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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3AC77 it is the complementary color #3C5388. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3AC77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3AC77 shade: #C8AC72, #D9BE85, #EAD098, #FBE2AB and #FFF4BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3AC77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3AC77 shade: #C3AC77, #B29A64, #A18851, #90763E and #7F642B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3AC77 shade: #C3AD78, #C39878, #C38478 and #C37878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3AC77 shade: #C3AD78, #C3C178, #B2C378, #9DC378 and #89C378

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3AC77 shade matches the following richer shades: #C3AD78, #D3B368, #E3B958 and #F2BF49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3AC77 shade: #C3AD78, #B4A687, #A4A097, #949AA7 and #8594B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3AC77 shade: #C38378, #C39778, #C3AB78, #C3C078 and #B3C378

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3AC77 shade: #A28647, #B79B5B, #C3AD78, #D0BE94 and #DDCFB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3AC77 shade: #C3AC77, #81C378 and #8D78C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3AC77 shade: #C3AC77, #78C3AB and #AB78C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3AC77 shade: #C3AC77, #81C378, #7890C3 and #BB78C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3AC77 shade: #C3AC77, #78C386, #7890C3 and #C378B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 39 / 24

HEX #C3AC77

RGB 195 172 119

HSL 41.84, 0.39%, 0.62%

LAB 71.17, 0.78, 30.32

 

Complementary color

CMYK 56 / 39 / 0 / 47

HEX #3C5388

RGB 60 83 136

HSL 221.84, 0.39%, 0.38%

LAB 35.84, 7.79, -32.3

 

CMYK 0 / 14 / 43 / 22

HEX #C8AC72

RGB 200 172 114

HSL 40.47, 0.44%, 0.62%

LAB 71.55, 2.26, 33.55

 

CMYK 0 / 12 / 39 / 15

HEX #D9BE85

RGB 217 190 133

HSL 40.71, 0.53%, 0.69%

LAB 78.04, 1.67, 32.32

 

CMYK 0 / 11 / 35 / 8

HEX #EAD098

RGB 234 208 152

HSL 40.98, 0.66%, 0.76%

LAB 84.42, 1.16, 31.16

 

CMYK 0 / 10 / 32 / 2

HEX #FBE2AB

RGB 251 226 171

HSL 41.25, 0.91%, 0.83%

LAB 90.71, 0.71, 30.05

 

CMYK 0 / 4 / 25 / 0

HEX #FFF4BE

RGB 255 244 190

HSL 49.85, 1%, 0.87%

LAB 95.86, -4.48, 27.4

 

CMYK 0 / 12 / 39 / 24

HEX #C3AC77

RGB 195 172 119

HSL 41.84, 0.39%, 0.62%

LAB 71.17, 0.78, 30.32

 

CMYK 0 / 13 / 44 / 30

HEX #B29A64

RGB 178 154 100

HSL 41.54, 0.34%, 0.55%

LAB 64.56, 1.37, 31.58

 

CMYK 0 / 16 / 50 / 37

HEX #A18851

RGB 161 136 81

HSL 41.25, 0.33%, 0.47%

LAB 57.83, 2.08, 32.9

 

CMYK 0 / 18 / 57 / 44

HEX #90763E

RGB 144 118 62

HSL 40.98, 0.4%, 0.4%

LAB 50.96, 2.96, 34.29

 

CMYK 0 / 21 / 66 / 50

HEX #7F642B

RGB 127 100 43

HSL 40.71, 0.49%, 0.33%

LAB 43.95, 4.06, 35.65

 

CMYK 0 / 11 / 38 / 24

HEX #C3AD78

RGB 195 173 120

HSL 42.4, 0.38%, 0.62%

LAB 71.45, 0.36, 30.15

 

CMYK 0 / 22 / 38 / 24

HEX #C39878

RGB 195 152 120

HSL 25.6, 0.38%, 0.62%

LAB 66.07, 11.74, 23

 

