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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3EC7D it is the complementary color #3C1382. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3EC7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3EC7D shade: #C8EC78, #D9FE8B, #EAFF9E, #FBFFB1 and #FFFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3EC7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3EC7D shade: #C3EC7D, #B2DA6A, #A1C857, #90B644 and #7FA431

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3EC7D shade: #C3EB7E, #E0EB7E, #EBD97E, #EBBB7E and #EB9E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3EC7D shade: #C3EB7E, #A5EB7E, #88EB7E, #7EEB91 and #7EEBAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3EC7D shade matches the following richer shades: #C3EB7E and #C6F772

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3EC7D shade: #C3EB7E, #C0DF8A, #BDD396, #B9C7A2 and #B6BBAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3EC7D shade: #EBD97E, #E0EB7E, #C3EB7E, #A6EB7E and #89EB7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3EC7D shade: #A2E136, #B2E65A, #C3EB7E, #D3F1A2 and #E4F6C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3EC7D shade: #C3EC7D, #7EEBBC and #E87EEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3EC7D shade: #C3EC7D, #7EC3EB and #EB7EC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3EC7D shade: #C3EC7D, #7EEBBC, #A67EEB and #EB7EAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3EC7D shade: #C3EC7D, #7EEBDD, #A67EEB and #EB7E8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 47 / 7

HEX #C3EC7D

RGB 195 236 125

HSL 82.16, 0.74%, 0.71%

LAB 88.48, -30.69, 49.22

 

Complementary color

CMYK 54 / 85 / 0 / 49

HEX #3C1382

RGB 60 19 130

HSL 262.16, 0.74%, 0.29%

LAB 20.2, 44.45, -53.84

 

CMYK 15 / 0 / 49 / 7

HEX #C8EC78

RGB 200 236 120

HSL 78.62, 0.75%, 0.7%

LAB 88.75, -29.34, 51.97

 

CMYK 15 / 0 / 45 / 0

HEX #D9FE8B

RGB 217 254 139

HSL 79.3, 0.98%, 0.77%

LAB 94.95, -29.47, 50.86

 

CMYK 8 / 0 / 38 / 0

HEX #EAFF9E

RGB 234 255 158

HSL 72.99, 1%, 0.81%

LAB 96.61, -21.57, 44.07

 

CMYK 2 / 0 / 31 / 0

HEX #FBFFB1

RGB 251 255 177

HSL 63.08, 1%, 0.85%

LAB 98.11, -13.04, 36.92

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 17 / 0 / 47 / 7

HEX #C3EC7D

RGB 195 236 125

HSL 82.16, 0.74%, 0.71%

LAB 88.48, -30.69, 49.22

 

CMYK 18 / 0 / 51 / 15

HEX #B2DA6A

RGB 178 218 106

HSL 81.43, 0.6%, 0.64%

LAB 82.19, -30.57, 50.33

 

CMYK 20 / 0 / 57 / 22

HEX #A1C857

RGB 161 200 87

HSL 80.71, 0.51%, 0.56%

LAB 75.81, -30.4, 51.38

 

CMYK 21 / 0 / 63 / 29

HEX #90B644

RGB 144 182 68

HSL 80, 0.46%, 0.49%

LAB 69.33, -30.14, 52.28

 

CMYK 23 / 0 / 70 / 36

HEX #7FA431

RGB 127 164 49

HSL 79.3, 0.54%, 0.42%

LAB 62.75, -29.75, 52.87

 

CMYK 17 / 0 / 46 / 8

HEX #C3EB7E

RGB 195 235 126

HSL 82.02, 0.73%, 0.71%

LAB 88.22, -30.11, 48.42

 

CMYK 5 / 0 / 46 / 8

HEX #E0EB7E

RGB 224 235 126

HSL 66.06, 0.73%, 0.71%

LAB 90.22, -19.09, 51.32

 

