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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C00EA9 it is the complementary color #3FF156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C00EA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C00EA9 shade: #C50EA4, #D620B7, #E732CA, #F844DD and #FF56F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C00EA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C00EA9 shade: #C00EA9, #AF0096, #9E0083, #8D0070 and #7C005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C00EA9 shade: #BD0EA7, #BD0E77, #BD0E48, #BD0E19 and #BD0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C00EA9 shade: #BD0EA7, #A50EBD, #750EBD, #460EBD and #170EBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C00EA9 shade matches the following richer shades: #BD0EA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C00EA9 shade: #BD0EA7, #AD1E9A, #9C2F8E, #8C3F82 and #7B5076

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C00EA9 shade: #740EBD, #A30EBD, #BD0EA9, #BD0E7A and #BD0E4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C00EA9 shade: #700863, #970B85, #BD0EA7, #E411C8 and #EF2FD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C00EA9 shade: #C00EA9, #BD450E and #0EBD8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C00EA9 shade: #C00EA9, #A9BD0E and #0EA9BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C00EA9 shade: #C00EA9, #BD450E, #0EBD22 and #0E86BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C00EA9 shade: #C00EA9, #BD7A0E, #0EBD22 and #0E51BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 12 / 25

HEX #C00EA9

RGB 192 14 169

HSL 307.75, 0.86%, 0.4%

LAB 44.78, 74.84, -36.98

 

Complementary color

CMYK 74 / 0 / 64 / 5

HEX #3FF156

RGB 63 241 86

HSL 127.75, 0.86%, 0.6%

LAB 84.3, -73.3, 60.33

 

CMYK 0 / 93 / 17 / 23

HEX #C50EA4

RGB 197 14 164

HSL 310.82, 0.87%, 0.41%

LAB 45.45, 75.13, -32.88

 

CMYK 0 / 85 / 14 / 16

HEX #D620B7

RGB 214 32 183

HSL 310.22, 0.74%, 0.48%

LAB 50.39, 78.24, -36.12

 

CMYK 0 / 78 / 13 / 9

HEX #E732CA

RGB 231 50 202

HSL 309.61, 0.79%, 0.55%

LAB 55.62, 80.29, -38.7

 

CMYK 0 / 73 / 11 / 3

HEX #F844DD

RGB 248 68 221

HSL 309, 0.93%, 0.62%

LAB 61.06, 81.55, -40.76

 

CMYK 0 / 66 / 6 / 0

HEX #FF56F0

RGB 255 86 240

HSL 305.33, 1%, 0.67%

LAB 65.13, 79.94, -44.9

 

CMYK 0 / 93 / 12 / 25

HEX #C00EA9

RGB 192 14 169

HSL 307.75, 0.86%, 0.4%

LAB 44.78, 74.84, -36.98

 

CMYK 0 / 100 / 14 / 31

HEX #AF0096

RGB 175 0 150

HSL 308.57, 1%, 0.34%

LAB 40.11, 70.56, -33.14

 

CMYK 0 / 100 / 17 / 38

HEX #9E0083

RGB 158 0 131

HSL 310.25, 1%, 0.31%

LAB 35.81, 64.87, -28.45

 

CMYK 0 / 100 / 21 / 45

HEX #8D0070

RGB 141 0 112

HSL 312.34, 1%, 0.28%

LAB 31.42, 59.08, -23.59

 

CMYK 0 / 100 / 25 / 51

HEX #7C005D

RGB 124 0 93

HSL 315, 1%, 0.24%

LAB 26.95, 53.16, -18.51

 

CMYK 0 / 93 / 12 / 26

HEX #BD0EA7

RGB 189 14 167

HSL 307.54, 0.86%, 0.4%

LAB 44.12, 74.01, -36.86

 

CMYK 0 / 93 / 37 / 26

HEX #BD0E77

RGB 189 14 119

HSL 324, 0.86%, 0.4%

LAB 41.95, 68.33, -11

 

