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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3EC5A it is the complementary color #3C13A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3EC5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3EC5A shade: #C8EC55, #D9FE68, #EAFF7B, #FBFF8E and #FFFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3EC5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3EC5A shade: #C3EC5A, #B2DA47, #A1C834, #90B621 and #7FA40E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3EC5A shade: #C2EB5A, #EAEB5A, #EBC65A, #EB9F5A and #EB785A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3EC5A shade: #C2EB5A, #9BEB5A, #74EB5A, #5AEB67 and #5AEB8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3EC5A shade matches the following richer shades: #C2EB5A and #C9FA4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3EC5A shade: #C2EB5A, #BCDC69, #B5CE78, #AFBF87 and #A8B096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3EC5A shade: #EBC55A, #EBEB5A, #C5EB5A, #9EEB5A and #77EB5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3EC5A shade: #A4DA19, #B5E735, #C2EB5A, #D0F07F and #DDF4A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3EC5A shade: #C3EC5A, #5AEB9E and #D85AEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3EC5A shade: #C3EC5A, #5AC5EB and #EB5AC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3EC5A shade: #C3EC5A, #5AEB9E, #815AEB and #EB5AA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3EC5A shade: #C3EC5A, #5AEBC9, #815AEB and #EB5A7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 62 / 7

HEX #C3EC5A

RGB 195 236 90

HSL 76.85, 0.79%, 0.64%

LAB 88.13, -33.83, 64.4

 

Complementary color

CMYK 64 / 88 / 0 / 35

HEX #3C13A5

RGB 60 19 165

HSL 256.85, 0.79%, 0.36%

LAB 24.14, 53.93, -69

 

CMYK 15 / 0 / 64 / 7

HEX #C8EC55

RGB 200 236 85

HSL 74.3, 0.8%, 0.63%

LAB 88.41, -32.25, 66.81

 

CMYK 15 / 0 / 59 / 0

HEX #D9FE68

RGB 217 254 104

HSL 74.8, 0.99%, 0.7%

LAB 94.58, -32.65, 66.09

 

CMYK 8 / 0 / 52 / 0

HEX #EAFF7B

RGB 234 255 123

HSL 69.55, 1%, 0.74%

LAB 96.18, -25.08, 59.98

 

CMYK 2 / 0 / 44 / 0

HEX #FBFF8E

RGB 251 255 142

HSL 62.12, 1%, 0.78%

LAB 97.62, -16.84, 53.27

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 17 / 0 / 62 / 7

HEX #C3EC5A

RGB 195 236 90

HSL 76.85, 0.79%, 0.64%

LAB 88.13, -33.83, 64.4

 

CMYK 18 / 0 / 67 / 15

HEX #B2DA47

RGB 178 218 71

HSL 76.33, 0.67%, 0.57%

LAB 81.87, -33.41, 64.98

 

CMYK 20 / 0 / 74 / 22

HEX #A1C834

RGB 161 200 52

HSL 75.81, 0.59%, 0.49%

LAB 75.53, -32.87, 65.13

 

CMYK 21 / 0 / 82 / 29

HEX #90B621

RGB 144 182 33

HSL 75.3, 0.69%, 0.42%

LAB 69.11, -32.17, 64.54

 

CMYK 23 / 0 / 91 / 36

HEX #7FA40E

RGB 127 164 14

HSL 74.8, 0.84%, 0.35%

LAB 62.59, -31.25, 62.69

 

CMYK 17 / 0 / 62 / 8

HEX #C2EB5A

RGB 194 235 90

HSL 76.97, 0.78%, 0.64%

LAB 87.79, -33.75, 64.01

 

CMYK 0 / 0 / 62 / 8

HEX #EAEB5A

RGB 234 235 90

HSL 60.41, 0.78%, 0.64%

LAB 90.62, -17.95, 67.89

 

