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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3E8A4 it is the complementary color #3C175B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3E8A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3E8A4 shade: #C8E89F, #D9FAB2, #EAFFC5, #FBFFD8 and #FFFFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3E8A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3E8A4 shade: #C3E8A4, #B2D691, #A1C47E, #90B26B and #7FA058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3E8A4 shade: #C3E8A5, #D6E8A5, #E8E8A5, #E8D6A5 and #E8C4A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3E8A4 shade: #C3E8A5, #B1E8A5, #A5E8AA, #A5E8BD and #A5E8CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3E8A4 shade matches the following richer shades: #C3E8A5, #C3F19C and #C2FA93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3E8A4 shade: #C3E8A5, #C4DFAE, #C5D6B7, #C6CDC0 and #C7C4C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3E8A4 shade: #E8E8A5, #D6E8A5, #C4E8A5, #B2E8A5 and #A5E8A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3E8A4 shade: #98D863, #AEE084, #C3E8A5, #D9F0C6 and #EFF9E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3E8A4 shade: #C3E8A4, #A5E8D6 and #E8A5DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3E8A4 shade: #C3E8A4, #A5C4E8 and #E8A5C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3E8A4 shade: #C3E8A4, #A5E8D6, #C9A5E8 and #E8A5B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3E8A4 shade: #C3E8A4, #A5E6E8, #C9A5E8 and #E8A7A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 29 / 9

HEX #C3E8A4

RGB 195 232 164

HSL 92.65, 0.6%, 0.78%

LAB 87.97, -23.88, 29.23

 

Complementary color

CMYK 34 / 75 / 0 / 64

HEX #3C175B

RGB 60 23 91

HSL 272.65, 0.6%, 0.22%

LAB 17.13, 31.97, -33.52

 

CMYK 14 / 0 / 31 / 9

HEX #C8E89F

RGB 200 232 159

HSL 86.3, 0.61%, 0.77%

LAB 88.21, -22.8, 32.15

 

CMYK 13 / 0 / 29 / 2

HEX #D9FAB2

RGB 217 250 178

HSL 87.5, 0.88%, 0.84%

LAB 94.46, -22.78, 31.11

 

CMYK 8 / 0 / 23 / 0

HEX #EAFFC5

RGB 234 255 197

HSL 81.72, 1%, 0.89%

LAB 97.25, -16.49, 25.5

 

CMYK 2 / 0 / 15 / 0

HEX #FBFFD8

RGB 251 255 216

HSL 66.15, 1%, 0.92%

LAB 98.82, -7.72, 18.22

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 16 / 0 / 29 / 9

HEX #C3E8A4

RGB 195 232 164

HSL 92.65, 0.6%, 0.78%

LAB 87.97, -23.88, 29.23

 

CMYK 17 / 0 / 32 / 16

HEX #B2D691

RGB 178 214 145

HSL 91.3, 0.46%, 0.7%

LAB 81.62, -23.95, 30.29

 

CMYK 18 / 0 / 36 / 23

HEX #A1C47E

RGB 161 196 126

HSL 90, 0.37%, 0.63%

LAB 75.18, -24.01, 31.4

 

CMYK 19 / 0 / 40 / 30

HEX #90B26B

RGB 144 178 107

HSL 88.73, 0.32%, 0.56%

LAB 68.63, -24.06, 32.56

 

CMYK 21 / 0 / 45 / 37

HEX #7FA058

RGB 127 160 88

HSL 87.5, 0.29%, 0.49%

LAB 61.96, -24.08, 33.77

 

CMYK 16 / 0 / 29 / 9

HEX #C3E8A5

RGB 195 232 165

HSL 93.13, 0.59%, 0.78%

LAB 87.98, -23.73, 28.74

 

CMYK 8 / 0 / 29 / 9

HEX #D6E8A5

RGB 214 232 165

HSL 76.12, 0.59%, 0.78%

LAB 89.26, -16.9, 30.68

 

CMYK 0 / 0 / 29 / 9

HEX #E8E8A5

RGB 232 232 165

HSL 60, 0.59%, 0.78%

LAB 90.59, -10.23, 32.69

 

