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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3DB75 it is the complementary color #3C248A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3DB75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3DB75 shade: #C8DB70, #D9ED83, #EAFF96, #FBFFA9 and #FFFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3DB75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3DB75 shade: #C3DB75, #B2C962, #A1B74F, #90A53C and #7F9329

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3DB75 shade: #C3DB75, #DBD775, #DBBC75, #DBA075 and #DB8575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3DB75 shade: #C3DB75, #A7DB75, #8CDB75, #75DB79 and #75DB95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3DB75 shade matches the following richer shades: #C3DB75, #CAE967 and #D2F759

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3DB75 shade: #C3DB75, #BBCD83, #B4BF91, #ADB19F and #A5A3AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3DB75 shade: #DBBC75, #DBD875, #C3DB75, #A8DB75 and #8DDB75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3DB75 shade: #A6C934, #B5D254, #C3DB75, #D1E395 and #DFECB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3DB75 shade: #C3DB75, #75DBA1 and #CA75DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3DB75 shade: #C3DB75, #75C3DB and #DB75C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3DB75 shade: #C3DB75, #75DBA1, #8D75DB and #DB75AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3DB75 shade: #C3DB75, #75DBC0, #8D75DB and #DB7590

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 47 / 14

HEX #C3DB75

RGB 195 219 117

HSL 74.12, 0.59%, 0.66%

LAB 83.73, -23.45, 47.23

 

Complementary color

CMYK 57 / 74 / 0 / 46

HEX #3C248A

RGB 60 36 138

HSL 254.12, 0.59%, 0.34%

LAB 23.86, 38.58, -52.85

 

CMYK 9 / 0 / 49 / 14

HEX #C8DB70

RGB 200 219 112

HSL 70.65, 0.6%, 0.65%

LAB 84.02, -22, 50.05

 

CMYK 8 / 0 / 45 / 7

HEX #D9ED83

RGB 217 237 131

HSL 71.32, 0.75%, 0.72%

LAB 90.3, -22.26, 48.93

 

CMYK 8 / 0 / 41 / 0

HEX #EAFF96

RGB 234 255 150

HSL 72, 1%, 0.79%

LAB 96.5, -22.46, 47.8

 

CMYK 2 / 0 / 34 / 0

HEX #FBFFA9

RGB 251 255 169

HSL 62.79, 1%, 0.83%

LAB 97.99, -13.99, 40.71

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 11 / 0 / 47 / 14

HEX #C3DB75

RGB 195 219 117

HSL 74.12, 0.59%, 0.66%

LAB 83.73, -23.45, 47.23

 

CMYK 11 / 0 / 51 / 21

HEX #B2C962

RGB 178 201 98

HSL 73.4, 0.49%, 0.59%

LAB 77.35, -23.21, 48.35

 

CMYK 12 / 0 / 57 / 28

HEX #A1B74F

RGB 161 183 79

HSL 72.69, 0.42%, 0.51%

LAB 70.88, -22.9, 49.41

 

CMYK 13 / 0 / 64 / 35

HEX #90A53C

RGB 144 165 60

HSL 72, 0.47%, 0.44%

LAB 64.29, -22.47, 50.3

 

CMYK 14 / 0 / 72 / 42

HEX #7F9329

RGB 127 147 41

HSL 71.32, 0.56%, 0.37%

LAB 57.6, -21.9, 50.81

 

CMYK 11 / 0 / 47 / 14

HEX #C3DB75

RGB 195 219 117

HSL 74.12, 0.59%, 0.66%

LAB 83.73, -23.45, 47.23

 

CMYK 0 / 2 / 47 / 14

HEX #DBD775

RGB 219 215 117

HSL 57.65, 0.59%, 0.66%

LAB 84.46, -12.03, 48.52

 

CMYK 0 / 14 / 47 / 14

HEX #DBBC75

RGB 219 188 117

HSL 41.76, 0.59%, 0.66%

LAB 77.47, 1.85, 39.88

 

