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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3A54B it is the complementary color #3C5AB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3A54B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3A54B shade: #C8A546, #D9B759, #EAC96C, #FBDB7F and #FFED92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3A54B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3A54B shade: #C3A54B, #B29338, #A18125, #906F12 and #7F5D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3A54B shade: #C3A54B, #C3844B, #C3644B and #C34B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3A54B shade: #C3A54B, #C0C34B, #A0C34B, #80C34B and #5FC34B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3A54B shade matches the following richer shades: #C3A54B, #D6AE37, #E9B824 and #FDC211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3A54B shade: #C3A54B, #AF9B5E, #9C9172, #888885 and #757E98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3A54B shade: #C3654B, #C3854B, #C3A54B, #C1C34B and #A1C34B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3A54B shade: #8C752E, #AB8F39, #C3A54B, #CDB46A and #D7C489

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3A54B shade: #C3A54B, #51C34B and #754BC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3A54B shade: #C3A54B, #4BC3A5 and #A54BC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3A54B shade: #C3A54B, #51C34B, #4B69C3 and #BD4BC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3A54B shade: #C3A54B, #4BC369, #4B69C3 and #C34BA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 62 / 24

HEX #C3A54B

RGB 195 165 75

HSL 45, 0.5%, 0.53%

LAB 68.77, 0.47, 49.66

 

Complementary color

CMYK 67 / 50 / 0 / 29

HEX #3C5AB4

RGB 60 90 180

HSL 225, 0.5%, 0.47%

LAB 40.52, 18.9, -51.18

 

CMYK 0 / 18 / 65 / 22

HEX #C8A546

RGB 200 165 70

HSL 43.85, 0.54%, 0.53%

LAB 69.21, 2.3, 52.59

 

CMYK 0 / 16 / 59 / 15

HEX #D9B759

RGB 217 183 89

HSL 44.06, 0.63%, 0.6%

LAB 75.66, 1.28, 51.46

 

CMYK 0 / 14 / 54 / 8

HEX #EAC96C

RGB 234 201 108

HSL 44.29, 0.75%, 0.67%

LAB 82.03, 0.41, 50.24

 

CMYK 0 / 13 / 49 / 2

HEX #FBDB7F

RGB 251 219 127

HSL 44.52, 0.94%, 0.74%

LAB 88.31, -0.34, 49.01

 

CMYK 0 / 7 / 43 / 0

HEX #FFED92

RGB 255 237 146

HSL 50.09, 1%, 0.79%

LAB 93.41, -6.06, 46.18

 

CMYK 0 / 15 / 62 / 24

HEX #C3A54B

RGB 195 165 75

HSL 45, 0.5%, 0.53%

LAB 68.77, 0.47, 49.66

 

CMYK 0 / 17 / 69 / 30

HEX #B29338

RGB 178 147 56

HSL 44.75, 0.52%, 0.46%

LAB 62.18, 1.56, 50.7

 

CMYK 0 / 20 / 77 / 37

HEX #A18125

RGB 161 129 37

HSL 44.52, 0.63%, 0.39%

LAB 55.49, 2.88, 51.34

 

CMYK 0 / 23 / 88 / 44

HEX #906F12

RGB 144 111 18

HSL 44.29, 0.78%, 0.32%

LAB 48.69, 4.51, 51.07

 

CMYK 0 / 27 / 100 / 50

HEX #7F5D00

RGB 127 93 0

HSL 43.94, 1%, 0.25%

LAB 41.75, 6.46, 49.45

 

CMYK 0 / 15 / 62 / 24

HEX #C3A54B

RGB 195 165 75

HSL 45, 0.5%, 0.53%

LAB 68.77, 0.47, 49.66

 

CMYK 0 / 32 / 62 / 24

HEX #C3844B

RGB 195 132 75

HSL 28.5, 0.5%, 0.53%

LAB 60.44, 18.46, 40.1

 

