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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3CE6D it is the complementary color #3C3192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3CE6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3CE6D shade: #C8CE68, #D9E07B, #EAF28E, #FBFFA1 and #FFFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3CE6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3CE6D shade: #C3CE6D, #B2BC5A, #A1AA47, #909834 and #7F8621

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3CE6D shade: #C3CE6D, #CEBF6D, #CEA56D, #CE8B6D and #CE716D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3CE6D shade: #C3CE6D, #A9CE6D, #8FCE6D, #75CE6D and #6DCE80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3CE6D shade matches the following richer shades: #C3CE6D, #CFDE5D, #DBED4E and #E7FD3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3CE6D shade: #C3CE6D, #B7BE7D, #ABAF8D, #9F9F9C and #938FAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3CE6D shade: #CEA46D, #CEBE6D, #C4CE6D, #ABCE6D and #91CE6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3CE6D shade: #A2AF3A, #B6C44E, #C3CE6D, #D0D88C and #DCE3AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3CE6D shade: #C3CE6D, #6DCE8A and #B16DCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3CE6D shade: #C3CE6D, #6DC4CE and #CE6DC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3CE6D shade: #C3CE6D, #6DCE8A, #776DCE and #CE6DB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3CE6D shade: #C3CE6D, #6DCEA7, #776DCE and #CE6D94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 47 / 19

HEX #C3CE6D

RGB 195 206 109

HSL 66.8, 0.5%, 0.62%

LAB 80.09, -17.87, 46.66

 

Complementary color

CMYK 59 / 66 / 0 / 43

HEX #3C3192

RGB 60 49 146

HSL 246.8, 0.5%, 0.38%

LAB 27.39, 33.47, -52.03

 

CMYK 3 / 0 / 50 / 19

HEX #C8CE68

RGB 200 206 104

HSL 63.53, 0.51%, 0.61%

LAB 80.42, -16.34, 49.54

 

CMYK 3 / 0 / 45 / 12

HEX #D9E07B

RGB 217 224 123

HSL 64.16, 0.62%, 0.68%

LAB 86.75, -16.73, 48.4

 

CMYK 3 / 0 / 41 / 5

HEX #EAF28E

RGB 234 242 142

HSL 64.8, 0.79%, 0.75%

LAB 92.99, -17.05, 47.25

 

CMYK 2 / 0 / 37 / 0

HEX #FBFFA1

RGB 251 255 161

HSL 62.55, 1%, 0.82%

LAB 97.87, -14.9, 44.48

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 5 / 0 / 47 / 19

HEX #C3CE6D

RGB 195 206 109

HSL 66.8, 0.5%, 0.62%

LAB 80.09, -17.87, 46.66

 

CMYK 5 / 0 / 52 / 26

HEX #B2BC5A

RGB 178 188 90

HSL 66.12, 0.42%, 0.55%

LAB 73.66, -17.49, 47.8

 

CMYK 5 / 0 / 58 / 33

HEX #A1AA47

RGB 161 170 71

HSL 65.45, 0.41%, 0.47%

LAB 67.11, -17.02, 48.85

 

CMYK 5 / 0 / 66 / 40

HEX #909834

RGB 144 152 52

HSL 64.8, 0.49%, 0.4%

LAB 60.46, -16.41, 49.67

 

CMYK 5 / 0 / 75 / 47

HEX #7F8621

RGB 127 134 33

HSL 64.16, 0.6%, 0.33%

LAB 53.68, -15.6, 49.99

 

CMYK 5 / 0 / 47 / 19

HEX #C3CE6D

RGB 195 206 109

HSL 66.8, 0.5%, 0.62%

LAB 80.09, -17.87, 46.66

 

CMYK 0 / 7 / 47 / 19

HEX #CEBF6D

RGB 206 191 109

HSL 50.72, 0.5%, 0.62%

LAB 76.97, -5.8, 43.05

 

CMYK 0 / 20 / 47 / 19

HEX #CEA56D

RGB 206 165 109

HSL 34.64, 0.5%, 0.62%

LAB 70.27, 7.98, 34.65

 

