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Color name
HEX #C3B0AE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3B0AE it is the complementary color #3C4F51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3B0AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3B0AE shade: #C8B0A9, #D9C2BC, #EAD4CF, #FBE6E2 and #FFF8F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3B0AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3B0AE shade: #C3B0AE, #B29E9B, #A18C88, #907A75 and #7F6862

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3B0AE shade: #C2AEAC and #C2ACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3B0AE shade: #C2AEAC, #C2B4AC, #C2BAAC, #C2C0AC and #BEC2AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3B0AE shade matches the following richer shades: #C2AEAC, #CDA5A1, #D99C95, #E4928A and #F0897E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3B0AE shade: #C2AEAC, #B6B8B8, #ABC1C3, #9FCACF and #94D4DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3B0AE shade: #C2ACB6, #C2ACB0, #C2AEAC, #C2B4AC and #C2BAAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3B0AE shade: #9F807D, #B09795, #C2AEAC, #D3C6C4 and #E5DDDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3B0AE shade: #C3B0AE, #BCC2AC and #ACB3C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3B0AE shade: #C3B0AE, #ACC2AE and #AEACC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3B0AE shade: #C3B0AE, #BCC2AC, #ACC0C2 and #B2ACC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3B0AE shade: #C3B0AE, #B5C2AC, #ACC0C2 and #B9ACC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 11 / 24

HEX #C3B0AE

RGB 195 176 174

HSL 5.71, 0.15%, 0.72%

LAB 73.36, 6.47, 3.49

 

Complementary color

CMYK 26 / 2 / 0 / 68

HEX #3C4F51

RGB 60 79 81

HSL 185.71, 0.15%, 0.28%

LAB 32.14, -6.82, -3.6

 

CMYK 0 / 12 / 16 / 22

HEX #C8B0A9

RGB 200 176 169

HSL 13.55, 0.22%, 0.72%

LAB 73.67, 7.48, 6.74

 

CMYK 0 / 11 / 13 / 15

HEX #D9C2BC

RGB 217 194 188

HSL 12.41, 0.28%, 0.79%

LAB 80.16, 7.12, 5.97

 

CMYK 0 / 9 / 12 / 8

HEX #EAD4CF

RGB 234 212 207

HSL 11.11, 0.39%, 0.86%

LAB 86.55, 6.79, 5.23

 

CMYK 0 / 8 / 10 / 2

HEX #FBE6E2

RGB 251 230 226

HSL 9.6, 0.76%, 0.94%

LAB 92.84, 6.49, 4.52

 

CMYK 0 / 3 / 4 / 0

HEX #FFF8F5

RGB 255 248 245

HSL 18, 1%, 0.98%

LAB 98.03, 1.82, 2.25

 

CMYK 0 / 10 / 11 / 24

HEX #C3B0AE

RGB 195 176 174

HSL 5.71, 0.15%, 0.72%

LAB 73.36, 6.47, 3.49

 

CMYK 0 / 11 / 13 / 30

HEX #B29E9B

RGB 178 158 155

HSL 7.83, 0.13%, 0.65%

LAB 66.74, 6.82, 4.24

 

CMYK 0 / 13 / 16 / 37

HEX #A18C88

RGB 161 140 136

HSL 9.6, 0.12%, 0.58%

LAB 59.99, 7.2, 5.03

 

CMYK 0 / 15 / 19 / 44

HEX #907A75

RGB 144 122 117

HSL 11.11, 0.11%, 0.51%

LAB 53.09, 7.64, 5.88

 

CMYK 0 / 18 / 23 / 50

HEX #7F6862

RGB 127 104 98

HSL 12.41, 0.13%, 0.44%

LAB 46.03, 8.15, 6.81

 

CMYK 0 / 10 / 11 / 24

HEX #C2AEAC

RGB 194 174 172

HSL 5.45, 0.15%, 0.72%

LAB 72.71, 6.85, 3.64

 

CMYK 0 / 11 / 11 / 24

HEX #C2ACAC

RGB 194 172 172

HSL 0, 0.15%, 0.72%

LAB 72.2, 7.94, 2.9

 

