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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C06F39 it is the complementary color #3F90C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C06F39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C06F39 shade: #C56F34, #D68147, #E7935A, #F8A56D and #FFB780

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C06F39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C06F39 shade: #C06F39, #AF5D26, #9E4B13, #8D3900 and #7C2700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C06F39 shade: #C06F39, #C04B39 and #C03939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C06F39 shade: #C06F39, #C09339, #C0B839, #A4C039 and #7FC039

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C06F39 shade matches the following richer shades: #C06F39, #D46B25 and #E86711

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C06F39 shade: #C06F39, #AC734D, #977761, #837B76 and #6F7F8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C06F39 shade: #C0394B, #C04B39, #C06F39, #C09339 and #C0B739

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C06F39 shade: #804A26, #A05D2F, #C06F39, #CC8556 and #D69C76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C06F39 shade: #C06F39, #6FC039 and #3939C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C06F39 shade: #C06F39, #39C06F and #6F39C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C06F39 shade: #C06F39, #6FC039, #398AC0 and #8A39C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C06F39 shade: #C06F39, #46C039, #398AC0 and #B239C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 70 / 25

HEX #C06F39

RGB 192 111 57

HSL 24, 0.54%, 0.49%

LAB 54.94, 27.56, 42.95

 

Complementary color

CMYK 68 / 27 / 0 / 22

HEX #3F90C6

RGB 63 144 198

HSL 204, 0.54%, 0.51%

LAB 57.15, -7.32, -35.15

 

CMYK 0 / 44 / 74 / 23

HEX #C56F34

RGB 197 111 52

HSL 24.41, 0.58%, 0.49%

LAB 55.57, 29.39, 46.3

 

CMYK 0 / 40 / 67 / 16

HEX #D68147

RGB 214 129 71

HSL 24.34, 0.64%, 0.56%

LAB 62.04, 27.77, 44.61

 

CMYK 0 / 36 / 61 / 9

HEX #E7935A

RGB 231 147 90

HSL 24.26, 0.75%, 0.63%

LAB 68.46, 26.34, 42.93

 

CMYK 0 / 33 / 56 / 3

HEX #F8A56D

RGB 248 165 109

HSL 24.17, 0.91%, 0.7%

LAB 74.81, 25.06, 41.32

 

CMYK 0 / 28 / 50 / 0

HEX #FFB780

RGB 255 183 128

HSL 25.98, 1%, 0.75%

LAB 80, 19.99, 38.2

 

CMYK 0 / 42 / 70 / 25

HEX #C06F39

RGB 192 111 57

HSL 24, 0.54%, 0.49%

LAB 54.94, 27.56, 42.95

 

CMYK 0 / 47 / 78 / 31

HEX #AF5D26

RGB 175 93 38

HSL 24.09, 0.64%, 0.42%

LAB 48.36, 29.3, 44.63

 

CMYK 0 / 53 / 88 / 38

HEX #9E4B13

RGB 158 75 19

HSL 24.17, 0.79%, 0.35%

LAB 41.76, 31.25, 45.81

 

CMYK 0 / 60 / 100 / 45

HEX #8D3900

RGB 141 57 0

HSL 24.26, 1%, 0.28%

LAB 35.18, 33.31, 46.33

 

CMYK 0 / 69 / 100 / 51

HEX #7C2700

RGB 124 39 0

HSL 18.87, 1%, 0.24%

LAB 28.74, 35.38, 40.52

 

CMYK 0 / 42 / 70 / 25

HEX #C06F39

RGB 192 111 57

HSL 24, 0.54%, 0.49%

LAB 54.94, 27.56, 42.95

 

CMYK 0 / 61 / 70 / 25

HEX #C04B39

RGB 192 75 57

HSL 8, 0.54%, 0.49%

LAB 47.67, 45.9, 34.76

 

CMYK 0 / 70 / 70 / 25

HEX #C03939

RGB 192 57 57

HSL 0, 0.54%, 0.49%

LAB 44.84, 53.52, 31.44

 

CMYK 0 / 42 / 70 / 25

HEX #C06F39

RGB 192 111 57

HSL 24, 0.54%, 0.49%

LAB 54.94, 27.56, 42.95

 

CMYK 0 / 23 / 70 / 25

HEX #C09339

RGB 192 147 57

HSL 40, 0.54%, 0.49%

LAB 63.65, 7.8, 52.24

 

CMYK 0 / 4 / 70 / 25

HEX #C0B839

RGB 192 184 57

HSL 56.44, 0.54%, 0.49%

LAB 73.4, -11.87, 62.08

 

CMYK 15 / 0 / 70 / 25

HEX #A4C039

RGB 164 192 57

HSL 72.44, 0.54%, 0.49%

LAB 73.47, -27.62, 61.43

 

CMYK 34 / 0 / 70 / 25

HEX #7FC039

RGB 127 192 57

HSL 88.89, 0.54%, 0.49%

LAB 71.22, -41.91, 58.42

 

CMYK 0 / 42 / 70 / 25

HEX #C06F39

RGB 192 111 57

HSL 24, 0.54%, 0.49%

LAB 54.94, 27.56, 42.95

 

CMYK 0 / 50 / 83 / 17

HEX #D46B25

RGB 212 107 37

HSL 24, 0.7%, 0.49%

LAB 56.73, 37.02, 54.83

 

CMYK 0 / 56 / 93 / 9

HEX #E86711

RGB 232 103 17

HSL 24, 0.86%, 0.49%

LAB 58.88, 46.33, 64.28

 

