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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3B492 it is the complementary color #3C4B6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3B492. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3B492 shade: #C8B48D, #D9C6A0, #EAD8B3, #FBEAC6 and #FFFCD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3B492. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3B492 shade: #C3B492, #B2A27F, #A1906C, #907E59 and #7F6C46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3B492 shade: #C3B492, #C3A792, #C39992 and #C39292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3B492 shade: #C3B492, #C3C192, #B7C392, #AAC392 and #9DC392

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3B492 shade matches the following richer shades: #C3B492, #D0B984, #DEBE77, #ECC469 and #F9C95B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3B492 shade: #C3B492, #B5AFA0, #A8A9AD, #9AA4BB and #8C9FC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3B492 shade: #C39992, #C3A692, #C3B392, #C3C092 and #B8C392

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3B492 shade: #A58F5D, #B4A277, #C3B492, #D1C6AD and #E0D8C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3B492 shade: #C3B492, #98C392 and #A092C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3B492 shade: #C3B492, #92C3B3 and #B392C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3B492 shade: #C3B492, #98C392, #92A1C3 and #BD92C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3B492 shade: #C3B492, #92C39B, #92A1C3 and #C392BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 25 / 24

HEX #C3B492

RGB 195 180 146

HSL 41.63, 0.29%, 0.67%

LAB 73.75, -0.03, 19.31

 

Complementary color

CMYK 45 / 31 / 0 / 57

HEX #3C4B6D

RGB 60 75 109

HSL 221.63, 0.29%, 0.33%

LAB 32.03, 3.96, -21.54

 

CMYK 0 / 10 / 30 / 22

HEX #C8B48D

RGB 200 180 141

HSL 39.66, 0.35%, 0.67%

LAB 74.09, 1.23, 22.53

 

CMYK 0 / 9 / 26 / 15

HEX #D9C6A0

RGB 217 198 160

HSL 40, 0.43%, 0.74%

LAB 80.56, 0.84, 21.49

 

CMYK 0 / 8 / 24 / 8

HEX #EAD8B3

RGB 234 216 179

HSL 40.36, 0.57%, 0.81%

LAB 86.93, 0.5, 20.51

 

CMYK 0 / 7 / 21 / 2

HEX #FBEAC6

RGB 251 234 198

HSL 40.75, 0.87%, 0.88%

LAB 93.2, 0.2, 19.58

 

CMYK 0 / 1 / 15 / 0

HEX #FFFCD9

RGB 255 252 217

HSL 55.26, 1%, 0.93%

LAB 98.39, -4.67, 17.14

 

CMYK 0 / 8 / 25 / 24

HEX #C3B492

RGB 195 180 146

HSL 41.63, 0.29%, 0.67%

LAB 73.75, -0.03, 19.31

 

CMYK 0 / 9 / 29 / 30

HEX #B2A27F

RGB 178 162 127

HSL 41.18, 0.25%, 0.6%

LAB 67.16, 0.33, 20.35

 

CMYK 0 / 11 / 33 / 37

HEX #A1906C

RGB 161 144 108

HSL 40.75, 0.22%, 0.53%

LAB 60.43, 0.76, 21.48

 

CMYK 0 / 13 / 38 / 44

HEX #907E59

RGB 144 126 89

HSL 40.36, 0.24%, 0.46%

LAB 53.57, 1.27, 22.69

 

CMYK 0 / 15 / 45 / 50

HEX #7F6C46

RGB 127 108 70

HSL 40, 0.29%, 0.39%

LAB 46.55, 1.9, 24.01

 

CMYK 0 / 8 / 25 / 24

HEX #C3B492

RGB 195 180 146

HSL 41.63, 0.29%, 0.67%

LAB 73.75, -0.03, 19.31

 

CMYK 0 / 14 / 25 / 24

HEX #C3A792

RGB 195 167 146

HSL 25.71, 0.29%, 0.67%

LAB 70.4, 6.96, 14.64

 

CMYK 0 / 22 / 25 / 24

HEX #C39992

RGB 195 153 146

HSL 8.57, 0.29%, 0.67%

LAB 66.87, 14.62, 9.67

 

