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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3EFAD it is the complementary color #3C1052. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3EFAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3EFAD shade: #C8EFA8, #D9FFBB, #EAFFCE, #FBFFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3EFAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3EFAD shade: #C3EFAD, #B2DD9A, #A1CB87, #90B974 and #7FA761

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3EFAD shade: #C3EFAE, #D5EFAE, #E6EFAE, #EFE5AE and #EFD4AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3EFAD shade: #C3EFAE, #B2EFAE, #AEEFBB, #AEEFCC and #AEEFDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3EFAD shade matches the following richer shades: #C3EFAE, #C1F6A6 and #BEFE9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3EFAD shade: #C3EFAE, #C6E7B5, #C8DFBD, #CBD7C5 and #CECFCD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3EFAD shade: #E6EFAE, #D5EFAE, #C3EFAE, #B2EFAE and #AEEFBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3EFAD shade: #91E169, #AAE88B, #C3EFAE, #DCF5D0 and #F6FCF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3EFAD shade: #C3EFAD, #AEEFE6 and #EFAEDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3EFAD shade: #C3EFAD, #AEC3EF and #EFAEC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3EFAD shade: #C3EFAD, #AEEFE6, #D9AEEF and #EFAEB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3EFAD shade: #C3EFAD, #AEE4EF, #D9AEEF and #EFB8AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 28 / 6

HEX #C3EFAD

RGB 195 239 173

HSL 100, 0.67%, 0.81%

LAB 90.02, -25.91, 27.41

 

Complementary color

CMYK 27 / 80 / 0 / 68

HEX #3C1052

RGB 60 16 82

HSL 280, 0.67%, 0.19%

LAB 15.17, 33.12, -30.61

 

CMYK 16 / 0 / 30 / 6

HEX #C8EFA8

RGB 200 239 168

HSL 92.96, 0.69%, 0.8%

LAB 90.25, -24.91, 30.32

 

CMYK 15 / 0 / 27 / 0

HEX #D9FFBB

RGB 217 255 187

HSL 93.53, 1%, 0.87%

LAB 95.94, -23.88, 28.58

 

CMYK 8 / 0 / 19 / 0

HEX #EAFFCE

RGB 234 255 206

HSL 85.71, 1%, 0.9%

LAB 97.42, -15.15, 21.17

 

CMYK 2 / 0 / 12 / 0

HEX #FBFFE1

RGB 251 255 225

HSL 68, 1%, 0.94%

LAB 99.01, -6.33, 13.89

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 18 / 0 / 28 / 6

HEX #C3EFAD

RGB 195 239 173

HSL 100, 0.67%, 0.81%

LAB 90.02, -25.91, 27.41

 

CMYK 19 / 0 / 30 / 13

HEX #B2DD9A

RGB 178 221 154

HSL 98.51, 0.5%, 0.74%

LAB 83.71, -26.03, 28.45

 

CMYK 21 / 0 / 33 / 20

HEX #A1CB87

RGB 161 203 135

HSL 97.06, 0.4%, 0.66%

LAB 77.3, -26.15, 29.53

 

CMYK 22 / 0 / 37 / 27

HEX #90B974

RGB 144 185 116

HSL 95.65, 0.33%, 0.59%

LAB 70.79, -26.26, 30.67

 

CMYK 24 / 0 / 42 / 35

HEX #7FA761

RGB 127 167 97

HSL 94.29, 0.28%, 0.52%

LAB 64.17, -26.37, 31.86

 

CMYK 18 / 0 / 27 / 6

HEX #C3EFAE

RGB 195 239 174

HSL 100.62, 0.67%, 0.81%

LAB 90.04, -25.76, 26.93

 

CMYK 11 / 0 / 27 / 6

HEX #D5EFAE

RGB 213 239 174

HSL 84, 0.67%, 0.81%

LAB 91.2, -19.45, 28.7

 

CMYK 4 / 0 / 27 / 6

HEX #E6EFAE

RGB 230 239 174

HSL 68.31, 0.67%, 0.81%

LAB 92.4, -13.29, 30.52

 

