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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C003C2 it is the complementary color #3FFC3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C003C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C003C2 shade: #C503BD, #D615D0, #E727E3, #F839F6 and #FF4BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C003C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C003C2 shade: #C003C2, #AF00AF, #9E009C, #8D0089 and #7C0076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C003C2 shade: #C102C3, #C30291, #C3025D, #C30229 and #C30202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C003C2 shade: #C102C3, #8D02C3, #5902C3, #2502C3 and #0202C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C003C2 shade matches the following richer shades: #C102C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C003C2 shade: #C102C3, #B213B3, #A223A3, #923393 and #824383

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C003C2 shade: #5902C3, #8D02C3, #C002C3, #C30293 and #C30260

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C003C2 shade: #710172, #99029B, #C102C3, #EA03EC and #F91DFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C003C2 shade: #C003C2, #C32602 and #02C373

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C003C2 shade: #C003C2, #C3C002 and #02C3C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C003C2 shade: #C003C2, #C32602, #06C302 and #02A0C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C003C2 shade: #C003C2, #C36002, #06C302 and #0266C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 98 / 0 / 24

HEX #C003C2

RGB 192 3 194

HSL 299.37, 0.97%, 0.39%

LAB 45.86, 79.4, -49.98

 

Complementary color

CMYK 75 / 0 / 76 / 1

HEX #3FFC3D

RGB 63 252 61

HSL 119.37, 0.97%, 0.61%

LAB 87.49, -78.71, 72.6

 

CMYK 0 / 98 / 4 / 23

HEX #C503BD

RGB 197 3 189

HSL 302.47, 0.97%, 0.39%

LAB 46.46, 79.5, -46.05

 

CMYK 0 / 90 / 3 / 16

HEX #D615D0

RGB 214 21 208

HSL 301.87, 0.82%, 0.46%

LAB 51.14, 83.38, -49.43

 

CMYK 0 / 83 / 2 / 9

HEX #E727E3

RGB 231 39 227

HSL 301.25, 0.8%, 0.53%

LAB 56.07, 86.25, -52.2

 

CMYK 0 / 77 / 1 / 3

HEX #F839F6

RGB 248 57 246

HSL 300.63, 0.93%, 0.6%

LAB 61.25, 88.19, -54.43

 

CMYK 0 / 71 / 0 / 0

HEX #FF4BFF

RGB 255 75 255

HSL 300, 1%, 0.65%

LAB 64.57, 85.88, -54.06

 

CMYK 1 / 98 / 0 / 24

HEX #C003C2

RGB 192 3 194

HSL 299.37, 0.97%, 0.39%

LAB 45.86, 79.4, -49.98

 

CMYK 0 / 100 / 0 / 31

HEX #AF00AF

RGB 175 0 175

HSL 300, 1%, 0.34%

LAB 41.55, 74.09, -45.88

 

CMYK 0 / 100 / 1 / 38

HEX #9E009C

RGB 158 0 156

HSL 300.76, 1%, 0.31%

LAB 37.24, 68.4, -41.53

 

CMYK 0 / 100 / 3 / 45

HEX #8D0089

RGB 141 0 137

HSL 301.7, 1%, 0.28%

LAB 32.85, 62.6, -37.07

 

CMYK 0 / 100 / 5 / 51

HEX #7C0076

RGB 124 0 118

HSL 302.9, 1%, 0.24%

LAB 28.36, 56.67, -32.48

 

CMYK 1 / 99 / 0 / 24

HEX #C102C3

RGB 193 2 195

HSL 299.38, 0.98%, 0.39%

LAB 46.07, 79.8, -50.22

 

CMYK 0 / 99 / 26 / 24

HEX #C30291

RGB 195 2 145

HSL 315.54, 0.98%, 0.39%

LAB 43.78, 73.56, -24.07

 

CMYK 0 / 99 / 52 / 24

HEX #C3025D

RGB 195 2 93

HSL 331.71, 0.98%, 0.39%

LAB 41.9, 68.65, 5.39

 

CMYK 0 / 99 / 79 / 24

HEX #C30229

RGB 195 2 41

HSL 347.88, 0.98%, 0.39%

LAB 40.91, 65.97, 36.6

 

CMYK 0 / 99 / 99 / 24

HEX #C30202

RGB 195 2 2

HSL 0, 0.98%, 0.39%

LAB 40.65, 65.28, 54.21

 

CMYK 1 / 99 / 0 / 24

HEX #C102C3

RGB 193 2 195

HSL 299.38, 0.98%, 0.39%

LAB 46.07, 79.8, -50.22

 

CMYK 28 / 99 / 0 / 24

HEX #8D02C3

RGB 141 2 195

HSL 283.21, 0.98%, 0.39%

LAB 37.2, 72.27, -65

 

CMYK 54 / 99 / 0 / 24

HEX #5902C3

RGB 89 2 195

HSL 267.05, 0.98%, 0.39%

LAB 29.68, 67.1, -77.64

 

CMYK 81 / 99 / 0 / 24

HEX #2502C3

RGB 37 2 195

HSL 250.88, 0.98%, 0.39%

LAB 24.88, 64.73, -85.76

 

CMYK 99 / 99 / 0 / 24

HEX #0202C3

RGB 2 2 195

HSL 240, 0.98%, 0.39%

LAB 23.66, 64.28, -87.83

 

CMYK 1 / 99 / 0 / 24

HEX #C102C3

RGB 193 2 195

HSL 299.38, 0.98%, 0.39%

LAB 46.07, 79.8, -50.22

 

CMYK 1 / 99 / 0 / 24

HEX #C102C3

RGB 193 2 195

HSL 299.38, 0.98%, 0.39%

LAB 46.07, 79.8, -50.22

 

