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Color name
HEX #C3FCA6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3FCA6 it is the complementary color #3C0359. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3FCA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3FCA6 shade: #C8FCA1, #D9FFB4, #EAFFC7, #FBFFDA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3FCA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3FCA6 shade: #C3FCA6, #B2EA93, #A1D880, #90C66D and #7FB45A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3FCA6 shade: #C3FBA6, #DAFBA6, #F1FBA6, #FBEFA6 and #FBD8A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3FCA6 shade: #C3FBA6, #ACFBA6, #A6FBB7, #A6FBCE and #A6FBE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3FCA6 shade matches the following richer shades: #C3FBA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3FCA6 shade: #C3FBA6, #C5F4AD, #C8ECB5, #CAE5BC and #CCDEC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3FCA6 shade: #F1FBA6, #DBFBA6, #C4FBA6, #ADFBA6 and #A6FBB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3FCA6 shade: #8DF856, #A8FA7E, #C3FBA6, #DEFDCE and #F8FEF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3FCA6 shade: #C3FCA6, #A6FBEE and #FBA6E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3FCA6 shade: #C3FCA6, #A6C4FB and #FBA6C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3FCA6 shade: #C3FCA6, #A6FBEE, #DDA6FB and #FBA6B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3FCA6 shade: #C3FCA6, #A6EEFB, #DDA6FB and #FBB3A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 34 / 1

HEX #C3FCA6

RGB 195 252 166

HSL 99.77, 0.93%, 0.82%

LAB 93.44, -33.03, 35.53

 

Complementary color

CMYK 33 / 97 / 0 / 65

HEX #3C0359

RGB 60 3 89

HSL 279.77, 0.93%, 0.18%

LAB 14.1, 39.7, -37.1

 

CMYK 21 / 0 / 36 / 1

HEX #C8FCA1

RGB 200 252 161

HSL 94.29, 0.94%, 0.81%

LAB 93.66, -32, 38.35

 

CMYK 15 / 0 / 29 / 0

HEX #D9FFB4

RGB 217 255 180

HSL 90.4, 1%, 0.85%

LAB 95.82, -24.88, 31.94

 

CMYK 8 / 0 / 22 / 0

HEX #EAFFC7

RGB 234 255 199

HSL 82.5, 1%, 0.89%

LAB 97.28, -16.2, 24.53

 

CMYK 2 / 0 / 15 / 0

HEX #FBFFDA

RGB 251 255 218

HSL 66.49, 1%, 0.93%

LAB 98.86, -7.41, 17.25

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 23 / 0 / 34 / 1

HEX #C3FCA6

RGB 195 252 166

HSL 99.77, 0.93%, 0.82%

LAB 93.44, -33.03, 35.53

 

CMYK 24 / 0 / 37 / 8

HEX #B2EA93

RGB 178 234 147

HSL 98.62, 0.67%, 0.75%

LAB 87.2, -33.16, 36.63

 

CMYK 25 / 0 / 41 / 15

HEX #A1D880

RGB 161 216 128

HSL 97.5, 0.53%, 0.67%

LAB 80.88, -33.29, 37.77

 

CMYK 27 / 0 / 45 / 22

HEX #90C66D

RGB 144 198 109

HSL 96.4, 0.44%, 0.6%

LAB 74.46, -33.39, 38.95

 

CMYK 29 / 0 / 50 / 29

HEX #7FB45A

RGB 127 180 90

HSL 95.33, 0.38%, 0.53%

LAB 67.94, -33.46, 40.15

 

CMYK 22 / 0 / 34 / 2

HEX #C3FBA6

RGB 195 251 166

HSL 99.53, 0.91%, 0.82%

LAB 93.17, -32.56, 35.17

 

CMYK 13 / 0 / 34 / 2

HEX #DAFBA6

RGB 218 251 166

HSL 83.29, 0.91%, 0.82%

LAB 94.59, -24.52, 37.31

 