CMYK 0 / 4 / 27 / 6

HEX #EFE5AE

RGB 239 229 174

HSL 50.77, 0.67%, 0.81%

LAB 90.53, -4.95, 28.1

 

CMYK 0 / 11 / 27 / 6

HEX #EFD4AE

RGB 239 212 174

HSL 35.08, 0.67%, 0.81%

LAB 86.25, 3.76, 22.26

 

CMYK 18 / 0 / 27 / 6

HEX #C3EFAE

RGB 195 239 174

HSL 100.62, 0.67%, 0.81%

LAB 90.04, -25.76, 26.93

 

CMYK 26 / 0 / 27 / 6

HEX #B2EFAE

RGB 178 239 174

HSL 116.31, 0.67%, 0.81%

LAB 89.04, -31.45, 25.4

 

CMYK 27 / 0 / 22 / 6

HEX #AEEFBB

RGB 174 239 187

HSL 132, 0.67%, 0.81%

LAB 89.07, -30.54, 18.72

 

CMYK 27 / 0 / 15 / 6

HEX #AEEFCC

RGB 174 239 204

HSL 147.69, 0.67%, 0.81%

LAB 89.44, -27.41, 10.41

 

CMYK 27 / 0 / 7 / 6

HEX #AEEFDE

RGB 174 239 222

HSL 164.31, 0.67%, 0.81%

LAB 89.86, -23.82, 1.65

 

CMYK 18 / 0 / 27 / 6

HEX #C3EFAE

RGB 195 239 174

HSL 100.62, 0.67%, 0.81%

LAB 90.04, -25.76, 26.93

 

CMYK 22 / 0 / 33 / 4

HEX #C1F6A6

RGB 193 246 166

HSL 99.75, 0.82%, 0.81%

LAB 91.69, -30.93, 33.18

 

CMYK 25 / 0 / 38 / 0

HEX #BEFE9E

RGB 190 254 158

HSL 100, 0.98%, 0.81%

LAB 93.58, -36.73, 39.62

 

CMYK 18 / 0 / 27 / 6

HEX #C3EFAE

RGB 195 239 174

HSL 100.62, 0.67%, 0.81%

LAB 90.04, -25.76, 26.93

 

CMYK 14 / 0 / 22 / 9

HEX #C6E7B5

RGB 198 231 181

HSL 99.6, 0.51%, 0.81%

LAB 88.21, -19.76, 20.83

 

CMYK 10 / 0 / 15 / 13

HEX #C8DFBD

RGB 200 223 189

HSL 100.59, 0.35%, 0.81%

LAB 86.37, -13.78, 14.11

 

CMYK 6 / 0 / 8 / 16

HEX #CBD7C5

RGB 203 215 197

HSL 100, 0.18%, 0.81%

LAB 84.65, -7.31, 7.48

 

CMYK 0 / 0 / 1 / 19

HEX #CECFCD

RGB 206 207 205

HSL 90, 0.02%, 0.81%

LAB 83, -0.7, 0.86

 

CMYK 4 / 0 / 27 / 6

HEX #E6EFAE

RGB 230 239 174

HSL 68.31, 0.67%, 0.81%

LAB 92.4, -13.29, 30.52

 

CMYK 11 / 0 / 27 / 6

HEX #D5EFAE

RGB 213 239 174

HSL 84, 0.67%, 0.81%

LAB 91.2, -19.45, 28.7

 

CMYK 18 / 0 / 27 / 6

HEX #C3EFAE

RGB 195 239 174

HSL 100.62, 0.67%, 0.81%

LAB 90.04, -25.76, 26.93

 

CMYK 26 / 0 / 27 / 6

HEX #B2EFAE

RGB 178 239 174

HSL 116.31, 0.67%, 0.81%

LAB 89.04, -31.45, 25.4

 

CMYK 27 / 0 / 22 / 6

HEX #AEEFBB

RGB 174 239 187

HSL 132, 0.67%, 0.81%

LAB 89.07, -30.54, 18.72

 