CMYK 0 / 16 / 62 / 8

HEX #EBC65A

RGB 235 198 90

HSL 44.69, 0.78%, 0.64%

LAB 81.18, 1.06, 57.67

 

CMYK 0 / 32 / 62 / 8

HEX #EB9F5A

RGB 235 159 90

HSL 28.55, 0.78%, 0.64%

LAB 71.69, 21.6, 46.86

 

CMYK 0 / 49 / 62 / 8

HEX #EB785A

RGB 235 120 90

HSL 12.41, 0.78%, 0.64%

LAB 63.2, 41.91, 36.68

 

CMYK 17 / 0 / 62 / 8

HEX #C2EB5A

RGB 194 235 90

HSL 76.97, 0.78%, 0.64%

LAB 87.79, -33.75, 64.01

 

CMYK 34 / 0 / 62 / 8

HEX #9BEB5A

RGB 155 235 90

HSL 93.1, 0.78%, 0.64%

LAB 85.57, -47.88, 60.95

 

CMYK 51 / 0 / 62 / 8

HEX #74EB5A

RGB 116 235 90

HSL 109.24, 0.78%, 0.64%

LAB 83.9, -59.82, 58.63

 

CMYK 62 / 0 / 56 / 8

HEX #5AEB67

RGB 90 235 103

HSL 125.38, 0.78%, 0.64%

LAB 83.22, -64.64, 51.96

 

CMYK 62 / 0 / 40 / 8

HEX #5AEB8E

RGB 90 235 142

HSL 141.52, 0.78%, 0.64%

LAB 83.73, -58.93, 33.89

 

CMYK 17 / 0 / 62 / 8

HEX #C2EB5A

RGB 194 235 90

HSL 76.97, 0.78%, 0.64%

LAB 87.79, -33.75, 64.01

 

CMYK 20 / 0 / 70 / 2

HEX #C9FA4B

RGB 201 250 75

HSL 76.8, 0.95%, 0.64%

LAB 92.26, -38.83, 74.49

 

CMYK 17 / 0 / 62 / 8

HEX #C2EB5A

RGB 194 235 90

HSL 76.97, 0.78%, 0.64%

LAB 87.79, -33.75, 64.01

 

CMYK 15 / 0 / 52 / 14

HEX #BCDC69

RGB 188 220 105

HSL 76.7, 0.62%, 0.64%

LAB 83.39, -27.8, 52.37

 

CMYK 12 / 0 / 42 / 19

HEX #B5CE78

RGB 181 206 120

HSL 77.44, 0.47%, 0.64%

LAB 79.23, -22.16, 39.94

 

CMYK 8 / 0 / 29 / 25

HEX #AFBF87

RGB 175 191 135

HSL 77.14, 0.3%, 0.64%

LAB 74.9, -15.01, 26.49

 

CMYK 5 / 0 / 15 / 31

HEX #A8B096

RGB 168 176 150

HSL 78.46, 0.14%, 0.64%

LAB 70.58, -7.51, 12.37

 

CMYK 0 / 16 / 62 / 8

HEX #EBC55A

RGB 235 197 90

HSL 44.28, 0.78%, 0.64%

LAB 80.92, 1.57, 57.39

 

CMYK 0 / 0 / 62 / 8

HEX #EBEB5A

RGB 235 235 90

HSL 60, 0.78%, 0.64%

LAB 90.7, -17.55, 68

 

CMYK 16 / 0 / 62 / 8

HEX #C5EB5A

RGB 197 235 90

HSL 75.72, 0.78%, 0.64%

LAB 87.98, -32.6, 64.28

 

CMYK 33 / 0 / 62 / 8

HEX #9EEB5A

RGB 158 235 90

HSL 91.86, 0.78%, 0.64%

LAB 85.72, -46.86, 61.16

 

CMYK 49 / 0 / 62 / 8

HEX #77EB5A

RGB 119 235 90

HSL 108, 0.78%, 0.64%

LAB 84.01, -59, 58.78

 

