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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C04577 it is the complementary color #3FBA88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C04577. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C04577 shade: #C54572, #D65785, #E76998, #F87BAB and #FF8DBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C04577. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C04577 shade: #C04577, #AF3364, #9E2151, #8D0F3E and #7C002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C04577 shade: #BF4476, #BF4455 and #BF4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C04577 shade: #BF4476, #BF4497, #BF44B8, #A444BF and #8344BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C04577 shade matches the following richer shades: #BF4476, #D33072, #E71C6F and #FB086B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C04577 shade: #BF4476, #AB597A, #966D7E, #828181 and #6E9585

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C04577 shade: #BF44B9, #BF4498, #BF4477, #BF4457 and #BF5344

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C04577 shade: #842D50, #A33763, #BF4476, #C9638D and #D482A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C04577 shade: #C04577, #BFA444 and #44A8BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C04577 shade: #C04577, #77BF44 and #4477BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C04577 shade: #C04577, #BFA444, #44BF8C and #445FBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C04577 shade: #C04577, #B5BF44, #44BF8C and #4F44BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 38 / 25

HEX #C04577

RGB 192 69 119

HSL 335.61, 0.49%, 0.51%

LAB 48, 53.61, -1.93

 

Complementary color

CMYK 66 / 0 / 27 / 27

HEX #3FBA88

RGB 63 186 136

HSL 155.61, 0.49%, 0.49%

LAB 67.99, -45.74, 15.61

 

CMYK 0 / 65 / 42 / 23

HEX #C54572

RGB 197 69 114

HSL 338.91, 0.52%, 0.52%

LAB 48.69, 54.62, 2.21

 

CMYK 0 / 59 / 38 / 16

HEX #D65785

RGB 214 87 133

HSL 338.27, 0.61%, 0.59%

LAB 54.87, 54.17, 0.17

 

CMYK 0 / 55 / 34 / 9

HEX #E76998

RGB 231 105 152

HSL 337.62, 0.72%, 0.66%

LAB 61.1, 53.52, -1.51

 

CMYK 0 / 50 / 31 / 3

HEX #F87BAB

RGB 248 123 171

HSL 336.96, 0.9%, 0.73%

LAB 67.32, 52.76, -2.94

 

CMYK 0 / 45 / 25 / 0

HEX #FF8DBE

RGB 255 141 190

HSL 334.21, 1%, 0.78%

LAB 72.25, 48.68, -6.21

 

CMYK 0 / 64 / 38 / 25

HEX #C04577

RGB 192 69 119

HSL 335.61, 0.49%, 0.51%

LAB 48, 53.61, -1.93

 

CMYK 0 / 71 / 43 / 31

HEX #AF3364

RGB 175 51 100

HSL 336.29, 0.55%, 0.44%

LAB 41.85, 53.71, 0.42

 

CMYK 0 / 79 / 49 / 38

HEX #9E2151

RGB 158 33 81

HSL 336.96, 0.65%, 0.37%

LAB 35.89, 53.16, 3.45

 

CMYK 0 / 89 / 56 / 45

HEX #8D0F3E

RGB 141 15 62

HSL 337.62, 0.81%, 0.31%

LAB 30.28, 51.51, 7.47

 

CMYK 0 / 100 / 65 / 51

HEX #7C002B

RGB 124 0 43

HSL 339.19, 1%, 0.24%

LAB 25.14, 48.44, 12.71

 

CMYK 0 / 64 / 38 / 25

HEX #BF4476

RGB 191 68 118

HSL 335.61, 0.49%, 0.51%

LAB 47.65, 53.62, -1.86

 

CMYK 0 / 64 / 55 / 25

HEX #BF4455

RGB 191 68 85

HSL 351.71, 0.49%, 0.51%

LAB 46.8, 50.5, 17.06

 

CMYK 0 / 64 / 64 / 25

HEX #BF4444

RGB 191 68 68

HSL 0, 0.49%, 0.51%

LAB 46.48, 49.3, 26.89

 

CMYK 0 / 64 / 38 / 25

HEX #BF4476

RGB 191 68 118

HSL 335.61, 0.49%, 0.51%

LAB 47.65, 53.62, -1.86

 

CMYK 0 / 64 / 21 / 25

HEX #BF4497

RGB 191 68 151

HSL 319.51, 0.49%, 0.51%

LAB 48.82, 57.76, -19.98

 

CMYK 0 / 64 / 4 / 25

HEX #BF44B8

RGB 191 68 184

HSL 303.41, 0.49%, 0.51%

LAB 50.3, 62.8, -37.11

 

CMYK 14 / 64 / 0 / 25

HEX #A444BF

RGB 164 68 191

HSL 286.83, 0.49%, 0.51%

LAB 46.7, 57.55, -47.15

 

CMYK 31 / 64 / 0 / 25

HEX #8344BF

RGB 131 68 191

HSL 270.73, 0.49%, 0.51%

LAB 42.34, 49.99, -54.38

 

CMYK 0 / 64 / 38 / 25

HEX #BF4476

RGB 191 68 118

HSL 335.61, 0.49%, 0.51%

LAB 47.65, 53.62, -1.86

 

CMYK 0 / 77 / 46 / 17

HEX #D33072

RGB 211 48 114

HSL 335.71, 0.65%, 0.51%

LAB 48.48, 66.07, 2.22

 

CMYK 0 / 88 / 52 / 9

HEX #E71C6F

RGB 231 28 111

HSL 335.47, 0.81%, 0.51%

LAB 50.65, 75.28, 7.66

 

CMYK 0 / 97 / 57 / 2

HEX #FB086B

RGB 251 8 107

HSL 335.56, 0.97%, 0.51%

LAB 53.75, 81.75, 15.02

 