CMYK 0 / 10 / 11 / 24

HEX #C2AEAC

RGB 194 174 172

HSL 5.45, 0.15%, 0.72%

LAB 72.71, 6.85, 3.64

 

CMYK 0 / 7 / 11 / 24

HEX #C2B4AC

RGB 194 180 172

HSL 21.82, 0.15%, 0.72%

LAB 74.25, 3.61, 5.86

 

CMYK 0 / 4 / 11 / 24

HEX #C2BAAC

RGB 194 186 172

HSL 38.18, 0.15%, 0.72%

LAB 75.8, 0.4, 8.09

 

CMYK 0 / 1 / 11 / 24

HEX #C2C0AC

RGB 194 192 172

HSL 54.55, 0.15%, 0.72%

LAB 77.37, -2.78, 10.33

 

CMYK 2 / 0 / 11 / 24

HEX #BEC2AC

RGB 190 194 172

HSL 70.91, 0.15%, 0.72%

LAB 77.58, -5.28, 10.59

 

CMYK 0 / 10 / 11 / 24

HEX #C2AEAC

RGB 194 174 172

HSL 5.45, 0.15%, 0.72%

LAB 72.71, 6.85, 3.64

 

CMYK 0 / 20 / 21 / 20

HEX #CDA5A1

RGB 205 165 161

HSL 5.45, 0.31%, 0.72%

LAB 71.19, 14.07, 7.64

 

CMYK 0 / 28 / 31 / 15

HEX #D99C95

RGB 217 156 149

HSL 6.18, 0.47%, 0.72%

LAB 69.96, 21.82, 12.7

 

CMYK 0 / 36 / 39 / 11

HEX #E4928A

RGB 228 146 138

HSL 5.33, 0.63%, 0.72%

LAB 68.67, 30.05, 17.18

 

CMYK 0 / 43 / 48 / 6

HEX #F0897E

RGB 240 137 126

HSL 5.79, 0.79%, 0.72%

LAB 67.96, 38.04, 23.13

 

CMYK 0 / 10 / 11 / 24

HEX #C2AEAC

RGB 194 174 172

HSL 5.45, 0.15%, 0.72%

LAB 72.71, 6.85, 3.64

 

CMYK 1 / 0 / 0 / 28

HEX #B6B8B8

RGB 182 184 184

HSL 180, 0.01%, 0.72%

LAB 74.63, -0.69, -0.25

 

CMYK 12 / 1 / 0 / 24

HEX #ABC1C3

RGB 171 193 195

HSL 185, 0.17%, 0.72%

LAB 76.52, -7.04, -3.55

 

CMYK 23 / 2 / 0 / 19

HEX #9FCACF

RGB 159 202 207

HSL 186.25, 0.33%, 0.72%

LAB 78.53, -12.97, -7.14

 

CMYK 32 / 3 / 0 / 14

HEX #94D4DB

RGB 148 212 219

HSL 185.92, 0.5%, 0.72%

LAB 81.01, -18.5, -9.95

 

CMYK 0 / 11 / 6 / 24

HEX #C2ACB6

RGB 194 172 182

HSL 332.73, 0.15%, 0.72%

LAB 72.46, 9.67, -2.21

 

CMYK 0 / 11 / 9 / 24

HEX #C2ACB0

RGB 194 172 176

HSL 349.09, 0.15%, 0.72%

LAB 72.3, 8.62, 0.85

 

CMYK 0 / 10 / 11 / 24

HEX #C2AEAC

RGB 194 174 172

HSL 5.45, 0.15%, 0.72%

LAB 72.71, 6.85, 3.64

 

CMYK 0 / 7 / 11 / 24

HEX #C2B4AC

RGB 194 180 172

HSL 21.82, 0.15%, 0.72%

LAB 74.25, 3.61, 5.86

 

CMYK 0 / 4 / 11 / 24

HEX #C2BAAC

RGB 194 186 172

HSL 38.18, 0.15%, 0.72%

LAB 75.8, 0.4, 8.09

 

