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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3C76A it is the complementary color #3C3895. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3C76A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3C76A shade: #C8C765, #D9D978, #EAEB8B, #FBFD9E and #FFFFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3C76A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3C76A shade: #C3C76A, #B2B557, #A1A344, #909131 and #7F7F1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3C76A shade: #C2C66B, #C6B26B, #C6996B, #C6806B and #C66B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3C76A shade: #C2C66B, #AAC66B, #91C66B, #78C66B and #6BC676

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3C76A shade matches the following richer shades: #C2C66B, #D2D75A, #E1E74A and #F0F839

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3C76A shade: #C2C66B, #B3B67B, #A4A58C, #95959C and #8684AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3C76A shade: #C6996B, #C6B16B, #C3C66B, #ABC66B and #92C66B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3C76A shade: #9DA23D, #B6BB4D, #C2C66B, #CFD289 and #DBDDA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3C76A shade: #C3C76A, #6BC680 and #A56BC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3C76A shade: #C3C76A, #6BC3C6 and #C66BC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3C76A shade: #C3C76A, #6BC680, #6E6BC6 and #C66BB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3C76A shade: #C3C76A, #6BC69C, #6E6BC6 and #C66B95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 47 / 22

HEX #C3C76A

RGB 195 199 106

HSL 62.58, 0.45%, 0.6%

LAB 78.16, -14.65, 45.78

 

Complementary color

CMYK 60 / 62 / 0 / 42

HEX #3C3895

RGB 60 56 149

HSL 242.58, 0.45%, 0.4%

LAB 29.31, 30.06, -50.75

 

CMYK 0 / 0 / 50 / 22

HEX #C8C765

RGB 200 199 101

HSL 59.39, 0.47%, 0.59%

LAB 78.5, -13.09, 48.69

 

CMYK 0 / 0 / 45 / 15

HEX #D9D978

RGB 217 217 120

HSL 60, 0.56%, 0.66%

LAB 84.86, -13.54, 47.53

 

CMYK 0 / 0 / 41 / 8

HEX #EAEB8B

RGB 234 235 139

HSL 60.63, 0.71%, 0.73%

LAB 91.13, -13.93, 46.37

 

CMYK 1 / 0 / 38 / 1

HEX #FBFD9E

RGB 251 253 158

HSL 61.26, 0.96%, 0.81%

LAB 97.32, -14.25, 45.23

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 2 / 0 / 47 / 22

HEX #C3C76A

RGB 195 199 106

HSL 62.58, 0.45%, 0.6%

LAB 78.16, -14.65, 45.78

 

CMYK 2 / 0 / 52 / 29

HEX #B2B557

RGB 178 181 87

HSL 61.91, 0.39%, 0.53%

LAB 71.69, -14.2, 46.93

 

CMYK 1 / 0 / 58 / 36

HEX #A1A344

RGB 161 163 68

HSL 61.26, 0.41%, 0.45%

LAB 65.11, -13.64, 47.99

 

CMYK 1 / 0 / 66 / 43

HEX #909131

RGB 144 145 49

HSL 60.63, 0.49%, 0.38%

LAB 58.42, -12.92, 48.83

 

CMYK 0 / 0 / 76 / 50

HEX #7F7F1E

RGB 127 127 30

HSL 60, 0.62%, 0.31%

LAB 51.59, -12, 49.11

 

CMYK 2 / 0 / 46 / 22

HEX #C2C66B

RGB 194 198 107

HSL 62.64, 0.44%, 0.6%

LAB 77.83, -14.45, 44.86

 

CMYK 0 / 10 / 46 / 22

HEX #C6B26B

RGB 198 178 107

HSL 46.81, 0.44%, 0.6%

LAB 72.83, -2.47, 38.77

 

CMYK 0 / 23 / 46 / 22

HEX #C6996B

RGB 198 153 107

HSL 30.33, 0.44%, 0.6%

LAB 66.4, 10.98, 30.59

 

