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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0513F it is the complementary color #3FAEC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0513F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0513F shade: #C5513A, #D6634D, #E77560, #F88773 and #FF9986

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0513F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0513F shade: #C0513F, #AF3F2C, #9E2D19, #8D1B06 and #7C0900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0513F shade: #C0503E and #C03E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0513F shade: #C0503E, #C0733E, #C0963E, #C0B93E and #A4C03E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0513F shade matches the following richer shades: #C0503E, #D54129, #E93215 and #FE2300

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0513F shade: #C0503E, #AB5F53, #976E67, #827D7C and #6E8C90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0513F shade: #C03E72, #C03E4F, #C04F3E, #C0723E and #C0953E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0513F shade: #82362A, #A14334, #C0503E, #CA6C5D and #D4897C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0513F shade: #C0513F, #95C03E and #3E61C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0513F shade: #C0513F, #3EC04F and #4F3EC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0513F shade: #C0513F, #95C03E, #3EAFC0 and #693EC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0513F shade: #C0513F, #6EC03E, #3EAFC0 and #903EC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 67 / 25

HEX #C0513F

RGB 192 81 63

HSL 8.37, 0.51%, 0.5%

LAB 48.82, 43.4, 32.71

 

Complementary color

CMYK 67 / 9 / 0 / 25

HEX #3FAEC0

RGB 63 174 192

HSL 188.37, 0.51%, 0.5%

LAB 65.85, -25.35, -18.39

 

CMYK 0 / 59 / 71 / 23

HEX #C5513A

RGB 197 81 58

HSL 9.93, 0.55%, 0.5%

LAB 49.57, 44.97, 36.61

 

CMYK 0 / 54 / 64 / 16

HEX #D6634D

RGB 214 99 77

HSL 9.64, 0.63%, 0.57%

LAB 55.84, 43.64, 34.12

 

CMYK 0 / 49 / 58 / 9

HEX #E77560

RGB 231 117 96

HSL 9.33, 0.74%, 0.64%

LAB 62.13, 42.33, 31.92

 

CMYK 0 / 46 / 54 / 3

HEX #F88773

RGB 248 135 115

HSL 9.02, 0.9%, 0.71%

LAB 68.4, 41.08, 29.98

 

CMYK 0 / 40 / 47 / 0

HEX #FF9986

RGB 255 153 134

HSL 9.42, 1%, 0.76%

LAB 73.39, 36.17, 26.36

 

CMYK 0 / 58 / 67 / 25

HEX #C0513F

RGB 192 81 63

HSL 8.37, 0.51%, 0.5%

LAB 48.82, 43.4, 32.71

 

CMYK 0 / 64 / 75 / 31

HEX #AF3F2C

RGB 175 63 44

HSL 8.7, 0.6%, 0.43%

LAB 42.54, 44.64, 35.49

 

CMYK 0 / 72 / 84 / 38

HEX #9E2D19

RGB 158 45 25

HSL 9.02, 0.73%, 0.36%

LAB 36.4, 45.63, 38.49

 

CMYK 0 / 81 / 96 / 45

HEX #8D1B06

RGB 141 27 6

HSL 9.33, 0.92%, 0.29%

LAB 30.54, 46.03, 40.96

 

CMYK 0 / 93 / 100 / 51

HEX #7C0900

RGB 124 9 0

HSL 4.35, 1%, 0.24%

LAB 25.2, 45.22, 37.42

 

CMYK 0 / 58 / 68 / 25

HEX #C0503E

RGB 192 80 62

HSL 8.31, 0.51%, 0.5%

LAB 48.63, 43.82, 33.05

 

CMYK 0 / 68 / 68 / 25

HEX #C03E3E

RGB 192 62 62

HSL 0, 0.51%, 0.5%

LAB 45.63, 51.81, 29.44

 

CMYK 0 / 58 / 68 / 25

HEX #C0503E

RGB 192 80 62

HSL 8.31, 0.51%, 0.5%

LAB 48.63, 43.82, 33.05

 

CMYK 0 / 40 / 68 / 25

HEX #C0733E

RGB 192 115 62

HSL 24.46, 0.51%, 0.5%

LAB 55.9, 25.67, 41.48

 

CMYK 0 / 22 / 68 / 25

HEX #C0963E

RGB 192 150 62

HSL 40.62, 0.51%, 0.5%

LAB 64.46, 6.44, 50.86

 

CMYK 0 / 4 / 68 / 25

HEX #C0B93E

RGB 192 185 62

HSL 56.77, 0.51%, 0.5%

LAB 73.71, -12.12, 60.46

 

CMYK 15 / 0 / 68 / 25

HEX #A4C03E

RGB 164 192 62

HSL 72.92, 0.51%, 0.5%

LAB 73.51, -27.32, 59.57

 

CMYK 0 / 58 / 68 / 25

HEX #C0503E

RGB 192 80 62

HSL 8.31, 0.51%, 0.5%

LAB 48.63, 43.82, 33.05

 

CMYK 0 / 69 / 81 / 16

HEX #D54129

RGB 213 65 41

HSL 8.37, 0.68%, 0.5%

LAB 49.6, 56.65, 46.5

 

CMYK 0 / 79 / 91 / 9

HEX #E93215

RGB 233 50 21

HSL 8.21, 0.83%, 0.5%

LAB 51.45, 67.24, 58.22

 

CMYK 0 / 86 / 100 / 0

HEX #FE2300

RGB 254 35 0

HSL 8.27, 1%, 0.5%

LAB 54.32, 76.16, 67.49

 

CMYK 0 / 58 / 68 / 25

HEX #C0503E

RGB 192 80 62

HSL 8.31, 0.51%, 0.5%

LAB 48.63, 43.82, 33.05

 