CMYK 25 / 0 / 89 / 15

HEX #A4DA19

RGB 164 218 25

HSL 76.79, 0.79%, 0.48%

LAB 80.8, -40.81, 76.66

 

CMYK 22 / 0 / 77 / 9

HEX #B5E735

RGB 181 231 53

HSL 76.85, 0.79%, 0.56%

LAB 85.62, -39.09, 74.74

 

CMYK 17 / 0 / 62 / 8

HEX #C2EB5A

RGB 194 235 90

HSL 76.97, 0.78%, 0.64%

LAB 87.79, -33.75, 64.01

 

CMYK 13 / 0 / 47 / 6

HEX #D0F07F

RGB 208 240 127

HSL 76.99, 0.79%, 0.72%

LAB 90.44, -27.51, 50.86

 

CMYK 9 / 0 / 33 / 4

HEX #DDF4A4

RGB 221 244 164

HSL 77.25, 0.78%, 0.8%

LAB 92.91, -20.33, 36.12

 

CMYK 17 / 0 / 62 / 7

HEX #C3EC5A

RGB 195 236 90

HSL 76.85, 0.79%, 0.64%

LAB 88.13, -33.83, 64.4

 

CMYK 62 / 0 / 33 / 8

HEX #5AEB9E

RGB 90 235 158

HSL 148.14, 0.78%, 0.64%

LAB 84, -56.02, 26.13

 

CMYK 8 / 62 / 0 / 8

HEX #D85AEB

RGB 216 90 235

HSL 292.14, 0.78%, 0.64%

LAB 59.81, 68.55, -50.9

 

CMYK 17 / 0 / 62 / 7

HEX #C3EC5A

RGB 195 236 90

HSL 76.85, 0.79%, 0.64%

LAB 88.13, -33.83, 64.4

 

CMYK 62 / 16 / 0 / 8

HEX #5AC5EB

RGB 90 197 235

HSL 195.72, 0.78%, 0.64%

LAB 74.89, -19.66, -28.04

 

CMYK 0 / 62 / 16 / 8

HEX #EB5AC5

RGB 235 90 197

HSL 315.72, 0.78%, 0.64%

LAB 60.79, 67.18, -27.75

 

CMYK 17 / 0 / 62 / 7

HEX #C3EC5A

RGB 195 236 90

HSL 76.85, 0.79%, 0.64%

LAB 88.13, -33.83, 64.4

 

CMYK 62 / 0 / 33 / 8

HEX #5AEB9E

RGB 90 235 158

HSL 148.14, 0.78%, 0.64%

LAB 84, -56.02, 26.13

 

CMYK 45 / 62 / 0 / 8

HEX #815AEB

RGB 129 90 235

HSL 256.14, 0.78%, 0.64%

LAB 49.47, 49.33, -68.05

 

CMYK 0 / 62 / 29 / 8

HEX #EB5AA8

RGB 235 90 168

HSL 327.72, 0.78%, 0.64%

LAB 59.71, 63.32, -12.76

 

CMYK 17 / 0 / 62 / 7

HEX #C3EC5A

RGB 195 236 90

HSL 76.85, 0.79%, 0.64%

LAB 88.13, -33.83, 64.4

 

CMYK 62 / 0 / 14 / 8

HEX #5AEBC9

RGB 90 235 201

HSL 165.93, 0.78%, 0.64%

LAB 84.9, -46.75, 5.03

 

CMYK 45 / 62 / 0 / 8

HEX #815AEB

RGB 129 90 235

HSL 256.14, 0.78%, 0.64%

LAB 49.47, 49.33, -68.05

 

CMYK 0 / 62 / 47 / 8

HEX #EB5A7C

RGB 235 90 124

HSL 345.93, 0.78%, 0.64%

LAB 58.44, 58.62, 11.03

 

Description

Color code: HEX #C3EC5A | qconv.com Color code: HEX #C3EC5A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 236 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 236 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 62 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 62% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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