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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C02BF7 it is the complementary color #3FD408. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C02BF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C02BF7 shade: #C52BF2, #D63DFF, #E74FFF, #F861FF and #FF73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C02BF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C02BF7 shade: #C02BF7, #AF19E4, #9E07D1, #8D00BE and #7C00AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C02BF7 shade: #C02BF7, #F72BF7, #F72BC0, #F72B89 and #F72B52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C02BF7 shade: #C02BF7, #892BF7, #522BF7 and #2B2BF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C02BF7 shade matches the following richer shades: #C02BF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C02BF7 shade: #C02BF7, #B83DE5, #AF4ED3, #A760C2 and #9F72B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C02BF7 shade: #502BF7, #872BF7, #BD2BF7, #F32BF7 and #F72BC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C02BF7 shade: #9407C8, #B208F0, #C02BF7, #CC53F8 and #D77BFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C02BF7 shade: #C02BF7, #F72B3C and #2BF76B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C02BF7 shade: #C02BF7, #F7BD2B and #2BF7BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C02BF7 shade: #C02BF7, #F72B3C, #65F72B and #2BF7E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C02BF7 shade: #C02BF7, #F7572B, #65F72B and #2BCBF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 83 / 0 / 3

HEX #C02BF7

RGB 192 43 247

HSL 283.82, 0.93%, 0.57%

LAB 51.44, 82.1, -71.22

 

Complementary color

CMYK 70 / 0 / 96 / 17

HEX #3FD408

RGB 63 212 8

HSL 103.82, 0.93%, 0.43%

LAB 74.93, -68.87, 72.4

 

CMYK 19 / 82 / 0 / 5

HEX #C52BF2

RGB 197 43 242

HSL 286.43, 0.88%, 0.56%

LAB 51.85, 81.99, -67.73

 

CMYK 16 / 76 / 0 / 0

HEX #D63DFF

RGB 214 61 255

HSL 287.32, 1%, 0.62%

LAB 56.93, 82.28, -66.63

 

CMYK 9 / 69 / 0 / 0

HEX #E74FFF

RGB 231 79 255

HSL 291.82, 1%, 0.65%

LAB 61.48, 79.63, -59.2

 

CMYK 3 / 62 / 0 / 0

HEX #F861FF

RGB 248 97 255

HSL 297.34, 1%, 0.69%

LAB 66.31, 76.59, -51.38

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 22 / 83 / 0 / 3

HEX #C02BF7

RGB 192 43 247

HSL 283.82, 0.93%, 0.57%

LAB 51.44, 82.1, -71.22

 

CMYK 23 / 89 / 0 / 11

HEX #AF19E4

RGB 175 25 228

HSL 284.33, 0.8%, 0.5%

LAB 46.19, 79.88, -69.16

 

CMYK 24 / 97 / 0 / 18

HEX #9E07D1

RGB 158 7 209

HSL 284.85, 0.94%, 0.42%

LAB 41.26, 76.47, -66.42

 

CMYK 26 / 100 / 0 / 25

HEX #8D00BE

RGB 141 0 190

HSL 284.53, 1%, 0.37%

LAB 36.71, 71.59, -62.87

 

CMYK 27 / 100 / 0 / 33

HEX #7C00AB

RGB 124 0 171

HSL 283.51, 1%, 0.34%

LAB 32.31, 65.87, -58.85

 

CMYK 22 / 83 / 0 / 3

HEX #C02BF7

RGB 192 43 247

HSL 283.82, 0.93%, 0.57%

LAB 51.44, 82.1, -71.22

 

CMYK 0 / 83 / 0 / 3

HEX #F72BF7

RGB 247 43 247

HSL 300, 0.93%, 0.57%

LAB 60.08, 91.24, -56.86

 

CMYK 0 / 83 / 22 / 3

HEX #F72BC0

RGB 247 43 192

HSL 316.18, 0.93%, 0.57%

LAB 57.37, 83.93, -30.01

 

CMYK 0 / 83 / 45 / 3

HEX #F72B89

RGB 247 43 137

HSL 332.35, 0.93%, 0.57%

LAB 55.39, 78.31, -0.77

 

CMYK 0 / 83 / 67 / 3

HEX #F72B52

RGB 247 43 82

HSL 348.53, 0.93%, 0.57%

LAB 54.14, 74.66, 30.39

 

CMYK 22 / 83 / 0 / 3

HEX #C02BF7

RGB 192 43 247

HSL 283.82, 0.93%, 0.57%

LAB 51.44, 82.1, -71.22

 

CMYK 45 / 83 / 0 / 3

HEX #892BF7

RGB 137 43 247

HSL 267.65, 0.93%, 0.57%

LAB 43.89, 74.43, -83.87

 

CMYK 67 / 83 / 0 / 3

HEX #522BF7

RGB 82 43 247

HSL 251.47, 0.93%, 0.57%

LAB 38.26, 69.01, -93.34

 

CMYK 83 / 83 / 0 / 3

HEX #2B2BF7

RGB 43 43 247

HSL 240, 0.93%, 0.57%

LAB 35.9, 66.83, -97.33

 

CMYK 22 / 83 / 0 / 3

HEX #C02BF7

RGB 192 43 247

HSL 283.82, 0.93%, 0.57%

LAB 51.44, 82.1, -71.22

 

CMYK 22 / 83 / 0 / 3

HEX #C02BF7

RGB 192 43 247

HSL 283.82, 0.93%, 0.57%

LAB 51.44, 82.1, -71.22

 