CMYK 0 / 27 / 47 / 14

HEX #DBA075

RGB 219 160 117

HSL 25.29, 0.59%, 0.66%

LAB 70.52, 16.77, 30.98

 

CMYK 0 / 39 / 47 / 14

HEX #DB8575

RGB 219 133 117

HSL 9.41, 0.59%, 0.66%

LAB 64.26, 31.27, 22.69

 

CMYK 11 / 0 / 47 / 14

HEX #C3DB75

RGB 195 219 117

HSL 74.12, 0.59%, 0.66%

LAB 83.73, -23.45, 47.23

 

CMYK 24 / 0 / 47 / 14

HEX #A7DB75

RGB 167 219 117

HSL 90.59, 0.59%, 0.66%

LAB 81.93, -33.91, 44.6

 

CMYK 36 / 0 / 47 / 14

HEX #8CDB75

RGB 140 219 117

HSL 106.47, 0.59%, 0.66%

LAB 80.47, -43.15, 42.48

 

CMYK 47 / 0 / 45 / 14

HEX #75DB79

RGB 117 219 121

HSL 122.35, 0.59%, 0.66%

LAB 79.51, -49.54, 39.09

 

CMYK 47 / 0 / 32 / 14

HEX #75DB95

RGB 117 219 149

HSL 138.82, 0.59%, 0.66%

LAB 79.96, -44.99, 25.44

 

CMYK 11 / 0 / 47 / 14

HEX #C3DB75

RGB 195 219 117

HSL 74.12, 0.59%, 0.66%

LAB 83.73, -23.45, 47.23

 

CMYK 13 / 0 / 56 / 9

HEX #CAE967

RGB 202 233 103

HSL 74.31, 0.75%, 0.66%

LAB 87.88, -28.73, 58.72

 

CMYK 15 / 0 / 64 / 3

HEX #D2F759

RGB 210 247 89

HSL 74.05, 0.91%, 0.66%

LAB 92.11, -33.18, 69.34

 

CMYK 11 / 0 / 47 / 14

HEX #C3DB75

RGB 195 219 117

HSL 74.12, 0.59%, 0.66%

LAB 83.73, -23.45, 47.23

 

CMYK 9 / 0 / 36 / 20

HEX #BBCD83

RGB 187 205 131

HSL 74.59, 0.43%, 0.66%

LAB 79.54, -18.04, 34.85

 

CMYK 6 / 0 / 24 / 25

HEX #B4BF91

RGB 180 191 145

HSL 74.35, 0.26%, 0.66%

LAB 75.46, -11.68, 21.99

 

CMYK 2 / 0 / 10 / 31

HEX #ADB19F

RGB 173 177 159

HSL 73.33, 0.1%, 0.66%

LAB 71.44, -4.68, 8.72

 

CMYK 5 / 6 / 0 / 32

HEX #A5A3AD

RGB 165 163 173

HSL 252, 0.06%, 0.66%

LAB 67.43, 2.66, -4.91

 

CMYK 0 / 14 / 47 / 14

HEX #DBBC75

RGB 219 188 117

HSL 41.76, 0.59%, 0.66%

LAB 77.47, 1.85, 39.88

 

CMYK 0 / 1 / 47 / 14

HEX #DBD875

RGB 219 216 117

HSL 58.24, 0.59%, 0.66%

LAB 84.72, -12.53, 48.84

 

CMYK 11 / 0 / 47 / 14

HEX #C3DB75

RGB 195 219 117

HSL 74.12, 0.59%, 0.66%

LAB 83.73, -23.45, 47.23

 

CMYK 23 / 0 / 47 / 14

HEX #A8DB75

RGB 168 219 117

HSL 90, 0.59%, 0.66%

LAB 81.99, -33.55, 44.69

 

CMYK 36 / 0 / 47 / 14

HEX #8DDB75

RGB 141 219 117

HSL 105.88, 0.59%, 0.66%

LAB 80.52, -42.83, 42.55

 