CMYK 0 / 32 / 38 / 24

HEX #C38478

RGB 195 132 120

HSL 9.6, 0.38%, 0.62%

LAB 61.19, 22.75, 16.33

 

CMYK 0 / 38 / 38 / 24

HEX #C37878

RGB 195 120 120

HSL 0, 0.38%, 0.62%

LAB 58.41, 29.32, 12.47

 

CMYK 0 / 11 / 38 / 24

HEX #C3AD78

RGB 195 173 120

HSL 42.4, 0.38%, 0.62%

LAB 71.45, 0.36, 30.15

 

CMYK 0 / 1 / 38 / 24

HEX #C3C178

RGB 195 193 120

HSL 58.4, 0.38%, 0.62%

LAB 76.74, -10.14, 37

 

CMYK 9 / 0 / 38 / 24

HEX #B2C378

RGB 178 195 120

HSL 73.6, 0.38%, 0.62%

LAB 75.98, -17.85, 35.76

 

CMYK 19 / 0 / 38 / 24

HEX #9DC378

RGB 157 195 120

HSL 90.4, 0.38%, 0.62%

LAB 74.54, -25.82, 33.63

 

CMYK 30 / 0 / 38 / 24

HEX #89C378

RGB 137 195 120

HSL 106.4, 0.38%, 0.62%

LAB 73.35, -32.94, 31.85

 

CMYK 0 / 11 / 38 / 24

HEX #C3AD78

RGB 195 173 120

HSL 42.4, 0.38%, 0.62%

LAB 71.45, 0.36, 30.15

 

CMYK 0 / 15 / 51 / 17

HEX #D3B368

RGB 211 179 104

HSL 42.06, 0.55%, 0.62%

LAB 74.25, 2.09, 42.31

 

CMYK 0 / 19 / 61 / 11

HEX #E3B958

RGB 227 185 88

HSL 41.87, 0.71%, 0.62%

LAB 77.12, 4.35, 53.84

 

CMYK 0 / 21 / 70 / 5

HEX #F2BF49

RGB 242 191 73

HSL 41.89, 0.87%, 0.62%

LAB 79.97, 6.65, 63.9

 

CMYK 0 / 11 / 38 / 24

HEX #C3AD78

RGB 195 173 120

HSL 42.4, 0.38%, 0.62%

LAB 71.45, 0.36, 30.15

 

CMYK 0 / 8 / 25 / 29

HEX #B4A687

RGB 180 166 135

HSL 41.33, 0.23%, 0.62%

LAB 68.55, 0.08, 17.91

 

CMYK 0 / 2 / 8 / 36

HEX #A4A097

RGB 164 160 151

HSL 41.54, 0.07%, 0.62%

LAB 65.96, -0.19, 5.19

 

CMYK 11 / 8 / 0 / 35

HEX #949AA7

RGB 148 154 167

HSL 221.05, 0.1%, 0.62%

LAB 63.51, 0.53, -7.53

 

CMYK 27 / 19 / 0 / 28

HEX #8594B7

RGB 133 148 183

HSL 222, 0.26%, 0.62%

LAB 61.29, 2.7, -19.99

 

CMYK 0 / 33 / 38 / 24

HEX #C38378

RGB 195 131 120

HSL 8.8, 0.38%, 0.62%

LAB 60.95, 23.3, 16.01

 

CMYK 0 / 23 / 38 / 24

HEX #C39778

RGB 195 151 120

HSL 24.8, 0.38%, 0.62%

LAB 65.82, 12.29, 22.66

 

CMYK 0 / 12 / 38 / 24

HEX #C3AB78

RGB 195 171 120

HSL 40.8, 0.38%, 0.62%

LAB 70.93, 1.43, 29.47

 

CMYK 0 / 2 / 38 / 24

HEX #C3C078

RGB 195 192 120

HSL 57.6, 0.38%, 0.62%

LAB 76.47, -9.62, 36.66

 

CMYK 8 / 0 / 38 / 24

HEX #B3C378

RGB 179 195 120

HSL 72.8, 0.38%, 0.62%

LAB 76.05, -17.46, 35.87

 

