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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0586D it is the complementary color #3FA792. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0586D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0586D shade: #C55868, #D66A7B, #E77C8E, #F88EA1 and #FFA0B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0586D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0586D shade: #C0586D, #AF465A, #9E3447, #8D2234 and #7C1021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0586D shade: #BF586D and #BF5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0586D shade: #BF586D, #BF5889, #BF58A5, #BE58BF and #A258BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0586D shade matches the following richer shades: #BF586D, #D24662, #E53357 and #F7204C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0586D shade: #BF586D, #AD6B78, #9A7D83, #88908E and #75A299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0586D shade: #BF58A6, #BF588A, #BF586E, #BF5D58 and #BF7958

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0586D shade: #8F3648, #AD4157, #BF586D, #CB7687 and #D694A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0586D shade: #C0586D, #BFBE58 and #5898BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0586D shade: #C0586D, #6EBF58 and #586EBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0586D shade: #C0586D, #BFBE58, #58BFA9 and #585ABF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0586D shade: #C0586D, #A2BF58, #58BFA9 and #7558BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 43 / 25

HEX #C0586D

RGB 192 88 109

HSL 347.88, 0.45%, 0.55%

LAB 51.02, 43.75, 8.47

 

Complementary color

CMYK 62 / 0 / 13 / 35

HEX #3FA792

RGB 63 167 146

HSL 167.88, 0.45%, 0.45%

LAB 62.31, -35.01, 2.02

 

CMYK 0 / 55 / 47 / 23

HEX #C55868

RGB 197 88 104

HSL 351.19, 0.48%, 0.56%

LAB 51.67, 45, 12.47

 

CMYK 0 / 50 / 43 / 16

HEX #D66A7B

RGB 214 106 123

HSL 350.56, 0.57%, 0.63%

LAB 58.07, 44.03, 10.63

 

CMYK 0 / 46 / 39 / 9

HEX #E77C8E

RGB 231 124 142

HSL 349.91, 0.69%, 0.7%

LAB 64.45, 43.06, 9.06

 

CMYK 0 / 43 / 35 / 3

HEX #F88EA1

RGB 248 142 161

HSL 349.25, 0.88%, 0.76%

LAB 70.79, 42.12, 7.7

 

CMYK 0 / 37 / 29 / 0

HEX #FFA0B4

RGB 255 160 180

HSL 347.37, 1%, 0.81%

LAB 75.88, 37.7, 4.63

 

CMYK 0 / 54 / 43 / 25

HEX #C0586D

RGB 192 88 109

HSL 347.88, 0.45%, 0.55%

LAB 51.02, 43.75, 8.47

 

CMYK 0 / 60 / 49 / 31

HEX #AF465A

RGB 175 70 90

HSL 348.57, 0.43%, 0.48%

LAB 44.56, 44.61, 10.5

 

CMYK 0 / 67 / 55 / 38

HEX #9E3447

RGB 158 52 71

HSL 349.25, 0.5%, 0.41%

LAB 38.16, 45.27, 13.04

 

CMYK 0 / 76 / 63 / 45

HEX #8D2234

RGB 141 34 52

HSL 349.91, 0.61%, 0.34%

LAB 31.93, 45.46, 16.33

 

CMYK 0 / 87 / 73 / 51

HEX #7C1021

RGB 124 16 33

HSL 350.56, 0.77%, 0.27%

LAB 26.06, 44.68, 20.67

 

CMYK 0 / 54 / 43 / 25

HEX #BF586D

RGB 191 88 109

HSL 347.77, 0.45%, 0.55%

LAB 50.87, 43.39, 8.23

 

CMYK 0 / 54 / 54 / 25

HEX #BF5858

RGB 191 88 88

HSL 0, 0.45%, 0.55%

LAB 50.41, 41.38, 20.11

 

CMYK 0 / 54 / 43 / 25

HEX #BF586D

RGB 191 88 109

HSL 347.77, 0.45%, 0.55%

LAB 50.87, 43.39, 8.23

 

CMYK 0 / 54 / 28 / 25

HEX #BF5889

RGB 191 88 137

HSL 331.46, 0.45%, 0.55%

LAB 51.68, 46.77, -7.3

 

CMYK 0 / 54 / 14 / 25

HEX #BF58A5

RGB 191 88 165

HSL 315.15, 0.45%, 0.55%

LAB 52.7, 50.87, -22.28

 

CMYK 1 / 54 / 0 / 25

HEX #BE58BF

RGB 190 88 191

HSL 299.42, 0.45%, 0.55%

LAB 53.69, 54.98, -35.84

 

CMYK 15 / 54 / 0 / 25

HEX #A258BF

RGB 162 88 191

HSL 283.11, 0.45%, 0.55%

LAB 50, 47.37, -41.91

 

CMYK 0 / 54 / 43 / 25

HEX #BF586D

RGB 191 88 109

HSL 347.77, 0.45%, 0.55%

LAB 50.87, 43.39, 8.23

 

CMYK 0 / 67 / 53 / 18

HEX #D24662

RGB 210 70 98

HSL 348, 0.61%, 0.55%

LAB 50.64, 56.81, 14.97

 

CMYK 0 / 78 / 62 / 10

HEX #E53357

RGB 229 51 87

HSL 347.87, 0.77%, 0.55%

LAB 51.51, 68.12, 23.35

 

CMYK 0 / 87 / 69 / 3

HEX #F7204C

RGB 247 32 76

HSL 347.72, 0.93%, 0.55%

LAB 53.31, 76.51, 32.9

 

CMYK 0 / 54 / 43 / 25

HEX #BF586D

RGB 191 88 109

HSL 347.77, 0.45%, 0.55%

LAB 50.87, 43.39, 8.23

 

