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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C01C63 it is the complementary color #3FE39C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C01C63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C01C63 shade: #C51C5E, #D62E71, #E74084, #F85297 and #FF64AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C01C63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C01C63 shade: #C01C63, #AF0A50, #9E003D, #8D002A and #7C0017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C01C63 shade: #BF1B62, #BF1B36 and #BF1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C01C63 shade: #BF1B62, #BF1B8E, #BF1BBB, #981BBF and #6B1BBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C01C63 shade matches the following richer shades: #BF1B62 and #D10960

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C01C63 shade: #BF1B62, #AE2D65, #9C3E67, #8A5069 and #78626C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C01C63 shade: #BF1BBA, #BF1B8E, #BF1B62, #BF1B36 and #BF2B1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C01C63 shade: #77113D, #9B1650, #BF1B62, #DF2475 and #E4488C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C01C63 shade: #C01C63, #BF991B and #1BA4BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C01C63 shade: #C01C63, #62BF1B and #1B62BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C01C63 shade: #C01C63, #BF991B, #1BBF78 and #1B41BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C01C63 shade: #C01C63, #B4BF1B, #1BBF78 and #261BBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 48 / 25

HEX #C01C63

RGB 192 28 99

HSL 334.02, 0.75%, 0.43%

LAB 42.67, 64.91, 2.63

 

Complementary color

CMYK 72 / 0 / 31 / 11

HEX #3FE39C

RGB 63 227 156

HSL 154.02, 0.75%, 0.57%

LAB 80.96, -57.78, 22.92

 

CMYK 0 / 86 / 52 / 23

HEX #C51C5E

RGB 197 28 94

HSL 336.57, 0.75%, 0.44%

LAB 43.52, 65.77, 7.12

 

CMYK 0 / 79 / 47 / 16

HEX #D62E71

RGB 214 46 113

HSL 336.07, 0.67%, 0.51%

LAB 48.81, 67.34, 3.38

 

CMYK 0 / 72 / 43 / 9

HEX #E74084

RGB 231 64 132

HSL 335.57, 0.78%, 0.58%

LAB 54.37, 68.09, 0.37

 

CMYK 0 / 67 / 39 / 3

HEX #F85297

RGB 248 82 151

HSL 335.06, 0.92%, 0.65%

LAB 60.09, 68.29, -2.1

 

CMYK 0 / 61 / 33 / 0

HEX #FF64AA

RGB 255 100 170

HSL 332.9, 1%, 0.7%

LAB 64.38, 65.2, -6.6

 

CMYK 0 / 85 / 48 / 25

HEX #C01C63

RGB 192 28 99

HSL 334.02, 0.75%, 0.43%

LAB 42.67, 64.91, 2.63

 

CMYK 0 / 94 / 54 / 31

HEX #AF0A50

RGB 175 10 80

HSL 334.55, 0.89%, 0.36%

LAB 37.68, 62.17, 7.11

 

CMYK 0 / 100 / 61 / 38

HEX #9E003D

RGB 158 0 61

HSL 336.84, 1%, 0.31%

LAB 33.15, 58.01, 12.67

 

CMYK 0 / 100 / 70 / 45

HEX #8D002A

RGB 141 0 42

HSL 342.13, 1%, 0.28%

LAB 28.98, 52.72, 19.12

 

CMYK 0 / 100 / 81 / 51

HEX #7C0017

RGB 124 0 23

HSL 348.87, 1%, 0.24%

LAB 24.79, 47.5, 25.77

 

CMYK 0 / 86 / 49 / 25

HEX #BF1B62

RGB 191 27 98

HSL 334.02, 0.75%, 0.43%

LAB 42.37, 64.79, 2.81

 

CMYK 0 / 86 / 72 / 25

HEX #BF1B36

RGB 191 27 54

HSL 350.12, 0.75%, 0.43%

LAB 41.42, 62.02, 29.12

 

CMYK 0 / 86 / 86 / 25

HEX #BF1B1B

RGB 191 27 27

HSL 0, 0.75%, 0.43%

LAB 41.12, 61.14, 44.19

 

CMYK 0 / 86 / 49 / 25

HEX #BF1B62

RGB 191 27 98

HSL 334.02, 0.75%, 0.43%

LAB 42.37, 64.79, 2.81

 

CMYK 0 / 86 / 26 / 25

HEX #BF1B8E

RGB 191 27 142

HSL 317.93, 0.75%, 0.43%

LAB 43.96, 69.24, -22.03

 

CMYK 0 / 86 / 2 / 25

HEX #BF1BBB

RGB 191 27 187

HSL 301.46, 0.75%, 0.43%

LAB 46.24, 75.32, -45.29

 

CMYK 20 / 86 / 0 / 25

HEX #981BBF

RGB 152 27 191

HSL 285.73, 0.75%, 0.43%

LAB 39.95, 69.26, -58.1

 

CMYK 44 / 86 / 0 / 25

HEX #6B1BBF

RGB 107 27 191

HSL 269.27, 0.75%, 0.43%

LAB 33.29, 62.81, -69.25

 

CMYK 0 / 86 / 49 / 25

HEX #BF1B62

RGB 191 27 98

HSL 334.02, 0.75%, 0.43%

LAB 42.37, 64.79, 2.81

 

CMYK 0 / 96 / 54 / 18

HEX #D10960

RGB 209 9 96

HSL 333.9, 0.92%, 0.43%

LAB 45.07, 71.42, 8.41

 

CMYK 0 / 86 / 49 / 25

HEX #BF1B62

RGB 191 27 98

HSL 334.02, 0.75%, 0.43%

LAB 42.37, 64.79, 2.81

 