CMYK 4 / 0 / 34 / 2

HEX #F1FBA6

RGB 241 251 166

HSL 67.06, 0.91%, 0.82%

LAB 96.18, -16.12, 39.69

 

CMYK 0 / 5 / 34 / 2

HEX #FBEFA6

RGB 251 239 166

HSL 51.53, 0.91%, 0.82%

LAB 93.88, -6.44, 36.82

 

CMYK 0 / 14 / 34 / 2

HEX #FBD8A6

RGB 251 216 166

HSL 35.29, 0.91%, 0.82%

LAB 88.15, 5.23, 29.18

 

CMYK 22 / 0 / 34 / 2

HEX #C3FBA6

RGB 195 251 166

HSL 99.53, 0.91%, 0.82%

LAB 93.17, -32.56, 35.17

 

CMYK 31 / 0 / 34 / 2

HEX #ACFBA6

RGB 172 251 166

HSL 115.76, 0.91%, 0.82%

LAB 91.92, -40.1, 33.28

 

CMYK 34 / 0 / 27 / 2

HEX #A6FBB7

RGB 166 251 183

HSL 132, 0.91%, 0.82%

LAB 91.92, -39.2, 24.65

 

CMYK 34 / 0 / 18 / 2

HEX #A6FBCE

RGB 166 251 206

HSL 148.24, 0.91%, 0.82%

LAB 92.38, -35.01, 13.51

 

CMYK 34 / 0 / 9 / 2

HEX #A6FBE5

RGB 166 251 229

HSL 164.47, 0.91%, 0.82%

LAB 92.91, -30.35, 2.39

 

CMYK 22 / 0 / 34 / 2

HEX #C3FBA6

RGB 195 251 166

HSL 99.53, 0.91%, 0.82%

LAB 93.17, -32.56, 35.17

 

CMYK 22 / 0 / 34 / 2

HEX #C3FBA6

RGB 195 251 166

HSL 99.53, 0.91%, 0.82%

LAB 93.17, -32.56, 35.17

 

CMYK 19 / 0 / 29 / 4

HEX #C5F4AD

RGB 197 244 173

HSL 99.72, 0.76%, 0.82%

LAB 91.5, -27.6, 29.44

 

CMYK 15 / 0 / 23 / 7

HEX #C8ECB5

RGB 200 236 181

HSL 99.27, 0.59%, 0.82%

LAB 89.68, -21.51, 22.89

 

CMYK 12 / 0 / 18 / 10

HEX #CAE5BC

RGB 202 229 188

HSL 99.51, 0.44%, 0.82%

LAB 88.08, -16.25, 17.06

 

CMYK 8 / 0 / 12 / 13

HEX #CCDEC4

RGB 204 222 196

HSL 101.54, 0.28%, 0.82%

LAB 86.54, -10.71, 10.71

 

CMYK 4 / 0 / 34 / 2

HEX #F1FBA6

RGB 241 251 166

HSL 67.06, 0.91%, 0.82%

LAB 96.18, -16.12, 39.69

 

CMYK 13 / 0 / 34 / 2

HEX #DBFBA6

RGB 219 251 166

HSL 82.59, 0.91%, 0.82%

LAB 94.66, -24.16, 37.41

 

CMYK 22 / 0 / 34 / 2

HEX #C4FBA6

RGB 196 251 166

HSL 98.82, 0.91%, 0.82%

LAB 93.23, -32.22, 35.25

 

CMYK 31 / 0 / 34 / 2

HEX #ADFBA6

RGB 173 251 166

HSL 115.06, 0.91%, 0.82%

LAB 91.97, -39.79, 33.36

 

CMYK 34 / 0 / 27 / 2

HEX #A6FBB6

RGB 166 251 182

HSL 131.29, 0.91%, 0.82%

LAB 91.9, -39.37, 25.13

 

CMYK 43 / 0 / 65 / 3

HEX #8DF856

RGB 141 248 86

HSL 99.63, 0.92%, 0.65%

LAB 88.67, -57.95, 65.75

 

