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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3AF7E it is the complementary color #3C5081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3AF7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3AF7E shade: #C8AF79, #D9C18C, #EAD39F, #FBE5B2 and #FFF7C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3AF7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3AF7E shade: #C3AF7E, #B29D6B, #A18B58, #907945 and #7F6732

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3AF7E shade: #C3AF7D, #C39C7D, #C3897D and #C37D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3AF7E shade: #C3AF7D, #C3C27D, #B2C37D, #9FC37D and #8CC37D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3AF7E shade matches the following richer shades: #C3AF7D, #D2B56E, #E2BC5F and #F1C24F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3AF7E shade: #C3AF7D, #B4A88D, #A5A29C, #959CAB and #8695BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3AF7E shade: #C3897D, #C39B7D, #C3AE7D, #C3C17D and #B3C37D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3AF7E shade: #A3894B, #B69D61, #C3AF7D, #D0C09A and #DDD2B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3AF7E shade: #C3AF7E, #84C37D and #927DC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3AF7E shade: #C3AF7E, #7DC3AE and #AE7DC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3AF7E shade: #C3AF7E, #84C37D, #7D92C3 and #BC7DC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3AF7E shade: #C3AF7E, #7DC38B, #7D92C3 and #C37DB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 35 / 24

HEX #C3AF7E

RGB 195 175 126

HSL 42.61, 0.37%, 0.63%

LAB 72.07, 0, 27.78

 

Complementary color

CMYK 53 / 38 / 0 / 49

HEX #3C5081

RGB 60 80 129

HSL 222.61, 0.37%, 0.37%

LAB 34.57, 7.33, -30.02

 

CMYK 0 / 13 / 40 / 22

HEX #C8AF79

RGB 200 175 121

HSL 41.01, 0.42%, 0.63%

LAB 72.44, 1.43, 31.01

 

CMYK 0 / 11 / 35 / 15

HEX #D9C18C

RGB 217 193 140

HSL 41.3, 0.5%, 0.7%

LAB 78.92, 0.91, 29.82

 

CMYK 0 / 10 / 32 / 8

HEX #EAD39F

RGB 234 211 159

HSL 41.6, 0.64%, 0.77%

LAB 85.29, 0.45, 28.7

 

CMYK 0 / 9 / 29 / 2

HEX #FBE5B2

RGB 251 229 178

HSL 41.92, 0.9%, 0.84%

LAB 91.58, 0.06, 27.64

 

CMYK 0 / 3 / 23 / 0

HEX #FFF7C5

RGB 255 247 197

HSL 51.72, 1%, 0.89%

LAB 96.74, -5.04, 25.05

 

CMYK 0 / 10 / 35 / 24

HEX #C3AF7E

RGB 195 175 126

HSL 42.61, 0.37%, 0.63%

LAB 72.07, 0, 27.78

 

CMYK 0 / 12 / 40 / 30

HEX #B29D6B

RGB 178 157 107

HSL 42.25, 0.32%, 0.56%

LAB 65.47, 0.52, 28.99

 

CMYK 0 / 14 / 45 / 37

HEX #A18B58

RGB 161 139 88

HSL 41.92, 0.29%, 0.49%

LAB 58.74, 1.14, 30.28

 

CMYK 0 / 16 / 52 / 44

HEX #907945

RGB 144 121 69

HSL 41.6, 0.35%, 0.42%

LAB 51.88, 1.89, 31.64

 

CMYK 0 / 19 / 61 / 50

HEX #7F6732

RGB 127 103 50

HSL 41.3, 0.44%, 0.35%

LAB 44.86, 2.84, 33.04

 

CMYK 0 / 10 / 36 / 24

HEX #C3AF7D

RGB 195 175 125

HSL 42.86, 0.37%, 0.63%

LAB 72.06, -0.12, 28.29

 

CMYK 0 / 20 / 36 / 24

HEX #C39C7D

RGB 195 156 125

HSL 26.57, 0.37%, 0.63%

LAB 67.17, 10.15, 21.74

 

