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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C049F6 it is the complementary color #3FB609. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C049F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C049F6 shade: #C549F1, #D65BFF, #E76DFF, #F87FFF and #FF91FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C049F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C049F6 shade: #C049F6, #AF37E3, #9E25D0, #8D13BD and #7C01AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C049F6 shade: #C04AF6, #EF4AF6, #F64ACF, #F64AA1 and #F64A72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C049F6 shade: #C04AF6, #924AF6, #644AF6 and #4A4AF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C049F6 shade matches the following richer shades: #C04AF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C049F6 shade: #C04AF6, #BB5AE7, #B569D7, #AF78C8 and #A987B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C049F6 shade: #644AF6, #924AF6, #C04AF6, #ED4AF6 and #F64AD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C049F6 shade: #A00AE4, #B323F4, #C04AF6, #CE72F8 and #DC99FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C049F6 shade: #C049F6, #F64A5E and #4AF67B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C049F6 shade: #C049F6, #F6C04A and #4AF6C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C049F6 shade: #C049F6, #F64A5E, #81F64A and #4AF6E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C049F6 shade: #C049F6, #F66A4A, #81F64A and #4AD7F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 70 / 0 / 4

HEX #C049F6

RGB 192 73 246

HSL 281.27, 0.91%, 0.63%

LAB 54.68, 72.36, -65.41

 

Complementary color

CMYK 65 / 0 / 95 / 29

HEX #3FB609

RGB 63 182 9

HSL 101.27, 0.91%, 0.37%

LAB 65.38, -59.32, 64.5

 

CMYK 18 / 70 / 0 / 5

HEX #C549F1

RGB 197 73 241

HSL 284.29, 0.86%, 0.62%

LAB 55.06, 72.38, -61.99

 

CMYK 16 / 64 / 0 / 0

HEX #D65BFF

RGB 214 91 255

HSL 285, 1%, 0.68%

LAB 60.78, 71.39, -60.46

 

CMYK 9 / 57 / 0 / 0

HEX #E76DFF

RGB 231 109 255

HSL 290.14, 1%, 0.71%

LAB 65.86, 67.49, -52.23

 

CMYK 3 / 50 / 0 / 0

HEX #F87FFF

RGB 248 127 255

HSL 296.72, 1%, 0.75%

LAB 71.12, 63.55, -43.81

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 22 / 70 / 0 / 4

HEX #C049F6

RGB 192 73 246

HSL 281.27, 0.91%, 0.63%

LAB 54.68, 72.36, -65.41

 

CMYK 23 / 76 / 0 / 11

HEX #AF37E3

RGB 175 55 227

HSL 281.86, 0.75%, 0.55%

LAB 48.75, 72.01, -64.44

 

CMYK 24 / 82 / 0 / 18

HEX #9E25D0

RGB 158 37 208

HSL 282.46, 0.7%, 0.48%

LAB 42.98, 70.95, -63.03

 

CMYK 25 / 90 / 0 / 26

HEX #8D13BD

RGB 141 19 189

HSL 283.06, 0.82%, 0.41%

LAB 37.49, 68.84, -61.01

 

CMYK 27 / 99 / 0 / 33

HEX #7C01AA

RGB 124 1 170

HSL 283.67, 0.99%, 0.34%

LAB 32.28, 65.54, -58.31

 

CMYK 22 / 70 / 0 / 4

HEX #C04AF6

RGB 192 74 246

HSL 281.16, 0.91%, 0.63%

LAB 54.82, 71.97, -65.19

 

CMYK 3 / 70 / 0 / 4

HEX #EF4AF6

RGB 239 74 246

HSL 297.56, 0.91%, 0.63%

LAB 61.57, 81.49, -54.01

 

CMYK 0 / 70 / 16 / 4

HEX #F64ACF

RGB 246 74 207

HSL 313.6, 0.91%, 0.63%

LAB 60.78, 77.26, -33.31

 

CMYK 0 / 70 / 35 / 4

HEX #F64AA1

RGB 246 74 161

HSL 329.65, 0.91%, 0.63%

LAB 59.03, 71.65, -9.53

 

CMYK 0 / 70 / 54 / 4

HEX #F64A72

RGB 246 74 114

HSL 346.05, 0.91%, 0.63%

LAB 57.76, 67.38, 16.22

 

CMYK 22 / 70 / 0 / 4

HEX #C04AF6

RGB 192 74 246

HSL 281.16, 0.91%, 0.63%

LAB 54.82, 71.97, -65.19

 

CMYK 41 / 70 / 0 / 4

HEX #924AF6

RGB 146 74 246

HSL 265.12, 0.91%, 0.63%

LAB 49.08, 63.41, -74.76

 

CMYK 59 / 70 / 0 / 4

HEX #644AF6

RGB 100 74 246

HSL 249.07, 0.91%, 0.63%

LAB 44.6, 56.28, -82.27

 

CMYK 70 / 70 / 0 / 4

HEX #4A4AF6

RGB 74 74 246

HSL 240, 0.91%, 0.63%

LAB 42.77, 53.23, -85.35

 

CMYK 22 / 70 / 0 / 4

HEX #C04AF6

RGB 192 74 246

HSL 281.16, 0.91%, 0.63%

LAB 54.82, 71.97, -65.19

 

CMYK 22 / 70 / 0 / 4

HEX #C04AF6

RGB 192 74 246

HSL 281.16, 0.91%, 0.63%

LAB 54.82, 71.97, -65.19

 