CMYK 0 / 93 / 62 / 26

HEX #BD0E48

RGB 189 14 72

HSL 340.11, 0.86%, 0.4%

LAB 40.57, 64.59, 16.69

 

CMYK 0 / 93 / 87 / 26

HEX #BD0E19

RGB 189 14 25

HSL 356.23, 0.86%, 0.4%

LAB 39.92, 62.76, 44.01

 

CMYK 0 / 93 / 93 / 26

HEX #BD0E0E

RGB 189 14 14

HSL 0, 0.86%, 0.4%

LAB 39.86, 62.58, 48.88

 

CMYK 0 / 93 / 12 / 26

HEX #BD0EA7

RGB 189 14 167

HSL 307.54, 0.86%, 0.4%

LAB 44.12, 74.01, -36.86

 

CMYK 13 / 93 / 0 / 26

HEX #A50EBD

RGB 165 14 189

HSL 291.77, 0.86%, 0.4%

LAB 41.2, 73.22, -54.8

 

CMYK 38 / 93 / 0 / 26

HEX #750EBD

RGB 117 14 189

HSL 275.31, 0.86%, 0.4%

LAB 33.5, 66.57, -67.68

 

CMYK 63 / 93 / 0 / 26

HEX #460EBD

RGB 70 14 189

HSL 259.2, 0.86%, 0.4%

LAB 27.55, 62.21, -77.7

 

CMYK 88 / 93 / 0 / 26

HEX #170EBD

RGB 23 14 189

HSL 243.09, 0.86%, 0.4%

LAB 24.23, 60.23, -83.32

 

CMYK 0 / 93 / 12 / 26

HEX #BD0EA7

RGB 189 14 167

HSL 307.54, 0.86%, 0.4%

LAB 44.12, 74.01, -36.86

 

CMYK 0 / 93 / 12 / 26

HEX #BD0EA7

RGB 189 14 167

HSL 307.54, 0.86%, 0.4%

LAB 44.12, 74.01, -36.86

 

CMYK 0 / 83 / 11 / 32

HEX #AD1E9A

RGB 173 30 154

HSL 307.97, 0.7%, 0.4%

LAB 41.45, 66.34, -33.48

 

CMYK 0 / 70 / 9 / 39

HEX #9C2F8E

RGB 156 47 142

HSL 307.71, 0.54%, 0.4%

LAB 39.67, 55.48, -29.19

 

CMYK 0 / 55 / 7 / 45

HEX #8C3F82

RGB 140 63 130

HSL 307.79, 0.38%, 0.4%

LAB 39.14, 41.92, -22.85

 

CMYK 0 / 35 / 4 / 52

HEX #7B5076

RGB 123 80 118

HSL 306.98, 0.21%, 0.4%

LAB 40.01, 24.56, -14.32

 

CMYK 39 / 93 / 0 / 26

HEX #740EBD

RGB 116 14 189

HSL 274.97, 0.86%, 0.4%

LAB 33.35, 66.45, -67.92

 

CMYK 14 / 93 / 0 / 26

HEX #A30EBD

RGB 163 14 189

HSL 291.09, 0.86%, 0.4%

LAB 40.86, 72.91, -55.37

 

CMYK 0 / 93 / 11 / 26

HEX #BD0EA9

RGB 189 14 169

HSL 306.86, 0.86%, 0.4%

LAB 44.23, 74.29, -37.88

 

CMYK 0 / 93 / 35 / 26

HEX #BD0E7A

RGB 189 14 122

HSL 322.97, 0.86%, 0.4%

LAB 42.06, 68.63, -12.7

 

CMYK 0 / 93 / 60 / 26

HEX #BD0E4B

RGB 189 14 75

HSL 339.09, 0.86%, 0.4%

LAB 40.64, 64.77, 14.87

 

