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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C05E52 it is the complementary color #3FA1AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C05E52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C05E52 shade: #C55E4D, #D67060, #E78273, #F89486 and #FFA699

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C05E52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C05E52 shade: #C05E52, #AF4C3F, #9E3A2C, #8D2819 and #7C1606

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C05E52 shade: #C05E52 and #C05252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C05E52 shade: #C05E52, #C07C52, #C09A52, #C0B752 and #ACC052

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C05E52 shade matches the following richer shades: #C05E52, #D34F3F, #E6402C and #F93219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C05E52 shade: #C05E52, #AD6D65, #9A7C78, #878B8B and #74999E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C05E52 shade: #C05282, #C05264, #C05D52, #C07A52 and #C09852

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C05E52 shade: #8D3D33, #AC4A3E, #C05E52, #CB7A70 and #D6978F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C05E52 shade: #C05E52, #9FC052 and #5273C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C05E52 shade: #C05E52, #52C05D and #5D52C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C05E52 shade: #C05E52, #9FC052, #52B5C0 and #7352C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C05E52 shade: #C05E52, #7EC052, #52B5C0 and #9452C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 57 / 25

HEX #C05E52

RGB 192 94 82

HSL 6.55, 0.47%, 0.54%

LAB 51.63, 38.22, 25.27

 

Complementary color

CMYK 64 / 7 / 0 / 32

HEX #3FA1AD

RGB 63 161 173

HSL 186.55, 0.47%, 0.46%

LAB 61.28, -24.53, -14.7

 

CMYK 0 / 52 / 61 / 23

HEX #C55E4D

RGB 197 94 77

HSL 8.5, 0.51%, 0.54%

LAB 52.3, 39.75, 29.16

 

CMYK 0 / 48 / 55 / 16

HEX #D67060

RGB 214 112 96

HSL 8.14, 0.59%, 0.61%

LAB 58.72, 38.46, 27.06

HEX #D67060

CMYK 0 / 44 / 50 / 9

HEX #E78273

RGB 231 130 115

HSL 7.76, 0.71%, 0.68%

LAB 65.11, 37.25, 25.23

HEX #E78273

CMYK 0 / 40 / 46 / 3

HEX #F89486

RGB 248 148 134

HSL 7.37, 0.89%, 0.75%

LAB 71.46, 36.13, 23.6

HEX #F89486

CMYK 0 / 35 / 40 / 0

HEX #FFA699

RGB 255 166 153

HSL 7.65, 1%, 0.8%

LAB 76.58, 31.36, 20.36

HEX #FFA699

CMYK 0 / 51 / 57 / 25

HEX #C05E52

RGB 192 94 82

HSL 6.55, 0.47%, 0.54%

LAB 51.63, 38.22, 25.27

 

CMYK 0 / 57 / 64 / 31

HEX #AF4C3F

RGB 175 76 63

HSL 6.96, 0.47%, 0.47%

LAB 45.14, 39.51, 27.6

 

CMYK 0 / 63 / 72 / 38

HEX #9E3A2C

RGB 158 58 44

HSL 7.37, 0.56%, 0.4%

LAB 38.69, 40.76, 30.34

 

CMYK 0 / 72 / 82 / 45

HEX #8D2819

RGB 141 40 25

HSL 7.76, 0.7%, 0.33%

LAB 32.37, 41.77, 33.5

 

CMYK 0 / 82 / 95 / 51

HEX #7C1606

RGB 124 22 6

HSL 8.14, 0.91%, 0.25%

LAB 26.37, 42.13, 36.05

 

CMYK 0 / 51 / 57 / 25

HEX #C05E52

RGB 192 94 82

HSL 6.55, 0.47%, 0.54%

LAB 51.63, 38.22, 25.27

 

CMYK 0 / 57 / 57 / 25

HEX #C05252

RGB 192 82 82

HSL 0, 0.47%, 0.54%

LAB 49.31, 44.2, 22.25

 

CMYK 0 / 51 / 57 / 25

HEX #C05E52

RGB 192 94 82

HSL 6.55, 0.47%, 0.54%

LAB 51.63, 38.22, 25.27

 

CMYK 0 / 35 / 57 / 25

HEX #C07C52

RGB 192 124 82

HSL 22.91, 0.47%, 0.54%

LAB 58.26, 22.13, 33.65

 

CMYK 0 / 20 / 57 / 25

HEX #C09A52

RGB 192 154 82

HSL 39.27, 0.47%, 0.54%

LAB 65.69, 5.64, 42.65

 

CMYK 0 / 5 / 57 / 25

HEX #C0B752

RGB 192 183 82

HSL 55.09, 0.47%, 0.54%

LAB 73.34, -9.78, 51.47

 

CMYK 10 / 0 / 57 / 25

HEX #ACC052

RGB 172 192 82

HSL 70.91, 0.47%, 0.54%

LAB 74.24, -22.62, 52.07

 

CMYK 0 / 51 / 57 / 25

HEX #C05E52

RGB 192 94 82

HSL 6.55, 0.47%, 0.54%

LAB 51.63, 38.22, 25.27

 

CMYK 0 / 63 / 70 / 17

HEX #D34F3F

RGB 211 79 63

HSL 6.49, 0.63%, 0.54%

LAB 51.61, 51.1, 36.78

 

CMYK 0 / 72 / 81 / 10

HEX #E6402C

RGB 230 64 44

HSL 6.45, 0.79%, 0.54%

LAB 52.59, 62.47, 48.94

 

CMYK 0 / 80 / 90 / 2

HEX #F93219

RGB 249 50 25

HSL 6.7, 0.95%, 0.54%

LAB 54.54, 71.82, 60.34

 