CMYK 17 / 0 / 74 / 21

HEX #A6C934

RGB 166 201 52

HSL 74.09, 0.59%, 0.5%

LAB 76.15, -31.34, 65.83

 

CMYK 14 / 0 / 60 / 18

HEX #B5D254

RGB 181 210 84

HSL 73.81, 0.58%, 0.58%

LAB 79.93, -27.57, 57.7

 

CMYK 11 / 0 / 47 / 14

HEX #C3DB75

RGB 195 219 117

HSL 74.12, 0.59%, 0.66%

LAB 83.73, -23.45, 47.23

 

CMYK 8 / 0 / 34 / 11

HEX #D1E395

RGB 209 227 149

HSL 73.85, 0.58%, 0.74%

LAB 87.32, -18.37, 36.16

 

CMYK 6 / 0 / 23 / 7

HEX #DFECB6

RGB 223 236 182

HSL 74.44, 0.59%, 0.82%

LAB 91.26, -13.24, 24.8

 

CMYK 11 / 0 / 47 / 14

HEX #C3DB75

RGB 195 219 117

HSL 74.12, 0.59%, 0.66%

LAB 83.73, -23.45, 47.23

 

CMYK 47 / 0 / 26 / 14

HEX #75DBA1

RGB 117 219 161

HSL 145.88, 0.59%, 0.66%

LAB 80.19, -42.75, 19.49

 

CMYK 8 / 47 / 0 / 14

HEX #CA75DB

RGB 202 117 219

HSL 290, 0.59%, 0.66%

LAB 61.99, 49.16, -38.63

 

CMYK 11 / 0 / 47 / 14

HEX #C3DB75

RGB 195 219 117

HSL 74.12, 0.59%, 0.66%

LAB 83.73, -23.45, 47.23

 

CMYK 47 / 11 / 0 / 14

HEX #75C3DB

RGB 117 195 219

HSL 194.12, 0.59%, 0.66%

LAB 74.78, -17.73, -19.47

 

CMYK 0 / 47 / 11 / 14

HEX #DB75C3

RGB 219 117 195

HSL 314.12, 0.59%, 0.66%

LAB 63.11, 49.92, -23.22

 

CMYK 11 / 0 / 47 / 14

HEX #C3DB75

RGB 195 219 117

HSL 74.12, 0.59%, 0.66%

LAB 83.73, -23.45, 47.23

 

CMYK 47 / 0 / 26 / 14

HEX #75DBA1

RGB 117 219 161

HSL 145.88, 0.59%, 0.66%

LAB 80.19, -42.75, 19.49

 

CMYK 36 / 47 / 0 / 14

HEX #8D75DB

RGB 141 117 219

HSL 254.12, 0.59%, 0.66%

LAB 55.58, 32.38, -49.17

 

CMYK 0 / 47 / 20 / 14

HEX #DB75AF

RGB 219 117 175

HSL 325.88, 0.59%, 0.66%

LAB 62.4, 46.81, -12.95

 

CMYK 11 / 0 / 47 / 14

HEX #C3DB75

RGB 195 219 117

HSL 74.12, 0.59%, 0.66%

LAB 83.73, -23.45, 47.23

 

CMYK 47 / 0 / 12 / 14

HEX #75DBC0

RGB 117 219 192

HSL 164.12, 0.59%, 0.66%

LAB 80.88, -36.19, 4.08

 

CMYK 36 / 47 / 0 / 14

HEX #8D75DB

RGB 141 117 219

HSL 254.12, 0.59%, 0.66%

LAB 55.58, 32.38, -49.17

 

CMYK 0 / 47 / 34 / 14

HEX #DB7590

RGB 219 117 144

HSL 344.12, 0.59%, 0.66%

LAB 61.48, 42.63, 3.45

 

Description

Color code: HEX #C3DB75 | qconv.com Color code: HEX #C3DB75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 219 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 219 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 47 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 47% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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