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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3FE6F it is the complementary color #3C0190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3FE6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3FE6F shade: #C8FE6A, #D9FF7D, #EAFF90, #FBFFA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3FE6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3FE6F shade: #C3FE6F, #B2EC5C, #A1DA49, #90C836 and #7FB623

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3FE6F shade: #C3FE70, #EAFE70, #FEEC70, #FEC670 and #FEA070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3FE6F shade: #C3FE70, #9DFE70, #77FE70, #70FE90 and #70FEB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3FE6F shade matches the following richer shades: #C3FE70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3FE6F shade: #C3FE70, #C1F27C, #BFE788, #BDDB93 and #BBD09F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3FE6F shade: #FEEB70, #EBFE70, #C5FE70, #A0FE70 and #7AFE70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3FE6F shade: #A1FD1E, #B2FE47, #C3FE70, #D5FE99 and #E6FEC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3FE6F shade: #C3FE6F, #70FEC5 and #FE70FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3FE6F shade: #C3FE6F, #70C5FE and #FE70C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3FE6F shade: #C3FE6F, #70FEC5, #A970FE and #FE70A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3FE6F shade: #C3FE6F, #70FEF0, #A970FE and #FE707F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 56 / 0

HEX #C3FE6F

RGB 195 254 111

HSL 84.76, 0.99%, 0.72%

LAB 93.29, -40.23, 61.29

 

Complementary color

CMYK 58 / 99 / 0 / 44

HEX #3C0190

RGB 60 1 144

HSL 264.76, 0.99%, 0.28%

LAB 20.03, 53.37, -62.91

 

CMYK 21 / 0 / 58 / 0

HEX #C8FE6A

RGB 200 254 106

HSL 81.89, 0.99%, 0.71%

LAB 93.54, -38.84, 63.79

 

CMYK 15 / 0 / 51 / 0

HEX #D9FF7D

RGB 217 255 125

HSL 77.54, 1%, 0.75%

LAB 95.06, -31.33, 57.47

 

CMYK 8 / 0 / 44 / 0

HEX #EAFF90

RGB 234 255 144

HSL 71.35, 1%, 0.78%

LAB 96.42, -23.1, 50.57

 

CMYK 2 / 0 / 36 / 0

HEX #FBFFA3

RGB 251 255 163

HSL 62.61, 1%, 0.82%

LAB 97.9, -14.67, 43.54

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 23 / 0 / 56 / 0

HEX #C3FE6F

RGB 195 254 111

HSL 84.76, 0.99%, 0.72%

LAB 93.29, -40.23, 61.29

 

CMYK 25 / 0 / 61 / 7

HEX #B2EC5C

RGB 178 236 92

HSL 84.17, 0.79%, 0.64%

LAB 87.11, -40.04, 62.16

 

CMYK 26 / 0 / 67 / 15

HEX #A1DA49

RGB 161 218 73

HSL 83.59, 0.66%, 0.57%

LAB 80.85, -39.75, 62.83

 

CMYK 28 / 0 / 73 / 22

HEX #90C836

RGB 144 200 54

HSL 83.01, 0.57%, 0.5%

LAB 74.51, -39.35, 63.11

 

CMYK 30 / 0 / 81 / 29

HEX #7FB623

RGB 127 182 35

HSL 82.45, 0.68%, 0.43%

LAB 68.09, -38.77, 62.69

 

CMYK 23 / 0 / 56 / 0

HEX #C3FE70

RGB 195 254 112

HSL 84.93, 0.99%, 0.72%

LAB 93.3, -40.14, 60.86

 

CMYK 8 / 0 / 56 / 0

HEX #EAFE70

RGB 234 254 112

HSL 68.45, 0.99%, 0.72%

LAB 95.81, -25.51, 64.39

 

CMYK 0 / 7 / 56 / 0

HEX #FEEC70

RGB 254 236 112

HSL 52.39, 0.99%, 0.72%

LAB 92.68, -8.89, 61.24

 

CMYK 0 / 22 / 56 / 0

HEX #FEC670

RGB 254 198 112

HSL 36.34, 0.99%, 0.72%

LAB 83.25, 10.44, 50.23

 

CMYK 0 / 37 / 56 / 0

HEX #FEA070

RGB 254 160 112

HSL 20.28, 0.99%, 0.72%

LAB 74.43, 30.28, 39.45

 

CMYK 23 / 0 / 56 / 0

HEX #C3FE70

RGB 195 254 112

HSL 84.93, 0.99%, 0.72%

LAB 93.3, -40.14, 60.86

 

CMYK 38 / 0 / 56 / 0

HEX #9DFE70

RGB 157 254 112

HSL 100.99, 0.99%, 0.72%

LAB 91.33, -53, 58.08

 

CMYK 53 / 0 / 56 / 0

HEX #77FE70

RGB 119 254 112

HSL 117.04, 0.99%, 0.72%

LAB 89.85, -63.75, 55.97

 

CMYK 56 / 0 / 43 / 0

HEX #70FE90

RGB 112 254 144

HSL 133.52, 0.99%, 0.72%

LAB 90.02, -61.14, 41.2

 

CMYK 56 / 0 / 28 / 0

HEX #70FEB6

RGB 112 254 182

HSL 149.58, 0.99%, 0.72%

LAB 90.65, -54.53, 23.07

 

CMYK 23 / 0 / 56 / 0

HEX #C3FE70

RGB 195 254 112

HSL 84.93, 0.99%, 0.72%

LAB 93.3, -40.14, 60.86

 

CMYK 23 / 0 / 56 / 0

HEX #C3FE70

RGB 195 254 112

HSL 84.93, 0.99%, 0.72%

LAB 93.3, -40.14, 60.86

 

