 54 / 29

HEX #9FB653

RGB 159 182 83

HSL 73.94, 0.4%, 0.52%

LAB 70.49, -22.86, 47.07

 

CMYK 9 / 0 / 37 / 36

HEX #94A266

RGB 148 162 102

HSL 74, 0.24%, 0.52%

LAB 64.24, -15.03, 29.59

 

CMYK 0 / 29 / 90 / 5

HEX #F1AC17

RGB 241 172 23

HSL 41.01, 0.89%, 0.52%

LAB 74.99, 14.57, 75.16

 

CMYK 0 / 5 / 90 / 5

HEX #F1E617

RGB 241 230 23

HSL 56.97, 0.89%, 0.52%

LAB 89.56, -15.1, 86.26

 

CMYK 20 / 0 / 90 / 5

HEX #C2F117

RGB 194 241 23

HSL 72.94, 0.89%, 0.52%

LAB 89.13, -39.4, 84.47

 

CMYK 44 / 0 / 90 / 5

HEX #88F117

RGB 136 241 23

HSL 88.9, 0.89%, 0.52%

LAB 86.11, -60.01, 80.77

 

CMYK 68 / 0 / 90 / 5

HEX #4EF117

RGB 78 241 23

HSL 104.86, 0.89%, 0.52%

LAB 84.27, -74.68, 78.49

 

CMYK 22 / 0 / 94 / 33

HEX #86AC0A

RGB 134 172 10

HSL 74.07, 0.89%, 0.36%

LAB 65.43, -32.19, 65.73

 

CMYK 22 / 0 / 94 / 17

HEX #A5D30C

RGB 165 211 12

HSL 73.87, 0.89%, 0.44%

LAB 78.82, -37.54, 76.88

 

CMYK 21 / 0 / 90 / 5

HEX #BFF117

RGB 191 241 23

HSL 73.76, 0.89%, 0.52%

LAB 88.95, -40.56, 84.25

 

CMYK 17 / 0 / 74 / 5

HEX #C9F33E

RGB 201 243 62

HSL 73.92, 0.88%, 0.6%

LAB 90.26, -36.35, 76.82

 

CMYK 14 / 0 / 59 / 4

HEX #D4F665

RGB 212 246 101

HSL 74.07, 0.89%, 0.68%

LAB 92.06, -31.1, 64.46

 

CMYK 21 / 0 / 91 / 5

HEX #BFF216

RGB 191 242 22

HSL 73.91, 0.89%, 0.52%

LAB 89.22, -41.02, 84.6

 

CMYK 90 / 0 / 53 / 5

HEX #17F172

RGB 23 241 114

HSL 145.05, 0.89%, 0.52%

LAB 84.13, -73.72, 47.77

 

CMYK 17 / 90 / 0 / 5

HEX #C917F1

RGB 201 23 241

HSL 288.99, 0.89%, 0.52%

LAB 51.13, 86.18, -68.3

 

CMYK 21 / 0 / 91 / 5

HEX #BFF216

RGB 191 242 22

HSL 73.91, 0.89%, 0.52%

LAB 89.22, -41.02, 84.6

 

CMYK 90 / 20 / 0 / 5

HEX #17C2F1

RGB 23 194 241

HSL 192.94, 0.89%, 0.52%

LAB 72.97, -23.33, -34.34

 

CMYK 0 / 90 / 20 / 5

HEX #F117C2

RGB 241 23 194

HSL 312.94, 0.89%, 0.52%

LAB 55.29, 86.2, -34.5

 

CMYK 21 / 0 / 91 / 5

HEX #BFF216

RGB 191 242 22

HSL 73.91, 0.89%, 0.52%

LAB 89.22, -41.02, 84.6

 

CMYK 90 / 0 / 53 / 5

HEX #17F172

RGB 23 241 114

HSL 145.05, 0.89%, 0.52%

LAB 84.13, -73.72, 47.77

 

CMYK 71 / 90 / 0 / 5

HEX #4617F1

RGB 70 23 241

HSL 252.94, 0.89%, 0.52%

LAB 34.53, 73.05, -96.18

 

CMYK 0 / 90 / 38 / 5

HEX #F11796

RGB 241 23 150

HSL 325.05, 0.89%, 0.52%

LAB 53.51, 81.49, -11.43

 

CMYK 21 / 0 / 91 / 5

HEX #BFF216

RGB 191 242 22

HSL 73.91, 0.89%, 0.52%

LAB 89.22, -41.02, 84.6

 

CMYK 90 / 0 / 26 / 5

HEX #17F1B3

RGB 23 241 179

HSL 162.94, 0.89%, 0.52%

LAB 85.17, -61.57, 16.77

 

CMYK 71 / 90 / 0 / 5

HEX #4617F1

RGB 70 23 241

HSL 252.94, 0.89%, 0.52%

LAB 34.53, 73.05, -96.18

 

CMYK 0 / 90 / 65 / 5

HEX #F11755

RGB 241 23 85

HSL 342.94, 0.89%, 0.52%

LAB 51.8, 76.8, 25.38

 

Description

Color code: HEX #BFF216 | qconv.com Color code: HEX #BFF216 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 242 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 242 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 91% 5% C M Y K

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Provide designers and agencies with accurate color values.

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