CMYK 20 / 73 / 0 / 10

HEX #B83DE5

RGB 184 61 229

HSL 283.93, 0.76%, 0.57%

LAB 50.9, 71.97, -62.03

 

CMYK 17 / 63 / 0 / 17

HEX #AF4ED3

RGB 175 78 211

HSL 283.76, 0.6%, 0.57%

LAB 51, 59.64, -51.72

 

CMYK 14 / 51 / 0 / 24

HEX #A760C2

RGB 167 96 194

HSL 283.47, 0.45%, 0.57%

LAB 52.37, 45.19, -39.86

 

CMYK 10 / 35 / 0 / 31

HEX #9F72B0

RGB 159 114 176

HSL 283.55, 0.28%, 0.57%

LAB 54.6, 29, -26.08

 

CMYK 68 / 83 / 0 / 3

HEX #502BF7

RGB 80 43 247

HSL 250.88, 0.93%, 0.57%

LAB 38.11, 68.86, -93.6

 

CMYK 45 / 83 / 0 / 3

HEX #872BF7

RGB 135 43 247

HSL 267.06, 0.93%, 0.57%

LAB 43.65, 74.19, -84.28

 

CMYK 23 / 83 / 0 / 3

HEX #BD2BF7

RGB 189 43 247

HSL 282.94, 0.93%, 0.57%

LAB 50.99, 81.63, -71.97

 

CMYK 2 / 83 / 0 / 3

HEX #F32BF7

RGB 243 43 247

HSL 298.82, 0.93%, 0.57%

LAB 59.43, 90.54, -57.94

 

CMYK 0 / 83 / 21 / 3

HEX #F72BC4

RGB 247 43 196

HSL 315, 0.93%, 0.57%

LAB 57.55, 84.41, -32.04

 

CMYK 26 / 97 / 0 / 22

HEX #9407C8

RGB 148 7 200

HSL 283.83, 0.93%, 0.41%

LAB 38.93, 73.52, -65.05

 

CMYK 26 / 97 / 0 / 6

HEX #B208F0

RGB 178 8 240

HSL 283.97, 0.94%, 0.49%

LAB 46.88, 84.5, -74.8

 

CMYK 22 / 83 / 0 / 3

HEX #C02BF7

RGB 192 43 247

HSL 283.82, 0.93%, 0.57%

LAB 51.44, 82.1, -71.22

 

CMYK 18 / 67 / 0 / 3

HEX #CC53F8

RGB 204 83 248

HSL 284, 0.92%, 0.65%

LAB 57.85, 71.21, -61.35

 

CMYK 14 / 51 / 0 / 2

HEX #D77BFA

RGB 215 123 250

HSL 283.46, 0.93%, 0.73%

LAB 66.15, 55.8, -49.17

 

CMYK 22 / 83 / 0 / 3

HEX #C02BF7

RGB 192 43 247

HSL 283.82, 0.93%, 0.57%

LAB 51.44, 82.1, -71.22

 

CMYK 0 / 83 / 76 / 3

HEX #F72B3C

RGB 247 43 60

HSL 355, 0.93%, 0.57%

LAB 53.84, 73.76, 42.75

 

CMYK 83 / 0 / 57 / 3

HEX #2BF76B

RGB 43 247 107

HSL 138.82, 0.93%, 0.57%

LAB 86.05, -75.1, 53.31

 

CMYK 22 / 83 / 0 / 3

HEX #C02BF7

RGB 192 43 247

HSL 283.82, 0.93%, 0.57%

LAB 51.44, 82.1, -71.22

 

CMYK 0 / 23 / 83 / 3

HEX #F7BD2B

RGB 247 189 43

HSL 42.94, 0.93%, 0.57%

LAB 79.81, 8.66, 74.48

 

CMYK 83 / 0 / 23 / 3

HEX #2BF7BD

RGB 43 247 189

HSL 162.94, 0.93%, 0.57%

LAB 87.34, -60.3, 14.66

 

CMYK 22 / 83 / 0 / 3

HEX #C02BF7

RGB 192 43 247

HSL 283.82, 0.93%, 0.57%

LAB 51.44, 82.1, -71.22

 

CMYK 0 / 83 / 76 / 3

HEX #F72B3C

RGB 247 43 60

HSL 355, 0.93%, 0.57%

LAB 53.84, 73.76, 42.75

 

CMYK 59 / 0 / 83 / 3

HEX #65F72B

RGB 101 247 43

HSL 102.94, 0.93%, 0.57%

LAB 86.73, -71.07, 77.07

 

CMYK 83 / 0 / 7 / 3

HEX #2BF7E6

RGB 43 247 230

HSL 175, 0.93%, 0.57%

LAB 88.33, -50.03, -5.25

 

CMYK 22 / 83 / 0 / 3

HEX #C02BF7

RGB 192 43 247

HSL 283.82, 0.93%, 0.57%

LAB 51.44, 82.1, -71.22

 

CMYK 0 / 65 / 83 / 3

HEX #F7572B

RGB 247 87 43

HSL 12.94, 0.93%, 0.57%

LAB 58.76, 59.22, 56.2

 

CMYK 59 / 0 / 83 / 3

HEX #65F72B

RGB 101 247 43

HSL 102.94, 0.93%, 0.57%

LAB 86.73, -71.07, 77.07

 

CMYK 83 / 18 / 0 / 3

HEX #2BCBF7

RGB 43 203 247

HSL 192.94, 0.93%, 0.57%

LAB 76.03, -24.7, -32.82

 

Description

Color code: HEX #C02BF7 | qconv.com Color code: HEX #C02BF7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 43 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 43 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 83 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 83% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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