CMYK 0 / 74 / 42 / 32

HEX #AE2D65

RGB 174 45 101

HSL 333.95, 0.59%, 0.43%

LAB 40.92, 55.69, -1.59

 

CMYK 0 / 60 / 34 / 39

HEX #9C3E67

RGB 156 62 103

HSL 333.83, 0.43%, 0.43%

LAB 40.4, 43.4, -3.97

 

CMYK 0 / 42 / 24 / 46

HEX #8A5069

RGB 138 80 105

HSL 334.14, 0.27%, 0.43%

LAB 41.47, 27.78, -3.92

 

CMYK 0 / 18 / 10 / 53

HEX #78626C

RGB 120 98 108

HSL 332.73, 0.1%, 0.43%

LAB 43.96, 10.67, -2.32

 

CMYK 0 / 86 / 3 / 25

HEX #BF1BBA

RGB 191 27 186

HSL 301.83, 0.75%, 0.43%

LAB 46.18, 75.17, -44.8

 

CMYK 0 / 86 / 26 / 25

HEX #BF1B8E

RGB 191 27 142

HSL 317.93, 0.75%, 0.43%

LAB 43.96, 69.24, -22.03

 

CMYK 0 / 86 / 49 / 25

HEX #BF1B62

RGB 191 27 98

HSL 334.02, 0.75%, 0.43%

LAB 42.37, 64.79, 2.81

 

CMYK 0 / 86 / 72 / 25

HEX #BF1B36

RGB 191 27 54

HSL 350.12, 0.75%, 0.43%

LAB 41.42, 62.02, 29.12

 

CMYK 0 / 77 / 86 / 25

HEX #BF2B1B

RGB 191 43 27

HSL 5.85, 0.75%, 0.43%

LAB 42.59, 56.99, 45.44

 

CMYK 0 / 86 / 49 / 53

HEX #77113D

RGB 119 17 61

HSL 334.12, 0.75%, 0.27%

LAB 25.74, 44.98, 1.03

 

CMYK 0 / 86 / 48 / 39

HEX #9B1650

RGB 155 22 80

HSL 333.83, 0.75%, 0.35%

LAB 34.23, 55.18, 1.63

 

CMYK 0 / 86 / 49 / 25

HEX #BF1B62

RGB 191 27 98

HSL 334.02, 0.75%, 0.43%

LAB 42.37, 64.79, 2.81

 

CMYK 0 / 84 / 48 / 13

HEX #DF2475

RGB 223 36 117

HSL 334.01, 0.75%, 0.51%

LAB 49.78, 72.35, 2.55

 

CMYK 0 / 68 / 39 / 11

HEX #E4488C

RGB 228 72 140

HSL 333.85, 0.74%, 0.59%

LAB 55.1, 65.25, -3.38

 

CMYK 0 / 85 / 48 / 25

HEX #C01C63

RGB 192 28 99

HSL 334.02, 0.75%, 0.43%

LAB 42.67, 64.91, 2.63

 

CMYK 0 / 20 / 86 / 25

HEX #BF991B

RGB 191 153 27

HSL 46.1, 0.75%, 0.43%

LAB 64.91, 2.92, 64.06

 

CMYK 86 / 14 / 0 / 25

HEX #1BA4BF

RGB 27 164 191

HSL 189.88, 0.75%, 0.43%

LAB 62.12, -24.56, -23.58

 

CMYK 0 / 85 / 48 / 25

HEX #C01C63

RGB 192 28 99

HSL 334.02, 0.75%, 0.43%

LAB 42.67, 64.91, 2.63

 

CMYK 49 / 0 / 86 / 25

HEX #62BF1B

RGB 98 191 27

HSL 94.02, 0.75%, 0.43%

LAB 69.42, -52.77, 65.34

 

CMYK 86 / 49 / 0 / 25

HEX #1B62BF

RGB 27 98 191

HSL 214.02, 0.75%, 0.43%

LAB 42.35, 13.93, -54.71

 

CMYK 0 / 85 / 48 / 25

HEX #C01C63

RGB 192 28 99

HSL 334.02, 0.75%, 0.43%

LAB 42.67, 64.91, 2.63

 

CMYK 0 / 20 / 86 / 25

HEX #BF991B

RGB 191 153 27

HSL 46.1, 0.75%, 0.43%

LAB 64.91, 2.92, 64.06

 

CMYK 86 / 0 / 37 / 25

HEX #1BBF78

RGB 27 191 120

HSL 154.02, 0.75%, 0.43%

LAB 68.64, -55.66, 24.98

 

CMYK 86 / 66 / 0 / 25

HEX #1B41BF

RGB 27 65 191

HSL 226.1, 0.75%, 0.43%

LAB 33.51, 35.65, -69.11

 

CMYK 0 / 85 / 48 / 25

HEX #C01C63

RGB 192 28 99

HSL 334.02, 0.75%, 0.43%

LAB 42.67, 64.91, 2.63

 

CMYK 6 / 0 / 86 / 25

HEX #B4BF1B

RGB 180 191 27

HSL 64.02, 0.75%, 0.43%

LAB 74.22, -21.66, 71.32

 

CMYK 86 / 0 / 37 / 25

HEX #1BBF78

RGB 27 191 120

HSL 154.02, 0.75%, 0.43%

LAB 68.64, -55.66, 24.98

 

CMYK 80 / 86 / 0 / 25

HEX #261BBF

RGB 38 27 191

HSL 244.02, 0.75%, 0.43%

LAB 26.61, 56.96, -80.51

 

Description

Color code: HEX #C01C63 | qconv.com Color code: HEX #C01C63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 28 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 28 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 48 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 48% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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