CMYK 0 / 42 / 70 / 25

HEX #C06F39

RGB 192 111 57

HSL 24, 0.54%, 0.49%

LAB 54.94, 27.56, 42.95

 

CMYK 0 / 33 / 55 / 33

HEX #AC734D

RGB 172 115 77

HSL 24, 0.38%, 0.49%

LAB 53.57, 18.29, 30.03

 

CMYK 0 / 21 / 36 / 41

HEX #977761

RGB 151 119 97

HSL 24.44, 0.22%, 0.49%

LAB 52.55, 9.26, 16.86

 

CMYK 0 / 6 / 10 / 49

HEX #837B76

RGB 131 123 118

HSL 23.08, 0.05%, 0.49%

LAB 52.17, 2.11, 3.82

 

CMYK 20 / 8 / 0 / 46

HEX #6F7F8A

RGB 111 127 138

HSL 204.44, 0.11%, 0.49%

LAB 52.28, -3.33, -7.92

 

CMYK 0 / 70 / 61 / 25

HEX #C0394B

RGB 192 57 75

HSL 352, 0.54%, 0.49%

LAB 45.14, 54.56, 20.98

 

CMYK 0 / 61 / 70 / 25

HEX #C04B39

RGB 192 75 57

HSL 8, 0.54%, 0.49%

LAB 47.67, 45.9, 34.76

 

CMYK 0 / 42 / 70 / 25

HEX #C06F39

RGB 192 111 57

HSL 24, 0.54%, 0.49%

LAB 54.94, 27.56, 42.95

 

CMYK 0 / 23 / 70 / 25

HEX #C09339

RGB 192 147 57

HSL 40, 0.54%, 0.49%

LAB 63.65, 7.8, 52.24

 

CMYK 0 / 5 / 70 / 25

HEX #C0B739

RGB 192 183 57

HSL 56, 0.54%, 0.49%

LAB 73.13, -11.35, 61.82

 

CMYK 0 / 42 / 70 / 50

HEX #804A26

RGB 128 74 38

HSL 24, 0.54%, 0.33%

LAB 37.16, 19.58, 30.76

 

CMYK 0 / 42 / 71 / 37

HEX #A05D2F

RGB 160 93 47

HSL 24.42, 0.55%, 0.41%

LAB 46.32, 23.34, 37.37

 

CMYK 0 / 42 / 70 / 25

HEX #C06F39

RGB 192 111 57

HSL 24, 0.54%, 0.49%

LAB 54.94, 27.56, 42.95

 

CMYK 0 / 35 / 58 / 20

HEX #CC8556

RGB 204 133 86

HSL 23.9, 0.54%, 0.57%

LAB 61.9, 22.51, 36.32

 

CMYK 0 / 27 / 45 / 16

HEX #D69C76

RGB 214 156 118

HSL 23.75, 0.54%, 0.65%

LAB 69.03, 17.02, 28.39

 

CMYK 0 / 42 / 70 / 25

HEX #C06F39

RGB 192 111 57

HSL 24, 0.54%, 0.49%

LAB 54.94, 27.56, 42.95

 

CMYK 42 / 0 / 70 / 25

HEX #6FC039

RGB 111 192 57

HSL 96, 0.54%, 0.49%

LAB 70.44, -47.4, 57.38

 

CMYK 70 / 70 / 0 / 25

HEX #3939C0

RGB 57 57 192

HSL 240, 0.54%, 0.49%

LAB 33.14, 43.57, -70.26

 

CMYK 0 / 42 / 70 / 25

HEX #C06F39

RGB 192 111 57

HSL 24, 0.54%, 0.49%

LAB 54.94, 27.56, 42.95

 

CMYK 70 / 0 / 42 / 25

HEX #39C06F

RGB 57 192 111

HSL 144, 0.54%, 0.49%

LAB 69.27, -54.13, 30.6

 

CMYK 42 / 70 / 0 / 25

HEX #6F39C0

RGB 111 57 192

HSL 264, 0.54%, 0.49%

LAB 38.04, 51.69, -62.04

 

CMYK 0 / 42 / 70 / 25

HEX #C06F39

RGB 192 111 57

HSL 24, 0.54%, 0.49%

LAB 54.94, 27.56, 42.95

 

CMYK 42 / 0 / 70 / 25

HEX #6FC039

RGB 111 192 57

HSL 96, 0.54%, 0.49%

LAB 70.44, -47.4, 57.38

 

CMYK 70 / 28 / 0 / 25

HEX #398AC0

RGB 57 138 192

HSL 204, 0.54%, 0.49%

LAB 54.92, -6.86, -35.26

 

CMYK 28 / 70 / 0 / 25

HEX #8A39C0

RGB 138 57 192

HSL 276, 0.54%, 0.49%

LAB 41.43, 56.91, -56.39

 

CMYK 0 / 42 / 70 / 25

HEX #C06F39

RGB 192 111 57

HSL 24, 0.54%, 0.49%

LAB 54.94, 27.56, 42.95

 

CMYK 64 / 0 / 70 / 25

HEX #46C039

RGB 70 192 57

HSL 114.22, 0.54%, 0.49%

LAB 68.97, -58.71, 55.39

 

CMYK 70 / 28 / 0 / 25

HEX #398AC0

RGB 57 138 192

HSL 204, 0.54%, 0.49%

LAB 54.92, -6.86, -35.26

 

CMYK 7 / 70 / 0 / 25

HEX #B239C0

RGB 178 57 192

HSL 293.78, 0.54%, 0.49%

LAB 47.23, 65.36, -46.76

 

Description

Color code: HEX #C06F39 | qconv.com Color code: HEX #C06F39 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 111 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 111 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 70 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 70% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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