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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0398E it is the complementary color #3FC671. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0398E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0398E shade: #C53989, #D64B9C, #E75DAF, #F86FC2 and #FF81D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0398E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0398E shade: #C0398E, #AF277B, #9E1568, #8D0355 and #7C0042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0398E shade: #C0398E, #C0396A, #C03945 and #C03939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0398E shade: #C0398E, #C039B2, #A939C0, #8539C0 and #6039C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0398E shade matches the following richer shades: #C0398E, #D42593 and #E81198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0398E shade: #C0398E, #AC4D89, #976183, #83767E and #6F8A79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0398E shade: #A939C0, #C039B2, #C0398E, #C0396A and #C03946

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0398E shade: #80265F, #A02F76, #C0398E, #CC56A0 and #D676B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0398E shade: #C0398E, #C08539 and #39C0BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0398E shade: #C0398E, #8EC039 and #398EC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0398E shade: #C0398E, #C08539, #39C06A and #3973C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0398E shade: #C0398E, #C0AE39, #39C06A and #394BC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 26 / 25

HEX #C0398E

RGB 192 57 142

HSL 322.22, 0.54%, 0.49%

LAB 47.09, 61.1, -17.21

 

Complementary color

CMYK 68 / 0 / 43 / 22

HEX #3FC671

RGB 63 198 113

HSL 142.22, 0.54%, 0.51%

LAB 71.31, -55.01, 32.25

 

CMYK 0 / 71 / 30 / 23

HEX #C53989

RGB 197 57 137

HSL 325.71, 0.55%, 0.5%

LAB 47.76, 61.82, -13.1

 

CMYK 0 / 65 / 27 / 16

HEX #D64B9C

RGB 214 75 156

HSL 325.04, 0.63%, 0.57%

LAB 53.74, 62, -15.1

 

CMYK 0 / 60 / 24 / 9

HEX #E75DAF

RGB 231 93 175

HSL 324.35, 0.74%, 0.64%

LAB 59.81, 61.79, -16.7

 

CMYK 0 / 55 / 22 / 3

HEX #F86FC2

RGB 248 111 194

HSL 323.65, 0.91%, 0.7%

LAB 65.92, 61.35, -18.02

 

CMYK 0 / 49 / 16 / 0

HEX #FF81D5

RGB 255 129 213

HSL 320, 1%, 0.75%

LAB 70.71, 57.78, -21.28

 

CMYK 0 / 70 / 26 / 25

HEX #C0398E

RGB 192 57 142

HSL 322.22, 0.54%, 0.49%

LAB 47.09, 61.1, -17.21

 

CMYK 0 / 78 / 30 / 31

HEX #AF277B

RGB 175 39 123

HSL 322.94, 0.64%, 0.42%

LAB 41.21, 60.31, -14.86

 

CMYK 0 / 87 / 34 / 38

HEX #9E1568

RGB 158 21 104

HSL 323.65, 0.77%, 0.35%

LAB 35.61, 58.54, -11.75

 

CMYK 0 / 98 / 40 / 45

HEX #8D0355

RGB 141 3 85

HSL 324.35, 0.96%, 0.28%

LAB 30.36, 55.5, -7.7

 

CMYK 0 / 100 / 47 / 51

HEX #7C0042

RGB 124 0 66

HSL 328.06, 1%, 0.24%

LAB 25.8, 50.2, -2.17

 

CMYK 0 / 70 / 26 / 25

HEX #C0398E

RGB 192 57 142

HSL 322.22, 0.54%, 0.49%

LAB 47.09, 61.1, -17.21

 

CMYK 0 / 70 / 45 / 25

HEX #C0396A

RGB 192 57 106

HSL 338.22, 0.54%, 0.49%

LAB 45.87, 57.07, 2.91

 

CMYK 0 / 70 / 64 / 25

HEX #C03945

RGB 192 57 69

HSL 354.67, 0.54%, 0.49%

LAB 45.03, 54.18, 24.49

 

CMYK 0 / 70 / 70 / 25

HEX #C03939

RGB 192 57 57

HSL 0, 0.54%, 0.49%

LAB 44.84, 53.52, 31.44

 

CMYK 0 / 70 / 26 / 25

HEX #C0398E

RGB 192 57 142

HSL 322.22, 0.54%, 0.49%

LAB 47.09, 61.1, -17.21

 

CMYK 0 / 70 / 7 / 25

HEX #C039B2

RGB 192 57 178

HSL 306.22, 0.54%, 0.49%

LAB 48.69, 66.19, -36.12

 

CMYK 12 / 70 / 0 / 25

HEX #A939C0

RGB 169 57 192

HSL 289.78, 0.54%, 0.49%

LAB 45.86, 63.41, -49.02

 

CMYK 31 / 70 / 0 / 25

HEX #8539C0

RGB 133 57 192

HSL 273.78, 0.54%, 0.49%

LAB 40.77, 55.91, -57.49

 

CMYK 50 / 70 / 0 / 25

HEX #6039C0

RGB 96 57 192

HSL 257.33, 0.54%, 0.49%

LAB 36.4, 49.06, -64.79

 

CMYK 0 / 70 / 26 / 25

HEX #C0398E

RGB 192 57 142

HSL 322.22, 0.54%, 0.49%

LAB 47.09, 61.1, -17.21

 

CMYK 0 / 83 / 31 / 17

HEX #D42593

RGB 212 37 147

HSL 322.29, 0.7%, 0.49%

LAB 48.79, 72.42, -17.3

 

CMYK 0 / 93 / 34 / 9

HEX #E81198

RGB 232 17 152

HSL 322.33, 0.86%, 0.49%

LAB 51.64, 80.47, -15.62

 

