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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3E0E8 it is the complementary color #3C1F17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3E0E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3E0E8 shade: #C8E0E3, #D9F2F6, #EAFFFF and #FBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3E0E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3E0E8 shade: #C3E0E8, #B2CED5, #A1BCC2, #90AAAF and #7F989C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3E0E8 shade: #C3E0E8, #C3D6E8, #C3CCE8, #C4C3E8 and #CEC3E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3E0E8 shade: #C3E0E8, #C3D6E8, #C3CCE8 and #C3C3E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3E0E8 shade matches the following richer shades: #C3E0E8, #BDE4EF, #B6E8F5 and #B0EBFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3E0E8 shade: #C3E0E8, #CADCE1, #D1D9DB, #D7D5D4 and #DED1CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3E0E8 shade: #C3E8DC, #C3E8E6, #C3E1E8, #C3D7E8 and #C3CDE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3E0E8 shade: #88C1D1, #A5D1DD, #C3E0E8 and #E1EFF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3E0E8 shade: #C3E0E8, #D2C3E8 and #E8E1C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3E0E8 shade: #C3E0E8, #E8C3E1 and #E1E8C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3E0E8 shade: #C3E0E8, #D2C3E8, #E8CBC3 and #D9E8C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3E0E8 shade: #C3E0E8, #DDC3E8, #E8CBC3 and #CEE8C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 3 / 0 / 9

HEX #C3E0E8

RGB 195 224 232

HSL 192.97, 0.45%, 0.84%

LAB 87.36, -7.89, -7.13

 

Complementary color

CMYK 0 / 48 / 62 / 76

HEX #3C1F17

RGB 60 31 23

HSL 12.97, 0.45%, 0.16%

LAB 15.5, 13.08, 11.54

 

CMYK 12 / 1 / 0 / 11

HEX #C8E0E3

RGB 200 224 227

HSL 186.67, 0.33%, 0.84%

LAB 87.55, -7.32, -4.17

 

CMYK 12 / 2 / 0 / 4

HEX #D9F2F6

RGB 217 242 246

HSL 188.28, 0.62%, 0.91%

LAB 93.84, -7.35, -4.71

 

CMYK 8 / 0 / 0 / 0

HEX #EAFFFF

RGB 234 255 255

HSL 180, 1%, 0.96%

LAB 98.52, -6.79, -2.34

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 16 / 3 / 0 / 9

HEX #C3E0E8

RGB 195 224 232

HSL 192.97, 0.45%, 0.84%

LAB 87.36, -7.89, -7.13

 

CMYK 16 / 3 / 0 / 16

HEX #B2CED5

RGB 178 206 213

HSL 192, 0.29%, 0.77%

LAB 80.97, -7.87, -6.62

 

CMYK 17 / 3 / 0 / 24

HEX #A1BCC2

RGB 161 188 194

HSL 190.91, 0.21%, 0.7%

LAB 74.47, -7.85, -6.11

 

CMYK 18 / 3 / 0 / 31

HEX #90AAAF

RGB 144 170 175

HSL 189.68, 0.16%, 0.63%

LAB 67.85, -7.85, -5.58

 

CMYK 19 / 3 / 0 / 39

HEX #7F989C

RGB 127 152 156

HSL 188.28, 0.13%, 0.55%

LAB 61.11, -7.85, -5.04

 

CMYK 16 / 3 / 0 / 9

HEX #C3E0E8

RGB 195 224 232

HSL 192.97, 0.45%, 0.84%

LAB 87.36, -7.89, -7.13

 

CMYK 16 / 8 / 0 / 9

HEX #C3D6E8

RGB 195 214 232

HSL 209.19, 0.45%, 0.84%

LAB 84.75, -2.71, -11

 

CMYK 16 / 12 / 0 / 9

HEX #C3CCE8

RGB 195 204 232

HSL 225.41, 0.45%, 0.84%

LAB 82.17, 2.56, -14.86

 

