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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3DEAF it is the complementary color #3C2150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3DEAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3DEAF shade: #C8DEAA, #D9F0BD, #EAFFD0, #FBFFE3 and #FFFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3DEAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3DEAF shade: #C3DEAF, #B2CC9C, #A1BA89, #90A876 and #7F9663

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3DEAF shade: #C3DEAF, #D0DEAF, #DCDEAF, #DED3AF and #DEC6AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3DEAF shade: #C3DEAF, #B6DEAF, #AFDEB4, #AFDEC1 and #AFDECE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3DEAF shade matches the following richer shades: #C3DEAF, #C2E7A6, #C0F09D and #BFF994

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3DEAF shade: #C3DEAF, #C4D5B8, #C6CCC1, #C7C3CA and #C8BAD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3DEAF shade: #DCDEAF, #D0DEAF, #C3DEAF, #B7DEAF and #AFDEB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3DEAF shade: #97C674, #ADD292, #C3DEAF, #D9EACC and #EFF6E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3DEAF shade: #C3DEAF, #AFDED3 and #DEAFD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3DEAF shade: #C3DEAF, #AFC3DE and #DEAFC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3DEAF shade: #C3DEAF, #AFDED3, #CAAFDE and #DEAFBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3DEAF shade: #C3DEAF, #AFDBDE, #CAAFDE and #DEB2AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 21 / 13

HEX #C3DEAF

RGB 195 222 175

HSL 94.47, 0.42%, 0.78%

LAB 85.47, -17.31, 20.13

 

Complementary color

CMYK 25 / 59 / 0 / 69

HEX #3C2150

RGB 60 33 80

HSL 274.47, 0.42%, 0.22%

LAB 18.49, 23.15, -23.93

 

CMYK 10 / 0 / 23 / 13

HEX #C8DEAA

RGB 200 222 170

HSL 85.38, 0.44%, 0.77%

LAB 85.72, -16.31, 23.13

 

CMYK 10 / 0 / 21 / 6

HEX #D9F0BD

RGB 217 240 189

HSL 87.06, 0.63%, 0.84%

LAB 92.02, -16.31, 22.18

 

CMYK 8 / 0 / 18 / 0

HEX #EAFFD0

RGB 234 255 208

HSL 86.81, 1%, 0.91%

LAB 97.46, -14.84, 20.2

 

CMYK 2 / 0 / 11 / 0

HEX #FBFFE3

RGB 251 255 227

HSL 68.57, 1%, 0.95%

LAB 99.05, -6.01, 12.93

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF6

RGB 255 255 246

HSL 60, 1%, 0.98%

LAB 99.78, -1.54, 4.28

 

CMYK 12 / 0 / 21 / 13

HEX #C3DEAF

RGB 195 222 175

HSL 94.47, 0.42%, 0.78%

LAB 85.47, -17.31, 20.13

 

CMYK 13 / 0 / 24 / 20

HEX #B2CC9C

RGB 178 204 156

HSL 92.5, 0.32%, 0.71%

LAB 79.07, -17.36, 21.09

 

CMYK 13 / 0 / 26 / 27

HEX #A1BA89

RGB 161 186 137

HSL 90.61, 0.26%, 0.63%

LAB 72.56, -17.4, 22.09

 

CMYK 14 / 0 / 30 / 34

HEX #90A876

RGB 144 168 118

HSL 88.8, 0.22%, 0.56%

LAB 65.94, -17.45, 23.16

 

CMYK 15 / 0 / 34 / 41

HEX #7F9663

RGB 127 150 99

HSL 87.06, 0.2%, 0.49%

LAB 59.18, -17.48, 24.3

 

CMYK 12 / 0 / 21 / 13

HEX #C3DEAF

RGB 195 222 175

HSL 94.47, 0.42%, 0.78%

LAB 85.47, -17.31, 20.13

 

CMYK 6 / 0 / 21 / 13

HEX #D0DEAF

RGB 208 222 175

HSL 77.87, 0.42%, 0.78%

LAB 86.38, -12.68, 21.53

 