CMYK 33 / 0 / 50 / 2

HEX #A8FA7E

RGB 168 250 126

HSL 99.68, 0.93%, 0.74%

LAB 90.87, -46.28, 51.32

 

CMYK 22 / 0 / 34 / 2

HEX #C3FBA6

RGB 195 251 166

HSL 99.53, 0.91%, 0.82%

LAB 93.17, -32.56, 35.17

 

CMYK 12 / 0 / 19 / 1

HEX #DEFDCE

RGB 222 253 206

HSL 99.57, 0.92%, 0.9%

LAB 96.09, -18.29, 19.2

 

CMYK 2 / 0 / 3 / 0

HEX #F8FEF6

RGB 248 254 246

HSL 105, 0.8%, 0.98%

LAB 99.02, -3.37, 3.12

 

CMYK 23 / 0 / 34 / 1

HEX #C3FCA6

RGB 195 252 166

HSL 99.77, 0.93%, 0.82%

LAB 93.44, -33.03, 35.53

 

CMYK 34 / 0 / 5 / 2

HEX #A6FBEE

RGB 166 251 238

HSL 170.82, 0.91%, 0.82%

LAB 93.13, -28.41, -1.94

 

CMYK 0 / 34 / 8 / 2

HEX #FBA6E6

RGB 251 166 230

HSL 314.82, 0.91%, 0.82%

LAB 78.17, 40.65, -19.33

 

CMYK 23 / 0 / 34 / 1

HEX #C3FCA6

RGB 195 252 166

HSL 99.77, 0.93%, 0.82%

LAB 93.44, -33.03, 35.53

 

CMYK 34 / 22 / 0 / 2

HEX #A6C4FB

RGB 166 196 251

HSL 218.82, 0.91%, 0.82%

LAB 78.78, 2.68, -30.34

 

CMYK 0 / 34 / 22 / 2

HEX #FBA6C4

RGB 251 166 196

HSL 338.82, 0.91%, 0.82%

LAB 77.14, 35.36, -2.35

 

CMYK 23 / 0 / 34 / 1

HEX #C3FCA6

RGB 195 252 166

HSL 99.77, 0.93%, 0.82%

LAB 93.44, -33.03, 35.53

 

CMYK 34 / 0 / 5 / 2

HEX #A6FBEE

RGB 166 251 238

HSL 170.82, 0.91%, 0.82%

LAB 93.13, -28.41, -1.94

 

CMYK 12 / 34 / 0 / 2

HEX #DDA6FB

RGB 221 166 251

HSL 278.82, 0.91%, 0.82%

LAB 75.83, 35.16, -34.53

 

CMYK 0 / 34 / 29 / 2

HEX #FBA6B3

RGB 251 166 179

HSL 350.82, 0.91%, 0.82%

LAB 76.7, 33.02, 6.3

 

CMYK 23 / 0 / 34 / 1

HEX #C3FCA6

RGB 195 252 166

HSL 99.77, 0.93%, 0.82%

LAB 93.44, -33.03, 35.53

 

CMYK 34 / 5 / 0 / 2

HEX #A6EEFB

RGB 166 238 251

HSL 189.18, 0.91%, 0.82%

LAB 89.96, -19.14, -13.4

 

CMYK 12 / 34 / 0 / 2

HEX #DDA6FB

RGB 221 166 251

HSL 278.82, 0.91%, 0.82%

LAB 75.83, 35.16, -34.53

 

CMYK 0 / 29 / 34 / 2

HEX #FBB3A6

RGB 251 179 166

HSL 9.18, 0.91%, 0.82%

LAB 79.33, 24.55, 17.08

 

Description

Color code: HEX #C3FCA6 | qconv.com Color code: HEX #C3FCA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 252 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 252 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 34 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 34% 1% C M Y K

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Provide designers and agencies with accurate color values.

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