CMYK 0 / 33 / 47 / 19

HEX #CE8B6D

RGB 206 139 109

HSL 18.56, 0.5%, 0.62%

LAB 63.91, 22.11, 26.4

 

CMYK 0 / 45 / 47 / 19

HEX #CE716D

RGB 206 113 109

HSL 2.47, 0.5%, 0.62%

LAB 58.07, 36.08, 18.57

 

CMYK 5 / 0 / 47 / 19

HEX #C3CE6D

RGB 195 206 109

HSL 66.8, 0.5%, 0.62%

LAB 80.09, -17.87, 46.66

 

CMYK 18 / 0 / 47 / 19

HEX #A9CE6D

RGB 169 206 109

HSL 82.89, 0.5%, 0.62%

LAB 78.28, -27.98, 44.03

 

CMYK 31 / 0 / 47 / 19

HEX #8FCE6D

RGB 143 206 109

HSL 98.97, 0.5%, 0.62%

LAB 76.73, -37.41, 41.78

 

CMYK 43 / 0 / 47 / 19

HEX #75CE6D

RGB 117 206 109

HSL 115.05, 0.5%, 0.62%

LAB 75.47, -45.82, 39.93

 

CMYK 47 / 0 / 38 / 19

HEX #6DCE80

RGB 109 206 128

HSL 131.75, 0.5%, 0.62%

LAB 75.42, -45.23, 30.18

 

CMYK 5 / 0 / 47 / 19

HEX #C3CE6D

RGB 195 206 109

HSL 66.8, 0.5%, 0.62%

LAB 80.09, -17.87, 46.66

 

CMYK 7 / 0 / 58 / 13

HEX #CFDE5D

RGB 207 222 93

HSL 66.98, 0.66%, 0.62%

LAB 85.15, -22.31, 60.11

 

CMYK 8 / 0 / 67 / 7

HEX #DBED4E

RGB 219 237 78

HSL 66.79, 0.82%, 0.62%

LAB 89.94, -25.66, 71.48

 

CMYK 9 / 0 / 75 / 1

HEX #E7FD3E

RGB 231 253 62

HSL 66.91, 0.98%, 0.62%

LAB 94.99, -29.13, 81.94

 

CMYK 5 / 0 / 47 / 19

HEX #C3CE6D

RGB 195 206 109

HSL 66.8, 0.5%, 0.62%

LAB 80.09, -17.87, 46.66

 

CMYK 4 / 0 / 34 / 25

HEX #B7BE7D

RGB 183 190 125

HSL 66.46, 0.33%, 0.62%

LAB 75.06, -12.75, 32.06

 

CMYK 2 / 0 / 19 / 31

HEX #ABAF8D

RGB 171 175 141

HSL 67.06, 0.18%, 0.62%

LAB 70.34, -7.31, 17

 

CMYK 0 / 0 / 2 / 38

HEX #9F9F9C

RGB 159 159 156

HSL 60, 0.02%, 0.62%

LAB 65.41, -0.56, 1.55

 

CMYK 15 / 17 / 0 / 33

HEX #938FAC

RGB 147 143 172

HSL 248.28, 0.15%, 0.62%

LAB 60.63, 7.48, -14.67

 

CMYK 0 / 20 / 47 / 19

HEX #CEA46D

RGB 206 164 109

HSL 34.02, 0.5%, 0.62%

LAB 70.02, 8.52, 34.33

 

CMYK 0 / 8 / 47 / 19

HEX #CEBE6D

RGB 206 190 109

HSL 50.1, 0.5%, 0.62%

LAB 76.71, -5.28, 42.73

 

CMYK 5 / 0 / 47 / 19

HEX #C4CE6D

RGB 196 206 109

HSL 66.19, 0.5%, 0.62%

LAB 80.17, -17.47, 46.77

 

CMYK 17 / 0 / 47 / 19

HEX #ABCE6D

RGB 171 206 109

HSL 81.65, 0.5%, 0.62%

LAB 78.41, -27.22, 44.22

 