CMYK 1 / 0 / 21 / 13

HEX #DCDEAF

RGB 220 222 175

HSL 62.55, 0.42%, 0.78%

LAB 87.27, -8.31, 22.89

 

CMYK 0 / 5 / 21 / 13

HEX #DED3AF

RGB 222 211 175

HSL 45.96, 0.42%, 0.78%

LAB 84.59, -1.94, 19.22

 

CMYK 0 / 11 / 21 / 13

HEX #DEC6AF

RGB 222 198 175

HSL 29.36, 0.42%, 0.78%

LAB 81.3, 4.84, 14.61

 

CMYK 12 / 0 / 21 / 13

HEX #C3DEAF

RGB 195 222 175

HSL 94.47, 0.42%, 0.78%

LAB 85.47, -17.31, 20.13

 

CMYK 18 / 0 / 21 / 13

HEX #B6DEAF

RGB 182 222 175

HSL 111.06, 0.42%, 0.78%

LAB 84.63, -21.81, 18.83

 

CMYK 21 / 0 / 19 / 13

HEX #AFDEB4

RGB 175 222 180

HSL 126.38, 0.42%, 0.78%

LAB 84.3, -23.3, 15.69

 

CMYK 21 / 0 / 13 / 13

HEX #AFDEC1

RGB 175 222 193

HSL 142.98, 0.42%, 0.78%

LAB 84.59, -20.93, 9.26

 

CMYK 21 / 0 / 7 / 13

HEX #AFDECE

RGB 175 222 206

HSL 159.57, 0.42%, 0.78%

LAB 84.9, -18.41, 2.85

 

CMYK 12 / 0 / 21 / 13

HEX #C3DEAF

RGB 195 222 175

HSL 94.47, 0.42%, 0.78%

LAB 85.47, -17.31, 20.13

 

CMYK 16 / 0 / 28 / 9

HEX #C2E7A6

RGB 194 231 166

HSL 94.15, 0.58%, 0.78%

LAB 87.67, -23.46, 27.79

 

CMYK 20 / 0 / 35 / 6

HEX #C0F09D

RGB 192 240 157

HSL 94.7, 0.73%, 0.78%

LAB 89.84, -29.73, 35.24

 

CMYK 23 / 0 / 41 / 2

HEX #BFF994

RGB 191 249 148

HSL 94.46, 0.89%, 0.78%

LAB 92.12, -35.42, 42.64

 

CMYK 12 / 0 / 21 / 13

HEX #C3DEAF

RGB 195 222 175

HSL 94.47, 0.42%, 0.78%

LAB 85.47, -17.31, 20.13

 

CMYK 8 / 0 / 14 / 16

HEX #C4D5B8

RGB 196 213 184

HSL 95.17, 0.26%, 0.78%

LAB 83.33, -10.95, 12.41

 

CMYK 3 / 0 / 5 / 20

HEX #C6CCC1

RGB 198 204 193

HSL 92.73, 0.1%, 0.78%

LAB 81.31, -4.05, 4.75

 

CMYK 1 / 3 / 0 / 21

HEX #C7C3CA

RGB 199 195 202

HSL 274.29, 0.06%, 0.78%

LAB 79.29, 2.68, -3.02

 

CMYK 5 / 12 / 0 / 17

HEX #C8BAD3

RGB 200 186 211

HSL 273.6, 0.22%, 0.78%

LAB 77.34, 9.56, -10.76

 

CMYK 1 / 0 / 21 / 13

HEX #DCDEAF

RGB 220 222 175

HSL 62.55, 0.42%, 0.78%

LAB 87.27, -8.31, 22.89

 

CMYK 6 / 0 / 21 / 13

HEX #D0DEAF

RGB 208 222 175

HSL 77.87, 0.42%, 0.78%

LAB 86.38, -12.68, 21.53

 

CMYK 12 / 0 / 21 / 13

HEX #C3DEAF

RGB 195 222 175

HSL 94.47, 0.42%, 0.78%

LAB 85.47, -17.31, 20.13

 

CMYK 18 / 0 / 21 / 13

HEX #B7DEAF

RGB 183 222 175

HSL 109.79, 0.42%, 0.78%

LAB 84.69, -21.47, 18.93

 

