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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3DAC0 it is the complementary color #3C253F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3DAC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3DAC0 shade: #C8DABB, #D9ECCE, #EAFEE1 and #FBFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3DAC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3DAC0 shade: #C3DAC0, #B2C8AD, #A1B69A, #90A487 and #7F9274

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3DAC0 shade: #C1D9BE, #C8D9BE, #D0D9BE, #D7D9BE and #D9D4BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3DAC0 shade: #C1D9BE, #BED9C2, #BED9C9, #BED9D1 and #BED9D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3DAC0 shade matches the following richer shades: #C1D9BE, #BBE1B6, #B5E9AE, #AEF2A5 and #A8FA9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3DAC0 shade: #C1D9BE, #C8D1C6, #CEC8CF, #D4C0D7 and #DBB8DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3DAC0 shade: #CFD9BE, #C8D9BE, #C1D9BE, #BED9C2 and #BED9C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3DAC0 shade: #90BA8A, #A9C9A4, #C1D9BE, #DAE8D8 and #F3F7F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3DAC0 shade: #C3DAC0, #BED7D9 and #D9BECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3DAC0 shade: #C3DAC0, #BEC1D9 and #D9BEC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3DAC0 shade: #C3DAC0, #BED7D9, #D6BED9 and #D9C0BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3DAC0 shade: #C3DAC0, #BECFD9, #D6BED9 and #D9C8BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 12 / 15

HEX #C3DAC0

RGB 195 218 192

HSL 113.08, 0.26%, 0.8%

LAB 84.77, -12.47, 10.21

 

Complementary color

CMYK 5 / 41 / 0 / 75

HEX #3C253F

RGB 60 37 63

HSL 293.08, 0.26%, 0.2%

LAB 18.55, 16.17, -12.2

 

CMYK 8 / 0 / 14 / 15

HEX #C8DABB

RGB 200 218 187

HSL 94.84, 0.3%, 0.79%

LAB 85, -11.59, 13.23

 

CMYK 8 / 0 / 13 / 7

HEX #D9ECCE

RGB 217 236 206

HSL 98, 0.44%, 0.87%

LAB 91.32, -11.61, 12.43

 

CMYK 8 / 0 / 11 / 0

HEX #EAFEE1

RGB 234 254 225

HSL 101.38, 0.94%, 0.94%

LAB 97.56, -11.62, 11.65

 

CMYK 2 / 0 / 4 / 0

HEX #FBFFF4

RGB 251 255 244

HSL 81.82, 1%, 0.98%

LAB 99.44, -3.22, 4.78

 

CMYK 11 / 0 / 12 / 15

HEX #C3DAC0

RGB 195 218 192

HSL 113.08, 0.26%, 0.8%

LAB 84.77, -12.47, 10.21

 

CMYK 11 / 0 / 14 / 22

HEX #B2C8AD

RGB 178 200 173

HSL 108.89, 0.2%, 0.73%

LAB 78.34, -12.49, 11.01

 

CMYK 12 / 0 / 15 / 29

HEX #A1B69A

RGB 161 182 154

HSL 105, 0.16%, 0.66%

LAB 71.8, -12.53, 11.85

 

CMYK 12 / 0 / 18 / 36

HEX #90A487

RGB 144 164 135

HSL 101.38, 0.14%, 0.59%

LAB 65.14, -12.57, 12.73

 

CMYK 13 / 0 / 21 / 43

HEX #7F9274

RGB 127 146 116

HSL 98, 0.12%, 0.51%

LAB 58.35, -12.63, 13.68

 

CMYK 11 / 0 / 12 / 15

HEX #C1D9BE

RGB 193 217 190

HSL 113.33, 0.26%, 0.8%

LAB 84.32, -13, 10.61

 

CMYK 8 / 0 / 12 / 15

HEX #C8D9BE

RGB 200 217 190

HSL 97.78, 0.26%, 0.8%

LAB 84.8, -10.58, 11.37

 

CMYK 4 / 0 / 12 / 15

HEX #D0D9BE

RGB 208 217 190

HSL 80, 0.26%, 0.8%

LAB 85.38, -7.78, 12.26

 

