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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3E000 it is the complementary color #3C1FFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3E000. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3E000 shade: #C8E000, #D9F20E, #EAFF21, #FBFF34 and #FFFF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3E000. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3E000 shade: #C3E000, #B2CE00, #A1BC00, #90AA00 and #7F9800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3E000 shade: #C3E000, #E0C000, #E08400, #E04700 and #E00B00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3E000 shade: #C3E000, #86E000, #4AE000, #0DE000 and #00E02E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3E000 shade matches the following richer shades: #C3E000

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3E000 shade: #C3E000, #B5CE12, #A8BC24, #9AA936 and #8D9748

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3E000 shade: #E08200, #E0BE00, #C6E000, #8AE000 and #4EE000

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3E000 shade: #7B8D00, #9FB700, #C3E000, #DFFF0A and #E4FF33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3E000 shade: #C3E000, #00E047 and #A000E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3E000 shade: #C3E000, #00C6E0 and #E000C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3E000 shade: #C3E000, #00E047, #1A00E0 and #E00099

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3E000 shade: #C3E000, #00E08A, #1A00E0 and #E00056

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 100 / 12

HEX #C3E000

RGB 195 224 0

HSL 67.77, 1%, 0.44%

LAB 84.44, -31.57, 83.12

 

Complementary color

CMYK 76 / 88 / 0 / 0

HEX #3C1FFF

RGB 60 31 255

HSL 247.77, 1%, 0.56%

LAB 36.29, 73.99, -101.15

 

CMYK 11 / 0 / 100 / 12

HEX #C8E000

RGB 200 224 0

HSL 66.43, 1%, 0.44%

LAB 84.79, -29.53, 83.54

 

CMYK 10 / 0 / 94 / 5

HEX #D9F20E

RGB 217 242 14

HSL 66.58, 0.9%, 0.5%

LAB 90.91, -30.84, 87.54

 

CMYK 8 / 0 / 87 / 0

HEX #EAFF21

RGB 234 255 33

HSL 65.68, 1%, 0.56%

LAB 95.63, -29.71, 89.28

 

CMYK 2 / 0 / 80 / 0

HEX #FBFF34

RGB 251 255 52

HSL 61.18, 1%, 0.6%

LAB 96.93, -22.37, 86.92

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

CMYK 13 / 0 / 100 / 12

HEX #C3E000

RGB 195 224 0

HSL 67.77, 1%, 0.44%

LAB 84.44, -31.57, 83.12

 

CMYK 14 / 0 / 100 / 19

HEX #B2CE00

RGB 178 206 0

HSL 68.16, 1%, 0.4%

LAB 78.23, -30.14, 77.95

 

CMYK 14 / 0 / 100 / 26

HEX #A1BC00

RGB 161 188 0

HSL 68.62, 1%, 0.37%

LAB 71.92, -28.69, 72.7

 

CMYK 15 / 0 / 100 / 33

HEX #90AA00

RGB 144 170 0

HSL 69.18, 1%, 0.33%

LAB 65.5, -27.22, 67.35

 

CMYK 16 / 0 / 100 / 40

HEX #7F9800

RGB 127 152 0

HSL 69.87, 1%, 0.3%

LAB 58.95, -25.74, 61.9

 

CMYK 13 / 0 / 100 / 12

HEX #C3E000

RGB 195 224 0

HSL 67.77, 1%, 0.44%

LAB 84.44, -31.57, 83.12

 

CMYK 0 / 14 / 100 / 12

HEX #E0C000

RGB 224 192 0

HSL 51.43, 1%, 0.44%

LAB 78.2, -3.5, 79.62

 

CMYK 0 / 41 / 100 / 12

HEX #E08400

RGB 224 132 0

HSL 35.36, 1%, 0.44%

LAB 63.63, 28.28, 69.78

 

CMYK 0 / 68 / 100 / 12

HEX #E04700

RGB 224 71 0

HSL 19.02, 1%, 0.44%

LAB 52.23, 57.28, 63.26

 

CMYK 0 / 95 / 100 / 12

HEX #E00B00

RGB 224 11 0

HSL 2.95, 1%, 0.44%

LAB 47.09, 71.72, 61.06

 

CMYK 13 / 0 / 100 / 12

HEX #C3E000

RGB 195 224 0

HSL 67.77, 1%, 0.44%

LAB 84.44, -31.57, 83.12

 

CMYK 40 / 0 / 100 / 12

HEX #86E000

RGB 134 224 0

HSL 84.11, 1%, 0.44%

LAB 80.95, -54.5, 78.93

 

CMYK 67 / 0 / 100 / 12

HEX #4AE000

RGB 74 224 0

HSL 100.18, 1%, 0.44%

LAB 78.91, -70.63, 76.46

 

CMYK 94 / 0 / 100 / 12

HEX #0DE000

RGB 13 224 0

HSL 116.52, 1%, 0.44%

LAB 78.11, -77.68, 75.48

 

CMYK 100 / 0 / 79 / 12

HEX #00E02E

RGB 0 224 46

HSL 132.32, 1%, 0.44%

LAB 78.17, -76.64, 67.88

 

CMYK 13 / 0 / 100 / 12

HEX #C3E000

RGB 195 224 0

HSL 67.77, 1%, 0.44%

LAB 84.44, -31.57, 83.12

 

CMYK 13 / 0 / 100 / 12

HEX #C3E000

RGB 195 224 0

HSL 67.77, 1%, 0.44%

LAB 84.44, -31.57, 83.12

 

