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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C067C7 it is the complementary color #3F9838. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C067C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C067C7 shade: #C567C2, #D679D5, #E78BE8, #F89DFB and #FFAFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C067C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C067C7 shade: #C067C7, #AF55B4, #9E43A1, #8D318E and #7C1F7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C067C7 shade: #BF66C6, #C666B3, #C66699, #C6667F and #C66666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C067C7 shade: #BF66C6, #A566C6, #8B66C6, #7166C6 and #6666C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C067C7 shade matches the following richer shades: #BF66C6, #CD55D7, #DC44E8 and #EA33F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C067C7 shade: #BF66C6, #B177B5, #A288A4, #949993 and #85AA82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C067C7 shade: #8B66C6, #A466C6, #BE66C6, #C666B4 and #C6669B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C067C7 shade: #983A9F, #B348BB, #BF66C6, #CC84D1 and #D8A2DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C067C7 shade: #C067C7, #C67166 and #66C698

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C067C7 shade: #C067C7, #C6BE66 and #66C6BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C067C7 shade: #C067C7, #C67166, #6EC666 and #66BBC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C067C7 shade: #C067C7, #C68E66, #6EC666 and #669EC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 48 / 0 / 22

HEX #C067C7

RGB 192 103 199

HSL 295.63, 0.46%, 0.59%

LAB 57.11, 49.64, -35.07

 

Complementary color

CMYK 59 / 0 / 63 / 40

HEX #3F9838

RGB 63 152 56

HSL 115.63, 0.46%, 0.41%

LAB 55.89, -45.84, 41.6

 

CMYK 0 / 48 / 2 / 23

HEX #C567C2

RGB 197 103 194

HSL 301.91, 0.45%, 0.59%

LAB 57.53, 50.17, -31.51

 

CMYK 0 / 43 / 0 / 16

HEX #D679D5

RGB 214 121 213

HSL 300.65, 0.53%, 0.66%

LAB 63.98, 49.47, -32.07

 

CMYK 0 / 40 / 0 / 9

HEX #E78BE8

RGB 231 139 232

HSL 299.35, 0.67%, 0.73%

LAB 70.37, 48.74, -32.54

 

CMYK 1 / 37 / 0 / 2

HEX #F89DFB

RGB 248 157 251

HSL 298.09, 0.92%, 0.8%

LAB 76.7, 48.02, -32.96

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 4 / 48 / 0 / 22

HEX #C067C7

RGB 192 103 199

HSL 295.63, 0.46%, 0.59%

LAB 57.11, 49.64, -35.07

 

CMYK 3 / 53 / 0 / 29

HEX #AF55B4

RGB 175 85 180

HSL 296.84, 0.39%, 0.52%

LAB 50.58, 50.28, -34.51

 

CMYK 2 / 58 / 0 / 37

HEX #9E43A1

RGB 158 67 161

HSL 298.09, 0.41%, 0.45%

LAB 44.03, 50.75, -33.78

 

CMYK 1 / 65 / 0 / 44

HEX #8D318E

RGB 141 49 142

HSL 299.35, 0.49%, 0.37%

LAB 37.5, 50.9, -32.77

 

CMYK 0 / 75 / 1 / 51

HEX #7C1F7B

RGB 124 31 123

HSL 300.65, 0.6%, 0.3%

LAB 31.1, 50.41, -31.29

 

CMYK 4 / 48 / 0 / 22

HEX #BF66C6

RGB 191 102 198

HSL 295.63, 0.46%, 0.59%

LAB 56.74, 49.67, -35.08

 

CMYK 0 / 48 / 10 / 22

HEX #C666B3

RGB 198 102 179

HSL 311.88, 0.46%, 0.59%

LAB 56.84, 48.37, -23.95

 

CMYK 0 / 48 / 23 / 22

HEX #C66699

RGB 198 102 153

HSL 328.13, 0.46%, 0.59%

LAB 55.9, 44.31, -10.32

 

