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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0576F it is the complementary color #3FA890. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0576F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0576F shade: #C5576A, #D6697D, #E77B90, #F88DA3 and #FF9FB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0576F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0576F shade: #C0576F, #AF455C, #9E3349, #8D2136 and #7C0F23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0576F shade: #BF5870 and #BF5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0576F shade: #BF5870, #BF588C, #BF58A7, #BC58BF and #A058BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0576F shade matches the following richer shades: #BF5870, #D24666, #E5335C and #F72051

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0576F shade: #BF5870, #AD6B7A, #9A7D84, #88908E and #75A298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0576F shade: #BF58A7, #BF588C, #BF5870, #BF5C58 and #BF7758

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0576F shade: #8F364A, #AD415A, #BF5870, #CB7689 and #D694A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0576F shade: #C0576F, #BFBC58 and #589ABF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0576F shade: #C0576F, #70BF58 and #5870BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0576F shade: #C0576F, #BFBC58, #58BFA7 and #585CBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0576F shade: #C0576F, #A4BF58, #58BFA7 and #7458BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 42 / 25

HEX #C0576F

RGB 192 87 111

HSL 346.29, 0.45%, 0.55%

LAB 50.89, 44.45, 7.07

 

Complementary color

CMYK 63 / 0 / 14 / 34

HEX #3FA890

RGB 63 168 144

HSL 166.29, 0.45%, 0.45%

LAB 62.57, -35.98, 3.51

 

CMYK 0 / 56 / 46 / 23

HEX #C5576A

RGB 197 87 106

HSL 349.64, 0.49%, 0.56%

LAB 51.53, 45.68, 11.08

 

CMYK 0 / 51 / 42 / 16

HEX #D6697D

RGB 214 105 125

HSL 348.99, 0.57%, 0.63%

LAB 57.92, 44.75, 9.26

 

CMYK 0 / 47 / 38 / 9

HEX #E77B90

RGB 231 123 144

HSL 348.33, 0.69%, 0.69%

LAB 64.3, 43.8, 7.71

 

CMYK 0 / 43 / 34 / 3

HEX #F88DA3

RGB 248 141 163

HSL 347.66, 0.88%, 0.76%

LAB 70.63, 42.87, 6.36

 

CMYK 0 / 38 / 29 / 0

HEX #FF9FB6

RGB 255 159 182

HSL 345.63, 1%, 0.81%

LAB 75.72, 38.48, 3.3

 

CMYK 0 / 55 / 42 / 25

HEX #C0576F

RGB 192 87 111

HSL 346.29, 0.45%, 0.55%

LAB 50.89, 44.45, 7.07

 

CMYK 0 / 61 / 47 / 31

HEX #AF455C

RGB 175 69 92

HSL 346.98, 0.43%, 0.48%

LAB 44.44, 45.27, 9.09

 

CMYK 0 / 68 / 54 / 38

HEX #9E3349

RGB 158 51 73

HSL 347.66, 0.51%, 0.41%

LAB 38.05, 45.86, 11.62

 

CMYK 0 / 77 / 62 / 45

HEX #8D2136

RGB 141 33 54

HSL 348.33, 0.62%, 0.34%

LAB 31.85, 45.95, 14.91

 

CMYK 0 / 88 / 72 / 51

HEX #7C0F23

RGB 124 15 35

HSL 348.99, 0.78%, 0.27%

LAB 26, 45.02, 19.27

 

CMYK 0 / 54 / 41 / 25

HEX #BF5870

RGB 191 88 112

HSL 346.02, 0.45%, 0.55%

LAB 50.95, 43.72, 6.55

 

CMYK 0 / 54 / 54 / 25

HEX #BF5858

RGB 191 88 88

HSL 0, 0.45%, 0.55%

LAB 50.41, 41.38, 20.11

 

CMYK 0 / 54 / 41 / 25

HEX #BF5870

RGB 191 88 112

HSL 346.02, 0.45%, 0.55%

LAB 50.95, 43.72, 6.55

 

CMYK 0 / 54 / 27 / 25

HEX #BF588C

RGB 191 88 140

HSL 329.71, 0.45%, 0.55%

LAB 51.78, 47.17, -8.94

 

CMYK 0 / 54 / 13 / 25

HEX #BF58A7

RGB 191 88 167

HSL 313.98, 0.45%, 0.55%

LAB 52.78, 51.19, -23.33

 

CMYK 2 / 54 / 0 / 25

HEX #BC58BF

RGB 188 88 191

HSL 298.25, 0.45%, 0.55%

LAB 53.42, 54.43, -36.29

 

CMYK 16 / 54 / 0 / 25

HEX #A058BF

RGB 160 88 191

HSL 281.94, 0.45%, 0.55%

LAB 49.76, 46.83, -42.32

 

CMYK 0 / 54 / 41 / 25

HEX #BF5870

RGB 191 88 112

HSL 346.02, 0.45%, 0.55%

LAB 50.95, 43.72, 6.55

 

CMYK 0 / 67 / 51 / 18

HEX #D24666

RGB 210 70 102

HSL 346.29, 0.61%, 0.55%

LAB 50.74, 57.14, 12.69

 

CMYK 0 / 78 / 60 / 10

HEX #E5335C

RGB 229 51 92

HSL 346.18, 0.77%, 0.55%

LAB 51.61, 68.42, 20.47

 

CMYK 0 / 87 / 67 / 3

HEX #F72051

RGB 247 32 81

HSL 346.33, 0.93%, 0.55%

LAB 53.39, 76.74, 30.04

 

CMYK 0 / 54 / 41 / 25

HEX #BF5870

RGB 191 88 112

HSL 346.02, 0.45%, 0.55%

LAB 50.95, 43.72, 6.55

 