CMYK 0 / 44 / 51 / 33

HEX #AB5F53

RGB 171 95 83

HSL 8.18, 0.35%, 0.5%

LAB 48.84, 29.57, 20.46

 

CMYK 0 / 27 / 32 / 41

HEX #976E67

RGB 151 110 103

HSL 8.75, 0.19%, 0.5%

LAB 50.35, 15.27, 10.3

 

CMYK 0 / 4 / 5 / 49

HEX #827D7C

RGB 130 125 124

HSL 10, 0.02%, 0.5%

LAB 52.81, 1.7, 1.21

 

CMYK 24 / 3 / 0 / 44

HEX #6E8C90

RGB 110 140 144

HSL 187.06, 0.13%, 0.5%

LAB 56.17, -9.57, -5.61

 

CMYK 0 / 68 / 41 / 25

HEX #C03E72

RGB 192 62 114

HSL 336, 0.51%, 0.5%

LAB 46.8, 55.95, -0.64

 

CMYK 0 / 68 / 59 / 25

HEX #C03E4F

RGB 192 62 79

HSL 352.15, 0.51%, 0.5%

LAB 45.93, 52.88, 19.58

 

CMYK 0 / 59 / 68 / 25

HEX #C04F3E

RGB 192 79 62

HSL 7.85, 0.51%, 0.5%

LAB 48.44, 44.3, 32.83

 

CMYK 0 / 41 / 68 / 25

HEX #C0723E

RGB 192 114 62

HSL 24, 0.51%, 0.5%

LAB 55.67, 26.21, 41.22

 

CMYK 0 / 22 / 68 / 25

HEX #C0953E

RGB 192 149 62

HSL 40.15, 0.51%, 0.5%

LAB 64.2, 6.99, 50.58

 

CMYK 0 / 58 / 68 / 49

HEX #82362A

RGB 130 54 42

HSL 8.18, 0.51%, 0.34%

LAB 33.03, 31.9, 23.65

 

CMYK 0 / 58 / 68 / 37

HEX #A14334

RGB 161 67 52

HSL 8.26, 0.51%, 0.42%

LAB 40.96, 37.98, 28.44

 

CMYK 0 / 58 / 68 / 25

HEX #C0503E

RGB 192 80 62

HSL 8.31, 0.51%, 0.5%

LAB 48.63, 43.82, 33.05

 

CMYK 0 / 47 / 54 / 21

HEX #CA6C5D

RGB 202 108 93

HSL 8.26, 0.51%, 0.58%

LAB 56.16, 35.69, 25.1

 

CMYK 0 / 35 / 42 / 17

HEX #D4897C

RGB 212 137 124

HSL 8.86, 0.51%, 0.66%

LAB 64.44, 27.15, 18.87

 

CMYK 0 / 58 / 67 / 25

HEX #C0513F

RGB 192 81 63

HSL 8.37, 0.51%, 0.5%

LAB 48.82, 43.4, 32.71

 

CMYK 22 / 0 / 68 / 25

HEX #95C03E

RGB 149 192 62

HSL 79.85, 0.51%, 0.5%

LAB 72.52, -33.3, 58.24

 

CMYK 68 / 49 / 0 / 25

HEX #3E61C0

RGB 62 97 192

HSL 223.85, 0.51%, 0.5%

LAB 43.33, 19.05, -53.66

 

CMYK 0 / 58 / 67 / 25

HEX #C0513F

RGB 192 81 63

HSL 8.37, 0.51%, 0.5%

LAB 48.82, 43.4, 32.71

 

CMYK 68 / 0 / 59 / 25

HEX #3EC04F

RGB 62 192 79

HSL 127.85, 0.51%, 0.5%

LAB 68.96, -58.06, 46

 

CMYK 59 / 68 / 0 / 25

HEX #4F3EC0

RGB 79 62 192

HSL 247.85, 0.51%, 0.5%

LAB 35.82, 43.58, -65.81

 

CMYK 0 / 58 / 67 / 25

HEX #C0513F

RGB 192 81 63

HSL 8.37, 0.51%, 0.5%

LAB 48.82, 43.4, 32.71

 

CMYK 22 / 0 / 68 / 25

HEX #95C03E

RGB 149 192 62

HSL 79.85, 0.51%, 0.5%

LAB 72.52, -33.3, 58.24

 

CMYK 68 / 9 / 0 / 25

HEX #3EAFC0

RGB 62 175 192

HSL 187.85, 0.51%, 0.5%

LAB 66.13, -26, -17.97

 

CMYK 45 / 68 / 0 / 25

HEX #693EC0

RGB 105 62 192

HSL 259.85, 0.51%, 0.5%

LAB 38.29, 48.03, -61.66

 

CMYK 0 / 58 / 67 / 25

HEX #C0513F

RGB 192 81 63

HSL 8.37, 0.51%, 0.5%

LAB 48.82, 43.4, 32.71

 

CMYK 43 / 0 / 68 / 25

HEX #6EC03E

RGB 110 192 62

HSL 97.85, 0.51%, 0.5%

LAB 70.43, -47.34, 55.41

 

CMYK 68 / 9 / 0 / 25

HEX #3EAFC0

RGB 62 175 192

HSL 187.85, 0.51%, 0.5%

LAB 66.13, -26, -17.97

 

CMYK 25 / 68 / 0 / 25

HEX #903EC0

RGB 144 62 192

HSL 277.85, 0.51%, 0.5%

LAB 43.03, 55.94, -53.76

 

Description

Color code: HEX #C0513F | qconv.com Color code: HEX #C0513F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 81 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 81 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 67 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 67% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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