CMYK 0 / 48 / 36 / 22

HEX #C6667F

RGB 198 102 127

HSL 344.38, 0.46%, 0.59%

LAB 55.11, 40.84, 3.77

 

CMYK 0 / 48 / 48 / 22

HEX #C66666

RGB 198 102 102

HSL 0, 0.46%, 0.59%

LAB 54.52, 38.12, 17.6

 

CMYK 4 / 48 / 0 / 22

HEX #BF66C6

RGB 191 102 198

HSL 295.63, 0.46%, 0.59%

LAB 56.74, 49.67, -35.08

 

CMYK 17 / 48 / 0 / 22

HEX #A566C6

RGB 165 102 198

HSL 279.38, 0.46%, 0.59%

LAB 53.58, 42.27, -40.27

 

CMYK 30 / 48 / 0 / 22

HEX #8B66C6

RGB 139 102 198

HSL 263.13, 0.46%, 0.59%

LAB 50.77, 35.08, -44.89

 

CMYK 43 / 48 / 0 / 22

HEX #7166C6

RGB 113 102 198

HSL 246.88, 0.46%, 0.59%

LAB 48.37, 28.37, -48.85

 

CMYK 48 / 48 / 0 / 22

HEX #6666C6

RGB 102 102 198

HSL 240, 0.46%, 0.59%

LAB 47.5, 25.77, -50.29

 

CMYK 4 / 48 / 0 / 22

HEX #BF66C6

RGB 191 102 198

HSL 295.63, 0.46%, 0.59%

LAB 56.74, 49.67, -35.08

 

CMYK 5 / 60 / 0 / 16

HEX #CD55D7

RGB 205 85 215

HSL 295.38, 0.62%, 0.59%

LAB 56.47, 64.47, -45.04

 

CMYK 5 / 71 / 0 / 9

HEX #DC44E8

RGB 220 68 232

HSL 295.61, 0.78%, 0.59%

LAB 57.25, 77.27, -53.25

 

CMYK 6 / 80 / 0 / 2

HEX #EA33F9

RGB 234 51 249

HSL 295.45, 0.94%, 0.59%

LAB 58.7, 87.54, -60.31

 

CMYK 4 / 48 / 0 / 22

HEX #BF66C6

RGB 191 102 198

HSL 295.63, 0.46%, 0.59%

LAB 56.74, 49.67, -35.08

 

CMYK 2 / 34 / 0 / 29

HEX #B177B5

RGB 177 119 181

HSL 296.13, 0.3%, 0.59%

LAB 57.92, 33.04, -23.67

 

CMYK 1 / 17 / 0 / 36

HEX #A288A4

RGB 162 136 164

HSL 295.71, 0.13%, 0.59%

LAB 59.86, 14.97, -11.14

 

CMYK 3 / 0 / 4 / 40

HEX #949993

RGB 148 153 147

HSL 110, 0.03%, 0.59%

LAB 62.66, -2.96, 2.51

 

CMYK 22 / 0 / 24 / 33

HEX #85AA82

RGB 133 170 130

HSL 115.5, 0.19%, 0.59%

LAB 66.02, -20.53, 16.6

 

CMYK 30 / 48 / 0 / 22

HEX #8B66C6

RGB 139 102 198

HSL 263.13, 0.46%, 0.59%

LAB 50.77, 35.08, -44.89

 

CMYK 17 / 48 / 0 / 22

HEX #A466C6

RGB 164 102 198

HSL 278.75, 0.46%, 0.59%

LAB 53.46, 41.98, -40.45

 

CMYK 4 / 48 / 0 / 22

HEX #BE66C6

RGB 190 102 198

HSL 295, 0.46%, 0.59%

LAB 56.61, 49.38, -35.29

 

CMYK 0 / 48 / 9 / 22

HEX #C666B4

RGB 198 102 180

HSL 311.25, 0.46%, 0.59%

LAB 56.88, 48.54, -24.47

 

