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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C03399 it is the complementary color #3FCC66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C03399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C03399 shade: #C53394, #D645A7, #E757BA, #F869CD and #FF7BE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C03399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C03399 shade: #C03399, #AF2186, #9E0F73, #8D0060 and #7C004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C03399 shade: #C1339A, #C13373, #C1334D and #C13333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C03399 shade: #C1339A, #C133C0, #9C33C1, #7533C1 and #4F33C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C03399 shade matches the following richer shades: #C1339A, #D51FA2 and #E90BAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C03399 shade: #C1339A, #AD4791, #995B88, #856E7F and #728276

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C03399 shade: #9B33C1, #C133C1, #C1339B, #C13375 and #C1334F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C03399 shade: #802266, #A02A80, #C1339A, #CF4EAC and #D86EBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C03399 shade: #C03399, #C17533 and #33C1AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C03399 shade: #C03399, #9BC133 and #339BC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C03399 shade: #C03399, #C17533, #33C159 and #337FC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C03399 shade: #C03399, #C1A033, #33C159 and #3354C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 20 / 25

HEX #C03399

RGB 192 51 153

HSL 316.6, 0.58%, 0.48%

LAB 46.81, 64.6, -24.25

 

Complementary color

CMYK 69 / 0 / 50 / 20

HEX #3FCC66

RGB 63 204 102

HSL 136.6, 0.58%, 0.52%

LAB 73.02, -58.98, 39.95

 

CMYK 0 / 74 / 25 / 23

HEX #C53394

RGB 197 51 148

HSL 320.14, 0.59%, 0.49%

LAB 47.46, 65.19, -20.17

 

CMYK 0 / 68 / 22 / 16

HEX #D645A7

RGB 214 69 167

HSL 319.45, 0.64%, 0.55%

LAB 53.32, 65.74, -22.2

 

CMYK 0 / 62 / 19 / 9

HEX #E757BA

RGB 231 87 186

HSL 318.75, 0.75%, 0.62%

LAB 59.3, 65.79, -23.81

 

CMYK 0 / 58 / 17 / 3

HEX #F869CD

RGB 248 105 205

HSL 318.04, 0.91%, 0.69%

LAB 65.33, 65.54, -25.12

 

CMYK 0 / 52 / 12 / 0

HEX #FF7BE0

RGB 255 123 224

HSL 314.09, 1%, 0.74%

LAB 70.04, 62.25, -28.39

 

CMYK 0 / 73 / 20 / 25

HEX #C03399

RGB 192 51 153

HSL 316.6, 0.58%, 0.48%

LAB 46.81, 64.6, -24.25

 

CMYK 0 / 81 / 23 / 31

HEX #AF2186

RGB 175 33 134

HSL 317.32, 0.68%, 0.41%

LAB 41.09, 63.33, -21.82

 

CMYK 0 / 91 / 27 / 38

HEX #9E0F73

RGB 158 15 115

HSL 318.04, 0.83%, 0.34%

LAB 35.69, 60.91, -18.6

 

CMYK 0 / 100 / 32 / 45

HEX #8D0060

RGB 141 0 96

HSL 319.15, 1%, 0.28%

LAB 30.66, 57.14, -14.45

 

CMYK 0 / 100 / 38 / 51

HEX #7C004D

RGB 124 0 77

HSL 322.74, 1%, 0.24%

LAB 26.22, 51.29, -8.99

 

CMYK 0 / 74 / 20 / 24

HEX #C1339A

RGB 193 51 154

HSL 316.48, 0.58%, 0.48%

LAB 47.02, 64.98, -24.5

 

CMYK 0 / 74 / 40 / 24

HEX #C13373

RGB 193 51 115

HSL 332.96, 0.58%, 0.48%

LAB 45.56, 60.37, -3.06

 

CMYK 0 / 74 / 60 / 24

HEX #C1334D

RGB 193 51 77

HSL 349.01, 0.58%, 0.48%

LAB 44.58, 57.17, 19.04

 

CMYK 0 / 74 / 74 / 24

HEX #C13333

RGB 193 51 51

HSL 0, 0.58%, 0.48%

LAB 44.15, 55.75, 34.2

 

CMYK 0 / 74 / 20 / 24

HEX #C1339A

RGB 193 51 154

HSL 316.48, 0.58%, 0.48%

LAB 47.02, 64.98, -24.5

 

CMYK 0 / 74 / 1 / 24

HEX #C133C0

RGB 193 51 192

HSL 300.42, 0.58%, 0.48%

LAB 48.9, 70.59, -43.96

 

CMYK 19 / 74 / 0 / 24

HEX #9C33C1

RGB 156 51 193

HSL 284.37, 0.58%, 0.48%

LAB 43.19, 63.16, -54

 

CMYK 39 / 74 / 0 / 24

HEX #7533C1

RGB 117 51 193

HSL 267.89, 0.58%, 0.48%

LAB 37.84, 55.83, -62.92

 

CMYK 59 / 74 / 0 / 24

HEX #4F33C1

RGB 79 51 193

HSL 251.83, 0.58%, 0.48%

LAB 33.73, 49.91, -69.81

 

CMYK 0 / 74 / 20 / 24

HEX #C1339A

RGB 193 51 154

HSL 316.48, 0.58%, 0.48%

LAB 47.02, 64.98, -24.5

 

CMYK 0 / 85 / 24 / 16

HEX #D51FA2

RGB 213 31 162

HSL 316.81, 0.75%, 0.48%

LAB 49.17, 75.59, -25.66

 

CMYK 0 / 95 / 27 / 9

HEX #E90BAB

RGB 233 11 171

HSL 316.76, 0.91%, 0.48%

LAB 52.4, 83.19, -25.69

 

