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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C05F42 it is the complementary color #3FA0BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C05F42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C05F42 shade: #C55F3D, #D67150, #E78363, #F89576 and #FFA789

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C05F42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C05F42 shade: #C05F42, #AF4D2F, #9E3B1C, #8D2909 and #7C1700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C05F42 shade: #C06043 and #C04343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C05F42 shade: #C06043, #C08243, #C0A343, #BBC043 and #99C043

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C05F42 shade matches the following richer shades: #C06043, #D4552F, #E84A1B and #FD3F06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C05F42 shade: #C06043, #AC6B57, #98766C, #838180 and #6F8B94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C05F42 shade: #C0436B, #C04349, #C05E43, #C07F43 and #C0A143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C05F42 shade: #85402C, #A44F36, #C06043, #CA7A62 and #D59481

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C05F42 shade: #C05F42, #8CC043 and #435AC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C05F42 shade: #C05F42, #43C05E and #5E43C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C05F42 shade: #C05F42, #8CC043, #43A5C0 and #7743C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C05F42 shade: #C05F42, #66C043, #43A5C0 and #9D43C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 66 / 25

HEX #C05F42

RGB 192 95 66

HSL 13.81, 0.5%, 0.51%

LAB 51.59, 36.58, 34.34

 

Complementary color

CMYK 67 / 15 / 0 / 26

HEX #3FA0BD

RGB 63 160 189

HSL 193.81, 0.5%, 0.49%

LAB 61.54, -19.07, -23.29

 

CMYK 0 / 52 / 69 / 23

HEX #C55F3D

RGB 197 95 61

HSL 15, 0.54%, 0.51%

LAB 52.28, 38.24, 38.07

 

CMYK 0 / 47 / 63 / 16

HEX #D67150

RGB 214 113 80

HSL 14.78, 0.62%, 0.58%

LAB 58.68, 36.77, 35.92

 

CMYK 0 / 43 / 57 / 9

HEX #E78363

RGB 231 131 99

HSL 14.55, 0.73%, 0.65%

LAB 65.06, 35.4, 33.98

 

CMYK 0 / 40 / 52 / 3

HEX #F89576

RGB 248 149 118

HSL 14.31, 0.9%, 0.72%

LAB 71.39, 34.15, 32.23

 

CMYK 0 / 35 / 46 / 0

HEX #FFA789

RGB 255 167 137

HSL 15.25, 1%, 0.77%

LAB 76.5, 29.2, 28.89

 

CMYK 0 / 51 / 66 / 25

HEX #C05F42

RGB 192 95 66

HSL 13.81, 0.5%, 0.51%

LAB 51.59, 36.58, 34.34

 

CMYK 0 / 56 / 73 / 31

HEX #AF4D2F

RGB 175 77 47

HSL 14.06, 0.58%, 0.44%

LAB 45.12, 38.09, 36.67

 

CMYK 0 / 63 / 82 / 38

HEX #9E3B1C

RGB 158 59 28

HSL 14.31, 0.7%, 0.36%

LAB 38.69, 39.61, 39.13

 

CMYK 0 / 71 / 94 / 45

HEX #8D2909

RGB 141 41 9

HSL 14.55, 0.88%, 0.29%

LAB 32.41, 40.96, 41.06

 

CMYK 0 / 81 / 100 / 51

HEX #7C1700

RGB 124 23 0

HSL 11.13, 1%, 0.24%

LAB 26.44, 41.69, 38.56

 

CMYK 0 / 50 / 65 / 25

HEX #C06043

RGB 192 96 67

HSL 13.92, 0.5%, 0.51%

LAB 51.81, 36.12, 34.04

 

CMYK 0 / 65 / 65 / 25

HEX #C04343

RGB 192 67 67

HSL 0, 0.5%, 0.51%

LAB 46.48, 50.01, 27.52

 

CMYK 0 / 50 / 65 / 25

HEX #C06043

RGB 192 96 67

HSL 13.92, 0.5%, 0.51%

LAB 51.81, 36.12, 34.04

 

CMYK 0 / 32 / 65 / 25

HEX #C08243

RGB 192 130 67

HSL 30.24, 0.5%, 0.51%

LAB 59.5, 17.74, 43.02

 

CMYK 0 / 15 / 65 / 25

HEX #C0A343

RGB 192 163 67

HSL 46.08, 0.5%, 0.51%

LAB 67.88, -0.29, 52.27

 

CMYK 3 / 0 / 65 / 25

HEX #BBC043

RGB 187 192 67

HSL 62.4, 0.5%, 0.51%

LAB 75.25, -17.49, 59.92

 

CMYK 20 / 0 / 65 / 25

HEX #99C043

RGB 153 192 67

HSL 78.72, 0.5%, 0.51%

LAB 72.81, -31.38, 56.62

 

CMYK 0 / 50 / 65 / 25

HEX #C06043

RGB 192 96 67

HSL 13.92, 0.5%, 0.51%

LAB 51.81, 36.12, 34.04

 

CMYK 0 / 60 / 78 / 17

HEX #D4552F

RGB 212 85 47

HSL 13.82, 0.66%, 0.51%

LAB 52.62, 48.08, 46.42

 

CMYK 0 / 68 / 88 / 9

HEX #E84A1B

RGB 232 74 27

HSL 13.76, 0.82%, 0.51%

LAB 54.17, 59.07, 57.9

 

CMYK 0 / 75 / 98 / 1

HEX #FD3F06

RGB 253 63 6

HSL 13.85, 0.98%, 0.51%

LAB 56.54, 69.14, 67.02

 

CMYK 0 / 50 / 65 / 25

HEX #C06043

RGB 192 96 67

HSL 13.92, 0.5%, 0.51%

LAB 51.81, 36.12, 34.04

 