CMYK 0 / 35 / 46 / 22

HEX #C6806B

RGB 198 128 107

HSL 13.85, 0.44%, 0.6%

LAB 60.34, 24.69, 22.6

 

CMYK 0 / 46 / 46 / 22

HEX #C66B6B

RGB 198 107 107

HSL 0, 0.44%, 0.6%

LAB 55.67, 36, 16.26

 

CMYK 2 / 0 / 46 / 22

HEX #C2C66B

RGB 194 198 107

HSL 62.64, 0.44%, 0.6%

LAB 77.83, -14.45, 44.86

 

CMYK 14 / 0 / 46 / 22

HEX #AAC66B

RGB 170 198 107

HSL 78.46, 0.44%, 0.6%

LAB 76.07, -23.95, 42.3

 

CMYK 27 / 0 / 46 / 22

HEX #91C66B

RGB 145 198 107

HSL 94.95, 0.44%, 0.6%

LAB 74.49, -33.29, 40

 

CMYK 39 / 0 / 46 / 22

HEX #78C66B

RGB 120 198 107

HSL 111.43, 0.44%, 0.6%

LAB 73.18, -41.74, 38.08

 

CMYK 46 / 0 / 40 / 22

HEX #6BC676

RGB 107 198 118

HSL 127.25, 0.44%, 0.6%

LAB 72.77, -44.01, 31.85

 

CMYK 2 / 0 / 46 / 22

HEX #C2C66B

RGB 194 198 107

HSL 62.64, 0.44%, 0.6%

LAB 77.83, -14.45, 44.86

 

CMYK 2 / 0 / 58 / 16

HEX #D2D75A

RGB 210 215 90

HSL 62.4, 0.61%, 0.6%

LAB 83.46, -17.89, 59.61

 

CMYK 3 / 0 / 68 / 9

HEX #E1E74A

RGB 225 231 74

HSL 62.29, 0.77%, 0.6%

LAB 88.76, -20.58, 71.9

 

CMYK 3 / 0 / 77 / 3

HEX #F0F839

RGB 240 248 57

HSL 62.51, 0.93%, 0.6%

LAB 94.29, -23.35, 82.98

 

CMYK 2 / 0 / 46 / 22

HEX #C2C66B

RGB 194 198 107

HSL 62.64, 0.44%, 0.6%

LAB 77.83, -14.45, 44.86

 

CMYK 2 / 0 / 32 / 29

HEX #B3B67B

RGB 179 182 123

HSL 63.05, 0.29%, 0.6%

LAB 72.54, -10.44, 29.75

 

CMYK 1 / 0 / 15 / 35

HEX #A4A58C

RGB 164 165 140

HSL 62.4, 0.12%, 0.6%

LAB 67.05, -4.78, 12.86

 

CMYK 4 / 4 / 0 / 39

HEX #95959C

RGB 149 149 156

HSL 240, 0.03%, 0.6%

LAB 61.9, 1.39, -3.68

 

CMYK 23 / 24 / 0 / 32

HEX #8684AD

RGB 134 132 173

HSL 242.93, 0.2%, 0.6%

LAB 56.67, 9.77, -21.36

 

CMYK 0 / 23 / 46 / 22

HEX #C6996B

RGB 198 153 107

HSL 30.33, 0.44%, 0.6%

LAB 66.4, 10.98, 30.59

 

CMYK 0 / 11 / 46 / 22

HEX #C6B16B

RGB 198 177 107

HSL 46.15, 0.44%, 0.6%

LAB 72.57, -1.94, 38.44

 

CMYK 2 / 0 / 46 / 22

HEX #C3C66B

RGB 195 198 107

HSL 61.98, 0.44%, 0.6%

LAB 77.91, -14.05, 44.98

 

CMYK 14 / 0 / 46 / 22

HEX #ABC66B

RGB 171 198 107

HSL 77.8, 0.44%, 0.6%

LAB 76.14, -23.56, 42.4

 

CMYK 26 / 0 / 46 / 22

HEX #92C66B

RGB 146 198 107

HSL 94.29, 0.44%, 0.6%

LAB 74.55, -32.93, 40.09

 