CMYK 0 / 30 / 36 / 24

HEX #C3897D

RGB 195 137 125

HSL 10.29, 0.37%, 0.63%

LAB 62.49, 20.6, 15.3

 

CMYK 0 / 36 / 36 / 24

HEX #C37D7D

RGB 195 125 125

HSL 0, 0.37%, 0.63%

LAB 59.66, 27.2, 11.36

 

CMYK 0 / 10 / 36 / 24

HEX #C3AF7D

RGB 195 175 125

HSL 42.86, 0.37%, 0.63%

LAB 72.06, -0.12, 28.29

 

CMYK 0 / 1 / 36 / 24

HEX #C3C27D

RGB 195 194 125

HSL 59.14, 0.37%, 0.63%

LAB 77.08, -10.08, 34.87

 

CMYK 9 / 0 / 36 / 24

HEX #B2C37D

RGB 178 195 125

HSL 74.57, 0.37%, 0.63%

LAB 76.05, -17.23, 33.29

 

CMYK 18 / 0 / 36 / 24

HEX #9FC37D

RGB 159 195 125

HSL 90.86, 0.37%, 0.63%

LAB 74.75, -24.4, 31.33

 

CMYK 28 / 0 / 36 / 24

HEX #8CC37D

RGB 140 195 125

HSL 107.14, 0.37%, 0.63%

LAB 73.6, -31.17, 29.61

 

CMYK 0 / 10 / 36 / 24

HEX #C3AF7D

RGB 195 175 125

HSL 42.86, 0.37%, 0.63%

LAB 72.06, -0.12, 28.29

 

CMYK 0 / 14 / 48 / 18

HEX #D2B56E

RGB 210 181 110

HSL 42.6, 0.53%, 0.63%

LAB 74.75, 1.18, 39.86

 

CMYK 0 / 17 / 58 / 11

HEX #E2BC5F

RGB 226 188 95

HSL 42.6, 0.69%, 0.63%

LAB 77.85, 2.86, 51.36

 

CMYK 0 / 20 / 67 / 5

HEX #F1C24F

RGB 241 194 79

HSL 42.59, 0.85%, 0.63%

LAB 80.65, 4.98, 62.08

 

CMYK 0 / 10 / 36 / 24

HEX #C3AF7D

RGB 195 175 125

HSL 42.86, 0.37%, 0.63%

LAB 72.06, -0.12, 28.29

 

CMYK 0 / 7 / 22 / 29

HEX #B4A88D

RGB 180 168 141

HSL 41.54, 0.21%, 0.63%

LAB 69.21, -0.12, 15.53

 

CMYK 0 / 2 / 5 / 35

HEX #A5A29C

RGB 165 162 156

HSL 40, 0.05%, 0.63%

LAB 66.7, -0.02, 3.49

 

CMYK 13 / 9 / 0 / 33

HEX #959CAB

RGB 149 156 171

HSL 220.91, 0.12%, 0.63%

LAB 64.25, 0.61, -8.66

 

CMYK 28 / 20 / 0 / 27

HEX #8695BA

RGB 134 149 186

HSL 222.69, 0.27%, 0.63%

LAB 61.75, 3.19, -20.98

 

CMYK 0 / 30 / 36 / 24

HEX #C3897D

RGB 195 137 125

HSL 10.29, 0.37%, 0.63%

LAB 62.49, 20.6, 15.3

 

CMYK 0 / 21 / 36 / 24

HEX #C39B7D

RGB 195 155 125

HSL 25.71, 0.37%, 0.63%

LAB 66.92, 10.7, 21.4

 

CMYK 0 / 11 / 36 / 24

HEX #C3AE7D

RGB 195 174 125

HSL 42, 0.37%, 0.63%

LAB 71.8, 0.42, 27.94

 

CMYK 0 / 1 / 36 / 24

HEX #C3C17D

RGB 195 193 125

HSL 58.29, 0.37%, 0.63%

LAB 76.81, -9.56, 34.52

 