CMYK 0 / 25 / 25 / 24

HEX #C39292

RGB 195 146 146

HSL 0, 0.29%, 0.67%

LAB 65.15, 18.48, 7.22

 

CMYK 0 / 8 / 25 / 24

HEX #C3B492

RGB 195 180 146

HSL 41.63, 0.29%, 0.67%

LAB 73.75, -0.03, 19.31

 

CMYK 0 / 1 / 25 / 24

HEX #C3C192

RGB 195 193 146

HSL 57.55, 0.29%, 0.67%

LAB 77.17, -6.88, 23.99

 

CMYK 6 / 0 / 25 / 24

HEX #B7C392

RGB 183 195 146

HSL 74.69, 0.29%, 0.67%

LAB 76.78, -12.46, 23.31

 

CMYK 13 / 0 / 25 / 24

HEX #AAC392

RGB 170 195 146

HSL 90.61, 0.29%, 0.67%

LAB 75.85, -17.27, 21.89

 

CMYK 19 / 0 / 25 / 24

HEX #9DC392

RGB 157 195 146

HSL 106.53, 0.29%, 0.67%

LAB 75, -21.93, 20.57

 

CMYK 0 / 8 / 25 / 24

HEX #C3B492

RGB 195 180 146

HSL 41.63, 0.29%, 0.67%

LAB 73.75, -0.03, 19.31

 

CMYK 0 / 11 / 37 / 18

HEX #D0B984

RGB 208 185 132

HSL 41.84, 0.45%, 0.67%

LAB 75.93, 0.61, 29.92

 

CMYK 0 / 14 / 46 / 13

HEX #DEBE77

RGB 222 190 119

HSL 41.36, 0.61%, 0.67%

LAB 78.28, 2.21, 39.95

 

CMYK 0 / 17 / 56 / 7

HEX #ECC469

RGB 236 196 105

HSL 41.68, 0.78%, 0.67%

LAB 80.92, 3.58, 50.42

 

CMYK 0 / 19 / 63 / 2

HEX #F9C95B

RGB 249 201 91

HSL 41.77, 0.93%, 0.67%

LAB 83.27, 5.39, 59.91

 

CMYK 0 / 8 / 25 / 24

HEX #C3B492

RGB 195 180 146

HSL 41.63, 0.29%, 0.67%

LAB 73.75, -0.03, 19.31

 

CMYK 0 / 3 / 12 / 29

HEX #B5AFA0

RGB 181 175 160

HSL 42.86, 0.12%, 0.67%

LAB 71.57, -0.49, 8.44

 

CMYK 3 / 2 / 0 / 32

HEX #A8A9AD

RGB 168 169 173

HSL 228, 0.03%, 0.67%

LAB 69.27, 0.42, -2.19

 

CMYK 18 / 12 / 0 / 27

HEX #9AA4BB

RGB 154 164 187

HSL 221.82, 0.2%, 0.67%

LAB 67.28, 1.34, -13.02

 

CMYK 30 / 21 / 0 / 22

HEX #8C9FC8

RGB 140 159 200

HSL 221, 0.35%, 0.67%

LAB 65.39, 2.85, -23.22

 

CMYK 0 / 22 / 25 / 24

HEX #C39992

RGB 195 153 146

HSL 8.57, 0.29%, 0.67%

LAB 66.87, 14.62, 9.67

 

CMYK 0 / 15 / 25 / 24

HEX #C3A692

RGB 195 166 146

HSL 24.49, 0.29%, 0.67%

LAB 70.14, 7.51, 14.28

 

CMYK 0 / 8 / 25 / 24

HEX #C3B392

RGB 195 179 146

HSL 40.41, 0.29%, 0.67%

LAB 73.49, 0.5, 18.95

 

CMYK 0 / 2 / 25 / 24

HEX #C3C092

RGB 195 192 146

HSL 56.33, 0.29%, 0.67%

LAB 76.91, -6.36, 23.63

 

