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Color name
HEX #C3C85A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3C85A it is the complementary color #3C37A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3C85A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3C85A shade: #C8C855, #D9DA68, #EAEC7B, #FBFE8E and #FFFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3C85A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3C85A shade: #C3C85A, #B2B647, #A1A434, #909221 and #7F800E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3C85A shade: #C3C85A, #C8AF5A, #C8925A, #C8745A and #C85A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3C85A shade: #C3C85A, #A5C85A, #88C85A, #6AC85A and #5AC868

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3C85A shade matches the following richer shades: #C3C85A, #D3D948, #E3EB37 and #F3FD25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3C85A shade: #C3C85A, #B3B66C, #A2A47E, #92928F and #8281A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3C85A shade: #C8915A, #C8AE5A, #C4C85A, #A7C85A and #8AC85A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3C85A shade: #979C34, #B5BB3E, #C3C85A, #CED279 and #D9DC98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3C85A shade: #C3C85A, #5AC874 and #9F5AC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3C85A shade: #C3C85A, #5AC4C8 and #C85AC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3C85A shade: #C3C85A, #5AC874, #5E5AC8 and #C85AAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3C85A shade: #C3C85A, #5AC895, #5E5AC8 and #C85A8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 55 / 22

HEX #C3C85A

RGB 195 200 90

HSL 62.73, 0.5%, 0.57%

LAB 78.26, -16.56, 53.45

 

Complementary color

CMYK 64 / 67 / 0 / 35

HEX #3C37A5

RGB 60 55 165

HSL 242.73, 0.5%, 0.43%

LAB 30.42, 36.11, -58.65

 

CMYK 0 / 0 / 58 / 22

HEX #C8C855

RGB 200 200 85

HSL 60, 0.51%, 0.56%

LAB 78.6, -14.89, 56.19

 

CMYK 0 / 0 / 52 / 15

HEX #D9DA68

RGB 217 218 104

HSL 60.53, 0.61%, 0.63%

LAB 84.94, -15.47, 55.18

 

CMYK 1 / 0 / 48 / 7

HEX #EAEC7B

RGB 234 236 123

HSL 61.06, 0.75%, 0.7%

LAB 91.2, -15.95, 54.08

 

CMYK 1 / 0 / 44 / 0

HEX #FBFE8E

RGB 251 254 142

HSL 61.61, 0.98%, 0.78%

LAB 97.37, -16.36, 52.96

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 3 / 0 / 55 / 22

HEX #C3C85A

RGB 195 200 90

HSL 62.73, 0.5%, 0.57%

LAB 78.26, -16.56, 53.45

 

CMYK 2 / 0 / 61 / 29

HEX #B2B647

RGB 178 182 71

HSL 62.16, 0.44%, 0.5%

LAB 71.81, -15.97, 54.39

 

CMYK 2 / 0 / 68 / 36

HEX #A1A434

RGB 161 164 52

HSL 61.61, 0.52%, 0.42%

LAB 65.26, -15.23, 55.04

 

CMYK 1 / 0 / 77 / 43

HEX #909221

RGB 144 146 33

HSL 61.06, 0.63%, 0.35%

LAB 58.6, -14.3, 55.09

 

CMYK 1 / 0 / 89 / 50

HEX #7F800E

RGB 127 128 14

HSL 60.53, 0.8%, 0.28%

LAB 51.82, -13.1, 53.95

 

CMYK 3 / 0 / 55 / 22

HEX #C3C85A

RGB 195 200 90

HSL 62.73, 0.5%, 0.57%

LAB 78.26, -16.56, 53.45

 

CMYK 0 / 13 / 55 / 22

HEX #C8AF5A

RGB 200 175 90

HSL 46.36, 0.5%, 0.57%

LAB 72.01, -1.59, 46.33

 

CMYK 0 / 27 / 55 / 22

HEX #C8925A

RGB 200 146 90

HSL 30.55, 0.5%, 0.57%

LAB 64.62, 14.06, 37.44

 