CMYK 0 / 8 / 29 / 9

HEX #E8D6A5

RGB 232 214 165

HSL 43.88, 0.59%, 0.78%

LAB 85.99, -1.1, 26.5

 

CMYK 0 / 16 / 29 / 9

HEX #E8C4A5

RGB 232 196 165

HSL 27.76, 0.59%, 0.78%

LAB 81.48, 8.27, 20.32

 

CMYK 16 / 0 / 29 / 9

HEX #C3E8A5

RGB 195 232 165

HSL 93.13, 0.59%, 0.78%

LAB 87.98, -23.73, 28.74

 

CMYK 24 / 0 / 29 / 9

HEX #B1E8A5

RGB 177 232 165

HSL 109.25, 0.59%, 0.78%

LAB 86.89, -29.93, 27.07

 

CMYK 29 / 0 / 27 / 9

HEX #A5E8AA

RGB 165 232 170

HSL 124.48, 0.59%, 0.78%

LAB 86.31, -33.04, 23.6

 

CMYK 29 / 0 / 19 / 9

HEX #A5E8BD

RGB 165 232 189

HSL 141.49, 0.59%, 0.78%

LAB 86.7, -29.67, 14.27

 

CMYK 29 / 0 / 11 / 9

HEX #A5E8CF

RGB 165 232 207

HSL 157.61, 0.59%, 0.78%

LAB 87.1, -26.15, 5.44

 

CMYK 16 / 0 / 29 / 9

HEX #C3E8A5

RGB 195 232 165

HSL 93.13, 0.59%, 0.78%

LAB 87.98, -23.73, 28.74

 

CMYK 19 / 0 / 35 / 5

HEX #C3F19C

RGB 195 241 156

HSL 92.47, 0.75%, 0.78%

LAB 90.28, -29.28, 36.35

 

CMYK 22 / 0 / 41 / 2

HEX #C2FA93

RGB 194 250 147

HSL 92.62, 0.91%, 0.78%

LAB 92.55, -34.96, 43.72

 

CMYK 16 / 0 / 29 / 9

HEX #C3E8A5

RGB 195 232 165

HSL 93.13, 0.59%, 0.78%

LAB 87.98, -23.73, 28.74

 

CMYK 12 / 0 / 22 / 13

HEX #C4DFAE

RGB 196 223 174

HSL 93.06, 0.43%, 0.78%

LAB 85.79, -17.61, 21.1

 

CMYK 8 / 0 / 14 / 16

HEX #C5D6B7

RGB 197 214 183

HSL 92.9, 0.27%, 0.78%

LAB 83.64, -11.28, 13.39

 

CMYK 3 / 0 / 6 / 20

HEX #C6CDC0

RGB 198 205 192

HSL 92.31, 0.12%, 0.78%

LAB 81.55, -4.75, 5.63

 

CMYK 1 / 2 / 0 / 21

HEX #C7C4C9

RGB 199 196 201

HSL 276, 0.04%, 0.78%

LAB 79.52, 1.96, -2.14

 

CMYK 0 / 0 / 29 / 9

HEX #E8E8A5

RGB 232 232 165

HSL 60, 0.59%, 0.78%

LAB 90.59, -10.23, 32.69

 

CMYK 8 / 0 / 29 / 9

HEX #D6E8A5

RGB 214 232 165

HSL 76.12, 0.59%, 0.78%

LAB 89.26, -16.9, 30.68

 

CMYK 16 / 0 / 29 / 9

HEX #C4E8A5

RGB 196 232 165

HSL 92.24, 0.59%, 0.78%

LAB 88.05, -23.38, 28.84

 

CMYK 23 / 0 / 29 / 9

HEX #B2E8A5

RGB 178 232 165

HSL 108.36, 0.59%, 0.78%

LAB 86.95, -29.59, 27.16

 

CMYK 29 / 0 / 27 / 9

HEX #A5E8A9

RGB 165 232 169

HSL 123.58, 0.59%, 0.78%

LAB 86.29, -33.21, 24.09

 