CMYK 1 / 0 / 12 / 15

HEX #D7D9BE

RGB 215 217 190

HSL 64.44, 0.26%, 0.8%

LAB 85.9, -5.29, 13.08

 

CMYK 0 / 2 / 12 / 15

HEX #D9D4BE

RGB 217 212 190

HSL 48.89, 0.26%, 0.8%

LAB 84.77, -2, 11.49

 

CMYK 11 / 0 / 12 / 15

HEX #C1D9BE

RGB 193 217 190

HSL 113.33, 0.26%, 0.8%

LAB 84.32, -13, 10.61

 

CMYK 12 / 0 / 11 / 15

HEX #BED9C2

RGB 190 217 194

HSL 128.89, 0.26%, 0.8%

LAB 84.21, -13.3, 8.31

 

CMYK 12 / 0 / 7 / 15

HEX #BED9C9

RGB 190 217 201

HSL 144.44, 0.26%, 0.8%

LAB 84.38, -12.02, 4.85

 

CMYK 12 / 0 / 4 / 15

HEX #BED9D1

RGB 190 217 209

HSL 162.22, 0.26%, 0.8%

LAB 84.57, -10.5, 0.9

 

CMYK 12 / 0 / 0 / 15

HEX #BED9D8

RGB 190 217 216

HSL 177.78, 0.26%, 0.8%

LAB 84.76, -9.12, -2.55

 

CMYK 11 / 0 / 12 / 15

HEX #C1D9BE

RGB 193 217 190

HSL 113.33, 0.26%, 0.8%

LAB 84.32, -13, 10.61

 

CMYK 17 / 0 / 19 / 12

HEX #BBE1B6

RGB 187 225 182

HSL 113.02, 0.42%, 0.8%

LAB 85.9, -20.41, 17

 

CMYK 22 / 0 / 25 / 9

HEX #B5E9AE

RGB 181 233 174

HSL 112.88, 0.57%, 0.8%

LAB 87.56, -27.63, 23.4

 

CMYK 28 / 0 / 32 / 5

HEX #AEF2A5

RGB 174 242 165

HSL 112.99, 0.75%, 0.8%

LAB 89.5, -35.56, 30.56

 

CMYK 33 / 0 / 37 / 2

HEX #A8FA9D

RGB 168 250 157

HSL 112.9, 0.9%, 0.8%

LAB 91.29, -42.26, 36.9

 

CMYK 11 / 0 / 12 / 15

HEX #C1D9BE

RGB 193 217 190

HSL 113.33, 0.26%, 0.8%

LAB 84.32, -13, 10.61

 

CMYK 4 / 0 / 5 / 18

HEX #C8D1C6

RGB 200 209 198

HSL 109.09, 0.11%, 0.8%

LAB 82.89, -5.07, 4.38

 

CMYK 0 / 3 / 0 / 19

HEX #CEC8CF

RGB 206 200 207

HSL 291.43, 0.07%, 0.8%

LAB 81.26, 3.35, -2.75

 

CMYK 1 / 11 / 0 / 16

HEX #D4C0D7

RGB 212 192 215

HSL 292.17, 0.22%, 0.8%

LAB 79.96, 11.15, -8.92

 

CMYK 2 / 17 / 0 / 13

HEX #DBB8DF

RGB 219 184 223

HSL 293.85, 0.38%, 0.8%

LAB 78.85, 19.3, -14.82

 

CMYK 5 / 0 / 12 / 15

HEX #CFD9BE

RGB 207 217 190

HSL 82.22, 0.26%, 0.8%

LAB 85.31, -8.13, 12.15

 

CMYK 8 / 0 / 12 / 15

HEX #C8D9BE

RGB 200 217 190

HSL 97.78, 0.26%, 0.8%

LAB 84.8, -10.58, 11.37

 

CMYK 11 / 0 / 12 / 15

HEX #C1D9BE

RGB 193 217 190

HSL 113.33, 0.26%, 0.8%

LAB 84.32, -13, 10.61

 

CMYK 12 / 0 / 11 / 15

HEX #BED9C2

RGB 190 217 194

HSL 128.89, 0.26%, 0.8%

LAB 84.21, -13.3, 8.31

 