CMYK 0 / 42 / 55 / 22

HEX #C8745A

RGB 200 116 90

HSL 14.18, 0.5%, 0.57%

LAB 57.57, 30.41, 28.57

 

CMYK 0 / 55 / 55 / 22

HEX #C85A5A

RGB 200 90 90

HSL 0, 0.5%, 0.57%

LAB 52.21, 43.84, 21.57

 

CMYK 3 / 0 / 55 / 22

HEX #C3C85A

RGB 195 200 90

HSL 62.73, 0.5%, 0.57%

LAB 78.26, -16.56, 53.45

 

CMYK 18 / 0 / 55 / 22

HEX #A5C85A

RGB 165 200 90

HSL 79.09, 0.5%, 0.57%

LAB 76.1, -28.58, 50.4

 

CMYK 32 / 0 / 55 / 22

HEX #88C85A

RGB 136 200 90

HSL 94.91, 0.5%, 0.57%

LAB 74.37, -39.34, 47.95

 

CMYK 47 / 0 / 55 / 22

HEX #6AC85A

RGB 106 200 90

HSL 111.27, 0.5%, 0.57%

LAB 72.96, -49.03, 45.95

 

CMYK 55 / 0 / 48 / 22

HEX #5AC868

RGB 90 200 104

HSL 127.64, 0.5%, 0.57%

LAB 72.55, -51.5, 38.53

 

CMYK 3 / 0 / 55 / 22

HEX #C3C85A

RGB 195 200 90

HSL 62.73, 0.5%, 0.57%

LAB 78.26, -16.56, 53.45

 

CMYK 3 / 0 / 67 / 15

HEX #D3D948

RGB 211 217 72

HSL 62.48, 0.66%, 0.57%

LAB 83.94, -19.61, 67.45

 

CMYK 3 / 0 / 77 / 8

HEX #E3EB37

RGB 227 235 55

HSL 62.67, 0.82%, 0.57%

LAB 89.87, -22.53, 79.2

 

CMYK 4 / 0 / 85 / 1

HEX #F3FD25

RGB 243 253 37

HSL 62.78, 0.98%, 0.57%

LAB 95.76, -25.06, 88.95

 

CMYK 3 / 0 / 55 / 22

HEX #C3C85A

RGB 195 200 90

HSL 62.73, 0.5%, 0.57%

LAB 78.26, -16.56, 53.45

 

CMYK 2 / 0 / 41 / 29

HEX #B3B66C

RGB 179 182 108

HSL 62.43, 0.34%, 0.57%

LAB 72.31, -12.22, 37.26

 

CMYK 1 / 0 / 23 / 36

HEX #A2A47E

RGB 162 164 126

HSL 63.16, 0.17%, 0.57%

LAB 66.32, -7.2, 19.54

 

CMYK 0 / 0 / 2 / 43

HEX #92928F

RGB 146 146 143

HSL 60, 0.01%, 0.57%

LAB 60.47, -0.57, 1.58

 

CMYK 19 / 20 / 0 / 37

HEX #8281A1

RGB 130 129 161

HSL 241.88, 0.15%, 0.57%

LAB 55.09, 7.34, -16.9

 

CMYK 0 / 28 / 55 / 22

HEX #C8915A

RGB 200 145 90

HSL 30, 0.5%, 0.57%

LAB 64.38, 14.6, 37.14

 

CMYK 0 / 13 / 55 / 22

HEX #C8AE5A

RGB 200 174 90

HSL 45.82, 0.5%, 0.57%

LAB 71.75, -1.06, 46.02

 

CMYK 2 / 0 / 55 / 22

HEX #C4C85A

RGB 196 200 90

HSL 62.18, 0.5%, 0.57%

LAB 78.33, -16.15, 53.56

 

CMYK 17 / 0 / 55 / 22

HEX #A7C85A

RGB 167 200 90

HSL 78, 0.5%, 0.57%

LAB 76.23, -27.8, 50.59

 