CMYK 20 / 0 / 49 / 5

HEX #C1F27C

RGB 193 242 124

HSL 84.92, 0.82%, 0.72%

LAB 90, -34.3, 51.51

 

CMYK 17 / 0 / 41 / 9

HEX #BFE788

RGB 191 231 136

HSL 85.26, 0.66%, 0.72%

LAB 87, -28.56, 41.99

 

CMYK 14 / 0 / 33 / 14

HEX #BDDB93

RGB 189 219 147

HSL 85, 0.5%, 0.72%

LAB 83.75, -22.12, 32.22

 

CMYK 10 / 0 / 24 / 18

HEX #BBD09F

RGB 187 208 159

HSL 85.71, 0.34%, 0.72%

LAB 80.84, -15.65, 22.03

 

CMYK 0 / 7 / 56 / 0

HEX #FEEB70

RGB 254 235 112

HSL 51.97, 0.99%, 0.72%

LAB 92.42, -8.39, 60.95

 

CMYK 7 / 0 / 56 / 0

HEX #EBFE70

RGB 235 254 112

HSL 68.03, 0.99%, 0.72%

LAB 95.88, -25.12, 64.48

 

CMYK 22 / 0 / 56 / 0

HEX #C5FE70

RGB 197 254 112

HSL 84.08, 0.99%, 0.72%

LAB 93.42, -39.42, 61.03

 

CMYK 37 / 0 / 56 / 0

HEX #A0FE70

RGB 160 254 112

HSL 99.72, 0.99%, 0.72%

LAB 91.47, -52.05, 58.28

 

CMYK 52 / 0 / 56 / 0

HEX #7AFE70

RGB 122 254 112

HSL 115.77, 0.99%, 0.72%

LAB 89.95, -63, 56.11

 

CMYK 36 / 0 / 88 / 1

HEX #A1FD1E

RGB 161 253 30

HSL 84.75, 0.98%, 0.55%

LAB 90.74, -56.32, 83.99

 

CMYK 30 / 0 / 72 / 0

HEX #B2FE47

RGB 178 254 71

HSL 84.92, 0.99%, 0.64%

LAB 92.04, -49.2, 75.19

 

CMYK 23 / 0 / 56 / 0

HEX #C3FE70

RGB 195 254 112

HSL 84.93, 0.99%, 0.72%

LAB 93.3, -40.14, 60.86

 

CMYK 16 / 0 / 40 / 0

HEX #D5FE99

RGB 213 254 153

HSL 84.36, 0.98%, 0.8%

LAB 94.88, -29.35, 44.01

 

CMYK 9 / 0 / 23 / 0

HEX #E6FEC3

RGB 230 254 195

HSL 84.41, 0.97%, 0.88%

LAB 96.68, -17.7, 25.68

 

CMYK 23 / 0 / 56 / 0

HEX #C3FE6F

RGB 195 254 111

HSL 84.76, 0.99%, 0.72%

LAB 93.29, -40.23, 61.29

 

CMYK 56 / 0 / 22 / 0

HEX #70FEC5

RGB 112 254 197

HSL 155.92, 0.99%, 0.72%

LAB 90.94, -51.5, 15.81

 

CMYK 0 / 56 / 0 / 0

HEX #FE70FE

RGB 254 112 254

HSL 300, 0.99%, 0.72%

LAB 69.34, 71.68, -46

 

CMYK 23 / 0 / 56 / 0

HEX #C3FE6F

RGB 195 254 111

HSL 84.76, 0.99%, 0.72%

LAB 93.29, -40.23, 61.29

 

CMYK 56 / 22 / 0 / 0

HEX #70C5FE

RGB 112 197 254

HSL 204.08, 0.99%, 0.72%

LAB 76.4, -9.9, -35.86

 

CMYK 0 / 56 / 22 / 0

HEX #FE70C5

RGB 254 112 197

HSL 324.08, 0.99%, 0.72%

LAB 67.04, 63.07, -17.93

 

CMYK 23 / 0 / 56 / 0

HEX #C3FE6F

RGB 195 254 111

HSL 84.76, 0.99%, 0.72%

LAB 93.29, -40.23, 61.29

 

CMYK 56 / 0 / 22 / 0

HEX #70FEC5

RGB 112 254 197

HSL 155.92, 0.99%, 0.72%

LAB 90.94, -51.5, 15.81

 

CMYK 33 / 56 / 0 / 0

HEX #A970FE

RGB 169 112 254

HSL 264.08, 0.99%, 0.72%

LAB 59.14, 50.96, -62.83

 

CMYK 0 / 56 / 33 / 0

HEX #FE70A9

RGB 254 112 169

HSL 335.92, 0.99%, 0.72%

LAB 66.15, 59.56, -3.43

 

CMYK 23 / 0 / 56 / 0

HEX #C3FE6F

RGB 195 254 111

HSL 84.76, 0.99%, 0.72%

LAB 93.29, -40.23, 61.29

 

CMYK 56 / 0 / 6 / 0

HEX #70FEF0

RGB 112 254 240

HSL 174.08, 0.99%, 0.72%

LAB 91.96, -41.62, -4.94

 

CMYK 33 / 56 / 0 / 0

HEX #A970FE

RGB 169 112 254

HSL 264.08, 0.99%, 0.72%

LAB 59.14, 50.96, -62.83

 

CMYK 0 / 56 / 50 / 0

HEX #FE707F

RGB 254 112 127

HSL 353.66, 0.99%, 0.72%

LAB 65.11, 55.33, 19.01

 

Description

Color code: HEX #C3FE6F | qconv.com Color code: HEX #C3FE6F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 254 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 254 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 56 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 56% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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