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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3D8C1 it is the complementary color #3C273E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3D8C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3D8C1 shade: #C8D8BC, #D9EACF, #EAFCE2 and #FBFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3D8C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3D8C1 shade: #C3D8C1, #B2C6AE, #A1B49B, #90A288 and #7F9075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3D8C1 shade: #C2D7C0, #C8D7C0, #CED7C0, #D5D7C0 and #D7D3C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3D8C1 shade: #C2D7C0, #C0D7C4, #C0D7CA, #C0D7D1 and #C0D7D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3D8C1 shade matches the following richer shades: #C2D7C0, #BBDFB8, #B4E8AF, #ADF0A7 and #A7F89F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3D8C1 shade: #C2D7C0, #C9CFC8, #CFC7D0, #D6BED9 and #DDB6E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3D8C1 shade: #CFD7C0, #C8D7C0, #C2D7C0, #C0D7C4 and #C0D7CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3D8C1 shade: #91B78D, #A9C7A6, #C2D7C0, #DAE7D9 and #F3F7F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3D8C1 shade: #C3D8C1, #C0D5D7 and #D7C0CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3D8C1 shade: #C3D8C1, #C0C2D7 and #D7C0C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3D8C1 shade: #C3D8C1, #C0D5D7, #D5C0D7 and #D7C2C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3D8C1 shade: #C3D8C1, #C0CED7, #D5C0D7 and #D7C9C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 11 / 15

HEX #C3D8C1

RGB 195 216 193

HSL 114.78, 0.23%, 0.8%

LAB 84.26, -11.28, 8.96

 

Complementary color

CMYK 3 / 37 / 0 / 76

HEX #3C273E

RGB 60 39 62

HSL 294.78, 0.23%, 0.2%

LAB 19.05, 14.59, -10.74

 

CMYK 7 / 0 / 13 / 15

HEX #C8D8BC

RGB 200 216 188

HSL 94.29, 0.26%, 0.79%

LAB 84.5, -10.41, 11.98

 

CMYK 7 / 0 / 12 / 8

HEX #D9EACF

RGB 217 234 207

HSL 97.78, 0.39%, 0.86%

LAB 90.83, -10.43, 11.2

 

CMYK 7 / 0 / 10 / 1

HEX #EAFCE2

RGB 234 252 226

HSL 101.54, 0.81%, 0.94%

LAB 97.07, -10.46, 10.44

 

CMYK 2 / 0 / 4 / 0

HEX #FBFFF5

RGB 251 255 245

HSL 84, 1%, 0.98%

LAB 99.46, -3.05, 4.3

 

CMYK 10 / 0 / 11 / 15

HEX #C3D8C1

RGB 195 216 193

HSL 114.78, 0.23%, 0.8%

LAB 84.26, -11.28, 8.96

 

CMYK 10 / 0 / 12 / 22

HEX #B2C6AE

RGB 178 198 174

HSL 110, 0.17%, 0.73%

LAB 77.82, -11.29, 9.73

 

CMYK 11 / 0 / 14 / 29

HEX #A1B49B

RGB 161 180 155

HSL 105.6, 0.14%, 0.66%

LAB 71.27, -11.31, 10.55

 

CMYK 11 / 0 / 16 / 36

HEX #90A288

RGB 144 162 136

HSL 101.54, 0.12%, 0.58%

LAB 64.6, -11.33, 11.41

 

CMYK 12 / 0 / 19 / 44

HEX #7F9075

RGB 127 144 117

HSL 97.78, 0.11%, 0.51%

LAB 57.79, -11.37, 12.33

 

CMYK 10 / 0 / 11 / 16

HEX #C2D7C0

RGB 194 215 192

HSL 114.78, 0.22%, 0.8%

LAB 83.9, -11.28, 8.97

 

CMYK 7 / 0 / 11 / 16

HEX #C8D7C0

RGB 200 215 192

HSL 99.13, 0.22%, 0.8%

LAB 84.32, -9.22, 9.62

 

CMYK 4 / 0 / 11 / 16

HEX #CED7C0

RGB 206 215 192

HSL 83.48, 0.22%, 0.8%

LAB 84.76, -7.12, 10.3

 