CMYK 30 / 0 / 54 / 15

HEX #98D863

RGB 152 216 99

HSL 92.82, 0.6%, 0.62%

LAB 80, -39.88, 50.61

 

CMYK 22 / 0 / 41 / 12

HEX #AEE084

RGB 174 224 132

HSL 92.61, 0.6%, 0.7%

LAB 83.95, -31.9, 39.87

 

CMYK 16 / 0 / 29 / 9

HEX #C3E8A5

RGB 195 232 165

HSL 93.13, 0.59%, 0.78%

LAB 87.98, -23.73, 28.74

 

CMYK 10 / 0 / 18 / 6

HEX #D9F0C6

RGB 217 240 198

HSL 92.86, 0.58%, 0.86%

LAB 92.2, -14.91, 17.8

 

CMYK 4 / 0 / 7 / 2

HEX #EFF9E7

RGB 239 249 231

HSL 93.33, 0.6%, 0.94%

LAB 96.77, -6.44, 7.49

 

CMYK 16 / 0 / 29 / 9

HEX #C3E8A4

RGB 195 232 164

HSL 92.65, 0.6%, 0.78%

LAB 87.97, -23.88, 29.23

 

CMYK 29 / 0 / 8 / 9

HEX #A5E8D6

RGB 165 232 214

HSL 163.88, 0.59%, 0.78%

LAB 87.27, -24.71, 2.01

 

CMYK 0 / 29 / 4 / 9

HEX #E8A5DF

RGB 232 165 223

HSL 308.06, 0.59%, 0.78%

LAB 75.7, 33.8, -19.46

 

CMYK 16 / 0 / 29 / 9

HEX #C3E8A4

RGB 195 232 164

HSL 92.65, 0.6%, 0.78%

LAB 87.97, -23.88, 29.23

 

CMYK 29 / 16 / 0 / 9

HEX #A5C4E8

RGB 165 196 232

HSL 212.24, 0.59%, 0.78%

LAB 78.05, -2.26, -21.27

 

CMYK 0 / 29 / 16 / 9

HEX #E8A5C4

RGB 232 165 196

HSL 332.24, 0.59%, 0.78%

LAB 74.86, 29.27, -5.95

 

CMYK 16 / 0 / 29 / 9

HEX #C3E8A4

RGB 195 232 164

HSL 92.65, 0.6%, 0.78%

LAB 87.97, -23.88, 29.23

 

CMYK 29 / 0 / 8 / 9

HEX #A5E8D6

RGB 165 232 214

HSL 163.88, 0.59%, 0.78%

LAB 87.27, -24.71, 2.01

 

CMYK 13 / 29 / 0 / 9

HEX #C9A5E8

RGB 201 165 232

HSL 272.24, 0.59%, 0.78%

LAB 72.99, 25.63, -28.76

 

CMYK 0 / 29 / 21 / 9

HEX #E8A5B7

RGB 232 165 183

HSL 343.88, 0.59%, 0.78%

LAB 74.5, 27.28, 0.66

 

CMYK 16 / 0 / 29 / 9

HEX #C3E8A4

RGB 195 232 164

HSL 92.65, 0.6%, 0.78%

LAB 87.97, -23.88, 29.23

 

CMYK 29 / 1 / 0 / 9

HEX #A5E6E8

RGB 165 230 232

HSL 181.79, 0.59%, 0.78%

LAB 87.2, -19.82, -7.55

 

CMYK 13 / 29 / 0 / 9

HEX #C9A5E8

RGB 201 165 232

HSL 272.24, 0.59%, 0.78%

LAB 72.99, 25.63, -28.76

 

CMYK 0 / 28 / 29 / 9

HEX #E8A7A5

RGB 232 167 165

HSL 1.79, 0.59%, 0.78%

LAB 74.51, 23.68, 10.56

 

Description

Color code: HEX #C3E8A4 | qconv.com Color code: HEX #C3E8A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 232 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 232 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 29 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 29% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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