CMYK 0 / 64 / 38 / 25

HEX #BF4476

RGB 191 68 118

HSL 335.61, 0.49%, 0.51%

LAB 47.65, 53.62, -1.86

 

CMYK 0 / 48 / 29 / 33

HEX #AB597A

RGB 171 89 122

HSL 335.85, 0.33%, 0.51%

LAB 48.52, 37.39, -3.34

 

CMYK 0 / 27 / 16 / 41

HEX #966D7E

RGB 150 109 126

HSL 335.12, 0.16%, 0.51%

LAB 50.6, 19.04, -2.96

 

CMYK 0 / 1 / 1 / 49

HEX #828181

RGB 130 129 129

HSL 0, 0%, 0.51%

LAB 54.06, 0.38, 0.13

 

CMYK 26 / 0 / 11 / 42

HEX #6E9585

RGB 110 149 133

HSL 155.38, 0.16%, 0.51%

LAB 58.51, -16.94, 4.11

 

CMYK 0 / 64 / 3 / 25

HEX #BF44B9

RGB 191 68 185

HSL 302.93, 0.49%, 0.51%

LAB 50.35, 62.96, -37.61

 

CMYK 0 / 64 / 20 / 25

HEX #BF4498

RGB 191 68 152

HSL 319.02, 0.49%, 0.51%

LAB 48.86, 57.91, -20.51

 

CMYK 0 / 64 / 38 / 25

HEX #BF4477

RGB 191 68 119

HSL 335.12, 0.49%, 0.51%

LAB 47.68, 53.73, -2.42

 

CMYK 0 / 64 / 54 / 25

HEX #BF4457

RGB 191 68 87

HSL 350.73, 0.49%, 0.51%

LAB 46.84, 50.65, 15.9

 

CMYK 0 / 57 / 64 / 25

HEX #BF5344

RGB 191 83 68

HSL 7.32, 0.49%, 0.51%

LAB 49.11, 42.37, 30.15

 

CMYK 0 / 66 / 39 / 48

HEX #842D50

RGB 132 45 80

HSL 335.86, 0.49%, 0.35%

LAB 32.62, 40.6, -1.26

 

CMYK 0 / 66 / 39 / 36

HEX #A33763

RGB 163 55 99

HSL 335.56, 0.5%, 0.43%

LAB 40.28, 48.34, -1.51

 

CMYK 0 / 64 / 38 / 25

HEX #BF4476

RGB 191 68 118

HSL 335.61, 0.49%, 0.51%

LAB 47.65, 53.62, -1.86

 

CMYK 0 / 51 / 30 / 21

HEX #C9638D

RGB 201 99 141

HSL 335.29, 0.49%, 0.59%

LAB 55.34, 45.17, -4.07

 

CMYK 0 / 39 / 23 / 17

HEX #D482A3

RGB 212 130 163

HSL 335.85, 0.49%, 0.67%

LAB 63.84, 35.92, -4.07

 

CMYK 0 / 64 / 38 / 25

HEX #C04577

RGB 192 69 119

HSL 335.61, 0.49%, 0.51%

LAB 48, 53.61, -1.93

 

CMYK 0 / 14 / 64 / 25

HEX #BFA444

RGB 191 164 68

HSL 46.83, 0.49%, 0.51%

LAB 68.05, -1.19, 51.98

 

CMYK 64 / 12 / 0 / 25

HEX #44A8BF

RGB 68 168 191

HSL 191.22, 0.49%, 0.51%

LAB 64.16, -21.81, -20.4

 

CMYK 0 / 64 / 38 / 25

HEX #C04577

RGB 192 69 119

HSL 335.61, 0.49%, 0.51%

LAB 48, 53.61, -1.93

 

CMYK 38 / 0 / 64 / 25

HEX #77BF44

RGB 119 191 68

HSL 95.12, 0.49%, 0.51%

LAB 70.59, -43.43, 53.25

 

CMYK 64 / 38 / 0 / 25

HEX #4477BF

RGB 68 119 191

HSL 215.12, 0.49%, 0.51%

LAB 49.72, 5.89, -42.85

 

CMYK 0 / 64 / 38 / 25

HEX #C04577

RGB 192 69 119

HSL 335.61, 0.49%, 0.51%

LAB 48, 53.61, -1.93

 

CMYK 0 / 14 / 64 / 25

HEX #BFA444

RGB 191 164 68

HSL 46.83, 0.49%, 0.51%

LAB 68.05, -1.19, 51.98

 

CMYK 64 / 0 / 27 / 25

HEX #44BF8C

RGB 68 191 140

HSL 155.12, 0.49%, 0.51%

LAB 69.74, -46.05, 15.91

 

CMYK 64 / 50 / 0 / 25

HEX #445FBF

RGB 68 95 191

HSL 226.83, 0.49%, 0.51%

LAB 43.03, 20.96, -53.55

 

CMYK 0 / 64 / 38 / 25

HEX #C04577

RGB 192 69 119

HSL 335.61, 0.49%, 0.51%

LAB 48, 53.61, -1.93

 

CMYK 5 / 0 / 64 / 25

HEX #B5BF44

RGB 181 191 68

HSL 64.88, 0.49%, 0.51%

LAB 74.51, -19.44, 58.6

 

CMYK 64 / 0 / 27 / 25

HEX #44BF8C

RGB 68 191 140

HSL 155.12, 0.49%, 0.51%

LAB 69.74, -46.05, 15.91

 

CMYK 59 / 64 / 0 / 25

HEX #4F44BF

RGB 79 68 191

HSL 245.37, 0.49%, 0.51%

LAB 37.04, 39.75, -63.23

 

Description

Color code: HEX #C04577 | qconv.com Color code: HEX #C04577 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 69 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 69 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 38 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 38% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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