CMYK 0 / 19 / 21 / 38

HEX #9F807D

RGB 159 128 125

HSL 5.29, 0.15%, 0.56%

LAB 56.38, 11.43, 6.14

 

CMYK 0 / 14 / 15 / 31

HEX #B09795

RGB 176 151 149

HSL 4.44, 0.15%, 0.64%

LAB 64.59, 8.94, 4.48

 

CMYK 0 / 10 / 11 / 24

HEX #C2AEAC

RGB 194 174 172

HSL 5.45, 0.15%, 0.72%

LAB 72.71, 6.85, 3.64

 

CMYK 0 / 6 / 7 / 17

HEX #D3C6C4

RGB 211 198 196

HSL 8, 0.15%, 0.8%

LAB 80.86, 4.19, 2.62

 

CMYK 0 / 3 / 4 / 10

HEX #E5DDDC

RGB 229 221 220

HSL 6.67, 0.15%, 0.88%

LAB 88.7, 2.55, 1.45

 

CMYK 0 / 10 / 11 / 24

HEX #C3B0AE

RGB 195 176 174

HSL 5.71, 0.15%, 0.72%

LAB 73.36, 6.47, 3.49

 

CMYK 3 / 0 / 11 / 24

HEX #BCC2AC

RGB 188 194 172

HSL 76.36, 0.15%, 0.72%

LAB 77.43, -6, 10.36

 

CMYK 11 / 8 / 0 / 24

HEX #ACB3C2

RGB 172 179 194

HSL 220.91, 0.15%, 0.72%

LAB 72.83, 0.57, -8.45

 

CMYK 0 / 10 / 11 / 24

HEX #C3B0AE

RGB 195 176 174

HSL 5.71, 0.15%, 0.72%

LAB 73.36, 6.47, 3.49

 

CMYK 11 / 0 / 10 / 24

HEX #ACC2AE

RGB 172 194 174

HSL 125.45, 0.15%, 0.72%

LAB 76.32, -11.3, 7.53

 

CMYK 10 / 11 / 0 / 24

HEX #AEACC2

RGB 174 172 194

HSL 245.45, 0.15%, 0.72%

LAB 71.14, 5.05, -10.95

 

CMYK 0 / 10 / 11 / 24

HEX #C3B0AE

RGB 195 176 174

HSL 5.71, 0.15%, 0.72%

LAB 73.36, 6.47, 3.49

 

CMYK 3 / 0 / 11 / 24

HEX #BCC2AC

RGB 188 194 172

HSL 76.36, 0.15%, 0.72%

LAB 77.43, -6, 10.36

 

CMYK 11 / 1 / 0 / 24

HEX #ACC0C2

RGB 172 192 194

HSL 185.45, 0.15%, 0.72%

LAB 76.29, -6.39, -3.33

 

CMYK 8 / 11 / 0 / 24

HEX #B2ACC2

RGB 178 172 194

HSL 256.36, 0.15%, 0.72%

LAB 71.46, 6.39, -10.44

 

CMYK 0 / 10 / 11 / 24

HEX #C3B0AE

RGB 195 176 174

HSL 5.71, 0.15%, 0.72%

LAB 73.36, 6.47, 3.49

 

CMYK 7 / 0 / 11 / 24

HEX #B5C2AC

RGB 181 194 172

HSL 95.45, 0.15%, 0.72%

LAB 76.91, -8.51, 9.54

 

CMYK 11 / 1 / 0 / 24

HEX #ACC0C2

RGB 172 192 194

HSL 185.45, 0.15%, 0.72%

LAB 76.29, -6.39, -3.33

 

CMYK 5 / 11 / 0 / 24

HEX #B9ACC2

RGB 185 172 194

HSL 275.45, 0.15%, 0.72%

LAB 72.04, 8.77, -9.52

 

Description

Color code: HEX #C3B0AE | qconv.com Color code: HEX #C3B0AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 176 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 176 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 11 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 11% 24% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

33% - 認定こども園 みついしこども園 | 和歌...
Link: http://mitsuishi.senshin.ed.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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