CMYK 0 / 74 / 20 / 24

HEX #C1339A

RGB 193 51 154

HSL 316.48, 0.58%, 0.48%

LAB 47.02, 64.98, -24.5

 

CMYK 0 / 59 / 16 / 32

HEX #AD4791

RGB 173 71 145

HSL 316.47, 0.42%, 0.48%

LAB 46.22, 50.42, -20.61

 

CMYK 0 / 41 / 11 / 40

HEX #995B88

RGB 153 91 136

HSL 316.45, 0.25%, 0.48%

LAB 47.02, 32.19, -14.25

 

CMYK 0 / 17 / 5 / 48

HEX #856E7F

RGB 133 110 127

HSL 315.65, 0.09%, 0.48%

LAB 49.09, 12.18, -5.98

 

CMYK 12 / 0 / 9 / 49

HEX #728276

RGB 114 130 118

HSL 135, 0.07%, 0.48%

LAB 52.79, -8.34, 4.52

 

CMYK 20 / 74 / 0 / 24

HEX #9B33C1

RGB 155 51 193

HSL 283.94, 0.58%, 0.48%

LAB 43.04, 62.96, -54.25

 

CMYK 0 / 74 / 0 / 24

HEX #C133C1

RGB 193 51 193

HSL 300, 0.58%, 0.48%

LAB 48.95, 70.75, -44.46

 

CMYK 0 / 74 / 20 / 24

HEX #C1339B

RGB 193 51 155

HSL 316.06, 0.58%, 0.48%

LAB 47.07, 65.12, -25.03

 

CMYK 0 / 74 / 39 / 24

HEX #C13375

RGB 193 51 117

HSL 332.11, 0.58%, 0.48%

LAB 45.62, 60.58, -4.2

 

CMYK 0 / 74 / 59 / 24

HEX #C1334F

RGB 193 51 79

HSL 348.17, 0.58%, 0.48%

LAB 44.62, 57.31, 17.86

 

CMYK 0 / 73 / 20 / 50

HEX #802266

RGB 128 34 102

HSL 316.6, 0.58%, 0.32%

LAB 31.1, 46.94, -17.87

 

CMYK 0 / 74 / 20 / 37

HEX #A02A80

RGB 160 42 128

HSL 316.27, 0.58%, 0.4%

LAB 39.05, 56.2, -21.5

 

CMYK 0 / 74 / 20 / 24

HEX #C1339A

RGB 193 51 154

HSL 316.48, 0.58%, 0.48%

LAB 47.02, 64.98, -24.5

 

CMYK 0 / 62 / 17 / 19

HEX #CF4EAC

RGB 207 78 172

HSL 316.28, 0.57%, 0.56%

LAB 53.7, 61.01, -24.63

 

CMYK 0 / 49 / 13 / 15

HEX #D86EBB

RGB 216 110 187

HSL 316.42, 0.58%, 0.64%

LAB 61.08, 51.19, -21.83

 

CMYK 0 / 73 / 20 / 25

HEX #C03399

RGB 192 51 153

HSL 316.6, 0.58%, 0.48%

LAB 46.81, 64.6, -24.25

 

CMYK 0 / 39 / 74 / 24

HEX #C17533

RGB 193 117 51

HSL 27.89, 0.58%, 0.48%

LAB 56.39, 24.41, 47.46

 

CMYK 74 / 0 / 10 / 24

HEX #33C1AE

RGB 51 193 174

HSL 171.97, 0.58%, 0.48%

LAB 70.8, -41.16, -1.12

 

CMYK 0 / 73 / 20 / 25

HEX #C03399

RGB 192 51 153

HSL 316.6, 0.58%, 0.48%

LAB 46.81, 64.6, -24.25

 

CMYK 20 / 0 / 74 / 24

HEX #9BC133

RGB 155 193 51

HSL 76.06, 0.58%, 0.48%

LAB 73.12, -32.06, 63.01

 

CMYK 74 / 20 / 0 / 24

HEX #339BC1

RGB 51 155 193

HSL 196.06, 0.58%, 0.48%

LAB 59.89, -16.82, -28.11

 

CMYK 0 / 73 / 20 / 25

HEX #C03399

RGB 192 51 153

HSL 316.6, 0.58%, 0.48%

LAB 46.81, 64.6, -24.25

 

CMYK 0 / 39 / 74 / 24

HEX #C17533

RGB 193 117 51

HSL 27.89, 0.58%, 0.48%

LAB 56.39, 24.41, 47.46

 

CMYK 74 / 0 / 54 / 24

HEX #33C159

RGB 51 193 89

HSL 136.06, 0.58%, 0.48%

LAB 69.16, -58.96, 41.47

 

CMYK 74 / 34 / 0 / 24

HEX #337FC1

RGB 51 127 193

HSL 207.89, 0.58%, 0.48%

LAB 51.53, -0.91, -41.17

 

CMYK 0 / 73 / 20 / 25

HEX #C03399

RGB 192 51 153

HSL 316.6, 0.58%, 0.48%

LAB 46.81, 64.6, -24.25

 

CMYK 0 / 17 / 74 / 24

HEX #C1A033

RGB 193 160 51

HSL 46.06, 0.58%, 0.48%

LAB 67.06, 0.89, 58.19

 

CMYK 74 / 0 / 54 / 24

HEX #33C159

RGB 51 193 89

HSL 136.06, 0.58%, 0.48%

LAB 69.16, -58.96, 41.47

 

CMYK 74 / 56 / 0 / 24

HEX #3354C1

RGB 51 84 193

HSL 226.06, 0.58%, 0.48%

LAB 39.4, 26.26, -60.62

 

Description

Color code: HEX #C03399 | qconv.com Color code: HEX #C03399 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 51 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 51 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 20 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 20% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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