CMYK 0 / 93 / 12 / 56

HEX #700863

RGB 112 8 99

HSL 307.5, 0.87%, 0.24%

LAB 25.32, 49.98, -25.18

 

CMYK 0 / 93 / 12 / 41

HEX #970B85

RGB 151 11 133

HSL 307.71, 0.86%, 0.32%

LAB 35.03, 62.41, -31.01

 

CMYK 0 / 93 / 12 / 26

HEX #BD0EA7

RGB 189 14 167

HSL 307.54, 0.86%, 0.4%

LAB 44.12, 74.01, -36.86

 

CMYK 0 / 93 / 12 / 11

HEX #E411C8

RGB 228 17 200

HSL 307.96, 0.86%, 0.48%

LAB 53.02, 85.2, -41.68

 

CMYK 0 / 80 / 10 / 6

HEX #EF2FD6

RGB 239 47 214

HSL 307.81, 0.86%, 0.56%

LAB 57.31, 84.26, -42.8

 

CMYK 0 / 93 / 12 / 25

HEX #C00EA9

RGB 192 14 169

HSL 307.75, 0.86%, 0.4%

LAB 44.78, 74.84, -36.98

 

CMYK 0 / 63 / 93 / 26

HEX #BD450E

RGB 189 69 14

HSL 18.86, 0.86%, 0.4%

LAB 45.78, 46.16, 52.81

 

CMYK 93 / 0 / 26 / 26

HEX #0EBD8C

RGB 14 189 140

HSL 163.2, 0.86%, 0.4%

LAB 68.3, -51.28, 13.77

 

CMYK 0 / 93 / 12 / 25

HEX #C00EA9

RGB 192 14 169

HSL 307.75, 0.86%, 0.4%

LAB 44.78, 74.84, -36.98

 

CMYK 11 / 0 / 93 / 26

HEX #A9BD0E

RGB 169 189 14

HSL 66.86, 0.86%, 0.4%

LAB 72.8, -25.62, 72.05

 

CMYK 93 / 11 / 0 / 26

HEX #0EA9BD

RGB 14 169 189

HSL 186.86, 0.86%, 0.4%

LAB 63.46, -28.44, -20.43

 

CMYK 0 / 93 / 12 / 25

HEX #C00EA9

RGB 192 14 169

HSL 307.75, 0.86%, 0.4%

LAB 44.78, 74.84, -36.98

 

CMYK 0 / 63 / 93 / 26

HEX #BD450E

RGB 189 69 14

HSL 18.86, 0.86%, 0.4%

LAB 45.78, 46.16, 52.81

 

CMYK 93 / 0 / 82 / 26

HEX #0EBD22

RGB 14 189 34

HSL 126.86, 0.86%, 0.4%

LAB 66.98, -67.03, 60.74

 

CMYK 93 / 29 / 0 / 26

HEX #0E86BD

RGB 14 134 189

HSL 198.86, 0.86%, 0.4%

LAB 52.75, -9.78, -37.01

 

CMYK 0 / 93 / 12 / 25

HEX #C00EA9

RGB 192 14 169

HSL 307.75, 0.86%, 0.4%

LAB 44.78, 74.84, -36.98

 

CMYK 0 / 35 / 93 / 26

HEX #BD7A0E

RGB 189 122 14

HSL 37.03, 0.86%, 0.4%

LAB 56.85, 18.78, 60.71

 

CMYK 93 / 0 / 82 / 26

HEX #0EBD22

RGB 14 189 34

HSL 126.86, 0.86%, 0.4%

LAB 66.98, -67.03, 60.74

 

CMYK 93 / 57 / 0 / 26

HEX #0E51BD

RGB 14 81 189

HSL 217.03, 0.86%, 0.4%

LAB 37.21, 23.61, -61.89

 

Description

Color code: HEX #C00EA9 | qconv.com Color code: HEX #C00EA9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 14 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 14 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 12 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 12% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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