CMYK 0 / 8 / 46 / 8

HEX #EBD97E

RGB 235 217 126

HSL 50.09, 0.73%, 0.71%

LAB 86.4, -5.81, 46.84

 

CMYK 0 / 20 / 46 / 8

HEX #EBBB7E

RGB 235 187 126

HSL 33.58, 0.73%, 0.71%

LAB 78.87, 9.72, 37.37

 

CMYK 0 / 33 / 46 / 8

HEX #EB9E7E

RGB 235 158 126

HSL 17.61, 0.73%, 0.71%

LAB 71.98, 25.11, 28.39

 

CMYK 17 / 0 / 46 / 8

HEX #C3EB7E

RGB 195 235 126

HSL 82.02, 0.73%, 0.71%

LAB 88.22, -30.11, 48.42

 

CMYK 30 / 0 / 46 / 8

HEX #A5EB7E

RGB 165 235 126

HSL 98.53, 0.73%, 0.71%

LAB 86.47, -40.77, 45.86

 

CMYK 42 / 0 / 46 / 8

HEX #88EB7E

RGB 136 235 126

HSL 114.5, 0.73%, 0.71%

LAB 85.08, -49.98, 43.83

 

CMYK 46 / 0 / 38 / 8

HEX #7EEB91

RGB 126 235 145

HSL 130.46, 0.73%, 0.71%

LAB 84.94, -50.01, 34.2

 

CMYK 46 / 0 / 26 / 8

HEX #7EEBAF

RGB 126 235 175

HSL 146.97, 0.73%, 0.71%

LAB 85.48, -44.7, 19.59

 

CMYK 17 / 0 / 46 / 8

HEX #C3EB7E

RGB 195 235 126

HSL 82.02, 0.73%, 0.71%

LAB 88.22, -30.11, 48.42

 

CMYK 20 / 0 / 54 / 3

HEX #C6F772

RGB 198 247 114

HSL 82.11, 0.89%, 0.71%

LAB 91.57, -35.73, 58.02

 

CMYK 17 / 0 / 46 / 8

HEX #C3EB7E

RGB 195 235 126

HSL 82.02, 0.73%, 0.71%

LAB 88.22, -30.11, 48.42

 

CMYK 14 / 0 / 38 / 13

HEX #C0DF8A

RGB 192 223 138

HSL 81.88, 0.57%, 0.71%

LAB 84.9, -24.13, 38.32

 

CMYK 10 / 0 / 29 / 17

HEX #BDD396

RGB 189 211 150

HSL 81.64, 0.41%, 0.71%

LAB 81.63, -17.75, 27.84

 

CMYK 7 / 0 / 19 / 22

HEX #B9C7A2

RGB 185 199 162

HSL 82.7, 0.25%, 0.71%

LAB 78.33, -11.33, 16.95

 

CMYK 3 / 0 / 7 / 27

HEX #B6BBAE

RGB 182 187 174

HSL 83.08, 0.09%, 0.71%

LAB 75.17, -4.12, 5.97

 

CMYK 0 / 8 / 46 / 8

HEX #EBD97E

RGB 235 217 126

HSL 50.09, 0.73%, 0.71%

LAB 86.4, -5.81, 46.84

 

CMYK 5 / 0 / 46 / 8

HEX #E0EB7E

RGB 224 235 126

HSL 66.06, 0.73%, 0.71%

LAB 90.22, -19.09, 51.32

 

CMYK 17 / 0 / 46 / 8

HEX #C3EB7E

RGB 195 235 126

HSL 82.02, 0.73%, 0.71%

LAB 88.22, -30.11, 48.42

 

CMYK 29 / 0 / 46 / 8

HEX #A6EB7E

RGB 166 235 126

HSL 97.98, 0.73%, 0.71%

LAB 86.52, -40.43, 45.94

 

CMYK 42 / 0 / 46 / 8

HEX #89EB7E

RGB 137 235 126

HSL 113.94, 0.73%, 0.71%

LAB 85.12, -49.68, 43.89

 