CMYK 1 / 89 / 0 / 30

HEX #B213B3

RGB 178 19 179

HSL 299.63, 0.81%, 0.39%

LAB 43.04, 73.09, -45.83

 

CMYK 1 / 79 / 0 / 36

HEX #A223A3

RGB 162 35 163

HSL 299.53, 0.65%, 0.39%

LAB 40.46, 64.17, -40.59

 

CMYK 1 / 65 / 0 / 42

HEX #923393

RGB 146 51 147

HSL 299.38, 0.48%, 0.39%

LAB 38.87, 52.22, -33.6

 

CMYK 1 / 49 / 0 / 49

HEX #824383

RGB 130 67 131

HSL 299.06, 0.32%, 0.39%

LAB 38.55, 36.92, -24.49

 

CMYK 54 / 99 / 0 / 24

HEX #5902C3

RGB 89 2 195

HSL 267.05, 0.98%, 0.39%

LAB 29.68, 67.1, -77.64

 

CMYK 28 / 99 / 0 / 24

HEX #8D02C3

RGB 141 2 195

HSL 283.21, 0.98%, 0.39%

LAB 37.2, 72.27, -65

 

CMYK 2 / 99 / 0 / 24

HEX #C002C3

RGB 192 2 195

HSL 299.07, 0.98%, 0.39%

LAB 45.89, 79.64, -50.51

 

CMYK 0 / 99 / 25 / 24

HEX #C30293

RGB 195 2 147

HSL 314.92, 0.98%, 0.39%

LAB 43.88, 73.79, -25.14

 

CMYK 0 / 99 / 51 / 24

HEX #C30260

RGB 195 2 96

HSL 330.78, 0.98%, 0.39%

LAB 41.98, 68.87, 3.61

 

CMYK 1 / 99 / 0 / 55

HEX #710172

RGB 113 1 114

HSL 299.47, 0.98%, 0.23%

LAB 26, 53.88, -33.81

 

CMYK 1 / 99 / 0 / 39

HEX #99029B

RGB 153 2 155

HSL 299.22, 0.97%, 0.31%

LAB 36.33, 67.16, -42.43

 

CMYK 1 / 99 / 0 / 24

HEX #C102C3

RGB 193 2 195

HSL 299.38, 0.98%, 0.39%

LAB 46.07, 79.8, -50.22

 

CMYK 1 / 99 / 0 / 7

HEX #EA03EC

RGB 234 3 236

HSL 299.48, 0.97%, 0.47%

LAB 55.7, 92.16, -57.84

 

CMYK 1 / 88 / 0 / 2

HEX #F91DFB

RGB 249 29 251

HSL 299.46, 0.97%, 0.55%

LAB 59.87, 94.4, -59.4

 

CMYK 1 / 98 / 0 / 24

HEX #C003C2

RGB 192 3 194

HSL 299.37, 0.97%, 0.39%

LAB 45.86, 79.4, -49.98

 

CMYK 0 / 81 / 99 / 24

HEX #C32602

RGB 195 38 2

HSL 11.19, 0.98%, 0.39%

LAB 42.75, 59.28, 55.1

 

CMYK 99 / 0 / 41 / 24

HEX #02C373

RGB 2 195 115

HSL 155.13, 0.98%, 0.39%

LAB 69.67, -59.34, 28.94

 

CMYK 1 / 98 / 0 / 24

HEX #C003C2

RGB 192 3 194

HSL 299.37, 0.97%, 0.39%

LAB 45.86, 79.4, -49.98

 

CMYK 0 / 2 / 99 / 24

HEX #C3C002

RGB 195 192 2

HSL 59.07, 0.98%, 0.39%

LAB 75.64, -16.09, 76.41

 

CMYK 99 / 0 / 2 / 24

HEX #02C3C0

RGB 2 195 192

HSL 179.07, 0.98%, 0.39%

LAB 71.45, -40.13, -10.04

 

CMYK 1 / 98 / 0 / 24

HEX #C003C2

RGB 192 3 194

HSL 299.37, 0.97%, 0.39%

LAB 45.86, 79.4, -49.98

 

CMYK 0 / 81 / 99 / 24

HEX #C32602

RGB 195 38 2

HSL 11.19, 0.98%, 0.39%

LAB 42.75, 59.28, 55.1

 

CMYK 97 / 0 / 99 / 24

HEX #06C302

RGB 6 195 2

HSL 118.76, 0.98%, 0.39%

LAB 68.8, -70.13, 67.78

 

CMYK 99 / 18 / 0 / 24

HEX #02A0C3

RGB 2 160 195

HSL 190.88, 0.98%, 0.39%

LAB 60.87, -22.26, -27.77

 

CMYK 1 / 98 / 0 / 24

HEX #C003C2

RGB 192 3 194

HSL 299.37, 0.97%, 0.39%

LAB 45.86, 79.4, -49.98

 

CMYK 0 / 51 / 99 / 24

HEX #C36002

RGB 195 96 2

HSL 29.22, 0.98%, 0.39%

LAB 51.81, 35.19, 60.02

 

CMYK 97 / 0 / 99 / 24

HEX #06C302

RGB 6 195 2

HSL 118.76, 0.98%, 0.39%

LAB 68.8, -70.13, 67.78

 

CMYK 99 / 48 / 0 / 24

HEX #0266C3

RGB 2 102 195

HSL 208.91, 0.98%, 0.39%

LAB 43.44, 11.73, -55.29

 

Description

Color code: HEX #C003C2 | qconv.com Color code: HEX #C003C2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 3 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 3 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 98 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 98% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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