CMYK 8 / 0 / 36 / 24

HEX #B3C37D

RGB 179 195 125

HSL 73.71, 0.37%, 0.63%

LAB 76.13, -16.85, 33.39

 

CMYK 0 / 16 / 54 / 36

HEX #A3894B

RGB 163 137 75

HSL 42.27, 0.37%, 0.47%

LAB 58.21, 1.84, 36.6

 

CMYK 0 / 14 / 47 / 29

HEX #B69D61

RGB 182 157 97

HSL 42.35, 0.37%, 0.55%

LAB 65.69, 1.11, 34.68

 

CMYK 0 / 10 / 36 / 24

HEX #C3AF7D

RGB 195 175 125

HSL 42.86, 0.37%, 0.63%

LAB 72.06, -0.12, 28.29

 

CMYK 0 / 8 / 26 / 18

HEX #D0C09A

RGB 208 192 154

HSL 42.22, 0.36%, 0.71%

LAB 78.14, -0.27, 21.23

 

CMYK 0 / 5 / 18 / 13

HEX #DDD2B6

RGB 221 210 182

HSL 43.08, 0.36%, 0.79%

LAB 84.4, -0.76, 15.25

 

CMYK 0 / 10 / 35 / 24

HEX #C3AF7E

RGB 195 175 126

HSL 42.61, 0.37%, 0.63%

LAB 72.07, 0, 27.78

 

CMYK 32 / 0 / 36 / 24

HEX #84C37D

RGB 132 195 125

HSL 114, 0.37%, 0.63%

LAB 73.17, -33.86, 28.95

 

CMYK 25 / 36 / 0 / 24

HEX #927DC3

RGB 146 125 195

HSL 258, 0.37%, 0.63%

LAB 56.8, 22.96, -33.64

 

CMYK 0 / 10 / 35 / 24

HEX #C3AF7E

RGB 195 175 126

HSL 42.61, 0.37%, 0.63%

LAB 72.07, 0, 27.78

 

CMYK 36 / 0 / 11 / 24

HEX #7DC3AE

RGB 125 195 174

HSL 162, 0.37%, 0.63%

LAB 73.83, -26.76, 3.59

 

CMYK 11 / 36 / 0 / 24

HEX #AE7DC3

RGB 174 125 195

HSL 282, 0.37%, 0.63%

LAB 59.53, 31.58, -29.18

 

CMYK 0 / 10 / 35 / 24

HEX #C3AF7E

RGB 195 175 126

HSL 42.61, 0.37%, 0.63%

LAB 72.07, 0, 27.78

 

CMYK 32 / 0 / 36 / 24

HEX #84C37D

RGB 132 195 125

HSL 114, 0.37%, 0.63%

LAB 73.17, -33.86, 28.95

 

CMYK 36 / 25 / 0 / 24

HEX #7D92C3

RGB 125 146 195

HSL 222, 0.37%, 0.63%

LAB 60.66, 4.59, -27.78

 

CMYK 4 / 36 / 0 / 24

HEX #BC7DC3

RGB 188 125 195

HSL 294, 0.37%, 0.63%

LAB 61.04, 36.01, -26.72

 

CMYK 0 / 10 / 35 / 24

HEX #C3AF7E

RGB 195 175 126

HSL 42.61, 0.37%, 0.63%

LAB 72.07, 0, 27.78

 

CMYK 36 / 0 / 29 / 24

HEX #7DC38B

RGB 125 195 139

HSL 132, 0.37%, 0.63%

LAB 73.06, -33.76, 21.36

 

CMYK 36 / 25 / 0 / 24

HEX #7D92C3

RGB 125 146 195

HSL 222, 0.37%, 0.63%

LAB 60.66, 4.59, -27.78

 

CMYK 0 / 36 / 7 / 24

HEX #C37DB5

RGB 195 125 181

HSL 312, 0.37%, 0.63%

LAB 61.31, 35.68, -18.3

 

Description

Color code: HEX #C3AF7E | qconv.com Color code: HEX #C3AF7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 175 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 175 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 35 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 35% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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