CMYK 16 / 16 / 0 / 9

HEX #C4C3E8

RGB 196 195 232

HSL 241.62, 0.45%, 0.84%

LAB 79.95, 7.69, -18.2

 

CMYK 11 / 16 / 0 / 9

HEX #CEC3E8

RGB 206 195 232

HSL 257.84, 0.45%, 0.84%

LAB 80.73, 10.88, -16.95

 

CMYK 16 / 3 / 0 / 9

HEX #C3E0E8

RGB 195 224 232

HSL 192.97, 0.45%, 0.84%

LAB 87.36, -7.89, -7.13

 

CMYK 16 / 8 / 0 / 9

HEX #C3D6E8

RGB 195 214 232

HSL 209.19, 0.45%, 0.84%

LAB 84.75, -2.71, -11

 

CMYK 16 / 12 / 0 / 9

HEX #C3CCE8

RGB 195 204 232

HSL 225.41, 0.45%, 0.84%

LAB 82.17, 2.56, -14.86

 

CMYK 16 / 16 / 0 / 9

HEX #C3C3E8

RGB 195 195 232

HSL 240, 0.45%, 0.84%

LAB 79.87, 7.37, -18.32

 

CMYK 16 / 3 / 0 / 9

HEX #C3E0E8

RGB 195 224 232

HSL 192.97, 0.45%, 0.84%

LAB 87.36, -7.89, -7.13

 

CMYK 21 / 5 / 0 / 6

HEX #BDE4EF

RGB 189 228 239

HSL 193.2, 0.61%, 0.84%

LAB 88.23, -10.3, -9.56

 

CMYK 26 / 5 / 0 / 4

HEX #B6E8F5

RGB 182 232 245

HSL 192.38, 0.76%, 0.84%

LAB 89.04, -13.09, -11.54

 

CMYK 30 / 7 / 0 / 1

HEX #B0EBFC

RGB 176 235 252

HSL 193.42, 0.93%, 0.84%

LAB 89.71, -14.71, -14.24

 

CMYK 16 / 3 / 0 / 9

HEX #C3E0E8

RGB 195 224 232

HSL 192.97, 0.45%, 0.84%

LAB 87.36, -7.89, -7.13

 

CMYK 10 / 2 / 0 / 12

HEX #CADCE1

RGB 202 220 225

HSL 193.04, 0.28%, 0.84%

LAB 86.59, -5.02, -4.51

 

CMYK 5 / 1 / 0 / 14

HEX #D1D9DB

RGB 209 217 219

HSL 192, 0.12%, 0.84%

LAB 86.15, -2.32, -1.93

 

CMYK 0 / 1 / 1 / 16

HEX #D7D5D4

RGB 215 213 212

HSL 20, 0.04%, 0.84%

LAB 85.4, 0.51, 0.72

 

CMYK 0 / 6 / 7 / 13

HEX #DED1CE

RGB 222 209 206

HSL 11.25, 0.2%, 0.84%

LAB 84.79, 3.98, 3.09

 

CMYK 16 / 0 / 5 / 9

HEX #C3E8DC

RGB 195 232 220

HSL 160.54, 0.45%, 0.84%

LAB 89.15, -14.35, 1.81

 

CMYK 16 / 0 / 1 / 9

HEX #C3E8E6

RGB 195 232 230

HSL 176.76, 0.45%, 0.84%

LAB 89.41, -12.37, -3.06

 

CMYK 16 / 3 / 0 / 9

HEX #C3E1E8

RGB 195 225 232

HSL 191.35, 0.45%, 0.84%

LAB 87.62, -8.4, -6.74

 

CMYK 16 / 7 / 0 / 9

HEX #C3D7E8

RGB 195 215 232

HSL 207.57, 0.45%, 0.84%

LAB 85.01, -3.23, -10.61

 