CMYK 36 / 0 / 53 / 12

HEX #91E169

RGB 145 225 105

HSL 100, 0.67%, 0.65%

LAB 82.32, -45.53, 50.49

 

CMYK 27 / 0 / 40 / 9

HEX #AAE88B

RGB 170 232 139

HSL 100, 0.67%, 0.73%

LAB 86.07, -36.07, 39.06

 

CMYK 18 / 0 / 27 / 6

HEX #C3EFAE

RGB 195 239 174

HSL 100.62, 0.67%, 0.81%

LAB 90.04, -25.76, 26.93

 

CMYK 10 / 0 / 15 / 4

HEX #DCF5D0

RGB 220 245 208

HSL 100.54, 0.65%, 0.89%

LAB 93.92, -14.73, 15.09

 

CMYK 2 / 0 / 4 / 1

HEX #F6FCF2

RGB 246 252 242

HSL 96, 0.63%, 0.97%

LAB 98.28, -3.72, 4.08

 

CMYK 18 / 0 / 28 / 6

HEX #C3EFAD

RGB 195 239 173

HSL 100, 0.67%, 0.81%

LAB 90.02, -25.91, 27.41

 

CMYK 27 / 0 / 4 / 6

HEX #AEEFE6

RGB 174 239 230

HSL 171.69, 0.67%, 0.81%

LAB 90.07, -22.14, -2.23

 

CMYK 0 / 27 / 8 / 6

HEX #EFAEDD

RGB 239 174 221

HSL 316.62, 0.67%, 0.81%

LAB 78.37, 30.98, -14.27

 

CMYK 18 / 0 / 28 / 6

HEX #C3EFAD

RGB 195 239 173

HSL 100, 0.67%, 0.81%

LAB 90.02, -25.91, 27.41

 

CMYK 27 / 18 / 0 / 6

HEX #AEC3EF

RGB 174 195 239

HSL 220.62, 0.67%, 0.81%

LAB 78.61, 2.56, -24.13

 

CMYK 0 / 27 / 18 / 6

HEX #EFAEC3

RGB 239 174 195

HSL 340.62, 0.67%, 0.81%

LAB 77.62, 26.78, -1.26

 

CMYK 18 / 0 / 28 / 6

HEX #C3EFAD

RGB 195 239 173

HSL 100, 0.67%, 0.81%

LAB 90.02, -25.91, 27.41

 

CMYK 27 / 0 / 4 / 6

HEX #AEEFE6

RGB 174 239 230

HSL 171.69, 0.67%, 0.81%

LAB 90.07, -22.14, -2.23

 

CMYK 9 / 27 / 0 / 6

HEX #D9AEEF

RGB 217 174 239

HSL 279.69, 0.67%, 0.81%

LAB 76.83, 27.17, -26.54

 

CMYK 0 / 27 / 24 / 6

HEX #EFAEB6

RGB 239 174 182

HSL 352.62, 0.67%, 0.81%

LAB 77.28, 24.87, 5.33

 

CMYK 18 / 0 / 28 / 6

HEX #C3EFAD

RGB 195 239 173

HSL 100, 0.67%, 0.81%

LAB 90.02, -25.91, 27.41

 

CMYK 27 / 5 / 0 / 6

HEX #AEE4EF

RGB 174 228 239

HSL 190.15, 0.67%, 0.81%

LAB 87.35, -14.7, -10.97

 

CMYK 9 / 27 / 0 / 6

HEX #D9AEEF

RGB 217 174 239

HSL 279.69, 0.67%, 0.81%

LAB 76.83, 27.17, -26.54

 

CMYK 0 / 23 / 27 / 6

HEX #EFB8AE

RGB 239 184 174

HSL 9.23, 0.67%, 0.81%

LAB 79.44, 18.45, 12.74

 

Description

Color code: HEX #C3EFAD | qconv.com Color code: HEX #C3EFAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 239 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 239 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 28 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 28% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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