CMYK 0 / 38 / 31 / 32

HEX #AD6B78

RGB 173 107 120

HSL 348.18, 0.29%, 0.55%

LAB 52.68, 28.04, 3.95

 

CMYK 0 / 19 / 15 / 40

HEX #9A7D83

RGB 154 125 131

HSL 347.59, 0.13%, 0.55%

LAB 55.25, 12.19, 0.97

 

CMYK 6 / 0 / 1 / 44

HEX #88908E

RGB 136 144 142

HSL 165, 0.03%, 0.55%

LAB 59.1, -3.3, 0.05

 

CMYK 28 / 0 / 6 / 36

HEX #75A299

RGB 117 162 153

HSL 168, 0.19%, 0.55%

LAB 63.28, -17.12, -0.22

 

CMYK 0 / 54 / 13 / 25

HEX #BF58A6

RGB 191 88 166

HSL 314.56, 0.45%, 0.55%

LAB 52.74, 51.03, -22.8

 

CMYK 0 / 54 / 28 / 25

HEX #BF588A

RGB 191 88 138

HSL 330.87, 0.45%, 0.55%

LAB 51.71, 46.9, -7.85

 

CMYK 0 / 54 / 42 / 25

HEX #BF586E

RGB 191 88 110

HSL 347.18, 0.45%, 0.55%

LAB 50.9, 43.5, 7.67

 

CMYK 0 / 51 / 54 / 25

HEX #BF5D58

RGB 191 93 88

HSL 2.91, 0.45%, 0.55%

LAB 51.39, 38.85, 21.42

 

CMYK 0 / 37 / 54 / 25

HEX #BF7958

RGB 191 121 88

HSL 19.22, 0.45%, 0.55%

LAB 57.52, 23.87, 29.39

 

CMYK 0 / 62 / 50 / 44

HEX #8F3648

RGB 143 54 72

HSL 347.87, 0.45%, 0.39%

LAB 35.88, 39.28, 8.84

 

CMYK 0 / 62 / 50 / 32

HEX #AD4157

RGB 173 65 87

HSL 347.78, 0.45%, 0.47%

LAB 43.29, 45.96, 10.52

 

CMYK 0 / 54 / 43 / 25

HEX #BF586D

RGB 191 88 109

HSL 347.77, 0.45%, 0.55%

LAB 50.87, 43.39, 8.23

 

CMYK 0 / 42 / 33 / 20

HEX #CB7687

RGB 203 118 135

HSL 348, 0.45%, 0.63%

LAB 59.35, 35.25, 5.29

 

CMYK 0 / 31 / 25 / 16

HEX #D694A1

RGB 214 148 161

HSL 348.18, 0.45%, 0.71%

LAB 68.06, 26.67, 3.25

 

CMYK 0 / 54 / 43 / 25

HEX #C0586D

RGB 192 88 109

HSL 347.88, 0.45%, 0.55%

LAB 51.02, 43.75, 8.47

 

CMYK 0 / 1 / 54 / 25

HEX #BFBE58

RGB 191 190 88

HSL 59.42, 0.45%, 0.55%

LAB 75.21, -13.32, 50.8

 

CMYK 54 / 20 / 0 / 25

HEX #5898BF

RGB 88 152 191

HSL 202.72, 0.45%, 0.55%

LAB 60.15, -9.36, -26.48

 

CMYK 0 / 54 / 43 / 25

HEX #C0586D

RGB 192 88 109

HSL 347.88, 0.45%, 0.55%

LAB 51.02, 43.75, 8.47

 

CMYK 42 / 0 / 54 / 25

HEX #6EBF58

RGB 110 191 88

HSL 107.18, 0.45%, 0.55%

LAB 70.37, -44.33, 43.85

 

CMYK 54 / 42 / 0 / 25

HEX #586EBF

RGB 88 110 191

HSL 227.18, 0.45%, 0.55%

LAB 48.25, 15.46, -45.13

 

CMYK 0 / 54 / 43 / 25

HEX #C0586D

RGB 192 88 109

HSL 347.88, 0.45%, 0.55%

LAB 51.02, 43.75, 8.47

 

CMYK 0 / 1 / 54 / 25

HEX #BFBE58

RGB 191 190 88

HSL 59.42, 0.45%, 0.55%

LAB 75.21, -13.32, 50.8

 

CMYK 54 / 0 / 12 / 25

HEX #58BFA9

RGB 88 191 169

HSL 167.18, 0.45%, 0.55%

LAB 71.01, -35.3, 2.03

 

CMYK 54 / 53 / 0 / 25

HEX #585ABF

RGB 88 90 191

HSL 238.83, 0.45%, 0.55%

LAB 42.99, 27.93, -53.55

 

CMYK 0 / 54 / 43 / 25

HEX #C0586D

RGB 192 88 109

HSL 347.88, 0.45%, 0.55%

LAB 51.02, 43.75, 8.47

 

CMYK 15 / 0 / 54 / 25

HEX #A2BF58

RGB 162 191 88

HSL 76.89, 0.45%, 0.55%

LAB 73.32, -25.61, 48.05

 

CMYK 54 / 0 / 12 / 25

HEX #58BFA9

RGB 88 191 169

HSL 167.18, 0.45%, 0.55%

LAB 71.01, -35.3, 2.03

 

CMYK 39 / 54 / 0 / 25

HEX #7558BF

RGB 117 88 191

HSL 256.89, 0.45%, 0.55%

LAB 44.97, 35.71, -50.22

 

Description

Color code: HEX #C0586D | qconv.com Color code: HEX #C0586D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 88 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 88 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 43 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 43% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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