CMYK 28 / 0 / 76 / 12

HEX #A2E136

RGB 162 225 54

HSL 82.11, 0.74%, 0.55%

LAB 82.81, -43.57, 71.42

 

CMYK 23 / 0 / 61 / 10

HEX #B2E65A

RGB 178 230 90

HSL 82.29, 0.74%, 0.63%

LAB 85.4, -37.52, 61.12

 

CMYK 17 / 0 / 46 / 8

HEX #C3EB7E

RGB 195 235 126

HSL 82.02, 0.73%, 0.71%

LAB 88.22, -30.11, 48.42

 

CMYK 12 / 0 / 33 / 5

HEX #D3F1A2

RGB 211 241 162

HSL 82.78, 0.74%, 0.79%

LAB 91.4, -22.78, 35.01

 

CMYK 7 / 0 / 20 / 4

HEX #E4F6C6

RGB 228 246 198

HSL 82.5, 0.73%, 0.87%

LAB 94.52, -14.04, 21.15

 

CMYK 17 / 0 / 47 / 7

HEX #C3EC7D

RGB 195 236 125

HSL 82.16, 0.74%, 0.71%

LAB 88.48, -30.69, 49.22

 

CMYK 46 / 0 / 20 / 8

HEX #7EEBBC

RGB 126 235 188

HSL 154.13, 0.73%, 0.71%

LAB 85.75, -42.09, 13.2

 

CMYK 1 / 46 / 0 / 8

HEX #E87EEB

RGB 232 126 235

HSL 298.35, 0.73%, 0.71%

LAB 68.08, 56.11, -37.75

 

CMYK 17 / 0 / 47 / 7

HEX #C3EC7D

RGB 195 236 125

HSL 82.16, 0.74%, 0.71%

LAB 88.48, -30.69, 49.22

 

CMYK 46 / 17 / 0 / 8

HEX #7EC3EB

RGB 126 195 235

HSL 202.02, 0.73%, 0.71%

LAB 75.74, -11.25, -26.61

 

CMYK 0 / 46 / 17 / 8

HEX #EB7EC3

RGB 235 126 195

HSL 322.02, 0.73%, 0.71%

LAB 66.92, 50.41, -17.24

 

CMYK 17 / 0 / 47 / 7

HEX #C3EC7D

RGB 195 236 125

HSL 82.16, 0.74%, 0.71%

LAB 88.48, -30.69, 49.22

 

CMYK 46 / 0 / 20 / 8

HEX #7EEBBC

RGB 126 235 188

HSL 154.13, 0.73%, 0.71%

LAB 85.75, -42.09, 13.2

 

CMYK 29 / 46 / 0 / 8

HEX #A67EEB

RGB 166 126 235

HSL 262.02, 0.73%, 0.71%

LAB 60.81, 37.87, -49.68

 

CMYK 0 / 46 / 26 / 8

HEX #EB7EAD

RGB 235 126 173

HSL 334.13, 0.73%, 0.71%

LAB 66.21, 47.27, -5.9

 

CMYK 17 / 0 / 47 / 7

HEX #C3EC7D

RGB 195 236 125

HSL 82.16, 0.74%, 0.71%

LAB 88.48, -30.69, 49.22

 

CMYK 46 / 0 / 6 / 8

HEX #7EEBDD

RGB 126 235 221

HSL 172.29, 0.73%, 0.71%

LAB 86.54, -34.72, -2.95

 

CMYK 29 / 46 / 0 / 8

HEX #A67EEB

RGB 166 126 235

HSL 262.02, 0.73%, 0.71%

LAB 60.81, 37.87, -49.68

 

CMYK 0 / 46 / 40 / 8

HEX #EB7E8C

RGB 235 126 140

HSL 352.29, 0.73%, 0.71%

LAB 65.34, 43.25, 11.54

 

Description

Color code: HEX #C3EC7D | qconv.com Color code: HEX #C3EC7D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 236 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 236 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 47 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 47% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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