CMYK 31 / 0 / 55 / 22

HEX #8AC85A

RGB 138 200 90

HSL 93.82, 0.5%, 0.57%

LAB 74.48, -38.63, 48.1

 

CMYK 3 / 0 / 67 / 39

HEX #979C34

RGB 151 156 52

HSL 62.88, 0.5%, 0.41%

LAB 62.17, -15.44, 51.63

 

CMYK 3 / 0 / 67 / 27

HEX #B5BB3E

RGB 181 187 62

HSL 62.88, 0.5%, 0.49%

LAB 73.36, -17.81, 59.82

 

CMYK 3 / 0 / 55 / 22

HEX #C3C85A

RGB 195 200 90

HSL 62.73, 0.5%, 0.57%

LAB 78.26, -16.56, 53.45

 

CMYK 2 / 0 / 42 / 18

HEX #CED279

RGB 206 210 121

HSL 62.7, 0.5%, 0.65%

LAB 82.16, -14.3, 43.52

 

CMYK 1 / 0 / 31 / 14

HEX #D9DC98

RGB 217 220 152

HSL 62.65, 0.49%, 0.73%

LAB 86.11, -11.5, 33.15

 

CMYK 3 / 0 / 55 / 22

HEX #C3C85A

RGB 195 200 90

HSL 62.73, 0.5%, 0.57%

LAB 78.26, -16.56, 53.45

 

CMYK 55 / 0 / 42 / 22

HEX #5AC874

RGB 90 200 116

HSL 134.18, 0.5%, 0.57%

LAB 72.72, -49.64, 32.69

 

CMYK 21 / 55 / 0 / 22

HEX #9F5AC8

RGB 159 90 200

HSL 277.64, 0.5%, 0.57%

LAB 50.52, 47.49, -46.31

 

CMYK 3 / 0 / 55 / 22

HEX #C3C85A

RGB 195 200 90

HSL 62.73, 0.5%, 0.57%

LAB 78.26, -16.56, 53.45

 

CMYK 55 / 2 / 0 / 22

HEX #5AC4C8

RGB 90 196 200

HSL 182.18, 0.5%, 0.57%

LAB 73.43, -29.22, -11.29

 

CMYK 0 / 55 / 2 / 22

HEX #C85AC4

RGB 200 90 196

HSL 302.18, 0.5%, 0.57%

LAB 55.66, 57.63, -35.53

 

CMYK 3 / 0 / 55 / 22

HEX #C3C85A

RGB 195 200 90

HSL 62.73, 0.5%, 0.57%

LAB 78.26, -16.56, 53.45

 

CMYK 55 / 0 / 42 / 22

HEX #5AC874

RGB 90 200 116

HSL 134.18, 0.5%, 0.57%

LAB 72.72, -49.64, 32.69

 

CMYK 53 / 55 / 0 / 22

HEX #5E5AC8

RGB 94 90 200

HSL 242.18, 0.5%, 0.57%

LAB 44.03, 32.02, -57.05

 

CMYK 0 / 55 / 13 / 22

HEX #C85AAE

RGB 200 90 174

HSL 314.18, 0.5%, 0.57%

LAB 54.71, 54, -24.33

 

CMYK 3 / 0 / 55 / 22

HEX #C3C85A

RGB 195 200 90

HSL 62.73, 0.5%, 0.57%

LAB 78.26, -16.56, 53.45

 

CMYK 55 / 0 / 26 / 22

HEX #5AC895

RGB 90 200 149

HSL 152.18, 0.5%, 0.57%

LAB 73.32, -43.45, 16.15

 

CMYK 53 / 55 / 0 / 22

HEX #5E5AC8

RGB 94 90 200

HSL 242.18, 0.5%, 0.57%

LAB 44.03, 32.02, -57.05

 

CMYK 0 / 55 / 30 / 22

HEX #C85A8D

RGB 200 90 141

HSL 332.18, 0.5%, 0.57%

LAB 53.51, 49.25, -6.81

 

Description

Color code: HEX #C3C85A | qconv.com Color code: HEX #C3C85A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 200 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 200 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 55 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 55% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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