CMYK 3 / 0 / 62 / 36

HEX #9DA23D

RGB 157 162 61

HSL 62.97, 0.45%, 0.44%

LAB 64.44, -15.35, 50.32

 

CMYK 3 / 0 / 59 / 27

HEX #B6BB4D

RGB 182 187 77

HSL 62.73, 0.45%, 0.52%

LAB 73.56, -16.4, 53.76

 

CMYK 2 / 0 / 46 / 22

HEX #C2C66B

RGB 194 198 107

HSL 62.64, 0.44%, 0.6%

LAB 77.83, -14.45, 44.86

 

CMYK 1 / 0 / 35 / 18

HEX #CFD289

RGB 207 210 137

HSL 62.47, 0.45%, 0.68%

LAB 82.47, -12.12, 35.89

 

CMYK 1 / 0 / 25 / 13

HEX #DBDDA6

RGB 219 221 166

HSL 62.18, 0.45%, 0.76%

LAB 86.76, -9.43, 26.86

 

CMYK 2 / 0 / 47 / 22

HEX #C3C76A

RGB 195 199 106

HSL 62.58, 0.45%, 0.6%

LAB 78.16, -14.65, 45.78

 

CMYK 46 / 0 / 35 / 22

HEX #6BC680

RGB 107 198 128

HSL 133.85, 0.44%, 0.6%

LAB 72.94, -42.35, 26.87

 

CMYK 17 / 46 / 0 / 22

HEX #A56BC6

RGB 165 107 198

HSL 278.24, 0.44%, 0.6%

LAB 54.65, 39.53, -38.58

 

CMYK 2 / 0 / 47 / 22

HEX #C3C76A

RGB 195 199 106

HSL 62.58, 0.45%, 0.6%

LAB 78.16, -14.65, 45.78

 

CMYK 46 / 2 / 0 / 22

HEX #6BC3C6

RGB 107 195 198

HSL 181.98, 0.44%, 0.6%

LAB 73.7, -25.63, -9.74

 

CMYK 0 / 46 / 2 / 22

HEX #C66BC3

RGB 198 107 195

HSL 301.98, 0.44%, 0.6%

LAB 58.47, 48.62, -30.6

 

CMYK 2 / 0 / 47 / 22

HEX #C3C76A

RGB 195 199 106

HSL 62.58, 0.45%, 0.6%

LAB 78.16, -14.65, 45.78

 

CMYK 46 / 0 / 35 / 22

HEX #6BC680

RGB 107 198 128

HSL 133.85, 0.44%, 0.6%

LAB 72.94, -42.35, 26.87

 

CMYK 44 / 46 / 0 / 22

HEX #6E6BC6

RGB 110 107 198

HSL 241.98, 0.44%, 0.6%

LAB 49.38, 24.61, -47.25

 

CMYK 0 / 46 / 11 / 22

HEX #C66BB1

RGB 198 107 177

HSL 313.85, 0.44%, 0.6%

LAB 57.75, 45.5, -21.42

 

CMYK 2 / 0 / 47 / 22

HEX #C3C76A

RGB 195 199 106

HSL 62.58, 0.45%, 0.6%

LAB 78.16, -14.65, 45.78

 

CMYK 46 / 0 / 21 / 22

HEX #6BC69C

RGB 107 198 156

HSL 152.31, 0.44%, 0.6%

LAB 73.49, -36.96, 12.73

 

CMYK 44 / 46 / 0 / 22

HEX #6E6BC6

RGB 110 107 198

HSL 241.98, 0.44%, 0.6%

LAB 49.38, 24.61, -47.25

 

CMYK 0 / 46 / 25 / 22

HEX #C66B95

RGB 198 107 149

HSL 332.31, 0.44%, 0.6%

LAB 56.77, 41.16, -6.68

 

Description

Color code: HEX #C3C76A | qconv.com Color code: HEX #C3C76A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 199 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 199 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 47 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 47% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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