CMYK 0 / 48 / 22 / 22

HEX #C6669B

RGB 198 102 155

HSL 326.88, 0.46%, 0.59%

LAB 55.96, 44.6, -11.39

 

CMYK 4 / 64 / 0 / 38

HEX #983A9F

RGB 152 58 159

HSL 295.84, 0.47%, 0.43%

LAB 41.54, 52.91, -36.57

 

CMYK 4 / 61 / 0 / 27

HEX #B348BB

RGB 179 72 187

HSL 295.83, 0.46%, 0.51%

LAB 49.26, 58.67, -40.62

 

CMYK 4 / 48 / 0 / 22

HEX #BF66C6

RGB 191 102 198

HSL 295.63, 0.46%, 0.59%

LAB 56.74, 49.67, -35.08

 

CMYK 2 / 37 / 0 / 18

HEX #CC84D1

RGB 204 132 209

HSL 296.1, 0.46%, 0.67%

LAB 64.92, 39.94, -28.47

 

CMYK 2 / 26 / 0 / 14

HEX #D8A2DC

RGB 216 162 220

HSL 295.86, 0.45%, 0.75%

LAB 73.29, 29.65, -21.62

 

CMYK 4 / 48 / 0 / 22

HEX #C067C7

RGB 192 103 199

HSL 295.63, 0.46%, 0.59%

LAB 57.11, 49.64, -35.07

 

CMYK 0 / 43 / 48 / 22

HEX #C67166

RGB 198 113 102

HSL 6.87, 0.46%, 0.59%

LAB 56.86, 32.32, 20.77

 

CMYK 48 / 0 / 23 / 22

HEX #66C698

RGB 102 198 152

HSL 151.25, 0.46%, 0.59%

LAB 73.21, -39.08, 14.45

 

CMYK 4 / 48 / 0 / 22

HEX #C067C7

RGB 192 103 199

HSL 295.63, 0.46%, 0.59%

LAB 57.11, 49.64, -35.07

 

CMYK 0 / 4 / 48 / 22

HEX #C6BE66

RGB 198 190 102

HSL 55, 0.46%, 0.59%

LAB 75.94, -9.22, 45.1

 

CMYK 48 / 0 / 4 / 22

HEX #66C6BE

RGB 102 198 190

HSL 175, 0.46%, 0.59%

LAB 74.15, -30.29, -4.75

 

CMYK 4 / 48 / 0 / 22

HEX #C067C7

RGB 192 103 199

HSL 295.63, 0.46%, 0.59%

LAB 57.11, 49.64, -35.07

 

CMYK 0 / 43 / 48 / 22

HEX #C67166

RGB 198 113 102

HSL 6.87, 0.46%, 0.59%

LAB 56.86, 32.32, 20.77

 

CMYK 44 / 0 / 48 / 22

HEX #6EC666

RGB 110 198 102

HSL 115, 0.46%, 0.59%

LAB 72.67, -45.5, 39.83

 

CMYK 48 / 6 / 0 / 22

HEX #66BBC6

RGB 102 187 198

HSL 186.88, 0.46%, 0.59%

LAB 71.18, -22.77, -13.54

 

CMYK 4 / 48 / 0 / 22

HEX #C067C7

RGB 192 103 199

HSL 295.63, 0.46%, 0.59%

LAB 57.11, 49.64, -35.07

 

CMYK 0 / 28 / 48 / 22

HEX #C68E66

RGB 198 142 102

HSL 25, 0.46%, 0.59%

LAB 63.6, 16.51, 29.67

 

CMYK 44 / 0 / 48 / 22

HEX #6EC666

RGB 110 198 102

HSL 115, 0.46%, 0.59%

LAB 72.67, -45.5, 39.83

 

CMYK 48 / 20 / 0 / 22

HEX #669EC6

RGB 102 158 198

HSL 205, 0.46%, 0.59%

LAB 62.81, -7.39, -26.26

 

Description

Color code: HEX #C067C7 | qconv.com Color code: HEX #C067C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 103 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 103 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 48 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 48% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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