CMYK 12 / 0 / 7 / 15

HEX #BED9C9

RGB 190 217 201

HSL 144.44, 0.26%, 0.8%

LAB 84.38, -12.02, 4.85

 

CMYK 23 / 0 / 26 / 27

HEX #90BA8A

RGB 144 186 138

HSL 112.5, 0.26%, 0.64%

LAB 71.47, -23.34, 19.89

 

CMYK 16 / 0 / 18 / 21

HEX #A9C9A4

RGB 169 201 164

HSL 111.89, 0.26%, 0.72%

LAB 77.81, -17.71, 14.99

 

CMYK 11 / 0 / 12 / 15

HEX #C1D9BE

RGB 193 217 190

HSL 113.33, 0.26%, 0.8%

LAB 84.32, -13, 10.61

 

CMYK 6 / 0 / 7 / 9

HEX #DAE8D8

RGB 218 232 216

HSL 112.5, 0.26%, 0.88%

LAB 90.59, -7.54, 6.17

 

CMYK 2 / 0 / 2 / 3

HEX #F3F7F2

RGB 243 247 242

HSL 108, 0.24%, 0.96%

LAB 96.81, -2.2, 1.93

 

CMYK 11 / 0 / 12 / 15

HEX #C3DAC0

RGB 195 218 192

HSL 113.08, 0.26%, 0.8%

LAB 84.77, -12.47, 10.21

 

CMYK 12 / 1 / 0 / 15

HEX #BED7D9

RGB 190 215 217

HSL 184.44, 0.26%, 0.8%

LAB 84.26, -7.89, -3.81

 

CMYK 0 / 12 / 6 / 15

HEX #D9BECC

RGB 217 190 204

HSL 328.89, 0.26%, 0.8%

LAB 79.58, 11.95, -3.5

 

CMYK 11 / 0 / 12 / 15

HEX #C3DAC0

RGB 195 218 192

HSL 113.08, 0.26%, 0.8%

LAB 84.77, -12.47, 10.21

 

CMYK 12 / 11 / 0 / 15

HEX #BEC1D9

RGB 190 193 217

HSL 233.33, 0.26%, 0.8%

LAB 78.52, 3.7, -12.32

 

CMYK 0 / 12 / 11 / 15

HEX #D9BEC1

RGB 217 190 193

HSL 353.33, 0.26%, 0.8%

LAB 79.29, 10.07, 2.01

 

CMYK 11 / 0 / 12 / 15

HEX #C3DAC0

RGB 195 218 192

HSL 113.08, 0.26%, 0.8%

LAB 84.77, -12.47, 10.21

 

CMYK 12 / 1 / 0 / 15

HEX #BED7D9

RGB 190 215 217

HSL 184.44, 0.26%, 0.8%

LAB 84.26, -7.89, -3.81

 

CMYK 1 / 12 / 0 / 15

HEX #D6BED9

RGB 214 190 217

HSL 293.33, 0.26%, 0.8%

LAB 79.69, 13.27, -10.37

 

CMYK 0 / 12 / 12 / 15

HEX #D9C0BE

RGB 217 192 190

HSL 4.44, 0.26%, 0.8%

LAB 79.71, 8.51, 4.24

 

CMYK 11 / 0 / 12 / 15

HEX #C3DAC0

RGB 195 218 192

HSL 113.08, 0.26%, 0.8%

LAB 84.77, -12.47, 10.21

 

CMYK 12 / 5 / 0 / 15

HEX #BECFD9

RGB 190 207 217

HSL 202.22, 0.26%, 0.8%

LAB 82.15, -3.73, -6.91

 

CMYK 1 / 12 / 0 / 15

HEX #D6BED9

RGB 214 190 217

HSL 293.33, 0.26%, 0.8%

LAB 79.69, 13.27, -10.37

 

CMYK 0 / 8 / 12 / 15

HEX #D9C8BE

RGB 217 200 190

HSL 22.22, 0.26%, 0.8%

LAB 81.72, 4.27, 7.13

 

Description

Color code: HEX #C3DAC0 | qconv.com Color code: HEX #C3DAC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 218 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 218 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 12 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 12% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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