CMYK 16 / 12 / 0 / 9

HEX #C3CDE8

RGB 195 205 232

HSL 223.78, 0.45%, 0.84%

LAB 82.43, 2.03, -14.47

 

CMYK 35 / 8 / 0 / 18

HEX #88C1D1

RGB 136 193 209

HSL 193.15, 0.44%, 0.68%

LAB 74.81, -14.46, -13.91

 

CMYK 25 / 5 / 0 / 13

HEX #A5D1DD

RGB 165 209 221

HSL 192.86, 0.45%, 0.76%

LAB 81.19, -11.66, -10.65

 

CMYK 16 / 3 / 0 / 9

HEX #C3E0E8

RGB 195 224 232

HSL 192.97, 0.45%, 0.84%

LAB 87.36, -7.89, -7.13

 

CMYK 7 / 2 / 0 / 5

HEX #E1EFF3

RGB 225 239 243

HSL 193.33, 0.43%, 0.92%

LAB 93.54, -3.86, -3.53

 

CMYK 16 / 3 / 0 / 9

HEX #C3E0E8

RGB 195 224 232

HSL 192.97, 0.45%, 0.84%

LAB 87.36, -7.89, -7.13

 

CMYK 9 / 16 / 0 / 9

HEX #D2C3E8

RGB 210 195 232

HSL 264.32, 0.45%, 0.84%

LAB 81.05, 12.17, -16.43

 

CMYK 0 / 3 / 16 / 9

HEX #E8E1C3

RGB 232 225 195

HSL 48.65, 0.45%, 0.84%

LAB 89.37, -2.52, 15.54

 

CMYK 16 / 3 / 0 / 9

HEX #C3E0E8

RGB 195 224 232

HSL 192.97, 0.45%, 0.84%

LAB 87.36, -7.89, -7.13

 

CMYK 0 / 16 / 3 / 9

HEX #E8C3E1

RGB 232 195 225

HSL 311.35, 0.45%, 0.84%

LAB 82.71, 18.14, -10

 

CMYK 3 / 0 / 16 / 9

HEX #E1E8C3

RGB 225 232 195

HSL 71.35, 0.45%, 0.84%

LAB 90.62, -8.58, 17.23

 

CMYK 16 / 3 / 0 / 9

HEX #C3E0E8

RGB 195 224 232

HSL 192.97, 0.45%, 0.84%

LAB 87.36, -7.89, -7.13

 

CMYK 9 / 16 / 0 / 9

HEX #D2C3E8

RGB 210 195 232

HSL 264.32, 0.45%, 0.84%

LAB 81.05, 12.17, -16.43

 

CMYK 0 / 13 / 16 / 9

HEX #E8CBC3

RGB 232 203 195

HSL 12.97, 0.45%, 0.84%

LAB 83.87, 8.89, 7.72

 

CMYK 6 / 0 / 16 / 9

HEX #D9E8C3

RGB 217 232 195

HSL 84.32, 0.45%, 0.84%

LAB 90.05, -11.4, 16.33

 

CMYK 16 / 3 / 0 / 9

HEX #C3E0E8

RGB 195 224 232

HSL 192.97, 0.45%, 0.84%

LAB 87.36, -7.89, -7.13

 

CMYK 5 / 16 / 0 / 9

HEX #DDC3E8

RGB 221 195 232

HSL 282.16, 0.45%, 0.84%

LAB 81.96, 15.76, -14.97

 

CMYK 0 / 13 / 16 / 9

HEX #E8CBC3

RGB 232 203 195

HSL 12.97, 0.45%, 0.84%

LAB 83.87, 8.89, 7.72

 

CMYK 11 / 0 / 16 / 9

HEX #CEE8C3

RGB 206 232 195

HSL 102.16, 0.45%, 0.84%

LAB 89.29, -15.21, 15.15

 

Description

Color code: HEX #C3E0E8 | qconv.com Color code: HEX #C3E0E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 224 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 224 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 3 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 3% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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