CMYK 0 / 70 / 26 / 25

HEX #C0398E

RGB 192 57 142

HSL 322.22, 0.54%, 0.49%

LAB 47.09, 61.1, -17.21

 

CMYK 0 / 55 / 20 / 33

HEX #AC4D89

RGB 172 77 137

HSL 322.11, 0.38%, 0.49%

LAB 46.82, 46.04, -14.9

 

CMYK 0 / 36 / 13 / 41

HEX #976183

RGB 151 97 131

HSL 322.22, 0.22%, 0.49%

LAB 47.97, 27.2, -9.84

 

CMYK 0 / 10 / 4 / 49

HEX #83767E

RGB 131 118 126

HSL 323.08, 0.05%, 0.49%

LAB 51.02, 6.53, -2.56

 

CMYK 20 / 0 / 12 / 46

HEX #6F8A79

RGB 111 138 121

HSL 142.22, 0.11%, 0.49%

LAB 55.01, -13.22, 5.94

 

CMYK 12 / 70 / 0 / 25

HEX #A939C0

RGB 169 57 192

HSL 289.78, 0.54%, 0.49%

LAB 45.86, 63.41, -49.02

 

CMYK 0 / 70 / 7 / 25

HEX #C039B2

RGB 192 57 178

HSL 306.22, 0.54%, 0.49%

LAB 48.69, 66.19, -36.12

 

CMYK 0 / 70 / 26 / 25

HEX #C0398E

RGB 192 57 142

HSL 322.22, 0.54%, 0.49%

LAB 47.09, 61.1, -17.21

 

CMYK 0 / 70 / 45 / 25

HEX #C0396A

RGB 192 57 106

HSL 338.22, 0.54%, 0.49%

LAB 45.87, 57.07, 2.91

 

CMYK 0 / 70 / 64 / 25

HEX #C03946

RGB 192 57 70

HSL 354.22, 0.54%, 0.49%

LAB 45.05, 54.24, 23.91

 

CMYK 0 / 70 / 26 / 50

HEX #80265F

RGB 128 38 95

HSL 322, 0.54%, 0.33%

LAB 31.35, 44.35, -12.97

 

CMYK 0 / 71 / 26 / 37

HEX #A02F76

RGB 160 47 118

HSL 322.3, 0.55%, 0.41%

LAB 39.27, 53.02, -14.96

 

CMYK 0 / 70 / 26 / 25

HEX #C0398E

RGB 192 57 142

HSL 322.22, 0.54%, 0.49%

LAB 47.09, 61.1, -17.21

 

CMYK 0 / 58 / 22 / 20

HEX #CC56A0

RGB 204 86 160

HSL 322.37, 0.54%, 0.57%

LAB 54.06, 54.94, -17.1

 

CMYK 0 / 45 / 17 / 16

HEX #D676B2

RGB 214 118 178

HSL 322.5, 0.54%, 0.65%

LAB 62.06, 45.13, -15.25

 

CMYK 0 / 70 / 26 / 25

HEX #C0398E

RGB 192 57 142

HSL 322.22, 0.54%, 0.49%

LAB 47.09, 61.1, -17.21

 

CMYK 0 / 31 / 70 / 25

HEX #C08539

RGB 192 133 57

HSL 33.78, 0.54%, 0.49%

LAB 60.14, 15.49, 48.56

 

CMYK 70 / 0 / 3 / 25

HEX #39C0BB

RGB 57 192 187

HSL 177.78, 0.54%, 0.49%

LAB 70.98, -36.35, -7.95

 

CMYK 0 / 70 / 26 / 25

HEX #C0398E

RGB 192 57 142

HSL 322.22, 0.54%, 0.49%

LAB 47.09, 61.1, -17.21

 

CMYK 26 / 0 / 70 / 25

HEX #8EC039

RGB 142 192 57

HSL 82.22, 0.54%, 0.49%

LAB 72.06, -36.34, 59.55

 

CMYK 70 / 26 / 0 / 25

HEX #398EC0

RGB 57 142 192

HSL 202.22, 0.54%, 0.49%

LAB 56.11, -9.15, -33.4

 

CMYK 0 / 70 / 26 / 25

HEX #C0398E

RGB 192 57 142

HSL 322.22, 0.54%, 0.49%

LAB 47.09, 61.1, -17.21

 

CMYK 0 / 31 / 70 / 25

HEX #C08539

RGB 192 133 57

HSL 33.78, 0.54%, 0.49%

LAB 60.14, 15.49, 48.56

 

CMYK 70 / 0 / 45 / 25

HEX #39C06A

RGB 57 192 106

HSL 141.78, 0.54%, 0.49%

LAB 69.19, -55, 33.07

 

CMYK 70 / 40 / 0 / 25

HEX #3973C0

RGB 57 115 192

HSL 214.22, 0.54%, 0.49%

LAB 48.18, 6.9, -45.9

 

CMYK 0 / 70 / 26 / 25

HEX #C0398E

RGB 192 57 142

HSL 322.22, 0.54%, 0.49%

LAB 47.09, 61.1, -17.21

 

CMYK 0 / 9 / 70 / 25

HEX #C0AE39

RGB 192 174 57

HSL 52, 0.54%, 0.49%

LAB 70.71, -6.68, 59.42

 

CMYK 70 / 0 / 45 / 25

HEX #39C06A

RGB 57 192 106

HSL 141.78, 0.54%, 0.49%

LAB 69.19, -55, 33.07

 

CMYK 70 / 61 / 0 / 25

HEX #394BC0

RGB 57 75 192

HSL 232, 0.54%, 0.49%

LAB 37.31, 32.48, -63.42

 

Description

Color code: HEX #C0398E | qconv.com Color code: HEX #C0398E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 57 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 57 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 26 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 26% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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