CMYK 0 / 38 / 29 / 32

HEX #AD6B7A

RGB 173 107 122

HSL 346.36, 0.29%, 0.55%

LAB 52.74, 28.32, 2.85

 

CMYK 0 / 19 / 14 / 40

HEX #9A7D84

RGB 154 125 132

HSL 345.52, 0.13%, 0.55%

LAB 55.28, 12.36, 0.43

 

CMYK 6 / 0 / 1 / 44

HEX #88908E

RGB 136 144 142

HSL 165, 0.03%, 0.55%

LAB 59.1, -3.3, 0.05

 

CMYK 28 / 0 / 6 / 36

HEX #75A298

RGB 117 162 152

HSL 166.67, 0.19%, 0.55%

LAB 63.25, -17.34, 0.3

 

CMYK 0 / 54 / 13 / 25

HEX #BF58A7

RGB 191 88 167

HSL 313.98, 0.45%, 0.55%

LAB 52.78, 51.19, -23.33

 

CMYK 0 / 54 / 27 / 25

HEX #BF588C

RGB 191 88 140

HSL 329.71, 0.45%, 0.55%

LAB 51.78, 47.17, -8.94

 

CMYK 0 / 54 / 41 / 25

HEX #BF5870

RGB 191 88 112

HSL 346.02, 0.45%, 0.55%

LAB 50.95, 43.72, 6.55

 

CMYK 0 / 52 / 54 / 25

HEX #BF5C58

RGB 191 92 88

HSL 2.33, 0.45%, 0.55%

LAB 51.19, 39.36, 21.15

 

CMYK 0 / 38 / 54 / 25

HEX #BF7758

RGB 191 119 88

HSL 18.06, 0.45%, 0.55%

LAB 57.05, 24.97, 28.8

 

CMYK 0 / 62 / 48 / 44

HEX #8F364A

RGB 143 54 74

HSL 346.52, 0.45%, 0.39%

LAB 35.93, 39.48, 7.63

 

CMYK 0 / 62 / 48 / 32

HEX #AD415A

RGB 173 65 90

HSL 346.11, 0.45%, 0.47%

LAB 43.36, 46.24, 8.77

 

CMYK 0 / 54 / 41 / 25

HEX #BF5870

RGB 191 88 112

HSL 346.02, 0.45%, 0.55%

LAB 50.95, 43.72, 6.55

 

CMYK 0 / 42 / 33 / 20

HEX #CB7689

RGB 203 118 137

HSL 346.59, 0.45%, 0.63%

LAB 59.4, 35.51, 4.21

 

CMYK 0 / 31 / 24 / 16

HEX #D694A3

RGB 214 148 163

HSL 346.36, 0.45%, 0.71%

LAB 68.11, 26.96, 2.21

 

CMYK 0 / 55 / 42 / 25

HEX #C0576F

RGB 192 87 111

HSL 346.29, 0.45%, 0.55%

LAB 50.89, 44.45, 7.07

 

CMYK 0 / 2 / 54 / 25

HEX #BFBC58

RGB 191 188 88

HSL 58.25, 0.45%, 0.55%

LAB 74.67, -12.3, 50.18

 

CMYK 54 / 19 / 0 / 25

HEX #589ABF

RGB 88 154 191

HSL 201.55, 0.45%, 0.55%

LAB 60.74, -10.46, -25.58

 

CMYK 0 / 55 / 42 / 25

HEX #C0576F

RGB 192 87 111

HSL 346.29, 0.45%, 0.55%

LAB 50.89, 44.45, 7.07

 

CMYK 41 / 0 / 54 / 25

HEX #70BF58

RGB 112 191 88

HSL 106.02, 0.45%, 0.55%

LAB 70.46, -43.7, 43.98

 

CMYK 54 / 41 / 0 / 25

HEX #5870BF

RGB 88 112 191

HSL 226.02, 0.45%, 0.55%

LAB 48.79, 14.22, -44.26

 

CMYK 0 / 55 / 42 / 25

HEX #C0576F

RGB 192 87 111

HSL 346.29, 0.45%, 0.55%

LAB 50.89, 44.45, 7.07

 

CMYK 0 / 2 / 54 / 25

HEX #BFBC58

RGB 191 188 88

HSL 58.25, 0.45%, 0.55%

LAB 74.67, -12.3, 50.18

 

CMYK 54 / 0 / 13 / 25

HEX #58BFA7

RGB 88 191 167

HSL 166.02, 0.45%, 0.55%

LAB 70.96, -35.79, 3.05

 

CMYK 54 / 52 / 0 / 25

HEX #585CBF

RGB 88 92 191

HSL 237.67, 0.45%, 0.55%

LAB 43.49, 26.68, -52.73

 

CMYK 0 / 55 / 42 / 25

HEX #C0576F

RGB 192 87 111

HSL 346.29, 0.45%, 0.55%

LAB 50.89, 44.45, 7.07

 

CMYK 14 / 0 / 54 / 25

HEX #A4BF58

RGB 164 191 88

HSL 75.73, 0.45%, 0.55%

LAB 73.45, -24.81, 48.25

 

CMYK 54 / 0 / 13 / 25

HEX #58BFA7

RGB 88 191 167

HSL 166.02, 0.45%, 0.55%

LAB 70.96, -35.79, 3.05

 

CMYK 39 / 54 / 0 / 25

HEX #7458BF

RGB 116 88 191

HSL 256.31, 0.45%, 0.55%

LAB 44.88, 35.47, -50.38

 

Description

Color code: HEX #C0576F | qconv.com Color code: HEX #C0576F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 87 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 87 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 42 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 42% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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