CMYK 0 / 51 / 57 / 25

HEX #C05E52

RGB 192 94 82

HSL 6.55, 0.47%, 0.54%

LAB 51.63, 38.22, 25.27

 

CMYK 0 / 37 / 42 / 32

HEX #AD6D65

RGB 173 109 101

HSL 6.67, 0.31%, 0.54%

LAB 52.69, 24.51, 15.13

 

CMYK 0 / 19 / 22 / 40

HEX #9A7C78

RGB 154 124 120

HSL 7.06, 0.14%, 0.54%

LAB 54.7, 10.95, 6.57

 

CMYK 3 / 0 / 0 / 45

HEX #878B8B

RGB 135 139 139

HSL 180, 0.02%, 0.54%

LAB 57.54, -1.46, -0.52

 

CMYK 27 / 3 / 0 / 38

HEX #74999E

RGB 116 153 158

HSL 187.14, 0.18%, 0.54%

LAB 60.75, -11.47, -6.77

 

CMYK 0 / 57 / 32 / 25

HEX #C05282

RGB 192 82 130

HSL 333.82, 0.47%, 0.54%

LAB 50.51, 49.07, -4.85

 

CMYK 0 / 57 / 48 / 25

HEX #C05264

RGB 192 82 100

HSL 350.18, 0.47%, 0.54%

LAB 49.69, 45.76, 11.99

 

CMYK 0 / 52 / 57 / 25

HEX #C05D52

RGB 192 93 82

HSL 6, 0.47%, 0.54%

LAB 51.43, 38.74, 25.01

 

CMYK 0 / 36 / 57 / 25

HEX #C07A52

RGB 192 122 82

HSL 21.82, 0.47%, 0.54%

LAB 57.78, 23.23, 33.07

 

CMYK 0 / 21 / 57 / 25

HEX #C09852

RGB 192 152 82

HSL 38.18, 0.47%, 0.54%

LAB 65.18, 6.73, 42.04

 

CMYK 0 / 57 / 64 / 45

HEX #8D3D33

RGB 141 61 51

HSL 6.67, 0.47%, 0.38%

LAB 36.44, 33.22, 22.75

 

CMYK 0 / 57 / 64 / 33

HEX #AC4A3E

RGB 172 74 62

HSL 6.55, 0.47%, 0.46%

LAB 44.26, 39.31, 26.98

 

CMYK 0 / 51 / 57 / 25

HEX #C05E52

RGB 192 94 82

HSL 6.55, 0.47%, 0.54%

LAB 51.63, 38.22, 25.27

 

CMYK 0 / 40 / 45 / 20

HEX #CB7A70

RGB 203 122 112

HSL 6.59, 0.47%, 0.62%

LAB 59.69, 30.44, 18.99

 

CMYK 0 / 29 / 33 / 16

HEX #D6978F

RGB 214 151 143

HSL 6.76, 0.46%, 0.7%

LAB 68.32, 22.61, 13.68

 

CMYK 0 / 51 / 57 / 25

HEX #C05E52

RGB 192 94 82

HSL 6.55, 0.47%, 0.54%

LAB 51.63, 38.22, 25.27

 

CMYK 17 / 0 / 57 / 25

HEX #9FC052

RGB 159 192 82

HSL 78, 0.47%, 0.54%

LAB 73.34, -27.82, 50.8

 

CMYK 57 / 40 / 0 / 25

HEX #5273C0

RGB 82 115 192

HSL 222, 0.47%, 0.54%

LAB 49.33, 11.41, -44.01

 

CMYK 0 / 51 / 57 / 25

HEX #C05E52

RGB 192 94 82

HSL 6.55, 0.47%, 0.54%

LAB 51.63, 38.22, 25.27

 

CMYK 57 / 0 / 52 / 25

HEX #52C05D

RGB 82 192 93

HSL 126, 0.47%, 0.54%

LAB 69.67, -51.91, 40.33

 

CMYK 52 / 57 / 0 / 25

HEX #5D52C0

RGB 93 82 192

HSL 246, 0.47%, 0.54%

LAB 41.48, 34.2, -56.54

 

CMYK 0 / 51 / 57 / 25

HEX #C05E52

RGB 192 94 82

HSL 6.55, 0.47%, 0.54%

LAB 51.63, 38.22, 25.27

 

CMYK 17 / 0 / 57 / 25

HEX #9FC052

RGB 159 192 82

HSL 78, 0.47%, 0.54%

LAB 73.34, -27.82, 50.8

 

CMYK 57 / 6 / 0 / 25

HEX #52B5C0

RGB 82 181 192

HSL 186, 0.47%, 0.54%

LAB 68.5, -25.6, -14.34

 

CMYK 40 / 57 / 0 / 25

HEX #7352C0

RGB 115 82 192

HSL 258, 0.47%, 0.54%

LAB 43.49, 39.01, -53.21

 

CMYK 0 / 51 / 57 / 25

HEX #C05E52

RGB 192 94 82

HSL 6.55, 0.47%, 0.54%

LAB 51.63, 38.22, 25.27

 

CMYK 34 / 0 / 57 / 25

HEX #7EC052

RGB 126 192 82

HSL 96, 0.47%, 0.54%

LAB 71.38, -40.12, 48.04

 

CMYK 57 / 6 / 0 / 25

HEX #52B5C0

RGB 82 181 192

HSL 186, 0.47%, 0.54%

LAB 68.5, -25.6, -14.34

 

CMYK 23 / 57 / 0 / 25

HEX #9452C0

RGB 148 82 192

HSL 276, 0.47%, 0.54%

LAB 47.15, 47.05, -47.12

 

Description

Color code: HEX #C05E52 | qconv.com Color code: HEX #C05E52 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 94 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 94 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 57 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 57% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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