CMYK 0 / 49 / 62 / 24

HEX #C3644B

RGB 195 100 75

HSL 12.5, 0.5%, 0.53%

LAB 53.19, 35.75, 31.35

 

CMYK 0 / 62 / 62 / 24

HEX #C34B4B

RGB 195 75 75

HSL 0, 0.5%, 0.53%

LAB 48.44, 48.03, 25.36

 

CMYK 0 / 15 / 62 / 24

HEX #C3A54B

RGB 195 165 75

HSL 45, 0.5%, 0.53%

LAB 68.77, 0.47, 49.66

 

CMYK 2 / 0 / 62 / 24

HEX #C0C34B

RGB 192 195 75

HSL 61.5, 0.5%, 0.53%

LAB 76.52, -16.4, 58.08

 

CMYK 18 / 0 / 62 / 24

HEX #A0C34B

RGB 160 195 75

HSL 77.5, 0.5%, 0.53%

LAB 74.2, -29.44, 54.88

 

CMYK 34 / 0 / 62 / 24

HEX #80C34B

RGB 128 195 75

HSL 93.5, 0.5%, 0.53%

LAB 72.31, -41.42, 52.27

 

CMYK 51 / 0 / 62 / 24

HEX #5FC34B

RGB 95 195 75

HSL 110, 0.5%, 0.53%

LAB 70.85, -51.86, 50.23

 

CMYK 0 / 15 / 62 / 24

HEX #C3A54B

RGB 195 165 75

HSL 45, 0.5%, 0.53%

LAB 68.77, 0.47, 49.66

 

CMYK 0 / 19 / 74 / 16

HEX #D6AE37

RGB 214 174 55

HSL 44.91, 0.66%, 0.53%

LAB 72.79, 2.78, 62.93

 

CMYK 0 / 21 / 85 / 9

HEX #E9B824

RGB 233 184 36

HSL 45.08, 0.82%, 0.53%

LAB 77.12, 5.09, 73.55

 

CMYK 0 / 23 / 93 / 1

HEX #FDC211

RGB 253 194 17

HSL 45, 0.98%, 0.53%

LAB 81.57, 8.12, 81.56

 

CMYK 0 / 15 / 62 / 24

HEX #C3A54B

RGB 195 165 75

HSL 45, 0.5%, 0.53%

LAB 68.77, 0.47, 49.66

 

CMYK 0 / 11 / 46 / 31

HEX #AF9B5E

RGB 175 155 94

HSL 45.19, 0.34%, 0.53%

LAB 64.46, -1.07, 34.57

 

CMYK 0 / 7 / 27 / 39

HEX #9C9172

RGB 156 145 114

HSL 44.29, 0.18%, 0.53%

LAB 60.37, -1, 17.96

 

CMYK 0 / 0 / 2 / 47

HEX #888885

RGB 136 136 133

HSL 60, 0.01%, 0.53%

LAB 56.62, -0.58, 1.6

 

CMYK 23 / 17 / 0 / 40

HEX #757E98

RGB 117 126 152

HSL 224.57, 0.15%, 0.53%

LAB 52.92, 2.62, -15.08

 

CMYK 0 / 48 / 62 / 24

HEX #C3654B

RGB 195 101 75

HSL 13, 0.5%, 0.53%

LAB 53.4, 35.23, 31.61

 

CMYK 0 / 32 / 62 / 24

HEX #C3854B

RGB 195 133 75

HSL 29, 0.5%, 0.53%

LAB 60.68, 17.91, 40.39

 

CMYK 0 / 15 / 62 / 24

HEX #C3A54B

RGB 195 165 75

HSL 45, 0.5%, 0.53%

LAB 68.77, 0.47, 49.66

 

CMYK 1 / 0 / 62 / 24

HEX #C1C34B

RGB 193 195 75

HSL 61, 0.5%, 0.53%

LAB 76.6, -15.98, 58.19

 