CMYK 1 / 0 / 11 / 16

HEX #D5D7C0

RGB 213 215 192

HSL 65.22, 0.22%, 0.8%

LAB 85.28, -4.65, 11.12

 

CMYK 0 / 2 / 11 / 16

HEX #D7D3C0

RGB 215 211 192

HSL 49.57, 0.22%, 0.8%

LAB 84.4, -1.87, 9.89

 

CMYK 10 / 0 / 11 / 16

HEX #C2D7C0

RGB 194 215 192

HSL 114.78, 0.22%, 0.8%

LAB 83.9, -11.28, 8.97

 

CMYK 11 / 0 / 9 / 16

HEX #C0D7C4

RGB 192 215 196

HSL 130.43, 0.22%, 0.8%

LAB 83.86, -11.25, 6.77

 

CMYK 11 / 0 / 6 / 16

HEX #C0D7CA

RGB 192 215 202

HSL 146.09, 0.22%, 0.8%

LAB 84, -10.14, 3.8

 

CMYK 11 / 0 / 3 / 16

HEX #C0D7D1

RGB 192 215 209

HSL 164.35, 0.22%, 0.8%

LAB 84.18, -8.81, 0.34

 

CMYK 11 / 0 / 0 / 16

HEX #C0D7D7

RGB 192 215 215

HSL 180, 0.22%, 0.8%

LAB 84.34, -7.64, -2.62

 

CMYK 10 / 0 / 11 / 16

HEX #C2D7C0

RGB 194 215 192

HSL 114.78, 0.22%, 0.8%

LAB 83.9, -11.28, 8.97

 

CMYK 16 / 0 / 17 / 13

HEX #BBDFB8

RGB 187 223 184

HSL 115.38, 0.38%, 0.8%

LAB 85.4, -19.09, 15.25

 

CMYK 22 / 0 / 25 / 9

HEX #B4E8AF

RGB 180 232 175

HSL 114.74, 0.55%, 0.8%

LAB 87.25, -27.32, 22.44

 

CMYK 28 / 0 / 30 / 6

HEX #ADF0A7

RGB 173 240 167

HSL 115.07, 0.71%, 0.8%

LAB 88.92, -34.66, 28.76

 

CMYK 33 / 0 / 36 / 3

HEX #A7F89F

RGB 167 248 159

HSL 114.61, 0.86%, 0.8%

LAB 90.71, -41.4, 35.14

 

CMYK 10 / 0 / 11 / 16

HEX #C2D7C0

RGB 194 215 192

HSL 114.78, 0.22%, 0.8%

LAB 83.9, -11.28, 8.97

 

CMYK 3 / 0 / 3 / 19

HEX #C9CFC8

RGB 201 207 200

HSL 111.43, 0.07%, 0.8%

LAB 82.49, -3.32, 2.75

 

CMYK 0 / 4 / 0 / 18

HEX #CFC7D0

RGB 207 199 208

HSL 293.33, 0.09%, 0.8%

LAB 81.11, 4.41, -3.5

 

CMYK 1 / 12 / 0 / 15

HEX #D6BED9

RGB 214 190 217

HSL 293.33, 0.26%, 0.8%

LAB 79.69, 13.27, -10.37

 

CMYK 2 / 19 / 0 / 12

HEX #DDB6E1

RGB 221 182 225

HSL 294.42, 0.42%, 0.8%

LAB 78.62, 21.42, -16.23

 

CMYK 4 / 0 / 11 / 16

HEX #CFD7C0

RGB 207 215 192

HSL 80.87, 0.22%, 0.8%

LAB 84.83, -6.77, 10.42

 

CMYK 7 / 0 / 11 / 16

HEX #C8D7C0

RGB 200 215 192

HSL 99.13, 0.22%, 0.8%

LAB 84.32, -9.22, 9.62

 

CMYK 10 / 0 / 11 / 16

HEX #C2D7C0

RGB 194 215 192

HSL 114.78, 0.22%, 0.8%

LAB 83.9, -11.28, 8.97

 

CMYK 11 / 0 / 9 / 16

HEX #C0D7C4

RGB 192 215 196

HSL 130.43, 0.22%, 0.8%

LAB 83.86, -11.25, 6.77

 