CMYK 21 / 0 / 19 / 13

HEX #AFDEB4

RGB 175 222 180

HSL 126.38, 0.42%, 0.78%

LAB 84.3, -23.3, 15.69

 

CMYK 24 / 0 / 41 / 22

HEX #97C674

RGB 151 198 116

HSL 94.39, 0.42%, 0.62%

LAB 74.97, -29.98, 36.15

 

CMYK 18 / 0 / 30 / 18

HEX #ADD292

RGB 173 210 146

HSL 94.69, 0.42%, 0.7%

LAB 80.21, -23.65, 27.83

 

CMYK 12 / 0 / 21 / 13

HEX #C3DEAF

RGB 195 222 175

HSL 94.47, 0.42%, 0.78%

LAB 85.47, -17.31, 20.13

 

CMYK 7 / 0 / 13 / 8

HEX #D9EACC

RGB 217 234 204

HSL 94, 0.42%, 0.86%

LAB 90.76, -10.94, 12.66

 

CMYK 3 / 0 / 5 / 4

HEX #EFF6E9

RGB 239 246 233

HSL 92.31, 0.42%, 0.94%

LAB 96.06, -4.59, 5.43

 

CMYK 12 / 0 / 21 / 13

HEX #C3DEAF

RGB 195 222 175

HSL 94.47, 0.42%, 0.78%

LAB 85.47, -17.31, 20.13

 

CMYK 21 / 0 / 5 / 13

HEX #AFDED3

RGB 175 222 211

HSL 165.96, 0.42%, 0.78%

LAB 85.03, -17.4, 0.39

 

CMYK 0 / 21 / 4 / 13

HEX #DEAFD6

RGB 222 175 214

HSL 310.21, 0.42%, 0.78%

LAB 76.71, 23.51, -13.13

 

CMYK 12 / 0 / 21 / 13

HEX #C3DEAF

RGB 195 222 175

HSL 94.47, 0.42%, 0.78%

LAB 85.47, -17.31, 20.13

 

CMYK 21 / 12 / 0 / 13

HEX #AFC3DE

RGB 175 195 222

HSL 214.47, 0.42%, 0.78%

LAB 78.12, -1.05, -15.72

 

CMYK 0 / 21 / 12 / 13

HEX #DEAFC3

RGB 222 175 195

HSL 334.47, 0.42%, 0.78%

LAB 76.15, 20.23, -3.61

 

CMYK 12 / 0 / 21 / 13

HEX #C3DEAF

RGB 195 222 175

HSL 94.47, 0.42%, 0.78%

LAB 85.47, -17.31, 20.13

 

CMYK 21 / 0 / 5 / 13

HEX #AFDED3

RGB 175 222 211

HSL 165.96, 0.42%, 0.78%

LAB 85.03, -17.4, 0.39

 

CMYK 9 / 21 / 0 / 13

HEX #CAAFDE

RGB 202 175 222

HSL 274.47, 0.42%, 0.78%

LAB 75.13, 18.4, -20.04

 

CMYK 0 / 21 / 16 / 13

HEX #DEAFBA

RGB 222 175 186

HSL 345.96, 0.42%, 0.78%

LAB 75.91, 18.78, 0.94

 

CMYK 12 / 0 / 21 / 13

HEX #C3DEAF

RGB 195 222 175

HSL 94.47, 0.42%, 0.78%

LAB 85.47, -17.31, 20.13

 

CMYK 21 / 1 / 0 / 13

HEX #AFDBDE

RGB 175 219 222

HSL 183.83, 0.42%, 0.78%

LAB 84.51, -13.58, -6.2

 

CMYK 9 / 21 / 0 / 13

HEX #CAAFDE

RGB 202 175 222

HSL 274.47, 0.42%, 0.78%

LAB 75.13, 18.4, -20.04

 

CMYK 0 / 20 / 21 / 13

HEX #DEB2AF

RGB 222 178 175

HSL 3.83, 0.42%, 0.78%

LAB 76.35, 15.48, 7.59

 

Description

Color code: HEX #C3DEAF | qconv.com Color code: HEX #C3DEAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 222 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 222 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 21 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 21% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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