CMYK 17 / 0 / 62 / 24

HEX #A1C34B

RGB 161 195 75

HSL 77, 0.5%, 0.53%

LAB 74.26, -29.04, 54.97

 

CMYK 0 / 16 / 67 / 45

HEX #8C752E

RGB 140 117 46

HSL 45.32, 0.51%, 0.36%

LAB 50.09, 0.49, 41.28

 

CMYK 0 / 16 / 67 / 33

HEX #AB8F39

RGB 171 143 57

HSL 45.26, 0.5%, 0.45%

LAB 60.43, 0.7, 48.18

 

CMYK 0 / 15 / 62 / 24

HEX #C3A54B

RGB 195 165 75

HSL 45, 0.5%, 0.53%

LAB 68.77, 0.47, 49.66

 

CMYK 0 / 12 / 48 / 20

HEX #CDB46A

RGB 205 180 106

HSL 44.85, 0.5%, 0.61%

LAB 73.97, -0.73, 40.84

 

CMYK 0 / 9 / 36 / 16

HEX #D7C489

RGB 215 196 137

HSL 45.38, 0.49%, 0.69%

LAB 79.46, -1.8, 32.08

 

CMYK 0 / 15 / 62 / 24

HEX #C3A54B

RGB 195 165 75

HSL 45, 0.5%, 0.53%

LAB 68.77, 0.47, 49.66

 

CMYK 58 / 0 / 62 / 24

HEX #51C34B

RGB 81 195 75

HSL 117, 0.5%, 0.53%

LAB 70.38, -55.5, 49.56

 

CMYK 40 / 62 / 0 / 24

HEX #754BC3

RGB 117 75 195

HSL 261, 0.5%, 0.53%

LAB 42.39, 44.23, -56.71

 

CMYK 0 / 15 / 62 / 24

HEX #C3A54B

RGB 195 165 75

HSL 45, 0.5%, 0.53%

LAB 68.77, 0.47, 49.66

 

CMYK 62 / 0 / 15 / 24

HEX #4BC3A5

RGB 75 195 165

HSL 165, 0.5%, 0.53%

LAB 71.72, -40.69, 5.19

 

CMYK 15 / 62 / 0 / 24

HEX #A54BC3

RGB 165 75 195

HSL 285, 0.5%, 0.53%

LAB 48.22, 55.4, -47.03

 

CMYK 0 / 15 / 62 / 24

HEX #C3A54B

RGB 195 165 75

HSL 45, 0.5%, 0.53%

LAB 68.77, 0.47, 49.66

 

CMYK 58 / 0 / 62 / 24

HEX #51C34B

RGB 81 195 75

HSL 117, 0.5%, 0.53%

LAB 70.38, -55.5, 49.56

 

CMYK 62 / 46 / 0 / 24

HEX #4B69C3

RGB 75 105 195

HSL 225, 0.5%, 0.53%

LAB 46.36, 17.27, -50.48

 

CMYK 3 / 62 / 0 / 24

HEX #BD4BC3

RGB 189 75 195

HSL 297, 0.5%, 0.53%

LAB 51.6, 61.29, -41.46

 

CMYK 0 / 15 / 62 / 24

HEX #C3A54B

RGB 195 165 75

HSL 45, 0.5%, 0.53%

LAB 68.77, 0.47, 49.66

 

CMYK 62 / 0 / 46 / 24

HEX #4BC369

RGB 75 195 105

HSL 135, 0.5%, 0.53%

LAB 70.56, -52.87, 35.42

 

CMYK 62 / 46 / 0 / 24

HEX #4B69C3

RGB 75 105 195

HSL 225, 0.5%, 0.53%

LAB 46.36, 17.27, -50.48

 

CMYK 0 / 62 / 15 / 24

HEX #C34BA5

RGB 195 75 165

HSL 315, 0.5%, 0.53%

LAB 51.1, 57.95, -24.7

 

Description

Color code: HEX #C3A54B | qconv.com Color code: HEX #C3A54B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 165 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 165 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 62 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 62% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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