CMYK 11 / 0 / 6 / 16

HEX #C0D7CA

RGB 192 215 202

HSL 146.09, 0.22%, 0.8%

LAB 84, -10.14, 3.8

 

CMYK 21 / 0 / 23 / 28

HEX #91B78D

RGB 145 183 141

HSL 114.29, 0.23%, 0.64%

LAB 70.74, -20.98, 17.26

 

CMYK 15 / 0 / 17 / 22

HEX #A9C7A6

RGB 169 199 166

HSL 114.55, 0.23%, 0.72%

LAB 77.3, -16.35, 13.21

 

CMYK 10 / 0 / 11 / 16

HEX #C2D7C0

RGB 194 215 192

HSL 114.78, 0.22%, 0.8%

LAB 83.9, -11.28, 8.97

 

CMYK 6 / 0 / 6 / 9

HEX #DAE7D9

RGB 218 231 217

HSL 115.71, 0.23%, 0.88%

LAB 90.35, -6.85, 5.31

 

CMYK 2 / 0 / 2 / 3

HEX #F3F7F3

RGB 243 247 243

HSL 120, 0.2%, 0.96%

LAB 96.84, -2.02, 1.45

 

CMYK 10 / 0 / 11 / 15

HEX #C3D8C1

RGB 195 216 193

HSL 114.78, 0.23%, 0.8%

LAB 84.26, -11.28, 8.96

 

CMYK 11 / 1 / 0 / 16

HEX #C0D5D7

RGB 192 213 215

HSL 185.22, 0.22%, 0.8%

LAB 83.81, -6.61, -3.39

 

CMYK 0 / 11 / 5 / 16

HEX #D7C0CC

RGB 215 192 204

HSL 328.7, 0.22%, 0.8%

LAB 79.9, 10.18, -3.05

 

CMYK 10 / 0 / 11 / 15

HEX #C3D8C1

RGB 195 216 193

HSL 114.78, 0.23%, 0.8%

LAB 84.26, -11.28, 8.96

 

CMYK 11 / 10 / 0 / 16

HEX #C0C2D7

RGB 192 194 215

HSL 234.78, 0.22%, 0.8%

LAB 78.87, 3.4, -10.71

 

CMYK 0 / 11 / 10 / 16

HEX #D7C0C2

RGB 215 192 194

HSL 354.78, 0.22%, 0.8%

LAB 79.64, 8.46, 1.96

 

CMYK 10 / 0 / 11 / 15

HEX #C3D8C1

RGB 195 216 193

HSL 114.78, 0.23%, 0.8%

LAB 84.26, -11.28, 8.96

 

CMYK 11 / 1 / 0 / 16

HEX #C0D5D7

RGB 192 213 215

HSL 185.22, 0.22%, 0.8%

LAB 83.81, -6.61, -3.39

 

CMYK 1 / 11 / 0 / 16

HEX #D5C0D7

RGB 213 192 215

HSL 294.78, 0.22%, 0.8%

LAB 80.04, 11.48, -8.78

 

CMYK 0 / 10 / 11 / 16

HEX #D7C2C0

RGB 215 194 192

HSL 5.22, 0.22%, 0.8%

LAB 80.09, 7.06, 3.69

 

CMYK 10 / 0 / 11 / 15

HEX #C3D8C1

RGB 195 216 193

HSL 114.78, 0.23%, 0.8%

LAB 84.26, -11.28, 8.96

 

CMYK 11 / 4 / 0 / 16

HEX #C0CED7

RGB 192 206 215

HSL 203.48, 0.22%, 0.8%

LAB 81.98, -2.96, -6.09

 

CMYK 1 / 11 / 0 / 16

HEX #D5C0D7

RGB 213 192 215

HSL 294.78, 0.22%, 0.8%

LAB 80.04, 11.48, -8.78

 

CMYK 0 / 7 / 11 / 16

HEX #D7C9C0

RGB 215 201 192

HSL 23.48, 0.22%, 0.8%

LAB 81.85, 3.36, 6.24

 

Description

Color code: HEX #C3D8C1 | qconv.com Color code: HEX #C3D8C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 216 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 216 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 11 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 11% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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