CMYK 0 / 38 / 49 / 33

HEX #AC6B57

RGB 172 107 87

HSL 14.12, 0.34%, 0.51%

LAB 51.81, 23.72, 22.08

 

CMYK 0 / 22 / 29 / 40

HEX #98766C

RGB 152 118 108

HSL 13.64, 0.18%, 0.51%

LAB 52.64, 11.77, 10.6

 

CMYK 0 / 2 / 2 / 49

HEX #838180

RGB 131 129 128

HSL 20, 0.01%, 0.51%

LAB 54.12, 0.56, 0.8

 

CMYK 25 / 6 / 0 / 42

HEX #6F8B94

RGB 111 139 148

HSL 194.59, 0.15%, 0.51%

LAB 56.07, -7.74, -8.06

 

CMYK 0 / 65 / 44 / 25

HEX #C0436B

RGB 192 67 107

HSL 340.8, 0.5%, 0.51%

LAB 47.34, 53.2, 4.42

 

CMYK 0 / 65 / 62 / 25

HEX #C04349

RGB 192 67 73

HSL 357.12, 0.5%, 0.51%

LAB 46.58, 50.39, 24.06

 

CMYK 0 / 51 / 65 / 25

HEX #C05E43

RGB 192 94 67

HSL 12.96, 0.5%, 0.51%

LAB 51.4, 37.16, 33.55

 

CMYK 0 / 34 / 65 / 25

HEX #C07F43

RGB 192 127 67

HSL 28.8, 0.5%, 0.51%

LAB 58.78, 19.39, 42.19

 

CMYK 0 / 16 / 65 / 25

HEX #C0A143

RGB 192 161 67

HSL 45.12, 0.5%, 0.51%

LAB 67.35, 0.79, 51.71

 

CMYK 0 / 52 / 67 / 48

HEX #85402C

RGB 133 64 44

HSL 13.48, 0.5%, 0.35%

LAB 35.67, 27.87, 25.74

 

CMYK 0 / 52 / 67 / 36

HEX #A44F36

RGB 164 79 54

HSL 13.64, 0.5%, 0.43%

LAB 43.87, 33.1, 30.88

 

CMYK 0 / 50 / 65 / 25

HEX #C06043

RGB 192 96 67

HSL 13.92, 0.5%, 0.51%

LAB 51.81, 36.12, 34.04

 

CMYK 0 / 40 / 51 / 21

HEX #CA7A62

RGB 202 122 98

HSL 13.85, 0.5%, 0.59%

LAB 59.3, 28.68, 26.38

 

CMYK 0 / 31 / 39 / 16

HEX #D59481

RGB 213 148 129

HSL 13.57, 0.5%, 0.67%

LAB 67.21, 22.15, 19.9

 

CMYK 0 / 51 / 66 / 25

HEX #C05F42

RGB 192 95 66

HSL 13.81, 0.5%, 0.51%

LAB 51.59, 36.58, 34.34

 

CMYK 27 / 0 / 65 / 25

HEX #8CC043

RGB 140 192 67

HSL 84.96, 0.5%, 0.51%

LAB 72.01, -36.39, 55.53

 

CMYK 65 / 53 / 0 / 25

HEX #435AC0

RGB 67 90 192

HSL 228.96, 0.5%, 0.51%

LAB 41.71, 24.35, -56.26

 

CMYK 0 / 51 / 66 / 25

HEX #C05F42

RGB 192 95 66

HSL 13.81, 0.5%, 0.51%

LAB 51.59, 36.58, 34.34

 

CMYK 65 / 0 / 51 / 25

HEX #43C05E

RGB 67 192 94

HSL 132.96, 0.5%, 0.51%

LAB 69.26, -55.07, 39.23

 

CMYK 51 / 65 / 0 / 25

HEX #5E43C0

RGB 94 67 192

HSL 252.96, 0.5%, 0.51%

LAB 38.2, 43.25, -61.86

 

CMYK 0 / 51 / 66 / 25

HEX #C05F42

RGB 192 95 66

HSL 13.81, 0.5%, 0.51%

LAB 51.59, 36.58, 34.34

 

CMYK 27 / 0 / 65 / 25

HEX #8CC043

RGB 140 192 67

HSL 84.96, 0.5%, 0.51%

LAB 72.01, -36.39, 55.53

 

CMYK 65 / 14 / 0 / 25

HEX #43A5C0

RGB 67 165 192

HSL 192.96, 0.5%, 0.51%

LAB 63.27, -20.1, -22.32

 

CMYK 38 / 65 / 0 / 25

HEX #7743C0

RGB 119 67 192

HSL 264.96, 0.5%, 0.51%

LAB 40.8, 48.17, -57.51

 

CMYK 0 / 51 / 66 / 25

HEX #C05F42

RGB 192 95 66

HSL 13.81, 0.5%, 0.51%

LAB 51.59, 36.58, 34.34

 

CMYK 47 / 0 / 65 / 25

HEX #66C043

RGB 102 192 67

HSL 103.2, 0.5%, 0.51%

LAB 70.13, -49.42, 52.94

 

CMYK 65 / 14 / 0 / 25

HEX #43A5C0

RGB 67 165 192

HSL 192.96, 0.5%, 0.51%

LAB 63.27, -20.1, -22.32

 

CMYK 18 / 65 / 0 / 25

HEX #9D43C0

RGB 157 67 192

HSL 283.2, 0.5%, 0.51%

LAB 45.62, 56.57, -49.51

 

Description

Color code: HEX #C05F42 | qconv.com Color code: HEX #C05F42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 95 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 95 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 66 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 66% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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