CMYK 19 / 61 / 0 / 9

HEX #BB5AE7

RGB 187 90 231

HSL 281.28, 0.75%, 0.63%

LAB 55.73, 61, -55.38

 

CMYK 16 / 51 / 0 / 16

HEX #B569D7

RGB 181 105 215

HSL 281.45, 0.58%, 0.63%

LAB 56.91, 48.73, -44.54

 

CMYK 13 / 40 / 0 / 22

HEX #AF78C8

RGB 175 120 200

HSL 281.25, 0.42%, 0.63%

LAB 58.71, 35.74, -33.28

 

CMYK 9 / 27 / 0 / 27

HEX #A987B9

RGB 169 135 185

HSL 280.8, 0.26%, 0.63%

LAB 61.02, 22.22, -21.28

 

CMYK 59 / 70 / 0 / 4

HEX #644AF6

RGB 100 74 246

HSL 249.07, 0.91%, 0.63%

LAB 44.6, 56.28, -82.27

 

CMYK 41 / 70 / 0 / 4

HEX #924AF6

RGB 146 74 246

HSL 265.12, 0.91%, 0.63%

LAB 49.08, 63.41, -74.76

 

CMYK 22 / 70 / 0 / 4

HEX #C04AF6

RGB 192 74 246

HSL 281.16, 0.91%, 0.63%

LAB 54.82, 71.97, -65.19

 

CMYK 4 / 70 / 0 / 4

HEX #ED4AF6

RGB 237 74 246

HSL 296.86, 0.91%, 0.63%

LAB 61.27, 81.08, -54.51

 

CMYK 0 / 70 / 15 / 4

HEX #F64AD1

RGB 246 74 209

HSL 312.91, 0.91%, 0.63%

LAB 60.86, 77.53, -34.31

 

CMYK 30 / 96 / 0 / 11

HEX #A00AE4

RGB 160 10 228

HSL 281.28, 0.92%, 0.47%

LAB 43.2, 79.92, -74.13

 

CMYK 27 / 86 / 0 / 4

HEX #B323F4

RGB 179 35 244

HSL 281.34, 0.9%, 0.55%

LAB 48.66, 81.45, -74.15

 

CMYK 22 / 70 / 0 / 4

HEX #C04AF6

RGB 192 74 246

HSL 281.16, 0.91%, 0.63%

LAB 54.82, 71.97, -65.19

 

CMYK 17 / 54 / 0 / 3

HEX #CE72F8

RGB 206 114 248

HSL 281.19, 0.91%, 0.71%

LAB 63.29, 57.56, -52.66

 

CMYK 12 / 39 / 0 / 2

HEX #DC99FA

RGB 220 153 250

HSL 281.44, 0.91%, 0.79%

LAB 72.83, 41.62, -38.66

 

CMYK 22 / 70 / 0 / 4

HEX #C049F6

RGB 192 73 246

HSL 281.27, 0.91%, 0.63%

LAB 54.68, 72.36, -65.41

 

CMYK 0 / 70 / 62 / 4

HEX #F64A5E

RGB 246 74 94

HSL 353.02, 0.91%, 0.63%

LAB 57.37, 66.04, 27.42

 

CMYK 70 / 0 / 50 / 4

HEX #4AF67B

RGB 74 246 123

HSL 137.09, 0.91%, 0.63%

LAB 86.4, -68.73, 46.5

 

CMYK 22 / 70 / 0 / 4

HEX #C049F6

RGB 192 73 246

HSL 281.27, 0.91%, 0.63%

LAB 54.68, 72.36, -65.41

 

CMYK 0 / 22 / 70 / 4

HEX #F6C04A

RGB 246 192 74

HSL 41.16, 0.91%, 0.63%

LAB 80.62, 7.86, 64.29

 

CMYK 70 / 0 / 22 / 4

HEX #4AF6C0

RGB 74 246 192

HSL 161.16, 0.91%, 0.63%

LAB 87.57, -55.87, 13.5

 

CMYK 22 / 70 / 0 / 4

HEX #C049F6

RGB 192 73 246

HSL 281.27, 0.91%, 0.63%

LAB 54.68, 72.36, -65.41

 

CMYK 0 / 70 / 62 / 4

HEX #F64A5E

RGB 246 74 94

HSL 353.02, 0.91%, 0.63%

LAB 57.37, 66.04, 27.42

 

CMYK 48 / 0 / 70 / 4

HEX #81F64A

RGB 129 246 74

HSL 100.81, 0.91%, 0.63%

LAB 87.52, -61.64, 68.89

 

CMYK 70 / 0 / 8 / 4

HEX #4AF6E2

RGB 74 246 226

HSL 173.02, 0.91%, 0.63%

LAB 88.38, -47.62, -3.03

 

CMYK 22 / 70 / 0 / 4

HEX #C049F6

RGB 192 73 246

HSL 281.27, 0.91%, 0.63%

LAB 54.68, 72.36, -65.41

 

CMYK 0 / 57 / 70 / 4

HEX #F66A4A

RGB 246 106 74

HSL 11.16, 0.91%, 0.63%

LAB 61.99, 51.77, 44.22

 

CMYK 48 / 0 / 70 / 4

HEX #81F64A

RGB 129 246 74

HSL 100.81, 0.91%, 0.63%

LAB 87.52, -61.64, 68.89

 

CMYK 70 / 13 / 0 / 4

HEX #4AD7F6

RGB 74 215 246

HSL 190.81, 0.91%, 0.63%

LAB 80.02, -27.78, -26.12

 

Description

Color code: HEX #C049F6 | qconv.com Color code: HEX #C049F6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 73 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 73 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 70 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 70% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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