CMYK 0 / 17 / 56 / 36

HEX #A28647

RGB 162 134 71

HSL 41.54, 0.39%, 0.46%

LAB 57.26, 2.72, 37.51

 

CMYK 0 / 15 / 50 / 28

HEX #B79B5B

RGB 183 155 91

HSL 41.74, 0.39%, 0.54%

LAB 65.17, 2.03, 37.2

 

CMYK 0 / 11 / 38 / 24

HEX #C3AD78

RGB 195 173 120

HSL 42.4, 0.38%, 0.62%

LAB 71.45, 0.36, 30.15

 

CMYK 0 / 9 / 29 / 18

HEX #D0BE94

RGB 208 190 148

HSL 42, 0.39%, 0.7%

LAB 77.5, -0.03, 23.56

 

CMYK 0 / 6 / 20 / 13

HEX #DDCFB1

RGB 221 207 177

HSL 40.91, 0.39%, 0.78%

LAB 83.53, 0.06, 16.67

 

CMYK 0 / 12 / 39 / 24

HEX #C3AC77

RGB 195 172 119

HSL 41.84, 0.39%, 0.62%

LAB 71.17, 0.78, 30.32

 

CMYK 34 / 0 / 38 / 24

HEX #81C378

RGB 129 195 120

HSL 112.8, 0.38%, 0.62%

LAB 72.93, -35.62, 31.21

 

CMYK 28 / 38 / 0 / 24

HEX #8D78C3

RGB 141 120 195

HSL 256.8, 0.38%, 0.62%

LAB 55.11, 24.4, -36.32

 

CMYK 0 / 12 / 39 / 24

HEX #C3AC77

RGB 195 172 119

HSL 41.84, 0.39%, 0.62%

LAB 71.17, 0.78, 30.32

 

CMYK 38 / 0 / 12 / 24

HEX #78C3AB

RGB 120 195 171

HSL 160.8, 0.38%, 0.62%

LAB 73.52, -28.82, 4.74

 

CMYK 12 / 38 / 0 / 24

HEX #AB78C3

RGB 171 120 195

HSL 280.8, 0.38%, 0.62%

LAB 58.07, 33.45, -31.48

 

CMYK 0 / 12 / 39 / 24

HEX #C3AC77

RGB 195 172 119

HSL 41.84, 0.39%, 0.62%

LAB 71.17, 0.78, 30.32

 

CMYK 34 / 0 / 38 / 24

HEX #81C378

RGB 129 195 120

HSL 112.8, 0.38%, 0.62%

LAB 72.93, -35.62, 31.21

 

CMYK 38 / 26 / 0 / 24

HEX #7890C3

RGB 120 144 195

HSL 220.8, 0.38%, 0.62%

LAB 59.78, 4.34, -29.16

 

CMYK 4 / 38 / 0 / 24

HEX #BB78C3

RGB 187 120 195

HSL 293.6, 0.38%, 0.62%

LAB 59.83, 38.42, -28.6

 

CMYK 0 / 12 / 39 / 24

HEX #C3AC77

RGB 195 172 119

HSL 41.84, 0.39%, 0.62%

LAB 71.17, 0.78, 30.32

 

CMYK 38 / 0 / 31 / 24

HEX #78C386

RGB 120 195 134

HSL 131.2, 0.38%, 0.62%

LAB 72.72, -36.18, 23.52

 

CMYK 38 / 26 / 0 / 24

HEX #7890C3

RGB 120 144 195

HSL 220.8, 0.38%, 0.62%

LAB 59.78, 4.34, -29.16

 

CMYK 0 / 38 / 7 / 24

HEX #C378B6

RGB 195 120 182

HSL 310.4, 0.38%, 0.62%

LAB 60.26, 38.55, -20.47

 

Description

Color code: HEX #C3AC77 | qconv.com Color code: HEX #C3AC77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 172 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 172 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 39 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 39% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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