CMYK 30 / 0 / 47 / 19

HEX #91CE6D

RGB 145 206 109

HSL 97.73, 0.5%, 0.62%

LAB 76.84, -36.71, 41.93

 

CMYK 7 / 0 / 67 / 31

HEX #A2AF3A

RGB 162 175 58

HSL 66.67, 0.5%, 0.46%

LAB 68.49, -20.05, 55.96

 

CMYK 7 / 0 / 60 / 23

HEX #B6C44E

RGB 182 196 78

HSL 67.12, 0.5%, 0.54%

LAB 76.05, -20.82, 56.06

 

CMYK 5 / 0 / 47 / 19

HEX #C3CE6D

RGB 195 206 109

HSL 66.8, 0.5%, 0.62%

LAB 80.09, -17.87, 46.66

 

CMYK 4 / 0 / 35 / 15

HEX #D0D88C

RGB 208 216 140

HSL 66.32, 0.49%, 0.7%

LAB 84.18, -14.4, 36.6

 

CMYK 3 / 0 / 25 / 11

HEX #DCE3AB

RGB 220 227 171

HSL 67.5, 0.5%, 0.78%

LAB 88.49, -11.39, 26.64

 

CMYK 5 / 0 / 47 / 19

HEX #C3CE6D

RGB 195 206 109

HSL 66.8, 0.5%, 0.62%

LAB 80.09, -17.87, 46.66

 

CMYK 47 / 0 / 33 / 19

HEX #6DCE8A

RGB 109 206 138

HSL 137.94, 0.5%, 0.62%

LAB 75.59, -43.5, 25.21

 

CMYK 14 / 47 / 0 / 19

HEX #B16DCE

RGB 177 109 206

HSL 282.06, 0.5%, 0.62%

LAB 56.82, 43.61, -39.62

 

CMYK 5 / 0 / 47 / 19

HEX #C3CE6D

RGB 195 206 109

HSL 66.8, 0.5%, 0.62%

LAB 80.09, -17.87, 46.66

 

CMYK 47 / 5 / 0 / 19

HEX #6DC4CE

RGB 109 196 206

HSL 186.19, 0.5%, 0.62%

LAB 74.31, -23.57, -13.16

 

CMYK 0 / 47 / 5 / 19

HEX #CE6DC4

RGB 206 109 196

HSL 306.19, 0.5%, 0.62%

LAB 59.93, 50.16, -28.83

 

CMYK 5 / 0 / 47 / 19

HEX #C3CE6D

RGB 195 206 109

HSL 66.8, 0.5%, 0.62%

LAB 80.09, -17.87, 46.66

 

CMYK 47 / 0 / 33 / 19

HEX #6DCE8A

RGB 109 206 138

HSL 137.94, 0.5%, 0.62%

LAB 75.59, -43.5, 25.21

 

CMYK 42 / 47 / 0 / 19

HEX #776DCE

RGB 119 109 206

HSL 246.19, 0.5%, 0.62%

LAB 51.05, 27.95, -49.12

 

CMYK 0 / 47 / 14 / 19

HEX #CE6DB1

RGB 206 109 177

HSL 317.94, 0.5%, 0.62%

LAB 59.19, 47, -19.12

 

CMYK 5 / 0 / 47 / 19

HEX #C3CE6D

RGB 195 206 109

HSL 66.8, 0.5%, 0.62%

LAB 80.09, -17.87, 46.66

 

CMYK 47 / 0 / 19 / 19

HEX #6DCEA7

RGB 109 206 167

HSL 155.88, 0.5%, 0.62%

LAB 76.18, -37.75, 10.64

 

CMYK 42 / 47 / 0 / 19

HEX #776DCE

RGB 119 109 206

HSL 246.19, 0.5%, 0.62%

LAB 51.05, 27.95, -49.12

 

CMYK 0 / 47 / 28 / 19

HEX #CE6D94

RGB 206 109 148

HSL 335.88, 0.5%, 0.62%

LAB 58.22, 42.73, -3.83

 

Description

Color code: HEX #C3CE6D | qconv.com Color code: HEX #C3CE6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 206 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 206 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 47 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 47% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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