CMYK 12 / 0 / 91 / 19

HEX #B5CE12

RGB 181 206 18

HSL 67.98, 0.84%, 0.44%

LAB 78.47, -28.67, 76.33

 

CMYK 11 / 0 / 81 / 26

HEX #A8BC24

RGB 168 188 36

HSL 67.89, 0.68%, 0.44%

LAB 72.51, -25, 67.37

 

CMYK 9 / 0 / 68 / 34

HEX #9AA936

RGB 154 169 54

HSL 67.83, 0.52%, 0.44%

LAB 66.15, -20.67, 54.97

 

CMYK 7 / 0 / 52 / 41

HEX #8D9748

RGB 141 151 72

HSL 67.59, 0.35%, 0.44%

LAB 60.13, -15.56, 39.94

 

CMYK 0 / 42 / 100 / 12

HEX #E08200

RGB 224 130 0

HSL 34.82, 1%, 0.44%

LAB 63.19, 29.34, 69.5

 

CMYK 0 / 15 / 100 / 12

HEX #E0BE00

RGB 224 190 0

HSL 50.89, 1%, 0.44%

LAB 77.68, -2.47, 79.26

 

CMYK 12 / 0 / 100 / 12

HEX #C6E000

RGB 198 224 0

HSL 66.96, 1%, 0.44%

LAB 84.65, -30.35, 83.37

 

CMYK 38 / 0 / 100 / 12

HEX #8AE000

RGB 138 224 0

HSL 83.04, 1%, 0.44%

LAB 81.13, -53.15, 79.16

 

CMYK 65 / 0 / 100 / 12

HEX #4EE000

RGB 78 224 0

HSL 99.11, 1%, 0.44%

LAB 79, -69.82, 76.57

 

CMYK 13 / 0 / 100 / 45

HEX #7B8D00

RGB 123 141 0

HSL 67.66, 1%, 0.28%

LAB 55.34, -22.01, 59.06

 

CMYK 13 / 0 / 100 / 28

HEX #9FB700

RGB 159 183 0

HSL 67.87, 1%, 0.36%

LAB 70.34, -27.14, 71.45

 

CMYK 13 / 0 / 100 / 12

HEX #C3E000

RGB 195 224 0

HSL 67.77, 1%, 0.44%

LAB 84.44, -31.57, 83.12

 

CMYK 13 / 0 / 96 / 0

HEX #DFFF0A

RGB 223 255 10

HSL 67.84, 1%, 0.52%

LAB 94.84, -34.43, 91.04

 

CMYK 11 / 0 / 80 / 0

HEX #E4FF33

RGB 228 255 51

HSL 67.94, 1%, 0.6%

LAB 95.27, -31.64, 85.07

 

CMYK 13 / 0 / 100 / 12

HEX #C3E000

RGB 195 224 0

HSL 67.77, 1%, 0.44%

LAB 84.44, -31.57, 83.12

 

CMYK 100 / 0 / 68 / 12

HEX #00E047

RGB 0 224 71

HSL 139.02, 1%, 0.44%

LAB 78.33, -74.7, 59.63

 

CMYK 29 / 100 / 0 / 12

HEX #A000E0

RGB 160 0 224

HSL 282.86, 1%, 0.44%

LAB 42.54, 80.15, -72.92

 

CMYK 13 / 0 / 100 / 12

HEX #C3E000

RGB 195 224 0

HSL 67.77, 1%, 0.44%

LAB 84.44, -31.57, 83.12

 

CMYK 100 / 12 / 0 / 12

HEX #00C6E0

RGB 0 198 224

HSL 186.96, 1%, 0.44%

LAB 73.4, -31.62, -24.5

 

CMYK 0 / 100 / 12 / 12

HEX #E000C6

RGB 224 0 198

HSL 306.96, 1%, 0.44%

LAB 51.75, 85.55, -42.58

 

CMYK 13 / 0 / 100 / 12

HEX #C3E000

RGB 195 224 0

HSL 67.77, 1%, 0.44%

LAB 84.44, -31.57, 83.12

 

CMYK 100 / 0 / 68 / 12

HEX #00E047

RGB 0 224 71

HSL 139.02, 1%, 0.44%

LAB 78.33, -74.7, 59.63

 

CMYK 88 / 100 / 0 / 12

HEX #1A00E0

RGB 26 0 224

HSL 246.96, 1%, 0.44%

LAB 28.38, 72, -96.8

 

CMYK 0 / 100 / 32 / 12

HEX #E00099

RGB 224 0 153

HSL 319.02, 1%, 0.44%

LAB 49.67, 80.32, -19.35

 

CMYK 13 / 0 / 100 / 12

HEX #C3E000

RGB 195 224 0

HSL 67.77, 1%, 0.44%

LAB 84.44, -31.57, 83.12

 

CMYK 100 / 0 / 38 / 12

HEX #00E08A

RGB 0 224 138

HSL 156.96, 1%, 0.44%

LAB 79.13, -64.95, 29.61

 

CMYK 88 / 100 / 0 / 12

HEX #1A00E0

RGB 26 0 224

HSL 246.96, 1%, 0.44%

LAB 28.38, 72, -96.8

 

CMYK 0 / 100 / 62 / 12

HEX #E00056

RGB 224 0 86

HSL 336.96, 1%, 0.44%

LAB 47.65, 75, 18.66

 

Description

Color code: HEX #C3E000 | qconv.com Color code: HEX #C3E000 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 224 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 224 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 100 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 100% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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