CMYK 6 / 0 / 25 / 24

HEX #B8C392

RGB 184 195 146

HSL 73.47, 0.29%, 0.67%

LAB 76.86, -12.09, 23.42

 

CMYK 0 / 13 / 44 / 35

HEX #A58F5D

RGB 165 143 93

HSL 41.67, 0.29%, 0.51%

LAB 60.28, 1.17, 29.61

 

CMYK 0 / 10 / 34 / 29

HEX #B4A277

RGB 180 162 119

HSL 42.3, 0.29%, 0.59%

LAB 67.18, 0.08, 24.79

 

CMYK 0 / 8 / 25 / 24

HEX #C3B492

RGB 195 180 146

HSL 41.63, 0.29%, 0.67%

LAB 73.75, -0.03, 19.31

 

CMYK 0 / 5 / 17 / 18

HEX #D1C6AD

RGB 209 198 173

HSL 41.67, 0.28%, 0.75%

LAB 80.16, -0.28, 13.91

 

CMYK 0 / 4 / 11 / 12

HEX #E0D8C7

RGB 224 216 199

HSL 40.8, 0.29%, 0.83%

LAB 86.54, -0.13, 9.35

 

CMYK 0 / 8 / 25 / 24

HEX #C3B492

RGB 195 180 146

HSL 41.63, 0.29%, 0.67%

LAB 73.75, -0.03, 19.31

 

CMYK 22 / 0 / 25 / 24

HEX #98C392

RGB 152 195 146

HSL 112.65, 0.29%, 0.67%

LAB 74.69, -23.67, 20.1

 

CMYK 18 / 25 / 0 / 24

HEX #A092C3

RGB 160 146 195

HSL 257.14, 0.29%, 0.67%

LAB 63.32, 15.21, -23.46

 

CMYK 0 / 8 / 25 / 24

HEX #C3B492

RGB 195 180 146

HSL 41.63, 0.29%, 0.67%

LAB 73.75, -0.03, 19.31

 

CMYK 25 / 0 / 8 / 24

HEX #92C3B3

RGB 146 195 179

HSL 160.41, 0.29%, 0.67%

LAB 75.07, -19.42, 2.82

 

CMYK 8 / 25 / 0 / 24

HEX #B392C3

RGB 179 146 195

HSL 280.41, 0.29%, 0.67%

LAB 65.03, 21.4, -20.7

 

CMYK 0 / 8 / 25 / 24

HEX #C3B492

RGB 195 180 146

HSL 41.63, 0.29%, 0.67%

LAB 73.75, -0.03, 19.31

 

CMYK 22 / 0 / 25 / 24

HEX #98C392

RGB 152 195 146

HSL 112.65, 0.29%, 0.67%

LAB 74.69, -23.67, 20.1

 

CMYK 25 / 17 / 0 / 24

HEX #92A1C3

RGB 146 161 195

HSL 221.63, 0.29%, 0.67%

LAB 66.17, 2.32, -19.21

 

CMYK 3 / 25 / 0 / 24

HEX #BD92C3

RGB 189 146 195

HSL 292.65, 0.29%, 0.67%

LAB 65.99, 24.72, -19.14

 

CMYK 0 / 8 / 25 / 24

HEX #C3B492

RGB 195 180 146

HSL 41.63, 0.29%, 0.67%

LAB 73.75, -0.03, 19.31

 

CMYK 25 / 0 / 21 / 24

HEX #92C39B

RGB 146 195 155

HSL 131.02, 0.29%, 0.67%

LAB 74.51, -24.12, 14.98

 

CMYK 25 / 17 / 0 / 24

HEX #92A1C3

RGB 146 161 195

HSL 221.63, 0.29%, 0.67%

LAB 66.17, 2.32, -19.21

 

CMYK 0 / 25 / 5 / 24

HEX #C392BA

RGB 195 146 186

HSL 311.02, 0.29%, 0.67%

LAB 66.29, 25.05, -13.59

 

Description

Color code: HEX #C3B492 | qconv.com Color code: HEX #C3B492 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 180 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 180 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 25 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 25% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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